Photographer Omar Gonzales made a video about turning your Fujifilm X camera into the Fujifilm Noir, a dedicated black-and-white camera. This post will make much more sense if you watch the video first, so take a moment to do that right now if you haven’t already done so.
Did you watch it? Don’t read anything below until the video is finished!
Done? Okay, let’s move on.
I made my own Fujifilm Noir camera using my X-T30. I have the silver version, so gaffer tape didn’t make a whole lot of sense for the new label that I wanted to attach to the front. I asked my daughter to create something using paper and pencils that might better match the camera. For those wondering, these labels are available for $25 each (only kidding, of course). And, yes, gluing a paper label to a camera is much less heart-stopping than sandpapering a camera.
My Fujifilm Noir is an X-T30 with an Asahi Super-Takumar 55mm f/2 attached to the front. I screwed an 1/2 Black Pro Mist filter to the lens (not pictured, sorry) to further enhance the film-like aesthetic. I shot the camera in manual mode using a black-and-white film simulation recipe that I created just for this project. What’s the film simulation recipe? Well, you’ll find it below!
Dynamic Range: DR200
Color Chrome Effect: Off
Noise Reduction: -4
White Balance: 2500K, +9 Red & +9 Blue
Exposure Compensation: -2/3 to +2/3 (typically)
This film simulation recipe was actually an experiment (from when I was creating my B&W IR recipe) that I didn’t love, but I thought it was good enough to use here. I won’t make it an official recipe, this is simply a bonus for you. Feel free to use it in your own photography, as it’s compatible with all X-Trans III and IV cameras. It reminds me of Kodak BW400CN, a black-and-white film that used the C-41 (color) development process. These settings weren’t intended to look like that film, but that’s what it reminds me of.
Kodak BW400CN was not likely ever a popular choice for Noir photography. Noir is French for Black, and Noir photographs are often dark and moody, inspired by 1940’s through 1960’s monochrome crime movies. This recipe isn’t especially Noir, but I used it anyway. There are probably ten different film simulation recipes that are more appropriate for Noir than this one.
I didn’t follow all of Omar’s rules. I shot RAW+JPEG, but only because I used a 2GB memory card, which has enough space for 27 exposures. On a 24-exposure roll of film, you could typically get 25 or 26 frames on it if you were careful. 27 exposures was possible but not commonly achieved (outside of disposable cameras). To make this more of a film-like experience, I used the 2GB SD Card to limit myself to a maximum of 27 exposures, and I refused to change the “film” (recipe) until I had exposed the card. I deleted the RAW files and just used the out-of-camera JPEGs. I got the memory card idea from Fuji X Weekly reader Josh Gagnon.
All of the pictures below were from the first 27-exposure “roll” of “Kodak BW400CN” that I captured using my “Fujifilm Noir” camera. Yes, they’re all camera-made JPEGs, unedited except for some minor cropping here and there.
Not bad for one “roll” of “film” on my “Noir” camera, right?
Now the ball is in your court! Turn your Fujifilm X camera into a Fujifilm Noir camera and shoot some black-and-white pictures with it! I don’t have any specific rules, but try to give yourself some limitations because limitations improve art. I enjoyed the 2GB card thing. Share with me your Noir pictures using #fujixweekly on Instagram. Let me know in the comments if you like this project and what you think of this “Kodak BW400CN” film simulation recipe!
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