Weekly Photo Project, Week 48

Unsurprisingly, this week had a few photographically productive days and a few that weren’t. That’s been a common theme of this project, and if there’s one thing that I’d like to further work on regarding all this is ensuring that each day is productive. That’s not an easy task because life pulls in so many different directions all at once. I think finding and taking advantage of the small moments tucked among all of the distractions and responsibilities is an opportunity to succeed at this, but it will take being more diligent and deliberate.

Sunday, June 30, 2019

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Highland Cow – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/280, f/8, ISO 640

Monday, July 1, 2019

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Waterfall Into The Ogden River – Ogden, UT – Fujifilm X-T30 & 35mm f/2 – 1/4000, f/8, ISO 640

Tuesday, July 2, 2019

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Rushing Light – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/4000, f/6.4, ISO 640

Wednesday, July 3, 2019

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Garden Lily – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/350, f/6.4, ISO 640

Thursday, July 4, 2019

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Breakfast – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/110, f/4.5, ISO 6400

Friday, July 5, 2019

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Lakeshore Tree – Layton, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/8, ISO 640

Saturday, July 6, 2019

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American Toyota – Syracuse, UT – Fujifilm X-T30 & 35mm f/2 – 1/125, f/4.5, ISO 2000

Week 47   

Comparing Film Simulation Recipes

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I shoot JPEGs, but it’s not uncommon for me to shoot RAW+JPEG, since it gives me the opportunity to reprocess the picture in-camera, which is helpful when developing different film simulation recipes. Because of this, I was able to process a single picture I captured recently on my Fujifilm X-T30 using many of my different recipes to compare the differences. I thought that this might be helpful to some of you. Perhaps there’s one recipe that stands out to you in the pictures below that you’ve never used. Obviously different settings look better in different situations, and in this article there’s just one picture to compare, so even though you might not like how one recipe looks in this article doesn’t mean that you wouldn’t like it with different subject and in a different light. The scope of this article is quite limited, but I hope that seeing the various film simulation recipes applied to a single exposure is helpful to someone.

Not every recipe was used for this post. Some of them require a specific parameter that was not available. For example, the picture at the top was made using my HP5 Plus Push-Process recipe, which requires an ultra-high ISO, so it wasn’t possible to apply it to the exposure below. Other recipes, such as my faded color and faded monochrome, require double exposures. There are other film simulation recipes that you could try not represented below, and I invite you to investigate the different options to see if there’s one or more that work well for your photography. Let me know in the comments which film simulation recipe is your favorite and which in your opinion fits the exposure below best.

Color

B&W

Weekly Photo Project, Week 47

As you can see, I’m pretty far behind getting these Weekly Photo Project posts out. I’m actually nearing completion of the project, as I have five more weeks after the one that these pictures represent. Two of those weeks have already happened, and the third will be finished tomorrow. That means, in reality, there are only two weeks left, which is just really difficult for me to imagine, yet I’m quite anxious for this to be done. The first two pictures below are textured pictures using the double-exposure feature of my Fujifilm X-T30. I included the third picture in my Diversity of Utah Landscapes article, so you’ve probably seen it before. The final four pictures are ones that I’ve yet to share.

Sunday, June 23, 2019

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Coffee Still Life – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – Double Exposure

Monday, June 24, 2019

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Bottle Still Life – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – Double Exposure

Tuesday, June 25, 2019

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Blue Sunset – Antelope Island SP, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/4, ISO 5000

Wednesday, June 26, 2019

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Fake Dog In The Fake Grass – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/1250, f/4, ISO 640

Thursday, June 27, 2019

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Boy On Couch – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/5.6, ISO 2000

Friday, June 28, 2019

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Sunlight Over The Roof – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/14, ISO 500

Saturday, June 29, 2019

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Suburban Fence Monochrome – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/4.5, ISO 500

Week 46  Week 48

My Fujifilm X-T30 Kodacolor Film Simulation Recipe

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Summit Merc – Coalville, UT – Fujifilm X-T30 – Kodacolor

This is the film simulation recipe that you’ve been waiting for! Well, maybe that’s an exaggeration, but if you like my Kodachrome II or Portra 400 recipes, which are both very popular, you’ll likely also appreciate this one. It’s in the same neighborhood as those, producing a classic Kodak analog aesthetic. I think many of you will like this film simulation recipe.

Last week I was contacted by a Fuji X Weekly reader who wanted help creating an in-camera look that was similar to the pictures from this other photographer. It didn’t take me long to realize that the photographer in question was using a digital camera (Nikon D750) and applying a plugin preset (most likely VSCO) to achieve the desired look. If I had to take a guess, I would say that the preset is supposed to resemble Kodak Portra 400, although probably one of the alternative versions and not the straight Portra 400 preset. Anytime that I get one of these requests I always make an attempt to create it, although oftentimes my efforts are not successful and no recipe is made. This time, my first stab at it was pretty close, and a little refining made it even closer. I was able to quickly create a film simulation recipe that produces similar results in-camera to what that other photographer is getting with software.

The reason that I named this recipe Kodacolor and not Portra is that, to me, it looks more like Kodacolor VR than Portra, although the aesthetics of these two films are quite similar. Portra is the better film with improved grain, more tolerance to under and over exposure, and slightly more accurate skin tones, but overall the films produce very similar looks. Kodak originally developed Kodacolor VR film in the early 1980’s for their Disc cameras, which used a film cartridge resembling a computer floppy disc (or the “save icon”), allowing the camera to be small and easy to use. It made tiny exposures on the disc of film, and the film prior to Kodacolor VR, which was called Kodacolor II, was too grainy and not sharp enough for the small exposure to produce good results. Kodak’s solution was to create a sharper film with finer grain, which they originally named Kodacolor HR, and quickly renamed Kodacolor VR after making a small improvement. Kodacolor VR was available in ISO 100, 200, 400 and 1000 film speeds. This film simulation recipe most closely resembles Kodacolor VR 200, in my opinion. Kodacolor VR was replaced by Kodacolor VR-G in the mid 1980’s, which was later renamed Kodak Gold. Kodacolor VR was technically discontinued in 1986, but the ISO 200 version was renamed Kodacolor 200 and later ColorPlus 200, which is surprisingly still available today.

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Kodak Flying Disc – South Weber, UT – Fujifilm X-T30 – Kodacolor

One characteristic of Kodacolor VR is that it’s not particularly tolerant to underexposure (for color negative film), so a common technique was to overexpose the film (to prevent accidental underexposure). The side-effect of this, which is a common side-effect of most Kodak color negative films, but it’s especially pronounced on this particular film, is cyan sky. Blues tend to become an unnatural lighter color. That’s what this film simulation recipe looks like: Kodacolor VR 200 that’s been overexposed. It’s also a close proximity to Portra 400 that’s been overexposed, although it’s not quite as strong of a match for that as Kodacolor VR.

Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +2
Color: -2
Sharpening: +2
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off
White Balance: 6300K, -1 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to + 1-1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Kodacolor film simulation recipe on my Fujifilm X-T30:

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Echo Canyon Morning – Echo, UT – Fujifilm X-T30 – Kodacolor

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Morning Light In Echo Canyon – Echo, UT – Fujifilm X-T30 – Kodacolor

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Tree On The Rocky Ledge – Echo, UT – Fujifilm X-T30 – Kodacolor

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Western Cliff – Echo, UT – Fujifilm X-T30 – Kodacolor

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Rock Bowl – Echo, UT – Fujifilm X-T30 – Kodacolor

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Echo Mesa – Echo, UT – Fujifilm X-T30 – Kodacolor

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Summer Witches – Echo, UT – Fujifilm X-T30 – Kodacolor

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Trees Dotting The Rock – Echo, UT – Fujifilm X-T30 – Kodacolor

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Blue Sky Rocks – Echo, UT – Fujifilm X-T30 – Kodacolor

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Weber River Thistle Blooms – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Yucca Blossoms – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Sky Tree – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Sycamore Seeds – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Green Cottonwood Leaf – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Cottonwood Sun – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Vintage Sunset – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Blue Hole – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Summer Clouds Behind The Green Hill – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Summer Blue & Green – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Big Cloud Behind The Mountain – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Grey Sky Hill – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Car Wash – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Burger Umbrellas – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Renew or Replace – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Red Curve – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Red Corner – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Moore Motor – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Better Days Behind – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Building For Sale – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Brick Angles – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Suburban Garage – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Gas – Echo, UT – Fujifilm X-T30 – Kodacolor

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Gas Cafe – Echo, UT – Fujifilm X-T30 – Kodacolor

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Neighborhood Fence – South Weber, UT – Fujifilm X-T30 – Kodacolor

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The Joy of Driving Rain – Layton, UT – Fujifilm X-T30 – Kodacolor

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Man of Steel – Coalville, UT – Fujifilm X-T30  – Kodacolor

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Bicycle Back Tire – South Weber, Utah – Fujifilm X-T30 – Kodacolor

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Chaos Wheel – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Hat On A Bed – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Couch Pillows – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Wall Curtain – Layton, UT – Fujifilm X-T30 – Kodacolor

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Intelligence Game – Layton, UT – Fujifilm X-T30 – Kodacolor

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The Trouble With Age – Layton, UT – Fujifilm X-T30 – Kodacolor

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Ketchup – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Orange – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Playing With Fire – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Mastrena – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Be The Light – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Adidas – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Balloon Maker – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Standing In The Water Balloon Pool – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Water Balloon Fight – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Recording Summer Fun – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Wearing Grandpa’s Hat – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Johanna – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Echo Canyon Morning Freight – Echo, UT – Fujifilm X-T30 – Kodacolor

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Freight Train At Echo – Echo, UT – Fujifilm X-T30 – Kodacolor

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Eastbound Freight Through Echo Canyon – Echo, UT – Fujifilm X-T30 – Kodacolor

Top 10 Most Popular Film Simulation Recipes

Film simulation recipes are the number one most popular type of article on Fuji X Weekly. These posts are what most people come to this blog to read. In fact, so far this year, the top twenty most read articles are all film simulation recipes. I thought it would be fun to share which are the most popular recipes, based on how many times they’ve been viewed so far this year. The newest ones haven’t been around long enough to make this list, so maybe I’ll periodically revisit this topic.

Top 10 Most Popular Film Simulation Recipes:

#10. X100F Acros

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Walking Man – SLC, UT – Fujifilm X100F

I was surprised to learn that this recipe, which is my original Acros recipe and the second film simulation recipe that I created, is the only black-and-white settings to make this list. I guess B&W isn’t as popular as color.

#9. X100F Astia

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Zions Bank Building – SLC, UT – Fujifilm X100F

This was one of the early film simulation recipes that I created. Honestly, it’s not my favorite, even though I liked it when I created it. I think it requires the right light to be effective, and it certainly can be effective, but it’s a little flat (lacking contrast) for many situations. Still, as I stated in the article, it’s a better option than keeping the camera on Provia with everything set to 0.

#8. X100F Ektar

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Summer Boy – Layton, UT – Fujifilm X100F

This recipe uses Astia, as well, yet produces much different results. While the regular Astia recipe is rather flat and bland, this one is vibrant and bold–sometimes too vibrant and bold. It’s not for everyday photography, but it’s an especially good recipe for the right subject.

#7. X100F Velvia

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Trees, Rocks & Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

This is another early film simulation recipe. It was one that I always had programmed into the Q menu, until I made a new Velvia recipe that I liked more. Still, these are good settings that I used regularly for many months.

#6. X100F Eterna

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Expedition Lodge – Moab, UT – Fujifilm X100F

This was my attempt to create something that resembles the Eterna film simulation for those who have a Fujifilm camera without Eterna. More recently I created an alternative Eterna recipe that I much prefer.

#5. X100F Fujicolor Superia 800

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Caramel Macchiato – Sandy, UT – Fujifilm X100F

What I appreciate about this recipe is that it produces a nice negative film aesthetic with a slightly green-ish color cast. Many of my recipes tend to lean warm, so this one is a reprieve from that. I think it delivers lovely results, and I can definitely understand why it’s a popular recipe.

#4. X100F Portra 400

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Jump – South Weber, UT – Fujifilm X100F

What I don’t appreciate about this recipe is that it requires a tricky white balance setting that’s difficult to get right. If you can get the custom measurement correct, the results are great. I should revisit this recipe and attempt to create this look without requiring a vague custom white balance measurement.

#3. X100F Classic Chrome

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Closed Drive Thru Window – South Ogden, UT – Fujifilm X100F

This was the very first film simulation recipe that I created. It produces a look in the Ektachrome neighborhood. It looks nice and I’m not surprised that it’s so popular, but I have created other recipes that use Classic Chrome that I prefer more.

#2. X100F Vintage Kodachrome

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Old Log In Kolob Canyon – Zion NP, UT – Fujifilm X100F

Vintage Kodachrome is intended to mimic the look of the first generation of Kodachrome, which was used by photographers like Ansel Adams, Chuck Abbott, Barry Goldwater, and others. It’s a fun recipe, producing a vintage slide aesthetic.

#1. X-Pro2 Kodachrome II

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Pueblo de Taos – Taos, NM – Fujifilm X-Pro2

Classic Chrome is a popular film simulation, so it shouldn’t be too surprising that the top four recipes are all based on it. Kodachrome II is the only recipe in this list not developed on the X100F, although it can (like all of these recipes) be used on any X-Trans III or IV camera. This recipe is intended to mimic the look of the second generation of Kodachrome, which was used by photographers like Ernst Haas, Luigi Ghirri, William Eggleston and others. It’s one of my absolute favorite recipes that I’ve created.

Now it’s your turn. Which of these 10 recipes do you like most? Which recipe not on this list is your favorite? Let me know in the comments!

The Diversity of Utah Landscapes in Color, Part 1: Water

Utah is a beautiful state with a diverse environment. There are snow-capped mountain peaks, green forests, extensive lakes, snaking rivers, vast red deserts and pretty much everything in-between. This photoessay series is intended to exhibit that diversity through my photographs, and each part will have a specific theme. This article, which is Part 1 of The Diversity of Utah Landscapes in Color, is about water.

Utah is the second driest state in America based on annual rainfall, but there are massive bodies of water and many miles of rivers. The Great Salt Lake is the largest salt lake and the sixth largest overall lake in America. Lake Powell, which is on the boarder of Utah and Arizona, is the 23rd largest lake in the country. Utah Lake is the 36th largest lake in America, and Bear Lake is the 47th largest. There are thousands of miles of rivers and streams throughout the state. Despite the lack of rainfall, there’s a surprisingly large amount of water in Utah, and it has been the subject of my photography numerous times.

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Great Salt Lake Evening – Layton, UT – Fujifilm X-T20 – 12/26/2018

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Low Sun Over The Salt Lake – Antelope Island SP, UT – Fujifilm X-T20 – 3/11/2019

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Afterglow – Antelope Island SP, UT – Fujifilm X-T20 – 3/11/2019

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Blue Sunset – Antelope Island SP, UT – Fujifilm X-T30 – 6/25/2019

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Blue Umbrella At The Lake – Antelope Island SP, UT – Fujifilm X-E1 – 8/2/2016

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Salt Lake Water – Antelope Island SP, UT – Fujifilm X-T30 – 6/25/2019

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East Canyon Reservoir – East Canyon SP, UT – Fujifilm X-T30 – 6/13/2019

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Logs In A Pond – Wasatch-Cache NF, UT – Fujifilm X-Pro2 – 7/18/2018

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Waterfall Into The Ogden River – Ogden Canyon, UT – Fujifilm X-T30 – 7/1/2019

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White Duck – Ogden, UT – Fujifilm X-T20 – 11/15/2018

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Kids At The Lake – East Canyon SP, UT – Fujifilm XF10 – 9/26/2018

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Virgin River From Canyon Junction – Zion NP, UT – Fujifilm X100F – 11/20/2018

Processed with RNI Films. Preset 'Agfa Optima 200 Faded'

River Through Zion – Zion NP, UT – Fujifilm XF10 – 11/20/2018

Processed with RNI Films. Preset 'Kodak Ektar 100'

Autumn Along The Virgin River – Zion NP, UT – Fujifilm XF10 – 11/20/2018

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Virgin River In November – Zion NP, UT – Fujifilm XF10 – 11/20/2018

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Winter Pond & Tree Trunk – Bountiful, UT – Fujifilm XF10 – 1/19/2019

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Flaming Gorge – Flaming Gorge, UT – Fujifilm X-E1 – 7/13/2017

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Mirrored Mountain – Mirror Lake, UT – Fujifilm X-E1 – 9/4/2016

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Sunset Kayak – Willard Bay SP, UT – Fujifilm X-E1 – 6/13/2017

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Clouds At Night – Bear Lake, UT – Fujifilm X-E1 – 9/17/2016

Part 2 coming soon!

Weekly Photo Project, Week 46

If this week had a theme it would be red, as I used my Redscale film simulation recipe extensively. The last day is the only one that’s not Redscale, which is the only picture in this series that hasn’t already been shared on this blog.

I’m really looking forward to this photo-a-day project to reach its conclusion. It’s pretty close to being finished, as I’m on the home stretch. Six weeks to go, but really a week-and-a-half of that has already happened, I just haven’t posted the pictures yet, so in about a month I’ll be all done. It’s been a great experience, but I have other projects that I’ve placed on hold because of it, and I look forward to pursuing those.

Sunday, June 16, 2019

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An American Home – South Weber, UT – Fujifilm X-T30 & 90mm f/2- 1/850, f/5, ISO 320

Monday, June 17, 2019

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Russian Red – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/60, f/5.6, ISO 3200

Tuesday, June 18, 2019

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Red Cross – Layton, UT – Fujifilm X-T30 & 90mm f/2 – 1/125, f/3.2, ISO 800

Wednesday, June 19, 2019

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Orange Hill Under Red Sky – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/7500, f/4.5, ISO 320

Thursday, June 20, 2019

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Small Wild Blossoms – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/1250, f/5.6, ISO 320

Friday, June 21, 2019

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299 – Coalville, UT – Fujifilm X-T30 & 90mm f/2 – 1/8000, f/4, ISO 320

Saturday, June 22, 2019

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Morning Mountain Rain – SLC, UT – Fujifilm X-T30 & 90mm – 1/640, f/5, ISO 320

Week 45  Week 47

Full Fujifilm Kit For Under $3,000

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Yesterday I mentioned that, with the current deals being offered, you could get a two-camera kit with several lenses for under $3,000. I thought I’d break down what that might look like, as it could be helpful to some of you out there. I know that people are constantly changing systems, and perhaps somebody is considering Fujifilm and wondering where to start. Or maybe someone has an older Fujifilm camera and wants to update and expand their gear. Whatever the reason, the idea of having a full Fujifilm kit for under $3,000 is fascinating.

What makes this all possible is that the X-T2 and X-T20 are heavily discounted, since the new generation X-T3 and X-T30 have replaced them. The new cameras are indeed better, but not by huge margins, and that shouldn’t diminish the fact that the X-T2 and X-T20 are excellent bodies. The X-T2 and X-T20 should still be considered great options for those in the camera market.

To begin with, I would purchase both the X-T2 and X-T20. The X-T2 is weather-sealed and slightly more feature rich, while the X-T20 is smaller and lighter and better for travel. I imagine that they’d both get plenty of use. Different tools for different jobs that deliver identical image quality. I would purchase the X-T2 body for $800 and I would purchase the X-T20 combined with the 18-55mm f/2.8-4 for $900. At this point you have two bodies and a decent zoom lens for only $1,700.

Lenses are a bit trickier because it all depends on your style and genre. Different photographers have different needs. For example, if you do astrophotography, you might want the 16mm f/1.4, but if you do portrait photography you might appreciate the 56mm f/1.2 more. I personally love the 90mm f/2. The first two lenses are $900 while the last one is $850. However, there are great alternatives that are more budget friendly. For example, you could get the 16mm f/2.8 for $400 and the 50mm f/2 for $350, which altogether is $750, and it’s not all that much different than having the 16mm f/1.4 and 56mm f/1.2. So you could buy one expensive lens or two cheaper alternatives, whatever you think would serve your photography best. I would recommend the 50-230mm f/4.5-6.7 for $400. If you went with the two-lens alternative, you could afford to get the 55-200mm f/3.5-4.8 for $500 instead of the cheaper zoom. If you don’t need a telephoto zoom, I’d recommend selecting one of the cheaper primes instead, such as the 16mm f/2.8 for $400, 23mm f/2 for $400, the 27mm f/2.8 for $400, the 35mm f/2 for $350, the 50mm f/2 for $350, or the 60mm f/2.4 for $400, whichever one best fits your needs.

If you chose one of the $900 lenses plus the $400 telephoto zoom, you’ve now spent $3,000. If you chose the $850 lens plus the telephoto zoom, you’re now $50 under budget. If you selected the two-lens alternative from the previous paragraph and the telephoto zoom (or one of the $400 primes), you’re now $150 under budget, or $50 under budget if you upgraded to the nicer zoom. If you selected the two-lens alternative plus the 35mm f/2 instead of the telephoto zoom, you’re now $200 under budget. You could also select one of the $850-$900 primes plus one of the $350-400 primes, which would put you between $2,900 and $3,000, depending on what you chose. For somewhere between $2,800 and $3,000 (depending on your combination), you have two camera bodies, a pretty good zoom, plus perhaps two primes, or one prime and another zoom, or two primes and another zoom, or three primes, just depending on what you selected. Whatever the combination is, that’s a pretty darn good kit for the money.

Current Fujifilm Deals

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Right now is a great time if you’re in the market for a new Fujifilm camera. The X-T2 is an amazing bargain at only $800 for the body. The X-T20 is an amazing bargain at only $600 for the body. It’s extraordinarily impressive that you can buy those cameras for so little! There are some good deals on lenses, too, so you could assemble a nice kit for surprisingly little money. Heck, for less than $3,000, you could have a quality primary body, an excellent backup body, and a solid assortment of great glass. Or you could get into medium format for only $5,000.

Fujifilm X Cameras:

Fujifilm X-T2 (Body Only) $800
Fujifilm X-T2 with 18-55mm lens $1,100
Fujifilm X-T3 (Body Only) $1,400
Fujifilm X-T3 w/18-55mm lens $1,700
Fujifilm X-T20 (Body Only) $600
Fujifilm X-T20 w/16-50mm lens $700
Fujifilm X-T20 w/18-55mm lens $900
Fujifilm X-T30 (Body Only) $900
Fujifilm X-E3 (Body Only) $700
Fujifilm X-T100 w/15-45mm lens $530
Fujifilm X-Pro2 (Body Only) $1,500
Fujifilm X-H1 (Body Only) w/power grip $1,300
Fujifilm X100F $1,200
Fujifilm XF10 $450

Fujifilm X Lenses:

Fujinon 8-16mm f/2.8 $1,900
Fujinon 10-24mm f/4 $900
Fujifilm 14mm f/2.8 $650
Fujinon 16mm f/1.4 $900
Fujinon 16-55mm f/2.8 $1,100
Fujinon 18-135mm f/3.5-5.6 $800
Fujinon 23mm f/1.4 $650
Fujinon 23mm f/2 $400
Fujinon 27mm f/2.8 $400
Fujinon 50mm f/2 $345
Fujinon 50-140mm f/2.8 $1,500
Fujinon 56mm f/1.2 $900
Fujinon 60mm f/2.4 $400
Fujinon 80mm f/2.8 $950
Fujinon 90mm f/2 $850
Fujinon 100-400mm f/4.5-5.6 $1,700

Fujifilm GFX Cameras:

Fujifilm GFX 50R (Body Only) $4,000
Fujifilm GFX 50R w/63mm lens $5,000
Fujifilm GFX 50R w/32-64mm lens $5,800
Fujifilm GFX 50S (Body Only) $5,500
Fujifilm GFX100 (Body Only) $10,000

Fujifilm GFX Lenses:

Fujinon GFX 23mm f/4 $2,100
Fujinon GFX 32-64mm f/4 $1,800
Fujinon GFX 63mm f/2.8 $1,000
Fujinon GFX 100-200mm f/5.6 $1,500
Fujinon GFX 250mm f/4 $2,800

As always, nobody pays me to write the articles that you find on Fuji X Weekly, so using my Amazon affiliate links is the only way to financially support this website. I would never ask you to buy something that you didn’t want, but if you were already planning to purchase something, it’s greatly appreciated if you did so using my links. It definitely helps! I want to give a special thank you to those who have done this already.

Weekly Photo Project, Week 45

In this week you’ll see examples of four of my recent film simulation recipes: Fujicolor Industrial, Faded Color, Faded Monochrome and Redscale. As you can imagine, it was a very productive week for film simulation creation. A few of the days were particularly photographically productive, too. Perhaps more importantly, I had a number of fun adventures. Even though you’ve seen these pictures before, I hope that you will still find this set enjoyable.

Sunday, June 9, 2019

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The Corporate Ladder – Salt Lake City, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, f/5, ISO 800

Monday, June 10, 2019

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Makeup – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – Double Exposure

Tuesday, June 11, 2019

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Faded Daisies – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – Double Exposure

Wednesday, June 12, 2019

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Morning Coffee – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – Double Exposure

Thursday, June 13, 2019

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East Canyon Reservoir – East Canyon SP, UT – Fujifilm X-T30 & 35mm f/2 – Double Exposure

Friday, June 14, 2019

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Bank Time – Salt Lake City, UT – Fujifilm X-T30 & 35mm f/2 – Double Exposure

Saturday, June 15, 2019

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Corner Trunk – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/550, f/6.4, ISO 320

Week 44  Week 46