My Fujifilm X-Pro2 Kodachrome II Film Simulation Recipe


Drummond Ranch – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”

I was asked by a couple different Fuji X Weekly readers if I could create some film simulation recipes that mimic the look of renown photographers Ernst Haas, Luigi Ghirri and William Eggleston, each of which are known for their unique style. As I was contemplating how to go about this, I learned that all three of them used Kodachrome film. Although none of them used Kodachrome exclusively, they all used it extensively at one time. If I could make a Kodachrome recipe, I would have something that covers Haas, Ghirri and Eggleston. To copy their look using this recipe, simply find color and light in the same manor as those famous photographers did (easy, right?).

You might be thinking, doesn’t Classic Chrome already look like Kodachrome? No, it actually resembles Ektachrome more than Kodachrome, but it is a good starting point since it has a general Kodak aesthetic. What about the Kodachrome recipe I already made? Actually, that mimics an earlier version of the film, which has a little different look than what I was going for here. You could use that, as I’m certain that some of Haas’ early color work was shot on that era of Kodachrome. Primarily, the Kodachrome that Haas, Ghirri and Eggleston used was Kodachrome II and Kodachrome-X.

In 1961 Kodak replaced the original Kodachrome with a new and improved version called Kodachrome II and a higher-ISO sibling called Kodachrome-X. These films had more accurate color, finer grain and faster ISOs (ISO 25 and 64, respectively, compared to ISO 10 of the original) than the previous version. It was a big leap forward for color photography, and so it is no surprise that the innovators of color photography in the 1960’s and 1970’s relied heavily on it. It’s also the version that Paul Simon sang, “They give us the greens of summer, makes you think all the world’s a sunny day.”

Kodachrome II and Kodachrome-X produced a very similar look to each other. The main differences were in grain, contrast and saturation, but overall the variations were quite minor. Kodachrome-X was slightly more bold while Kodachrome II was slightly more clean. Even so, comparing slides, it’s tough to distinguish one from the other (conveniently, I have my grandparents old slides at my home). Even though I have named this film simulation recipe “Kodachrome II” I think it more closely resembles Kodachrome-X, but I find it to be a reasonable match for both.


Chair Shadow – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”

Because of the toxic chemicals used in the development of this era of Kodachrome, plus the complexity of the process, Kodak changed from K-12 development to K-14 development, which ushered in new Kodachrome in 1974, called Kodachrome 25 and Kodachrome 64. This version of the film is the one that I have personally used. Interestingly enough, even though this version wasn’t all that much aesthetically different than the previous, there was a big outcry among photographers, and a large group who used Kodachrome II and Kodachrome-X did not appreciate the change.

I believe that Haas, Ghirri and Eggleston continued to use Kodachrome even beyond 1974 when the new version came out, but it seems they used it less extensively, especially Eggleston, who became known for his work with color negatives. Still, each of these three photographers captured some of their most recognizable images on the second era of Kodachrome. And that’s the look that the film simulation recipe below is based on.

Classic Chrome
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -1
Noise Reduction: -3
Sharpening: 1
Grain Effect: Weak
White Balance: Auto, +3 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photos, all straight-out-of-camera JPEGs captured using my Fujifilm X-Pro2 Kodachrome II Film Simulation recipe:


Roof & Sky – Wichita, KS – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Small Green Hill – McAlester, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Ranch View – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Foal Shy – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Blackberry Lemonade – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


From Dust To Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2 & 60mm “Kodachrome II”


McDiner – Taos, NM – Fujifilm X-Pro2 & 60mm “Kodachrome II”


McTaos – Taos, NM – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Pawhuska Reflection – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Open Window Reflection – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Kitchen Flowers – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


White Water Lily – Princeton, TX – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Park Boys – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Rural Sunset – Pawhuska, OK – Fujifilm X-Pro2 & 60mm “Kodachrome II”


Weed At Sunset – Montrose, CO – Fujifilm X-Pro2 & 60mm “Kodachrome II”

See also: My Fujifilm X-Pro2 Vintage Agfacolor Film Simulation Recipe

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  1. Rohimzha · April 16

    Please make a recipe for Fujifilm Xa 3


  2. Rohimuye · April 16

    Plss make a recipe for Fujifilm XA3


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  4. Cássio De Araújo Duarte · May 22

    Amazing! Do you know how to get to these results with Capture One?


    • Ritchie Roesch · May 22

      Honestly, I have no idea. I very rarely do RAW anymore, just camera-made JPEGs.


  5. Tim Toppik · May 28

    Hey Ritchie, such a great body of work, absolutely stunning. Thank you so much for doing this! I will buy a X-T3 in the near future. Will the Kodachrome II recipe look the same on the X-T3? Or will there be major differences compared to the X-Trans III version?


    • Ritchie Roesch · May 29

      It looks the same. There are some extremely minor differences between X-Trans III & IV, but the recipe looks essentially the same. I’ve used it a number of times on my X-T30


  6. Andy Jackson · June 2

    Love the blog. Will the X-Pro2 Kodachrome II Film Simulation Recipe work on the x100f?

    Liked by 1 person

  7. Hani · June 10

    How can I adjust WB red and blue on xt3 ? It is deactivated when choosing classic chrome .. thanks


    • Ritchie Roesch · June 10

      That’s strange. Someone recently told me of a similar issue with their GFX50 camera (but with Astia, I think). He called Fujifilm support and got it straightened out. I believe he said it was a simple fix, but didn’t tell me what it was. Maybe give Fujifilm customer support a call. 1-800-800-3854


  8. Alonso Henríquez · July 11

    Hi Ritchie, just congratulate you over and over on your wonderful recipes. I was wondering if this particular one would work properly on my X100T (X-Trans II) trying to adjust the camera parameters as close to your Kodachrome II recipe as possible. Thank you in advance for your response and suggestions 🙂

    Liked by 1 person

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  12. gqglasgow · August 12

    Hi Ritchie I hope you’re doing well. Your site is such a great resource and we’re lucky to have you putting in such great work.

    I thought I’d share with you something I wrote about a variation on this recipe. I use it as is in low light indoor but have my own variation I lean if I want to shoot people in low light.

    Liked by 1 person

  13. Pingback: With Other Film Simulations: Kodachrome 64 | Fuji X Weekly
  14. Travis Becker (@VoteNASA) · September 3

    Are these profile settings meant to be used on the Classic Chrome Simulation or the standard/Provia?

    Liked by 1 person

  15. Hello Ritchie.
    Thank you a lot for your work. It´s really incredible. I´ve been photographing for many years with my own colour palette. But well, you know, that’s a lot of time processing RAWS. Your recipes are great! But I have a question.

    I love your Kodachrome II receipe. Using Classic Chrome the cyans are great. But the truth is that (at least for me) the greens are better in the Classic Neg (green with less yellow and more blue. Is there a way to keep all the color in the Kodachrome II recipe but with a different greens. It´s easy to do in Adobe Camera Raw but I know that the tools for the film simulations are limited here.

    Thank you again for the work.

    Liked by 1 person

    • Ritchie Roesch · September 5

      That would be an interesting experiment. I’ll give it a try and see what I can come up with.


  16. Marc · September 6

    How to make the Kodachrome 64 Simulation on the X-E1 ? I would love to use this as a preset.

    KInd regards,


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