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Comparing Kodak Portra 800 Recipes

*Fujifilm X-T5 + Kodak Portra 800 v3 Film Simulation Recipe*

This morning I headed out with my Fujifilm X-T5 to capture some images, so that I could do a side-by-side comparison of the new Kodak Portra 800 v3 Film Simulation Recipes with the other two Portra 800 options, plus Kodak Portra 400 v2. As I explained in the article for the new Recipe, Peter McKinnon’s Portra 800 photographs were the inspiration for it, and it is also reminiscent of some of Kyle McDougall’s An American Mile Portra 400 pictures. With all of these Recipe options, perhaps you are unsure which one you should use. Just because I published a new version, doesn’t mean that it is inherently the best one or the right one for you; it’s simply an alternative that you may or may not like. Hopefully, this article will help you with your decision. I do believe that many of you will appreciate the new Kodak Portra 800 v3 Recipe.

It’s important to understand that one film can produce many different looks based on a whole host of factors: how shot (film format, lens, exposure, filters, light, etc.), how developed (push/pull, brand of chemicals, freshness of chemicals, timing, temperature and pH of the water, etc.), how printed (paper, chemicals, timing, filters, etc.) and/or how scanned (brand of scanner, correction profiles, post-editing, etc.). Even within one photographer’s collection of one specific emulsion, there can be some noticeable variances. In the case of Peter McKinnon and his Kodak Portra 800, there is indeed significant divergences in the exact look of different pictures. My Kodak Portra 800 v3 Recipe does not accurately mimic all of his pictures captured with the film, but it is pretty close to some of them.

These three Kodak Portra 800 Recipes can all resemble the film; however, they’re much different from each other. Since one emulsion can produce divergent results, you can achieve various looks by choosing different Film Simulation Recipes. My original Kodak Portra 800 Film Simulation Recipe was a joint venture between myself and Thomas Schwab based on “memory color” (as Fujifilm likes to put it) of the film. The next version, Kodak Portra 800 v2, was created entirely by Thomas Schwab after he shot a roll of the film and his Fujifilm X-Pro3 camera side-by-side. The third version was created by me after carefully examining Peter McKinnon’s pictures of Kodak Portra 800 film. I included my Kodak Portra 400 v2 Recipe in this comparison because it is fairly similar to the Kodak Portra 800 v3 Recipe, and because there is an obvious resemblance with the new Recipe to some Portra 400 film photographs.

With all of that said, let’s jump right into the comparison! Because X-Trans V renders blue more deeply on some film sims, I adjusted Color Chrome FX Blue down one notch on Kodak Portra 800 and Kodak Portra 800 v2 to make them compatible with my X-T5.

*Kodak Portra 800 Film Simulation Recipe*

*Kodak Portra 800 v2 Film Simulation Recipe*

*Kodak Portra 800 v3 Film Simulation Recipe*

*Kodak Portra 400 v2 Film Simulation Recipe*

For me, personally, it’s really hard to beat Kodak Portra 400 v2. It’s one of my all-time personal favorite Film Simulation Recipes, and it’s also one of the most popular. In each of these five sets, it’s the Recipe that I’m most drawn to. Kodak Portra 800 v3 is the most warm of these four options; a comparison of warmer Recipes—1970’s Summer, 1971 Kodak, Vibrant Arizona, Kodak Vericolor Warm, Kodak Portra 400 Warm, Bright Summer, Bright Kodak, and the new Kodak Portra 800 v3—would be interesting. The original Kodak Portra 800 Recipe is the punchiest, Kodak Portra 800 v2 is the softest, and v3 is the warmest. Ignoring the Kodak Portra 400 v2 pictures, I like Kodak Portra 800 v3 the best in the first set (with the truck), the third set (broken window, wide), and the fourth set (gas station); I like the original Kodak Portra 800 Recipe the best in the second set (broken window, tall) and the last set (Motor Hotel); while I do like Kodak Portra 800 v2 in each set, it wasn’t my top choice in any.

Now it’s your turn! From this test, which of these four Film Simulation Recipes did you like best? Which was your favorite for each set? Let me know in the comments!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

Find these Film Simulation Recipes and over 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Reala Ace + 3 More Recipes!

Posted on November 3 by Ritchie Roesch

*Luxury Among Palms* – Laguna Hills, CA – Fujifilm X-T5 – Reala Ace Recipe

Today’s SOOC Live broadcast was wonderful. Thank you to everyone who tuned in and participated—you all make it great!

We discusses the new Reala Ace film simulation, and talked at length about my Reala Ace Film Simulation Recipe. The Reala Ace Recipe is for X-Trans V cameras, and not everyone has one of those cameras, and even if you do, you might prefer a different option, so Nathalie Boucry and I offered three similar Recipes as alternatives. Specifically, we suggested Fujicolor Reala 100, Fujicolor Superia 100, and Fujicolor 100 Industrial. Watch the video below to learn more.

There are two Fujicolor Reala 100 Recipes—one for X-Trans IV (excluding the X-T3 and X-T30), and one for X-Trans V. Likewise, there are two Fujicolor Superia 100 Recipes—one for X-Trans IV (excluding the X-T3 and X-T30), and one for X-Trans V. The Fujicolor 100 Industrial Recipe is just for the X-T3 and X-T30; however, simply ignore Color Chrome Effect to use it on X-Trans III (it will look very similar, and only slightly different), or for newer cameras, set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.

While you are here, the long-overdue Viewers’ Images slideshow from the previous broadcast was finally published. You can watch it below. There are some really great pictures by you all, so you’ll definitely want to take a look. Thanks to everyone who submitted photographs!

Some pictures from today’s show:

Fujifilm EXR-CMOS Recipes

Posted on August 6 by Ritchie Roesch

These Film Simulation Recipes are intended for Fujifilm EXR-CMOS sensor cameras, such as the original X100, XF1, X10, and X-S1. Feel free to try Bayer, X-Trans I and X-Trans II Recipes that use Provia, Velvia, Astia, Monochrome, or Sepia film simulations on your EXR-CMOS camera; however, the results will be slightly different. These Recipes will work on the X-Trans I, X-Trans II, and Bayer models, but with slightly different results.

Check out the Fuji X Weekly App for iOS and Android. It’s free! Unlock advanced features by becoming a Patron.

Golden Negative

Provia/STD

More coming soon!

Top 10 Fujicolor Film Simulation Recipes

Posted on December 2 by Ritchie Roesch

*Spooner Cove* – Montaña de Oro SP, CA – Fujifilm X100V – Fujicolor 100 Gold

When I published my Top 25 Most Popular Film Simulation Recipes of 2023 (so far…), what was surprisingly absent were any that were modeled after or inspired by Fujifilm emulsions. The Top 25 were almost entirely Kodak-like Recipes. That shouldn’t be too surprising since Kodak was the most popular film manufacturer, so the desire for a Kodak rendering is to be expected. But, personally, I really appreciate many of the Fujicolor Recipes, and their complete exclusion from the Top 25 list was a bit unexpected.

Someone suggested that I should make a new list, this one showcasing the most popular Fujifilm-like Recipes. Just like the Top 25 list, this one is based on page-view website statistics. It’s a flawed method, but the best that I have available to me. I included the overall ranking, too, just so that you can see where they stand in the big picture.

The number one most popular Fujicolor Recipe is for X-Trans III cameras (plus the X-T3 and X-T30), as is number eight. The tenth spot is an X-Trans V Recipe. All the others are for X-Trans IV cameras. Eight of these use Classic Negative as the base, one uses PRO Neg. Std, and one uses Velvia. Some of these are personal favorite Recipes of mine, while some of my other personal favorite Recipes that are modeled after or inspired by Fujifilm emulsions didn’t make this list.

Without any further delay, here are the Top 10 Fujicolor Film Simulation Recipes:

#1 (#30 overall):

Fujicolor Superia 800

#2 (#41 overall):

Fujicolor Superia 800

#3 (#53 overall):

Fujicolor Natura 1600

#4 (#54 overall):

Fujicolor Superia 100

#5 (#57 overall):

#6 (#60 overall):

#7 (#61 overall):

#8 (#70 overall):

#9 (#72 overall):

#10 (#76 overall):

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

New Ricoh GR III / GR IIIx Recipes!

Posted on December 14 by Ritchie Roesch

*Ricoh GR III + Vibrant Nostalgia Recipe*

For those of you with a Ricoh GR III or GR IIIx camera, I just published a new collection of Recipes over at Ritchie’s Ricoh Recipes, called The Analog Collection. There are six new Recipes, so if you have a GR III or GR IIIx, be sure to check it out now! Also, be sure to download the Ricoh Recipes App if you haven’t yet done so.

Since this is a Fujifilm blog, I don’t want to take up too much of your time with this, so if you are interested in learning more, simply click here. For the rest of you, I hope that you enjoy viewing the handful of example pictures in this short article.

*Ricoh GR III + Reggie’s Color Negative Recipe*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III Amazon B&H Moment
Ricoh GR IIIx Amazon B&H Moment

Film Simulation Recipes Sell Fujifilm Cameras

Posted on December 24 by Ritchie Roesch

Yesterday, MPB (“an online platform for used photography and videography equipment”) published an article entitled How to Install and Use Fujifilm Recipes, which was largely written by Michael Schulz. I knew that this story was in the works because MPB had reached out to me several weeks ago just to make sure that it was ok to mention Fuji X Weekly in an upcoming piece; however, I only found out that it was published because I noticed a number of clicks to this website from theirs within today’s daily stats. What I love about the MPB article are the lovely photographs by Michael captured with his Fujifilm X100V, using mostly the Pacific Blues, Kodak Gold 200 (or is it this one?), and Kodak Portra 400 v2 (maybe Vibrant Arizona, too…) Film Simulation Recipes. It’s a real testament to what can be done straight-out-of-camera with Fujifilm models.

Back in January, Moment (“the world’s largest marketplace for creators”) had asked me if I would be willing to write an article for their website about Film Simulation Recipes, and in February they published my story Why Shooting JPEGs Is So Popular (& 10 Fujifilm Simulation Recipes). This was a follow-up to an article that (back in 2021) I contributed to called Why I Never Shoot RAW—Fujifilm Simulations, Recipes, and More!—I made my portion of that article a standalone piece on Fuji X Weekly entitled History & Poetry of Kodachrome. Moment told me that both of those articles are very popular, and are some of the most viewed on their website.

*Pacific Poppies* – Montaña de Oro SP, CA – Fujifilm X-E4 – Pacific Blues Recipe

B&H (“the people who know your gear best”) briefly mentioned Fuji X Weekly and Film Simulation Recipes back in 2021, in an article called Your Guide to FUJIFILM Film Simulations by Todd Vorenkamp. Last year, Vistek (“Canada’s camera store”) mentioned this website and Recipes in their YouTube video Zen & The Art of Fujifilm Film Simulations | The deep science of matching to film stocks.

I was thinking today: why are camera stores talking about Fuji X Weekly and Film Simulation Recipes? It would be more obviously understood if I had merchandise for sale in their stores or on their websites, but I don’t. What’s in it for them? I think the answer is pretty simple: Fuji X Weekly Recipes sell Fujifilm cameras.

*Golden Light in Abandoned House* – North Salt Lake, UT – Fujifilm X100V – Fujicolor Reala 100 Recipe

Recipes are one of the reasons why the X100V has been so hard to find for over a year now. Social media influencers began saying that the X100V’s pictures “mimic film” and require “zero editing”—next thing you know they’re out of stock everywhere. With a little research I found out that these influencers were using my Film Simulation Recipes.

If you have a camera store and want to move your Fujifilm inventory, the best way is to point out to customers that the straight-out-of-camera pictures look so darn good, and post-editing isn’t necessary. Specifically, Film Simulation Recipes make it easy to get great-looking pictures without fuss, which can make photography more accessible and enjoyable, saving tons of time and frustration. There’s even an app! I think Fujifilm themselves have overall done a fairly poor job of communicating this; it’s been influencers and camera stores and really just word-of-mouth by Fujifilm photographers that has spread the message to the community at large. Outside of Fujifilm circles, this whole concept is fairly unknown or misunderstood, so there’s still a lot of work to go. MPB’s article will help; hopefully there will be more like it in the near future.

White Balance & Film Simulation Recipe Versatility

Posted on January 16 by Ritchie Roesch

Which Film Simulation Recipes are the most versatile? What makes a particular Recipe especially versatile, anyway? What does White Balance have to do with any of it? These are questions that I get asked pretty regularly, so I thought I would answer them today.

Let’s start with White Balance, including White Balance Shift. In the analog days, with a few exceptions, film was either Daylight-balanced or Tungsten-balanced. Daylight-balanced film, as you can imagine, was intended for use in sunny daytime scenarios, with a Kelvin temperature around 5500-5600K. Tungsten film was intended for artificial light scenarios, with a Kelvin temperature around 3200K. Because film was made for one of two specific light situations, you had three basic options for use outside of those scenarios: 1) accept the results for what they are, 2) use Color Correction Filters to adjust the Kelvin temperature to more closely match the light, or 3) use lighting equipment to artificially make the light match the film.

*Fujifilm X100V — Fujicolor NPS 160 Pulled*

Digital cameras have a large number of White Balance options, which, when combined with WB fine-tuning (Fujifilm calls it WB Shift), can match the precise light that you are photographing in. If the White Balance is exactly correct for the light, things that are pure white in real life will appear pure white in the photograph, no color tint. But, just because the White Balance is technically correct, doesn’t mean that it is artistically correct. Nobody said that the White Balance must always be spot-on accurate—maybe you don’t want it to be, for aesthetic reasons. In fact, in the film days, it was quite common for the Kelvin temperature to be a mismatch for the light, at least a little. Kodak—the most popular film maker—was known for making emulsions with a warm color cast. In other words, achieving a perfectly accurate White Balance, which wasn’t particularly common until somewhat recently, might not be desirable. However, in the digital age with Auto White Balance, we’re often used to having a highly accurate White Balance in our photographs, and seeing it not spot-on accurate can perhaps be a bit unnerving, especially if it is pretty far off.

Many of the Fuji X Weekly Film Simulation Recipes are facsimiles of actual film stocks, and often that means using a fixed White Balance. Unless you have Color Correction Filters or are artificially lighting the scene to match the White Balance (both of which are unlikely), if the scene’s light is a mismatch for the Recipe, you can get undesirable results sometimes (just like with film). My best advice is to use a Film Simulation Recipe that is a match for the scene. For example, Fluorescent Night might be a better choice for nighttime photography than 1970’s Summer, since the former is more like Tungsten-balanced and the latter is more like Daylight-balanced. Sometimes the best Recipe for a particular light situation might be obvious, and other times it might not be, and trial-and-error is necessary to figure it out—my Which Film Simulation Recipe, When? series is intended to help out with this.

Not all of the Recipes use a fixed White Balance; instead, some call for Auto White Balance. Newer Fujifilm cameras actually have three AWB options: Auto White Priority, Auto, and Auto Ambience Priority. White Priority leans cooler in artificial light than standard Auto, while Ambience Priority leans a little warmer in artificial light. All three AWB options are intended to produce reasonably accurate White Balances in all light situations. Because of this, Recipes that use AWB tend to be a lot more versatile than Recipes with a fixed White Balance, since you can use them in all sorts of light situations, and not just one. This is much less film-like, but perhaps can be equated to carrying a bunch of different Color Correction Filters with you all of the time. The easiest way to find my Film Simulation Recipes that use AWB is to Filter By White Balance (available to App Patrons) in the Fuji X Weekly App.

White Balance and WB Shift are probably the largest factor in determining the versatility of a particular Recipe, but it’s far from the only factor. Film Simulation, Dynamic Range, Highlight and Shadow, Color, etc., all play a role. One Recipe that uses AWB might be more versatile than another that also uses AWB, and some Recipes that use a fixed White Balance can be surprisingly versatile. However, what one person likes might be different from another, since each person has their own unique tastes. I might like a particular Recipe for a specific scenario, but you might dislike it for that exact same situation.

The pictures in this article were all captured with Film Simulation Recipes that use AWB and that I find to be especially versatile. Use them anytime of the day or night, in any light situation, and for any subject. If you want a versatile option to program into your Fujifilm camera, those are ones to consider. But they are far from the only versatile Recipes, and they might not be the best, either. If one of them stands out to you, I definitely invite you to try it.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:  Amazon  B&H  Moment
Fujifilm X-T5 in silver:  Amazon  B&H  Moment
Fujifilm X100V in black: Amazon   B&H  Moment
Fujifilm X100V in silver: Amazon B&H  Moment

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Top 10 Film Simulation Recipes

Posted on May 4 by Ritchie Roesch

*Two Caballeros* – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64 Recipe

I’m always fascinated by which Film Simulation Recipes you are using. I get a glimpse on social media, but my best gauge is the website statistics; specifically, which Recipe articles are viewed the most. Two months ago I shared with you the Top 10 most viewed Recipe articles of 2022 plus the most viewed through the first two months of 2023, and I was surprised by a couple of the rankings. Looking at this two months later, I’m once again surprised by a few things, and not so much by most of it.

So far in 2023, seven of the ten—including the Top 3—Film Simulation Recipes are for X-Trans IV camera. From the data I have, the majority of people who shoot with Recipes are doing so on X-Trans IV models. Kodachrome 64 remains king of Recipes, Kodak Portra 400 v2 is a close second, and Kodak Portra 400 is solidly third. Vintage Kodak and Classic Chrome (the original Fuji X Weekly Recipe), which are both for X-Trans III cameras (plus the X-T3 and X-T30), hold the fourth and fifth spots. Kodak Tri-X 400, the only B&W Recipe on this list, is sixth. Those first half-dozen are all identical rankings to 2022.

Kodak Ultramax 400 didn’t make last year’s Top 10 list, but it did rank number seven through the first two months of this year, and it continues to hold that through April. The X-Trans III version of Kodachrome II dropped one spot, while the X-Trans IV version moved out of the Top 10 completely. Pacific Blues didn’t make the Top 10 last year, but is number nine so far in 2023, up one spot from two months ago. Reggie’s Portra also didn’t make the Top 10 last year, but now holds the last spot, down one from two months ago, switching places with Pacific Blues. Kodak Ektar 100 and Nostalgic Negative both fell out of the Top 10.

10 Most Viewed Film Simulation Recipes of 2023 (…so far)

#1:

#2:

#3:

#4:

#5:

#6:

#7:

#8:

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#10:

Now let’s look at April-only. How did the Film Simulation Recipes rank during those 30 days?

The big surprise is that Vibrant Arizona is number two. It’s a little complicated, because that article actually includes four Recipes—two for X-Trans IV and two for X-Trans V. Even though I published it only nine days ago, the Vibrant Arizona Recipe, which is intended to produce a Wes Anderson aesthetic, is being used a heck-of-a-lot right now! The only other surprises are that Pacific Blues moved up to number eight, while Kodak Tri-X 400 fell two spots to number nine and Kodachrome II fell two spots all the way to the bottom. The first seven Recipes, plus the last one, all use the Classic Chrome film sim, which is Fujifilm’s most popular.

10 Most Viewed Film Simulation Recipes of April

#1:

#2:

#3:

#4:

#5:

#6:

#7:

#8:

#9:

#10:

Find these Film Simulation Recipes and many more on the Fuji X Weekly — Film Recipes App!

Five Fun Film Simulation Recipes for Fujifilm Cameras

Posted on January 15 by Ritchie Roesch

*Empty Diner* – Reno, NV – Fujifilm X100V – Xpro ’62

There are certain Film Simulation Recipes that are great for regular use. Maybe they’re not completely versatile, and cannot be used effectively in all situations, but they’re good for a lot of photographs. There are other Recipes that are good only for certain instances, such as night photography. There are also some Film Simulation Recipes that I would categorize as fun. They’re not necessarily intended to be used often, they’re not necessarily versatile, and they’re not necessarily even meant for specific scenarios. They’re just for fun, when you want results that are a little different.

While I have included five of these fun Recipes below, I have published a lot more than just five of them. These are ones that I have personally used within the last couple of weeks. I thought if I used them and appreciated the results, perhaps you would like to try them, too. Overall, there are probably a couple dozen Recipes (maybe even more than that) that could be included in this category. Perhaps it’s unfair to say that these are the only fun ones, because in my opinion all of the Recipes are fun, but these are just for fun, if that makes sense.

The five fun Recipes below are not in any particular order. I invite you to try them today!

LomoChrome Metropolis

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Creative Collective 061: Reprocessing In-Camera with 12 Recipes

Posted on December 20 by Ritchie Roesch

*Captured with a Fujifilm X-T5 using the new Kodak Vision3 250D v2 Recipe*

When I first started making Film Simulation Recipes for Fujifilm cameras and discovered that I didn’t need to shoot RAW anymore, I spent over a year strictly being a JPEG-only photographer. After awhile I figured out that it is a lot easier to create new Recipes when you have a RAW file that can be reprocessed in-camera, so I switched to RAW+JPEG. In the years that have passed since, the RAW files always stay on the SD Card in the camera, and it’s the camera-made JPEGs that are transferred to my phone and then to online storage.

Since I have a RAW file, I have the option to reprocess the exposure to other Recipes if I want (it can be done in-camera or via X RAW Studio… I always do it in-camera, personally), but that is something I don’t often do (except for when creating new Recipes). My preferred method is to shoot with a Recipe, and the results are whatever they are (that’s half the fun of it). I try to pick the right Recipe for the given situation; occasionally, though, if I like a particular picture but I shot it with the wrong Recipe, I’ll reprocess it using a more appropriate one. That’s the story of this article.

Film Simulation Recipes for Double Exposure Photography

Posted on December 9 by Ritchie Roesch

*Double Exposure captured with the Mystery Chrome Recipe*

In the Season 3 finale of SOOC Live, Fuji X-Photographer Nathalie Boucry and I discussed double exposure photography at length, and especially how to do it in-camera on Fujifilm models. If you are interested in the topic and didn’t catch that episode when it was live, you may want to take some time and watch it now. I’ve included it below. If you are short on time, skip ahead to the 35 minute mark, and begin around there.

I’m not going to rehash all that was said during the show (you’ve got to watch it)—this is a lengthy and complicated topic that can go many different directions. Really, books can be (and have been) written about it. Instead, I want to talk about Film Simulation Recipes for double exposures, and also provide a little more explanation for some things that maybe weren’t clear in the broadcast. I hope it all makes sense by the end.

The three Film Simulation Recipes that we discussed in the show and are challenging you to shoot with for the remainder of December plus most of January are Mystery Chrome, Dramatic Monochrome, and Faded Negative. Some notes about each:

Mystery Chrome is fully compatible with X-Trans III cameras, plus the X-T3 and X-T30. To use it on newer models, set Color Chrome FX Blue to Off, Clarity to 0, and choose a Grain size (Small or Large… I recommend Large). For those using newer cameras, we recommend using the Average setting for this Recipe, but don’t be afraid to try Additive.
Dramatic Monochrome is fully compatible with the Fujifilm X-T3 and X-T30. To use it on X-Trans III cameras, simply ignore Color Chrome Effect—the results will be nearly identical. To use it on newer cameras, set Color Chrome FX Blue to Off, Clarity to 0, and choose a Grain size (Small or Large… I recommend Large). For those using newer cameras, we recommend using the Additive setting for this Recipe, but don’t be afraid to try Average.
Faded Negative is fully compatible with X-Trans IV cameras, except for the X-T3 and X-T30. To use it on X-Trans V models, set Color Chrome FX Blue to Weak instead of Strong. This Recipe is not found in the Fuji X Weekly App because it requires further explanation on how to use it, and the App format is not conducive to that; however, in the broadcast Nathalie provides a great tip for how you can use the New Recipe (Blank Recipe Card) feature to add it to your App if you’d like. Be sure to read the article before attempting to use this Recipe.

The third Recipe—Faded Negative—requires a different technique than the first two. It’s definitely an outside-the-box approach to double exposure photography. There are other Recipes, which are also not in the App, that require double exposures, including Faded Color, Vintage Color Fade, Bleach Bypass, Faded Monochrome, Faded Monochrome for X-Trans II, and Split-Toned B&W. You can dive pretty far down this rabbit hole if you’d like. For further ideas, check out these articles: Making Color Pictures Using Acros, B&W Toning & Multiple Exposures, How To Add Texture To Your In-Camera JPEGs, The Treachery of Images, Creative Faded Exposures, Double Exposure Art — A Simple Method, and Easy Double Exposure Photography.

*In-camera double exposure on a Fujifilm X100F*

You can use any Film Simulation Recipe with double exposure photography, but in my experience the ones that work best are Recipes that are especially contrasty. For the purpose of the show, we’re using three specific ones; however, feel free to try any Recipe that interests you. The color pictures below were captured using the Ferrania Solaris FG 400 Recipe, and Kodak Tri-X 400 was used for the B&W. As for submitting images for the Viewers’ Images Slideshow, please only use the Mystery Chrome, Dramatic Monochrome, and Faded Negative Recipes.

One thing that perhaps should have been demonstrated in the show but wasn’t is what in-camera double exposures look like, taking a peek at each of the two exposures individually and then the combined image. Since the newer cameras can save a RAW file of each exposure (which can be processed into a JPEG in-camera), it’s possible to demonstrate this pretty easily.

I would say that double exposure photography takes a lot of practice to feel comfortable with, but there is a ton of potential for creativity. It’s worth trying, and it’s worth going through a lot of failures in order to get good at it. There are also so many different approaches and methods that can yield very different results. You’ll discover some of these as you practice. So my encouragement for you is to try and try again. If the pictures aren’t very good at first, don’t give up! Keep at it, and pretty soon you’ll surprise yourself with what you create.

One last thing: below I’ve included the Viewers’ Images Slideshow for the Reala Ace episode. If you haven’t yet seen it, be sure to watch it now. I want to express a very big “Thank you!” to everyone who submitted their photographs for inclusion in it. I always enjoy seeing your wonderful pictures!

Helping You Decide Which Film Simulation Recipes to Choose

Posted on November 6 by Ritchie Roesch

*Golden Autumn Trees* – Flagstaff, AZ – Fujifilm X100V – Kodak Ektar 100 Recipe

There are over 300 Film Simulation Recipes on this website and the Fuji X Weekly App. Having so many options to choose from is great, because no matter your style there’s bound to be at least one that you love, and different Recipes are sometimes best in specific situations. The only problem with having all these options is that sometimes it’s hard to know which ones to choose. There can be a paralysis of choice, or, at the very least, it can seem overwhelming.

But not to worry, I’m here to help! Over the last year I’ve been publishing articles to help with this specific problem—to be a guide of sorts through the many Recipes. There’s no comprehensive list (nor should there be, I think) of when to use each option, because whether or not a particular Recipe is great for a specific scenario is subjective. I might like one, but you might dislike it. However, I can provide some direction—something that I have been attempting to do over the last 12 months.

The problem with my method, though, is that it’s easy for my articles on this subject to get lost in the shuffle. So I thought it would be helpful to round them up, and put them into one place. That’s the intention of this article.

First up is my Which Film Simulation Recipe, When? series. If you only open one article, that’s the one to choose. I think it’s probably the most helpful out of all of them in this post. You might appreciate many of the others, too, so I would encourage you to click on more than one article to read, especially if the number of Film Simulation Recipes feels overwhelming to you, or you’re just not sure where to begin. I hope this helps with that, and you’ll have a little more confidence choosing some to program into your camera.

*Evening Charge* – Santa Rosa, NM – Fujifilm X-E4 – Kodak Portra 400 v2 Recipe

Which Film Simulation Recipe, When?
Part 1 (X-Trans IV)
Part 2 (X-T3 & X-T30)
Part 3 (X-Trans III)
Part 4 (X-Trans II)
Part 5 (X-Trans V)
Summer Edition (X-Trans IV)

*Working* – Salt Lake City, UT – Fujifilm X-E4 – Kodak Vision3 250D Recipe

Elevating Your Street Photography with Fujifilm Film Simulation Recipes + 5 Recipes to Try Today!

*More Than Double Wide* – Arlington, AZ – Fujifilm X-T5 – 1970’s Summer Recipe

Using Film Simulation Recipes to Recreate Vintage Looks — 10 Recipes to Try Today!

*Motel* – Panguitch, UT – Fujifilm X100V – Kodak Tri-X 400 Recipe

Five Film Simulation Recipes Every Social Media Influencer Should Try on Their Fujifilm X100V

*Abandoned & Trashed* – North Salt Lake, UT – Fujifilm X100V – Fujicolor Reala 100 Recipe

Try These 5 Fujifilm Film Simulation Recipes Today for a Color Negative Film Look

*Ghosts of the Past* – Ogden, UT – Fujifilm XF10 – Classic Chrome Recipe

Try These 3 Film Simulation Recipes, No Matter Your Fujifilm Camera (almost, anyway) + When To Use Them!

*Spiderwebs* – Buckeye, AZ – Fujifilm X-T5 – Pacific Blues Recipe

5 Film Simulation Recipes every Fujifilm X-T5 Photographer Should Try

*Sentinel & Merced* – Yosemite NP, CA – Fujifilm X100V – Vintage Color Recipe

The 10 Best Film Simulation Recipes on the Fuji X Weekly App

*Garden Spiderweb* – Buckeye, AZ – Fujifilm X-E4 – GAF 500 Recipe

7 Film Simulation Recipes for Ultra-High-ISO Photography

*Evening Hoop* – Farmington, UT – Fujifilm X-E4 – Muted Color Recipe

7 Fujifilm Film Simulation Recipes for Photographing Basketball Hoops

*Backlit Lupine* – Sun City, AZ – Fujifilm X-T5 – Thommy’s Ektachrome Recipe

Fujifilm Recipes for Spring Flower Photography

*Night Statue* – Jackson Hole, WY – Fujifilm X100V – Serr’s 500T Recipe

10 Must Try Film Simulation Recipes for Night Photography

*Pink Blossom Bush* – San Diego, CA – Fujifilm X-T5 – Emulsion ’86 Recipe

Top 7 Best Nostalgic Neg. Film Simulation Recipes for Fujifilm X-Trans V Cameras

*Boat Shack at Sunset* – Tempe, AZ – Fujifilm X-T5 – Fujicolor Super HG v2 Recipe

8 Fujifilm Film Simulation Recipes for Those Hot Summer Nights

*Argus 520 Camera* – Buckeye, AZ – Fujifilm X100V – Kodak Max 800 Recipe

Getting that ’90’s Film Look with Fujifilm Cameras

*Arizona Barn* – Sedona, Arizona – Fujifilm X-T5 – Vibrant Arizona Recipe

The First 7 Film Simulation Recipes to try on your Fujifilm X-Trans V camera

*Autumn Aspen* – Big Arm, MT – Fujifilm X100V – Vintage Vibes Recipe

10 Vintage Film Simulation Recipes You Should Try!

*Rose Budding* – Buckeye, AZ – Fujifilm X-T5 – Kodachrome Blue Recipe

5 Amazing Film Simulation Recipes (that few are using…)

*Coastal Sunset Colors* – Laguna Beach, CA – Fujifilm X100V – Reggie’s Portra Recipe

Comparing 6 Kodak Portra Film Simulation Recipes

*Mountain Pines at Sunset* – Flagstaff, AZ – Fujifilm X-T5 – Reala Ace Recipe

Five Fantastic Film Simulation Recipes that are Versatile

*Autumn in a Mountain Meadow* – Flagstaff, AZ – Fujifilm X100V – Fujicolor Superia 100

I used THESE 7 Film Simulation Recipes for Fall Colors on my Fujifilm X100V

*First Dance* – Laguna Beach, CA – Fujifilm X100V – Fujicolor NPS 160 Pulled Recipe

Using Fujifilm Film Simulation Recipes for Wedding Photography

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

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California’s Central Coast with ChatGPT Recipes

Posted on June 26 by Ritchie Roesch

*Protect our Wildlife* – San Simeon, CA – Fujifilm X100V – Urban Dreams

I shot with four AI Film Simulation Recipes made by ChatGPT while at California’s central coast a few weeks ago. Two of these Recipes—Urban Dreams and Kodak Ektachrome E100Vs v1—are official Fuji X Weekly Recipes and can be found on this website and the Fuji X Weekly App. The other two—Soft Blue Classic and Vivid Summer Glow—are not official Recipes, but you can find them here if you want to try them yourself.

My personal favorite of these four is Urban Dreams, which has a Kodachrome 200 vibe. Especially during overcast conditions and blue-hour, this is a Recipe that I really enjoy using—I shot a lot with it on my coastal trip. Kodak Ektachrome E100VS v1 is my second favorite, which is good for sunny days when you want colors to pop. My third favorite is Vivid Summer Glow, which has some similarities to the Kodachrome II Recipe, but I like Kodachrome II better. Last and least, Soft Blue Classic does alright when the sun is high and the light is warm, but overall I didn’t like it very much.

The next SOOC Live broadcast will be this coming Thursday, June 29th, at 10:00 AM Pacific Time, 1:00 PM Eastern. We’ll finish our discussion of these four AI-made Film Simulation Recipes, and much more. I hope that you can join us, because it’s an interactive program, and your participation makes it better!

During the last SOOC Live show, we challenged you to shoot with these four ChatGPT Film Simulation Recipes. I hope that you’ve had fun trying them! As a reminder, you have until tomorrow (June 27th) to upload your pictures captured with these Recipes (click here) for the next show, so you’ll want to do so quickly if you haven’t already. Be sure to include the name of the Recipe used in the file name, so that we can keep track of which is which.

I hope to see you on Thursday!

*Pacific Cove* – Montaña de Oro SP, CA – Fujifilm X100V – Kodak Ektachrome E100VS v1

*Lower Sea Cliff* – Pismo Beach, CA – Fujifilm X100V – “Soft Blue Classic”

*Wave Crashing on Rock* – San Simeon, CA – Fujifilm X100V – “Vivid Summer Glow”

*House on the Seaside Cliffs* – Pismo Beach, CA – Fujifilm X100V – Urban Dreams

10 Vintage Film Simulation Recipes You Should Try!

Posted on August 10 by Ritchie Roesch

A lot of people are interested right now in achieving a vintage aesthetic with their Fujifilm cameras. Retro renderings are in-style, but with about 300 Film Simulation Recipes to choose from on the Fuji X Weekly website (and App), it can be difficult to know which ones to use. If you are after a vintage look, let me suggest 10 Recipes to you. They all have “vintage” in the name, and each will deliver a retro analog-like rendering.

Some of the Film Simulation Recipes below are quite popular (especially the first one), and maybe you’ve even used a few of them yourself. Many of them are less popular and are often overlooked; maybe you’ve seen them, but never programmed them into your camera. Perhaps this is the very first time you’re seeing a couple of these Recipes. Whatever the case, if you are after a vintage look, pick a couple of these to try today!

The first three Recipes below are compatible with X-Trans III cameras, plus the X-T3 & X-T30; to use them on newer X-Trans IV models, set Color Chrome Effect and Color Chrome FX Blue to Off, Clarity to 0, and choose a Grain size (either Small or Large). The next five are compatible with “newer” X-Trans IV models (X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II); to use them on X-Trans V, set Color Chrome FX Blue one step lower (Weak instead of Strong, Off instead of Weak). The last two are compatible with X-Trans V cameras; the second-to-last Recipe can be used on some X-Trans IV models (X-T4, X-S10, X-E4, and X-T30 II) by setting Color Chrome FX Blue to Weak instead of Off.

Take a look at the 10 Vintage Film Simulation Recipes below. If one or two or three of them stand out to you as especially interesting, go ahead and give them a try!

Vintage Kodachrome

*Old Log in Kolob Canyon* – Zion NP, UT – Fujifilm X100F – Vintage Kodak Recipe

Vintage Agfacolor

*Palms & Canopy* – Pismo Beach, CA – Fujifilm X-E4 – Vintage Agfacolor Recipe

Vintage Kodacolor

*Large Stone & Tall Grass* – Farmington, UT – Fujifilm X-H1 – Vintage Kodacolor Recipe

Vintage Negative

*Suburban Reed Evening* – Farmington, UT – Fujifilm X100V – Vintage Negative Recipe

Vintage Vibes

*Playing in a Dirty Kitchen* – Farmington, UT – Fujifilm X-E4 – Vintage Vibes Recipe

Vintage Color

*Elephant Seal Beach* – San Simeon, CA – Fujifilm X-E4 – Vintage Color Recipe

Vintage Color v2

*Boy With Nerf Gun* – Farmington, UT – Fujifilm X-Pro3 – Vintage Color v2 Recipe

Vintage Analog

*Arch Over Bell Tower* – Litchfield Park, AZ – Fujifilm X-E4 – Vintage Analog Recipe

Vintage Bronze

*Rudolph* – Buckeye, AZ – Fujifilm X-T5 – Vintage Bronze Recipe

Vintage Cinema

*Ball on a Wall* – Buckeye, AZ – Fujifilm X-T5 – Vintage Cinema Recipe

Find these Film Simulation Recipes and many more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Using Fujifilm Film Simulation Recipes for Wedding Photography

Posted on October 6 by Ritchie Roesch

*Fujifilm X100V — Kodak Portra 400 v2 Recipe*

I’m not a wedding photographer, although I have photographed a few weddings in the past as a favor to family and friends. Since I’m always carrying a camera around, I’m occasionally asked to capture someone’s wedding, but it’s not my thing. While I have a lot of photography experience, I have limited experience as a wedding photographer.

I don’t envy those in this genre, because it’s a lot of work. The wedding photographer is often one of the first to arrive at the venue, and one of the last to leave, because every moment—from setup to reception’s end, and especially every instance in-between—is worth recording. There are so many memorable moments throughout the day, and the photographer’s job is to capture as many as possible, including every single of the big ones. Then there’s all the culling and editing. I would estimate that for every hour spent capturing pictures, I’d need two to three hours at the computer to edit the images. If I photographed for 12 hours, that would mean 24 to 36 hours of post-processing. Yikes!

Because Film Simulation Recipes can save you a whole bunch of time, it’s not surprising that I’ve been asked a number of times which ones might be good for wedding photography. Whether you’re a professional, or just doing it as a favor, or as a guest, Recipes are much more efficient, and cutting the culling and editing down to a reasonable time is highly appealing. I haven’t photographed a wedding since I began using Recipes, so it’s been difficult to recommend specific ones. Without personal experience, I’ve only been able to guess which ones might do well.

Last month I was invited to Marisa and Sahand Nayebaziz‘s wedding in Laguna Beach, California. Sahand is an app developer—if you’ve ever used the Fuji X Weekly App, Ricoh Recipes App, or RitchieCam App, you’ve seen his handiwork. His own app is called Details Pro, and if you are familiar with SwiftUI, you’ve probably heard of and maybe even used his app. Anyway, I’ve worked with Sahand for three years now, and he has been a significant part of the Fuji X Weekly story. He shoots with Fujifilm cameras and uses Film Simulation Recipes, so naturally we have developed a friendship. It was a real honor to be invited to Marisa and Sahand’s marriage ceremony.

The wedding was incredibly beautiful! Aside from the breathtaking location and the perfect weather, the event was decorated so well. It was literally like nothing I’d ever seen before. It was like a movie, except it was real!

My wife and I were guests. I brought my Fujifilm X100V—with a 10% CineBloom filter on the front—and did my best to stay out of the way. I wanted to photograph the wedding, but there’s nothing more annoying to the wedding photographer—and perhaps also the bride and groom—than to get in the way by being pushy with the camera. It’s much better to just blend into the crowd. I wasn’t the wedding photographer, and was quite satisfied with that arrangement; however, I still wanted to capture some images. Funny story, the wedding photographer, who was using a couple of Leica models, asked me several questions about my X100V; apparently he’s interested in buying one for his personal photography. Although I tried to blend in, my camera caught his attention, but I think in a good way.

My approach was to focus on things that I thought the wedding photographer might overlook. Of course, I had no idea what the photographer would or wouldn’t capture, but I know how easy it is to miss small things when your attention is on big things. I did my best to photograph those potentially missed pictures, while drawing as little attention to myself as practical. Also, I think the perspective of the guests can be a little different than that of the wedding crew, so I approached it as such.

The Fujifilm X100V is a great camera, but the fixed-focal-length lens is limiting. That’s not always a bad thing, but it did make it challenging in this case because I was sometimes further away than I needed to be to get the shots that I wanted. The digital teleconverter was utilized more often than usual—in a pinch it works well, but I avoid it when I can.

I had two Film Simulation Recipes in mind for the wedding, but I wasn’t sure until I got there if they would be good choices. It was a daylight outdoor wedding, and for those pictures I used my Kodak Portra 400 v2 Recipe, which is a favorite of both Sahand and myself, so it made a lot of sense to try it. That Recipe worked excellent, and I couldn’t be happier with the results. For the indoor reception pictures, I used the Fujicolor NPS 160 Pulled, which is soft and versatile—perfect for the situation.

Kodak Portra 400 v2 is a Film Simulation Recipe that I’m now happy to recommend for outdoor daylight wedding photography. Some others to consider are Kodak Portra 400, Reggie’s Portra, Timeless Negative, Reala Ace, Fujicolor Reala 100, Fujicolor Superia 100, Fujicolor C200, Fujicolor Pro 400H, and Fujicolor Natura 1600. I’m sure many others could work, too. Of course, which one you should choose will depend on the exact light condition and the aesthetic you desire. Fujicolor NPS 160 Pulled is a Recipe that I’m happy to recommend for indoor wedding photography. Fujicolor Super HG v2, Eterna v2, Reggie’s Portra, Reala Ace, and Timeless Negative are some others to consider. You might notice that a few Recipes are in both categories, and that’s because they’re more versatile. In fact, Fujicolor NPS 160 Pulled could also be a good option for sunny daylight situations. Kodak Tri-X 400 would be my top choice for black-and-white.

I just picked two Recipes, but if I was the photographer (and not a guest), I would have seven options ready to go in my C1-C7. I would select two for sunny outdoors, two for indoor, two for versatility, and one B&W. Something like Kodak Portra 400 v2 and Fujicolor Superia 100 for outdoors, Fujicolor NPS 160 Pulled and Fujicolor Super HG v2 for indoors, Reggie’s Portra and Reala Ace for versatility, and Kodak Tri-X 400 for monochrome. Then, I’d test each one at the venue, and decide at that point which ones I want to use—perhaps just three or maybe four of them—and stick with those few, unless the light changed and an adjustment was needed.

The photographs in this article are about 1/3 of the total that I gave to the bride and groom. Because I used Film Simulation Recipes and didn’t edit (aside from some cropping), the culling and post-processing took minutes, and not hours and hours. These were bonus pictures for them, hopefully complimenting the wonderful photographs that the actual wedding photographer captured. Marisa and Sahand seemed to like them. If you are considering using Film Simulation Recipes at an upcoming wedding, I hope that this article provides you with some direction. If you’ve used Recipes at a wedding, let me know in the comments which ones you used and how they worked out.

Kodak Portra 400 v2

Fujicolor NPS 160 Pulled

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V in black: Amazon B&H Moment
Fujifilm X100V in silver: Amazon B&H Moment
CineBloom Filters: Moment

Find these Film Simulation Recipes and many more on the Fuji X Weekly — Film Recipes App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

The Film Simulation Recipe Wrench

Posted on September 27 by Ritchie Roesch

*Red Rocks Among Green Trees* – Sedona, AZ – Fujifilm X-T5 – Kodak Gold 200 Recipe

Peter McKinnon’s recent YouTube video entitled The Valley really struck me. It was highly relatable, and not just because it was filmed in Arizona and Utah. There were several interesting takeaways, and a lot that could be discussed. For now, I want to focus on one thing in particular: the wrench.

I think it’s important to feel a little uncomfortable sometimes. “The enemy of art is the absence of limitations,” Orson Welles famously stated. Oftentimes restricting ourselves in some way will propel us forward or allow us to achieve what we otherwise could not, as we have to approach the situation differently than we are comfortable doing. That perspective shift is where growth happens. Wrenches are good.

If you haven’t yet seen the video, go ahead and watch it now.

“I mentioned I’ve been shooting for 20 years,” Peter McKinnon states at about the eight-minute mark. “Digital gets a bit—maybe not even digital, it’s not even the way to say it—just photography itself just gets a bit monotonous after two decades. There’s a formula that you can follow, and it works—you’ve got a style and you’re used to it and you’re used to everything. So it’s nice to throw a wrench into that mix, and that wrench—for me—that’s film. Really needing to understand what feels like an entirely new craft in so many ways with so many facets to it—it really puts you on your toes. It takes you out of the comfort zone and forces you to see the world through a new perspective.”

“There’s something that connects you with nature,” he continues. “There’s something that connects you to the landscapes you’re standing in when you’re out there loading a roll of film that you’re going to shoot [but] that you can’t see after. There’s something that just feels like true photography. And that feeling I plan on chasing for as long as I can.”

Initially, I saw this through the eyes of a long-time film photographer. Yeah, there is something about loading the roll of film and not knowing what you’ve got until much later that connects you with the scene. But then I saw it through my eyes when I neared the 20-year mark (there’s something about that date…), which was a handful of years back. I desperately needed a wrench, as I was feeling burnt out and uninspired. That wrench for me was Film Simulation Recipes. Shooting straight-out-of-camera was the limitation that I needed to be propelled forward. It’s what rejuvenated and inspired me (still does!), and what I plan to chase as long as I can. For Peter it’s film, for me it’s JPEG Recipes—which, incidentally, do have some similarities.

*Mitchell Mesa* – Monument Valley, AZ – Fujifilm X-T1 – Velvia Recipe

Of course, Peter McKinnon still edits his film photographs. He spot-removed the horse poop, for example. He very obviously used masks to brighten up the subjects. Nothing wrong with that, as it’s his art. For me, though, post-editing just sucks the life out of me. It’s just not my thing anymore, after having done it for so long without any enjoyment. Thankfully, using Film Simulation Recipes allows me to not worry about editing, and focus more on capturing.

I also saw Peter’s video through my current eyes. For several months now I have been feeling that I need some new limitation—a brand new wrench—to force myself to see through a new perspective. And this video was the aha moment. I grabbed my Fujifilm X100V, turned off the EVF so that it was just the optical viewfinder (no image preview), and turned off the rear LCD. Then I determined not to review my pictures until later, sometime after I was done photographing. This would emulate to an extent that film experience Peter talked about, and that I kind of miss (now that I don’t shoot much film anymore). Doing this, I load the Film Simulation Recipe that I want to use into the camera (or, choose one of the seven that I already have saved), capture some photographs, and then I don’t know what I have until sometime later. It’s definitely a different approach than what I’ve been doing, but so far so good. I think I’m going to appreciate this new wrench.

I just started doing this. Below are a few of the first handful of exposures captured using this technique. The Recipe is one that’s not yet been published, but is coming soon, so stay tuned for that. I can only do this on my X100V and X-Pro1, and not my other models, since it requires an optical viewfinder. Maybe this will be a good excuse to buy the X-Pro4 whenever Fujifilm decides to release that someday in the future. In the meantime, this is how I will approach photography whenever I’m out with my X100V. I think it’s the wrench I need right now.

*Pink Arm* – Buckeye, AZ – Fujifilm X100V

*Empty Cage* – Buckeye, AZ – Fujifilm X100V

*Twin Palms & Concrete* – Surprise, AZ – Fujifilm X100V

My 10 Favorite Film Simulation Recipes that use Eterna

Posted on 10 Days Ago by Ritchie Roesch

*Orange Lamp* – Casa Grande, AZ – Fujifilm X-T5 – Eterna Summer

Provia — Velvia — Astia — Classic Chrome — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna Bleach Bypass

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. The new Reala Ace film simulation will be excluded from this because there aren’t many Recipes available for it. Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Eterna film simulation is (somewhat loosely) modeled after Fujifilm’s line of motion picture films of the same name. It has the softest tonality of all the film sims, and second lowest saturation (only Eterna Bleach Bypass has less). As you might expect, it has a cinematic quality to it. It’s also the best color film simulation for high ISO photography. For cameras that don’t have Eterna, PRO Neg. Std is the next closest, and can be used to approximate Eterna. Also, there are some similarities between Eterna and Nostalgic Neg., so if your camera doesn’t have Nostalgic Neg., you can sometimes approximate it with Eterna.

*Windmill* – Prefumo Canyon, CA – Fujifilm X-E4 – Vintage Color

Eterna is one of my favorite film simulations; only Classic Chrome, Classic Negative, Nostalgic Neg., and Acros rank higher for me. I think it’s often overlooked by Fujifilm photographers, and is one of the less popular film sims, which is a shame because it’s really good. A few of my absolute favorite pictures were captured with an Eterna-based Recipe.

The 10 Film Simulation Recipes below are my favorites that use Eterna as the base. Everyone has different tastes, so you might like other ones more. I count 28 Recipes in the Fuji X Weekly App that use Eterna, so you have some good choices. But, if you are unsure which Eterna Recipe to try, let me suggest picking one from my list below.

#1:

Kodak Vision3 250D

This is, by far, my favorite Eterna-based Recipe. It’s best for sunny daylight, but can work surprisingly well in some other light situations. This one is for X-Trans IV cameras, specifically the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. For the X-T3 and X-T30, use this version. For X-Trans V, there is a version that uses the Nostalgic Neg. film simulation.

#2:

Vintage Color

The Vintage Color Film Simulation Recipe is one that is kind of hit-or-miss; however, when it hits, it really hits! Some of my top favorite pictures of all time were captured with this Recipe. Vintage Color is compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

#3:

Eterna Summer

This is the newest Eterna-based Recipe, and it’s especially great for sunny daylight situations. It’s compatible for both “newer” X-Trans IV (X-T4, X-S10, X-E4 & X-T30 II) and X-Trans V cameras.

#4:

Timeless Negative

I shoot with the Timeless Negative Recipe a lot during the November and December holiday season. It’s highly versatile, and can be used for a large variety of subjects and light situations. This version is compatible with X-Trans IV cameras (except the X-T3/X-T30); there’s a version for X-Trans V that uses the Nostalgic Neg. film simulation.

#5:

Summer of ’59

Summer of ’59 is currently a Fuji X Weekly App Patron Early-Access Recipe, so only App Patrons have access to it right now. While it does best in sunny daylight, it has some versatility, and works well in a lot of different light situations.

#6:

CineStill 800T

This Recipe is specifically intended for nighttime photography, where it excels. It’s compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

#7:

Negative Print

A lovely film-like rendering. This Recipe is compatible with the Fujifilm X-H1, X-T3, and X-T30; for “newer” X-Trans IV cameras, set Color Chrome FX Blue to Off, Grain size Small, and Clarity to 0.

#8:

SantaColor

The SantaColor Film Simulation Recipe is best for sunny daylight. It’s compatible with X-Trans IV cameras (except the X-T3/X-T30).

#9:

Cinematic Negative

Great for replicating a motion picture aesthetic. This Recipe is compatible with the X-T3 and X-T30; for “newer” X-Trans IV cameras, set Color Chrome FX Blue to Off, Grain size to Small, and Clarity to 0.

#10:

GAF 500

My favorite color Recipe for high-ISO photography. Compatible with X-Trans IV cameras (except the X-T3/X-T30); for X-Trans V, set Color Chrome FX Blue to Weak instead of Strong.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

How to Create Film Simulation Recipes

Posted on December 21 by Ritchie Roesch

*Gift Giving* – Buckeye, AZ – Fujifilm X-T5 – Ilford FP4 Plus 125

Anders Lindborg has created or co-created a number of Film Simulation Recipes found on Fuji X Weekly, including my personal favorite: Kodak Tri-X 400. Some others are Kodak T-Max P3200, Kodak T-Max 400, Ilford FP4 Plus 125, Ilford HP5 Plus 400, Ilford Pan F Plus 50, Kodak Gold v2, seven Fujicolor Pro 160NS Recipes, and seven Fujicolor Pro 400H Recipes. He also made an important D-Range Priority discovery. Oh, and more are coming soon!

This morning I awoke to an email in my inbox from Anders. As a Christmas gift to you, he wanted to share his methods for creating Film Simulation Recipes that he has developed and put to use. This formula can be used by anyone. I have taken a similar approach a number of times myself (I do it in-camera, and not with X RAW Studio), although—for me—Recipes can come about many different ways; I don’t have one single method, but perhaps a handful of various approaches. I discussed it a bit in my Emulsion ’86 article.

*Pink Blossom Bush* – San Diego, CA – Fujifilm X-T5 – Emulsion ’86

Anders’ step-by-step formula is a path that you can follow to create your own Recipes that are certain to be accurate to any film aesthetic that you’d like to mimic. Oftentimes you can easily find the film spec sheets with a quick Google search, but for some emulsions you’ll have to dig deeper, or maybe you won’t find them at all. Many spec sheets for Kodak films are readily available, for example, but you may have trouble finding them for other brands or long-discontinued emulsions. If you can locate the spec sheet, then you can begin Step 1. If you don’t have or use X RAW Studio, you can do this in-camera, but it is probably a little easier to do with X RAW Studio; either way, it does require shooting RAW+JPEG so that you can reprocess the RAW file.

Thank you, Anders Lindborg, for sharing this with everyone! Even if you have no interest in creating a Film Simulation Recipe yourself, perhaps this gives you an idea of the incredible effort that sometimes goes into creating one.

*Round Window* – Pismo Beach, CA – Fujifilm X100V – Kodak Tri-X 400

Anders’ Film Simulation Development Method

Download all reference material you need, including film spec sheets. This is really important to have, if you want to create a realistic simulation. You will need a good chart of color wavelength in nanometers as well, to be able to use this method.
Load some reference photos into X Raw Studio. Select a good one that is taken at noon, as this used to be the official reference for film daylight temperature.
Note: The time when the photo is taken is important. Don’t cheat!
Select the base Film Simulation you think is most similar to the film you actually want to simulate. Sometimes, the general characteristics are more important than the color scheme being spot on.
Choose the Dynamic Range you think is most correct for your simulation. The characteristic curves chart from the spec sheets can be a lot of help here.
Set the White Balance (in kelvin) to a value that corresponds to the color of the film base layer. This will most likely make your colors look really off, but don’t worry about that right now.
Note: It helps knowing where the film was created, as the daylight temperature varies quite a bit depending on where in the world you are located.
Check the spec sheets and find out what colors of the second and third (with Fuji, sometimes a fourth) layers are. Look at the spectral sensitivity chart to find how the colors are distributed and which color is most prominent. Locate the highest peak of the dominant color and check the specified wavelength of the peak.
Look in the color wavelength chart and find the color that corresponds to the wavelength reading from the previous step. Now go back to X Raw Studio and open the WB Shift panel and locate the exact color you found. This takes some practice, but after doing it a few times it’s quite easy.
Now look at the colors of your photo and check the color distribution compared to the spectral sensitivity chart. Make any adjustments needed to balance out the color distribution.
Look in the spec sheets again and locate the spectral dye density curves chart. This chart describes the tonality of the film. Adjust Highlight, Shadow, and Clarity as needed.
Any other parameters needed should be set at this step. These include Grain, Sharpness, Color Chrome Effects, Noise Reduction, etc.. Note that changing a single parameter can have a huge impact, so be careful here!
Look at your photo again. Do the colors look like they should? If not, make more adjustments to either your selected White Balance or WB Shift. Only minor adjustments should be needed at this step.
Save your current recipe and apply it to your other reference photos in X Raw Studio. Compare them to photos found on Flickr and film review sites. Keep in mind that many of them are developed and scanned at home, so you need to learn how different development and scanning methods affect the final result! Adjust the recipe as needed and keep reapplying it to your reference photos and double check them over and over again.
If you think you might be done, it’s time to test it for real! Load the recipe into your camera and get out there. Try taking photos that mimics what you’ve found on the Internet so they are somewhat comparable. It’s all about details here, so keep iterating from Step 8 until you are happy. With hard work and a bit of luck, you’ll have a spot on clone of the original film!

“Don’t forget to share your creation with the world,” Anders Lindborg wrote, “and feel happy about contributing to the community! Just keep in mind that this is more of learning how to best mimic the original film, rather than creating an exact copy. There are so many variables that can affect the final result of real film and the most important part here is that the general behavior is the same. This method is proven to work for both color and black & white simulations and is all based on color science. Several successful simulations have been created while developing the method, so this is several years of blood, sweat and tears that have been compressed into these steps. While this method might look very advanced, trust me when I say that it works and that it’s worth the effort! Not only the general look of the film will be simulated, but also its behavior in different situations, including weird color shifts and other general quirks. The results have amazed me several times!”

Five Fantastic Film Simulation Recipes that are Versatile

Posted on October 30 by Ritchie Roesch

*Tattoo & Turkish Pizza* – Tempe, AZ – Fujifilm X-T5 – Reala Ace Recipe

Color film almost always is either Daylight balanced or Tungsten balanced. The majority of emulsions are Daylight balanced. Use film intended for sunny light in the daytime, and use film intended for artificial light at night. If the light condition is something else, color correction filters can be used to achieve a correct color cast.

Film Simulation Recipes are often quite similar, and many are meant for use during daylight hours or (less commonly) at night. I get asked sometimes if there are good Recipes that can be used anytime, no matter the light. I think it’s a great strategy to have at least one versatile option programmed into your Custom Presets ready to go. It may or may not be your favorite Recipe, but you know it’s going to deliver good results no matter the situation.

There are actually quite a few of these types of Recipes. The easiest way to find them is, if you are a Fuji X Weekly App Patron, is to Filter by White Balance in the App, and look for Auto White Balance (or Auto White Priority) Recipes. Some are more all-purpose than others, but all of those will be at least somewhat versatile. Even some Recipes that are don’t use Auto White Balance can be surprisingly capable in a variety of light situations—just because it doesn’t use AWB doesn’t mean that it can only be used in one scenario—but those that do use Auto are going to be more so.

*Night Snakes* – Tempe, AZ – Fujifilm X-T5 – Fujicolor Super HG v2

Below I have five personal picks for versatile Film Simulation Recipes. These are options that I know from my own use are going to be good for when the light condition is uncertain or changing. These are fantastic all-purpose Recipes that you should considered having at-the-ready in your C1-C7 (or C1-C4 if you have an X-S camera) Custom Presets. I like to have at least one programmed, just in case I need it.

Everyday Astia is an X-Trans III plus X-T3 and X-T30 Recipe; to use it on newer X-Trans IV cameras, set Grain size to Small, Color Chrome Effect and Color Chrome FX Blue to Off, and Clarity to 0. Fujicolor NPS 160 Pulled is my go-to Recipe for indoor artificial light (including a wedding reception); to use it on X-Trans V, set Color Chrome FX Blue to Weak. Fujicolor Super HG v2 has both an X-Trans IV version and an X-Trans V. Reggie’s Portra is a very popular for X-Trans IV, to use it on X-Trans V set Color Chrome FX Blue to Off. Reala Ace, which is for X-Trans V, is pretty new but currently getting a lot of buzz—join Fujifilm X-Photographer Nathalie Boucry and myself this coming Thursday (November 2nd) as we discuss the Reala Ace Film Simulation Recipe!

Everyday Astia

Fujicolor NPS 160 Pulled

Fujicolor Super HG v2

Reggie’s Portra

Reala Ace

Top 25 Most Popular Film Simulation Recipes in February 2024

Posted on March 2 by Ritchie Roesch

*Window Plant* – Buckeye, AZ – Fujifilm X-T5 – Agfa Ultra 100 v2

I get asked fairly regularly which Film Simulation Recipes are the most popular. For me, this is a fascinating topic, but it’s definitely hard to know definitively. While I get a glimpse on social media, my best gauge is the Fuji X Weekly website statistics; specifically, which Recipe articles are viewed the most. I don’t collect any data on the Fuji X Weekly App, so that’s no help—although, if I did, it would likely offer the most accurate picture; however, it would still be impossible to know which Recipes people programmed into their Fujifilm cameras, or how often they used each. Perhaps a survey would be particularly useful, yet even it has its limitations. While certainly a flawed method, page-view website statics offer the best glimpse at which Film Simulation Recipes are the most popular, so that’s what I’m using for this article. These are simply the Top 25 most-viewed Recipes on the Fuji X Weekly website last month (February 2024).

Most of the time these lists are pretty predictable. Those with Kodak brand names in the title—Kodachrome, Portra, Gold, Tri-X, etc., etc.—are the most popular. Classic Chrome is the king of film simulations, as the majority of the most-viewed Recipes are based on that film simulation. X-Trans IV Recipes, especially for the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, tend to be the most popular, although I see a spike in interest in X-Trans V.

*Motor Hotel* – Buckeye, AZ – Fujifilm X-T5 – Kodak Portra 800 v3

For the month of February, however, I was quite surprised by many of the rankings. Reala Ace topped the list, which is the first time in a very long time that Kodachrome 64 wasn’t number one. It’s also the first time that I’ve ever seen a Recipe that uses Classic Negative reach the very top, or one specifically for X-Trans V cameras. Kodak Portra 800 v3, Agfa Ultra 100 v2, and Fujicolor Superia 1600 (for X-Trans V) were all published last month; Vintage Eterna was a Fuji X Weekly App Patron Early-Access Recipe that became available to everyone in February. The remaining Recipes were not surprising, but their rankings moved around compared to January; several moved out of the Top 25 altogether.

Without any further delay, below are the most popular Recipes of last month!

Top 25 Most Popular Film Simulation Recipes of February 2024

#1:

Reala Ace

Reala Ace is a Classic Negative based Recipe for X-Trans V cameras. It was ranked #8 last month.

#2:

Kodachrome 64

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number one in these lists.

#3:

Kodak Portra 400 v2

A Classic Chrome based Recipe for X-Trans IV cameras that is almost always number two in these lists.

#4:

McCurry Kodachrome

Another Classic Chrome based Recipe for X-Trans IV cameras. It was published in January, and was ranked #3 last month.

#5:

Reggie’s Portra

Again, a Classic Chrome based Recipe for X-Trans IV cameras. It was ranked #4 last month.

#6:

Kodak Portra 800 v3

A recently published Classic Chrome based Recipe for X-Trans IV and X-Trans V cameras.

#7:

Kodak Portra 400

Another Classic Chrome based Recipe for X-Trans IV cameras. This was often ranked at #3 for a very long time, and was #5 last month.

#8:

Vibrant Arizona

Again, a Classic Chrome based Recipe for X-Trans IV and X-Trans V models. Was ranked #6 last month.

#9:

Kodak Tri-X 400

By far the most popular B&W Recipe, Kodak Tri-X 400 is based on the Acros film simulation, and has compatibility X-Trans III, X-Trans IV, and X-Trans V models. It was ranked #10 last month.

#10:

Vintage Kodachrome

A Classic Chrome based Recipe that is compatible with X-Trans III cameras. This is almost always the most popular X-Trans III Recipe, and has been around for a very long time. It was ranked #7 last month.

#11:

Pacific Blues

Pacific Blues was the highest-ranked Classic Negative based Recipe in 2023. It’s compatible with X-Trans IV models (there is an X-Trans V version). Last month it ranked #9.

#12:

Kodachrome 64

This is the X-Trans V version of Kodachrome 64. It was ranked #24 last month.

#13:

Kodak Portra 400 v2

This is the X-Trans V version of Kodak Portra 400 v2. It was ranked #18 last month.

#14:

Kodak Portra 400

The original Kodak Portra 400 Recipe, compatible with X-Trans III cameras. It was ranked #12 last month.

#15:

Classic Chrome

This was the very first Film Simulation Recipe on Fuji X Weekly, and is compatible with X-Trans III cameras. It was ranked #14 last month.

#16:

Kodak Portra 160

Another Classic Chrome based Recipe, Kodak Portra 160 is compatible with X-Trans IV cameras. Last month is ranked #13.

#17:

Agfa Ultra 100 v2

A newly published Recipe for X-Trans V models that is based on the Nostalgic Neg. film simulation.

#18:

CineStill 800T

The original CineStill 800T Recipe, intended for X-Trans III cameras. It is based on the PRO Neg. Std film simulation, and was ranked #15 last month.

#19:

Kodak Gold 200

Another Classic Chrome based Recipe for use on X-Trans III models, plus the X-T3/X-T30 (there’s a new version for X-Trans V). Last month is was ranked #11.

#20:

Vintage Eterna

Vintage Eterna is based on the Eterna film simulation, and is compatible with X-Trans IV and V models, plus the X-H1. This is its first appearance on the list.

#21:

Fujicolor Super HG v2

A Classic Negative based Recipe that’s compatible with X-Trans V cameras (there’s also an X-Trans IV version). It was ranked #25 last month.

#22:

Kodak Ultramax 400

Yet another Classic Chrome based Recipe, compatible with X-Trans IV cameras (there’s an X-Trans V version). It was ranked #19 last month.

#23:

Kodachrome II

This used to commonly be in the Top 10, but it has been slipping in popularity lately. It’s based on Classic Chrome, and is compatible with X-Trans III models (there’s an X-Trans IV version). It was ranked #16 last month.

#24:

Fujicolor Superia 1600

A newly published Recipe for X-Trans V cameras (there is a version for X-Trans IV that’s been around awhile), Fujicolor Superia 1600 is based on the Classic Negative film simulation.

#25:

Kodak Max 800

Lastly, there’s Kodak Max 800, another Classic Negative based Recipe that’s compatible with X-Trans IV cameras. It was ranked #20 last month.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!