Introducing the Fuji X Weekly App for iOS!

The Fuji X Weekly app is a mobile film simulation recipe library containing over 100 recipes for Fujifilm cameras! The film simulation recipes in the app are the same ones that you know and love from this website, but now take them with you on the go, and have them at your fingertips wherever you are!

The Fuji X Weekly app is free! No annoying ads. Get access to 100+ film simulation recipes, which can be sorted alphabetically or chronologically. Each recipe contains an assortment of sample images, as well as a list of compatible cameras. Within each recipe there’s a place where you can keep notes, a useful feature for many of you, no doubt. The app will work offline, so if you don’t have internet access but need to find a certain recipe, no problem! The Fuji X Weekly app is a handy tool for Fujifilm photographers, an essential app to accompany your X-series camera. This is my Christmas gift to you!

This app does have some advanced features that can be unlocked by becoming a Fuji X Weekly Patron! These advanced features include filtering by sensor or camera, as well as by film simulation or color/B&W, and the ability to favorite recipes for quick access. The best app experience is reserved for Patrons!

Fuji X Weekly Patrons also get early access to some new film simulation recipes. There are 7 brand-new film simulation recipes that only Patrons can view. These recipes will eventually be published on Fuji X Weekly—free to everyone—but right now they’re available only to Patrons. As new early-access recipes are cycled into the app for Patrons, the others will be made available on this website and on the app free to all, so no worries.

By becoming a Fuji X Weekly Patron, which is only $19.99 annually, you unlock the app’s full potential, you get early access to some new film simulation recipes, and you help support Fuji X Weekly! It’s a win-win!

So much time (and money) has gone into creating this app. I believe that it will be useful to many of you, and I also believe it can grow into so much more. I can’t do it without your support. I appreciate everyone who has helped in one way or another already. I appreciate everyone who becomes a Patron! The Fuji X Weekly audience (that’s you!) truly is the best!

The Fuji X Weekly app will be available in the iOS App Store on December 1st. Download it to your iPhone or iPad! If you have a Mac with an M1 chip, you’ll be able to download the app, too, which might be useful for those who use X RAW Studio (it should be available for all Mac computers in a future update). I hope that an Android version will come along sometime next year, but right now it’s only available for Apple (if you don’t have an iPhone and don’t want to miss out on the app, you can probably find a good deal on an iPad this holiday season). I know that you’ll love the Fuji X Weekly app, and I’m super excited for its release!

I want to give a shout-out to Sahand Nayebaziz, the app developer (and Fujifilm photographer) who turned this idea into a reality. Thank you for all your hard work, and for lending your skills to this project!

Look for the Fuji X Weekly app in the iOS App Store on 12/01/2020!

Announcement Coming Tuesday!

The picture above is the third and final clue of what’s coming on December 1st. In case you missed it, the first clue is here and the second is here. The full announcement with all of the details will be in just a couple of days, on November 24th. Be sure to check Fuji X Weekly on Tuesday!

What is it? You’ve probably guessed already that it is a camera app, and you’re right. A Fuji X Weekly camera app is coming! Yea! I’m not giving any more details today, but I’ll just leave you with this: it’s very cool and I’m super excited about it! I hope you’re excited about it, too, because I think you’re going to really like it.

Fujifilm Used My Photo!

Did you see this? Fujifilm used one of my pictures!

They, of course, received my permission first. And, yes, that means I have spoken with Fujifilm, and they know that this website exists. I’m not sponsored by them or have any official association—I’m not an X-Photographer, for example. It’s good to know that they know what’s being published on Fuji X Weekly, because this audience is filled with their best customers. I published an article, Shrinking Camera Market: What Fujifilm Should Do In 2021 & Beyond, which contained what I feel is solid advice, but the best suggestions are from you all, found in the comments section. I hope Fujifilm read it, and there’s a chance they might have. I want your voice to be heard.

Back to the picture!

Duskflower – Bountiful, UT – Fujifilm X100V

The image that Fujifilm used, which is the picture above, is from my article, Fujifilm X100V Hack: Turn Daylight Into Blue Hour. It was captured during the day and not during dusk or dawn like it appears to have been. Read my article if you want to know how I did it. The Fujifilm article, Using Low Key To Create High Drama, is about low-key photography, which is basically an overall dark picture where light is emphasized on only a small part of the frame. In my picture, the flower is where the light is emphasized, and the rest is pretty dark.

It’s cool to see my picture used in an educational piece by Fujifilm. I hope that it inspires you to try low-key photography, or maybe even experiment with flash and white balance. But perhaps, more importantly, it is an indication that Fujifilm is aware of what’s happening on this website, and maybe—just maybe—they’ll be influenced by this community in some way.

How To Add Film Simulation Recipes To Your Fujifilm Camera

I’ve published over 100 film simulation recipes for Fujifilm X cameras, but I’ve never explained how to program them—the practical side of entering the data into the gear. How do you add a recipe to your camera? If you don’t know how, this article is for you!

Most Fujifilm cameras allow you to store up to seven custom presets; however, some only allow you to have one. There are some variations between models and generations, but no matter your Fujifilm X camera, you should be able to program a recipe by the end of this article, because it’s actually pretty simple. I think it’s always a good idea to read the manual—Fujifilm has all of them available online, and a Google search will bring up your model’s manual quickly. It’s important to really familiarize yourself with your gear to get the most out of it.

Most of the settings that a film simulation recipe requires you to adjust are found in the IQ Menu set, which you access by pressing the Menu button on the camera. Things like Film Simulation, Highlight, Shadow, Color, Dynamic Range, etc., etc., are found in this menu. For those who have a model that can’t save custom presets (such as the Fujifilm X-T200), this is where you can enter in the required parameters of a recipe. You might find many of these settings in the Q-Menu, as well, or through various other buttons on your camera, but they’re pretty much all in one place in the IQ Menu. White Balance Shift is adjusted within the White Balance submenu.

For those with cameras that can save seven custom presets (which most Fujifilm cameras are able to), you can program these custom presets with different film simulation recipes. Find “Edit/Save Custom Settings” in the IQ Menu, or, more quickly, press the Q button to open the Q Menu, then press and hold the Q button, and the Edit/Save Custom Settings submenu will appear. Again, there’s some variations between models, but this should work with most Fujifilm cameras. Once there, select the custom slot you want to use, enter the parameters that the recipe requires, and hit the Back button to save. Many cameras, but not all, have the option to name the custom preset.

Only the latest models, the X-Pro3 and newer, allow you to save the White Balance Shift with a custom preset. For most cameras, you’ll have to manually adjust the WB Shift each time that you change recipes. Exposure Compensation (which is a suggested starting point and not a hard-and-fast rule) can’t be stored, either. For those with cameras that can name presets, one option is to use a recipe name format to remind yourself what these settings should be, so that you know what to set them to.

Once you have everything set, then you can access the seven custom presets through the Q button. Changing between recipes becomes quick and easy! My X100V can save the WB Shift, which is great; however, my other cameras cannot, so on those models I have a button custom set to quickly access White Balance. That way I can easily adjust the shift, since I have to manually adjust that parameter each time I change recipes.

You should now be well on your way to setting up a film simulation recipe on your camera. Once you’ve done it a couple of times, the process will become quick for you. That first time or two, where you’re not really sure how to do it, is the hardest, but with experience it becomes easy.

Photo Contest & Sweepstakes

I just wanted to pass along to you two things: there’s a photo contest and sweepstakes that you can enter if you’d like.

I’m not a huge fan of photo contests in general. The idea is great, but the execution is often awful. There are a few different types. Some artist association will have a photo contest, but you find out that the judges have little or no photography background; it’s puzzling why the winning pictures were chosen. There are bigger contests with better prizes and well-qualified judges and prestige to go along with it, and these seem to be on the up-and-up, but they cost money to enter. These are like playing the lotto, except maybe worse, because you find out later that there was some controversy or scandal involved. Unfortunately, good photography contests seem rare, but I was made aware of one that seems to be trustworthy and worthwhile.

This photography contest is called Beyond the Frame and is hosted by Ben Yan, a Fujifilm Student of Storytelling. It’s free to enter, the panel is full of talented photographers, and the winner gets a Fujifilm X100V! November 30 is the submission deadline. Click here for all of the details. I have no affiliation with this contest. I wish you luck!

Incase, in conjunction with Fujifilm, is giving away a MacBook Air and Fujifilm X-T4. This is only open to U.S. residents and closes on November 22. Click here to find out more. Again, I have no affiliation with this, I’m just passing it along to you.

I hope that one of you will win!

Fujifilm X100V Film Simulation Recipe: Superia Xtra 400

Red Leaf – Fruit Heights, UT – Fujifilm X100V – “Superia Xtra 400”

I’ve had a lot of requests for a Superia Xtra 400 film simulation recipe. Fujifilm introduced Superia Xtra 400, a consumer-grade color negative film, in 1998, replacing Super G Plus 400. This film has been updated a couple of times, first in 2003 and again in 2006. It’s been widely used, thanks to its low cost and versatility. I’ve shot several rolls of this film over the years.

Thomas Schwab, who has invented a few film simulation recipes, and who I’ve collaborated with on a number of others, created this Superia Xtra 400 recipe. He did this by capturing a roll of actual Superia Xtra 400 film with a film camera while capturing identical exposures with his Fujifilm cameras, then, using X RAW Studio, worked on the settings until he found a match. As you can imagine, he put a lot of time and effort into creating this! He shared with me some of his side-by-side pictures—comparing the film with this recipe—and it was tough to figure out which was which, they looked so close!

Creek Through Autumn Forest – Fruit Heights, UT – Fujifilm X100V – “Superia Xtra 400”

What I find interesting is that this recipe isn’t all that much different than Luis Costa’s Classic Negative recipe. I said of Luis’ recipe, “It reminds me a lot of Superia Xtra 400 with a warming filter, or maybe Superia 200 pushed one stop.” Turns out it was pretty darn close to Xtra 400. This recipe by Thomas is even closer! But, of course, with film, so much depends on how it’s shot, developed, and scanned or printed, and the aesthetic can vary significantly. So, really, both recipes mimic Xtra 400, but this one proudly carries the name, as it is a very close match to the film.

Thank you, Thomas, for creating this recipe and sharing it! I know that many of you will love it. I love it! This Superia Xtra 400 film simulation recipe is compatible with the Fujifilm X100V, X-Pro3, X-T4, and X-S10.

Classic Negative
Dynamic Range: DR400
Highlight: 0
Shadow: -1
Color: +4
Noise Reduction: -4
Sharpening: -1
Clarity: -2
Grain Effect: Strong, Small
Color Chrome Effect: Off
Color Chrome Effect Blue: Strong
White Balance: Auto, +3 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs, all camera-made JPEGs using this Superia Xtra 400 film simulation recipe on my Fujifilm X100V:

Eats & Treats – Farmington, UT – Fujifilm X100V
Fireplace – Farmington, UT – Fujifilm X100V
Brick & Fire – Farmington, UT – Fujifilm X100V
Red & Yellow Fire Hydrant – Layton, UT – Fujifilm X100V
November Pumkin – Farmington, UT – Fujifilm X100V
Fall Leaf in a Forest – Fruit Heights, UT – Fujifilm X100V
Forest Creek – Fruit Heights, UT – Fujifilm X100V
Autumn Branch Over Creek – Fruit Heights, UT – Fujifilm X100V
Autumn Creek – Fruit Heights, UT – Fujifilm X100V
Golden Path – Fruit Heights, UT – Fujifilm X100V
Trail Through the Forest – Fruit Heights, UT – Fujifilm X100V
Three Leaves – Fruit Heights, UT – Fujifilm X100V

See also: X-Trans IV Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

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Recipe Custom Name Format

An issue that many people have found with the different film simulation recipes is knowing what to adjust the White Balance Shift to, as well as knowing what the exposure compensation should be, when changing recipes. Only the newest Fujifilm cameras (the X-Pro3 and newer) have the ability to save the WB Shift with the custom presets; unfortunately, most Fujifilm cameras cannot save WB Shift with custom presets, and that’s a problem when switching between different recipes. Since the camera can’t save certain settings, people have come up with different solutions to help remember what those settings should be. One of those solutions is to put the WB Shift into the custom preset name. Not all Fujifilm cameras have the ability to name the custom settings, but many of them do.

Fuji X Weekly reader Randy Kirk took this name solution to a new level! He designed an abbreviation format for recipe names as a solution to the problem, which he explains below.

“The format translates, from left to right, as follows:
Film Recipe Name, WB mode (auto, daylight, etc), WB Offset, exposure compensation, and finally ISO or misc notes.”

“I use these abbreviations for White Balance:
AU: Auto
TN: Tungsten
C1: Custom 1, etc
F1: Fluorescent 1
KV: Kelvin
CL: Cloud
… and so on. Most can also be abbreviated to one letter if I run out of space to type.”

Below are some examples.

Kodachrome 64 is named: K64 DY+2r-5b +2/3~ 
Translation: “Kodachrome 64, Daylight White Balance with a +2 Red & -5 Blue shift, exposure comp +2/3, plus or minus 1/3 of a stop. The squiggle after the fraction translates to ‘more or less’ and takes less space than typing the full range listed in the recipe.”

Portra 160 is named: P160 DY~+4r-5b +1~
Translation: “Here, the squiggle after DY lets me know I can mess around with the White Balance, and the exposure compensation translates to +2/3 to +1 1/3 stop.”

Tri-X 400 is named: TriX C1+9r-9B +2/3~ 1600+
Translation: “White balance is Custom 1, exposure compensation is +1/3 to +1 stop, and ISO 1600 and up is recommended.”

“Last, here’s one that condenses my cheat notes for two recipes into one preset name:
K2/E100 A+3r-4b +1/3+ C/V
It looks funky, but translates to:
Kodachrome II / Ektachrome 100SW, Auto WB (abbreviated to A), WB Shift, Exposure Comp +1/3 to +2/3 stop.. and the last note indicates Classic Chrome (for Kodachrome II) or Velvia (for E100SW).” 

“A plus sign *after* the exposure compensation indicates another 1/3 stop ‘up’ (for a range of +1/3 to +2/3). Or if a recipe calls for an exposure range of minus 1/3 to minus 2/3 stop, then it would simply read ‘-1/3-‘.”

If you are having trouble remembering what adjustments that you need to make to your camera when you switch between recipes, this system of abbreviations with your custom recipe names might be just what you need. I know that this will be helpful to many of you. Thank you, Randy Kirk, for designing these abbreviations and sharing them!

Film Simulation Recipe Cards, Part 2!

Part 1

Oleksii Prytuhin has done it again! He created 9 more Film Simulation Recipe Cards to add to your collection!

I cannot tell you just how incredibly popular these are! The first 12 Film Simulation Recipe Cards that Oleksii created have been downloaded over 20,000 times! Even Fujirumors shared it. It’s such a great idea! People are really loving the cards!

These are credit-card-sized cards with Oleskii’s favorite film simulation recipes printed on them. They can be kept in a wallet for quick and easy reference. He printed them 86x54mm on thick paper with matte lamination. Feel free to download them and print them yourself, or save it to your phone.

The nine film simulation recipes that are on these cards are: Velvia, PRO Neg. Hi, Fujicolor Pro 400H, Kodak Tri-X Push Process, Kodak Ektachrome 100SW, Kodak Ultramax, Kodak Ektar 100, Classic Chrome, and… Luis Costa’s X-Trans III Classic Chrome recipe that Oleksii slightly modified to his own liking. Try it out! These are all X-Trans III recipes, but they’re also compatible with X-Trans IV cameras.

Oleksii gave me permission to share the PDF with you. If you’re interested in printing these cards for yourself, click the download button below (it will open up the file, which you can download), and print them! There’s also a Word document that contains the individual JPEGs, if that works better for you. I want to give Oleksii a big “thank you” for creating these and sharing them, and I invite you to give him a thank you in the comments if you download them. I appreciate it, and I know the whole Fujifilm community appreciates it!

Fujifilm X100V Film Simulation Recipe: Kodak Portra 800

November Cherries – Farmington, UT – Fujifilm X100V – “Kodak Portra 800”

Kodak introduced Portra 800 in 1998. The Portra line has seen a number of revisions and updates over the years, but I couldn’t find any information if the current Portra 800 film is the exact same emulsion from 1998, or if it’s gone through some changes over the years like the ISO 400 and 160 versions. Portra 800 is one of the best options for high-ISO color photography, but I’ve never shot it myself.

There are some good online resources that are helpful when creating film simulation recipes for films that I’ve never used, which I did consult, but that’s not how these settings came about. You see, there’s a new version of my Portra 400 recipe (which I know you’ll love) that’s coming soon, and this recipe is a variant of that. Thomas Schwab, who I’ve collaborated with on a number of different recipes (including Portra 400), and who has actually shot Portra 800, helped me out with this one. Thanks, Thomas!

Cabela’s Boy – Farmington, UT – Fujifilm X100V – “Kodak Portra 800”

I know that many of will love this Kodak Portra 800 film simulation recipe! It’s really nice, and has a good film-like aesthetic. Does it faithfully resemble real Portra 800? I think it does, but film can look different depending on how it’s shot, developed, scanned or printed, and this recipe won’t mimic every aspect of the film. Even so, I think this one will be quite popular, and many of you will use it regularly. It’s only compatible (as of this writing) with the Fujifilm X100V, X-Pro3, X-T4 and X-S10 cameras.

Classic Chrome
Dynamic Range: DR400
Highlight: +1
Shadow: 0
Color: +3
Noise Reduction: -4
Sharpening: -2
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: 5200K, +1 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Portra 800 film simulation recipe on my Fujifilm X100V:

Brown Tree Leaves – Farmington, UT – Fujifilm X100V
Small Shrub – Farmington, UT – Fujifilm X100V
Backyard Tree Leaves – Farmington, UT – Fujifilm X100V
Yellow House – Farmington, UT – Fujifilm X100V
Suburban Mailboxes – Farmington, UT – Fujifilm X100V
Red Fire Hydrant – Farmington, UT – Fujifilm X100V
Suburban Peek – Farmington, UT – Fujifilm X100V
Evening Commute – Farmington, UT – Fujifilm X100V
Smith’s – Farmington, UT – Fujifilm X100V
Drug – Farmington, UT – Fujifilm X100V
Suburban Dusk – Farmington, UT – Fujifilm X100V
Parked Car in the Dark – Salt Lake City, UT – Fujifilm X100V
Tunnel Bench – Farmington, UT – Fujifilm X100V
Night Mall Architecture – Farmington, UT – Fujifilm X100V
Empty Sidewalk at Night – Farmington, UT – Fujifilm X100V
Christmas Decor Display – Farmington, UT – Fujifilm X100V
Succulent & Globe – Farmington, UT – Fujifilm X100V
Jon Wearing Cabela’s Hat – Farmington, UT – Fujifilm X100V
Potted Plant on End Table – Farmington, UT – Fujifilm X100V
Accidental Exposure – Farmington, UT – Fujifilm X100V
Sunlight Through a Tree – Farmington, UT – Fujifilm X100V

See also: Fujifilm X-Trans IV Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Camera Basics: Shutter Speed

Fujifilm X-T30 & Rokinon 12mm – 0.4 Second Shutter Speed

Let’s talk about shutter speed! What is it? What does it do to your pictures? How do you control it to get the images that you want? For many of you, this is something you already know very well, but for others this will be helpful information.

The quick and simple definition of shutter speed is this: the amount of time that the camera’s shutter curtain is open, allowing light to reach the camera’s sensor or film. A fast shutter speed allows very little light to expose the sensor or film, while a slow shutter speed allows a lot of light to expose the sensor or film. Shutter speed is one of three elements of the exposure triangle, with aperture and ISO being the other two.

Some examples of common shutter speeds are 1/15, 1/30, 1/60, 1/125, 1/250 and 1/500. There are, of course, many other shutter speeds, this is far from a comprehensive list. 1/15 is an example of a slow shutter speed, and 1/500 is an example of a quick shutter speed. You’ll note that these are fractions, as in fractions of a second. You’ll also note that they’re half or twice as long as the shutter speed on either side, which means that 1/60 lets in half as much light as 1/30, and 1/15 lets in twice as much light as as 1/30.

If the shutter speed is too slow, you’ll have blur from camera shake, unless you’re using a tripod. A rule of thumb for the slowest hand-held shutter speed (without the help of image stabilization) is this: whatever the focal-length of the lens is (or in the case of Fujifilm X, the 35mm-equivalent focal-length), the shutter speed should be a similar number. For example, if the lens is 12mm, which has a 35mm-equivalent focal-length of about 18mm, the slowest hand-held shutter speed is around 1/15 or 1/20. If the lens is 90mm, which has a 35mm-equivalent focal-length of 135mm, the slowest hand-held shutter speed is around 1/125. With good techniques, you can often get a sharp picture with even slower shutter speeds, but that takes practice. Otherwise, you’ll have to use a tripod.

Shutter speed is about motion, either freezing it or showing it. A slow shutter speed will show motion (such as the picture at the top of this article, where the water is blurred), while a fast shutter speed will freeze it (such as the picture directly below this paragraph, where the moving car is sharp). In the first picture below, which was captured with a 1/450 shutter speed, you’d never know that the car was zooming by, because the motion was frozen. The second picture below, which was captured with a 1/80 shutter speed, shows the motion through the car’s blur. The third picture below, which was captured with a 1/60 shutter speed, shows the motion through panning, where the car is sharp but the background blurred from the sweeping lens.

Fujifilm X-M1 & Fujinon 90mm – 1/450 shutter speed
Fujifilm X-M1 & Fujinon 90mm – 1/80 shutter speed
Fujifilm X-M1 & Fujinon 90mm – 1/60 shutter speed

You can show motion in a photograph using a slow shutter speed, and some of that motion might not be immediately obvious. In the first picture below, the firework is moving during the exposure, showing colorful light streaks. In the second picture, the earth’s rotation makes the stars streak. In the third picture, intentionally shaking the lens creates an abstract picture through the camera’s movement.

Fujifilm X100V – 20 second shutter speed
Fujifilm X-T30 & Fujinon 100-400mm – 30 second shutter speed
Fujifilm X-T20 & Fujinon 90mm – 1/15 shutter speed

A fast shutter speed will freeze motion. If there’s some fast-moving object that you want to capture still without blur, you need a quick shutter. This might be a car driving down the road, running kids or jumping pets. Just how fast the shutter needs to be depends on how fast the object is moving, how close it is to the lens, and the focal-length of the lens. The picture below is an example of freezing a moving object with a fast shutter speed.

Fujifilm X-T30 & Fujinon 90mm – 1/2000 shutter speed

It takes much practice to master the shutter, but with practice you’ll know exactly what shutter speed you need to get the picture that you want. There are many variables, so there’s no one-size-fits-all recommendation. Don’t be afraid to experiment. You might fail, but you’ll learn, which will lead to success. Be creative! Put the camera on a tripod and try some different slow shutter speeds. Try photographing your kids or pets using a fast shutter. Pretty soon you’ll be a master of the shutter, totally in control of your camera.

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200

Hidden House – Farmington, UT – Fujifilm X-T1 – “Porto 200”

I was asked to make a film simulation recipe for Fujifilm X-Trans II cameras that mimics the aesthetic of photographer João Falcão (Instagram). I got pretty close to his look with this recipe, although perhaps not exact. Certainly if you like João’s aesthetic, you’ll appreciate these settings. It produces some really nice results! I call it Porto 200.

Why do I call this film simulation recipe Porto 200? After all, there’s no film called Porto 200. Well, Porto is the city in Portugal where João is from. While Porto means “port” I think it has a nice film-stock-like name, similar to “Portra” for example. So Porto 200 it is!

Moody Lake – Big Arm, MT – Fujifilm X-T1 – “Porto 200”

I really enjoy using this recipe on my X-T1! It has (at least for now) a permanent spot in the Q menu. It produces a look that might be kind of similar to ColorPlus 200. It’s not intended to be similar to that film, but to me it seems a little similar. Feel free to try it with +1 Color and/or Sharpness if you prefer, or -5 Blue if you think it’s too yellow. This recipe is intended for X-Trans II cameras, but it will work on X-Trans I and Bayer cameras, too, but with slightly different results.

PRO Neg. Std
Dynamic Range: DR400
Highlight: 0 (Std)
Shadow: +1 (Medium-Hard)
Color: 0 (Mid)
Sharpness: 0 (Std)
Noise Reduction: -2 (Low)

White Balance: Daylight/Fine, +2 Red & -6 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Porto 200 recipe on my Fujifilm X-T1:

Holiday Rain – Big Arm, MT – Fujifilm X-T1
Forest Ivy – Farmington, UT – Fujifilm X-T1
Fall Wall – Farmington, UT – Fujifilm X-T1
Forest Fence – Farmington, UT – Fujifilm X-T1
Dying Leaves – Farmington, UT – Fujifilm X-T1
Tree Leaves – Farmington, UT – Fujifilm X-T1
Hanging Leaves – Farmington, UT – Fujifilm X-T1
Little Red Berries – Farmington, UT – Fujifilm X-T1
Red Berries in a Tree – Farmington, UT – Fujifilm X-T1
Treescape – Farmington, UT – Fujifilm X-T1

See also: X-Trans II Film Simulation Recipes

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Review: Fujifilm X-T200 – Budget Camera, Beautiful Pictures

The Fujifilm X-T200 is a reasonably-priced mirrorless interchangeable-lens camera that has solid specs for both stills and video. I was actually quite surprised by this camera: it’s better than I thought it would be. Just because it’s a little less expensive, doesn’t mean it’s not good. The X-T200 is a budget camera that captures beautiful pictures!

This X-T200 isn’t actually mine. I’m just borrowing it to create some film simulation recipes for it. I would be happy to own one, though, and have considered picking one up, but most likely I won’t.

Fujifilm X-Trans cameras are solidly built. The X-T200 isn’t X-Trans, but instead has a 24-megapixel Bayer sensor. The camera feels cheaper than X-Trans cameras, but it still looks nice, and I’m sure the build-quality is good despite all of the plastic. It has a PASM dial (yuck) instead of the shutter speed dial that Fujifilm cameras typically have.

Despite being cheaper and feeling cheaper and looking cheaper, the X-T200 delivers the goods, which is what matters most. I was impressed by the image quality from this camera. The pictures look really nice! There’s no reason why someone couldn’t use the X-T200 for serious work, and I’m sure there are some who do.

The JPEG options on this camera are similar to X-Trans II, so to me it seems out of date and limited, even though this is the latest model. Don’t expect to have the full array of film simulations or other options that you’ll find on the latest X-Trans cameras. Like the XF10, you cannot save custom presets, which is really too bad. Despite the limitations, the X-T200 delivers lovely JPEGs; you might be disappointed by the options, but you won’t be disappointed by the results!

Hidden Church – North Salt Lake, UT – Fujifilm X-T200

The X-T200 has an interesting rear screen, which is the same flip screen found on the X-T4, or at least it’s nearly identical to it. It’s cool that you can move it all around to different angles, which can be useful sometimes, but my favorite aspect of it is that you can close it backwards, to where you can’t see the screen (in a sense, like the X-Pro3). You can shoot it like a classic film camera! Yes, you could just turn the screen off, but it’s more fun to not even see it at all. Yet, when you need the screen, it can bend to all sorts of different angles for you.

Fujifilm has marketed the X-T200 as a vlogger’s camera. Spec-wise, it’s very video-centric, and it’s clear that they thought YouTubers or aspiring YouTubers might be interested in buying it. It can do 4K 30 frames-per-second, which is great, and 120 frames-per-second slow-motion, which is also great. It has built-in digital image stabilization. It checks a lot of boxes on paper. Take a look at this test video:

Video quality on the X-T200 isn’t spectacular. It’s not terrible, either—just mediocre or maybe a tad better than mediocre. While it’s probably plenty good enough for most people and purposes, if you are serious about video, this camera will leave you disappointed. That’s too bad, because if the video quality was just a little better, the X-T200 would be a tempting option for those in need of a budget-friendly video-centric camera. If you are primarily interested in a camera for video, you might want to consider other options. If you want a camera primarily for stills but you might dabble in video occasionally, you’ll likely find this camera to be good enough for your needs.

This review isn’t about technical specs, but actual real-world use of the camera. My opinion is that the Fujifilm X-T200 does quite well for still photography and is decent-but-not-great for video. It’s a better camera than I thought it would be, but not as good as some other options, or as good as it seems like it could be on paper. The Fujifilm X-T30 isn’t all that much more expensive, yet it is a better option, and if you can afford it, I believe you’ll be happier with it. Another camera to consider, especially if you’re interested in video, is the upcoming Fujifilm X-S10, which has IBIS and an X-Trans sensor, but it is more expensive and possibly outside your budget. If you can’t afford either of those two options, the X-T200 is certainly a “good enough” choice, and you’re likely to be happy with it.

The X-T200 has an MSRP of $700 for the body or $800 when combined with the 15-45mm kit lens, but it can routinely be found for less than that, and sometimes much less. You get a lot for the price, especially if you can find it for $500 or less. For someone just starting out, and perhaps looking for their very first interchangeable-lens camera, the X-T200 is a great option. For those wanting to upgrade from an X-Trans I or II model but are on a tight budget, the X-T200 is worth considering. It’s a good camera for the price, and as long as your expectations aren’t too high, you’re sure to love it.

Example photographs, all camera-made JPEGs using the Fujifilm X-T200:

Setting Sun Behind Refinery – North Salt Lake, UT – Fujifilm X-T200
Nature Above City – North Salt Lake, UT – Fujifilm X-T200
Early Autumn Evening – North Salt Lake, UT – Fujifilm X-T200
Red Tree Fruit – Layton, UT – Fujifilm X-T200
Grocery – Layton, UT – Fujifilm X-T200
Targets – Layton, UT – Fujifilm X-T200
Another Brick – Layton, UT – Fujifilm X-T200
Diagonal Structure – Farmington, UT – Fujifilm X-T200
Yellow Lamp – Farmington, UT – Fujifilm X-T200
Summer Garage – Sunset, UT – Fujifilm X-T200
Leaves & Thistle – Fruit Heights, UT – Fujifilm X-T200
Squash Leaves – Sunset, UT – Fujifilm X-T200

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T200  Amazon  B&H

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Help Fuji X Weekly

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Film Simulation Recipe Cards

There are almost 100 different film simulation recipes on Fuji X Weekly! One problem with having so many different recipes to choose from is that your Fujifilm camera can only save seven custom presets at a time. If there’s more than seven recipes that you regularly use, it can be inconvenient to keep track of your favorites, especially if you’re out-and-about photographing. One person’s solution is a recipe journal that’s kept in the camera bag for easy reference. A few people have created PDFs that can be accessed from a phone. But my favorite answer is this: Film Simulation Recipe Cards!

Fuji X Weekly reader Oleksii Prytuhin created credit-card-sized cards with his favorite film simulation recipes printed on them. They can be kept in a wallet for quick and easy reference. I love this! He printed them 86x54mm on thick paper with matte lamination. Really, I wish I had a box of Film Simulation Recipe Cards for every recipe, and I could pass them out to people who ask about my camera settings. Kind of like business cards. It’s such a neat idea!

The film simulation recipes that Oleksii created cards for are: Vintage Kodachrome (listed as Kodachrome 64, which is what the recipe is an early version of), Kodachrome II, Portra 400, Ilford HP5 Plus, Ilford Delta Push Process, Fujicolor Superia 800, Acros, CineStill 800T, Agfa Scala, Agfa Optima, Eterna, and Cine Teal. These are recipes that can be used on X-Trans III & X-Trans IV cameras. If you use any of these, there’s a Film Simulation Recipe Card for you!

Oleksii gave me permission to share the PDF with you. If you’re interested in printing these cards for yourself, click the download button below (which will open up the file and you can download it), and print them! I want to give Oleksii a big “thank you” for creating these and sharing them. I appreciate it! If you download and print the cards, let me know in the comments. Or, if you simply think this is a great idea, leave a little feedback. Thanks!

Update:
Oleksii sent me the film simulation recipe cards as JPEGs, to make it easier for those who want to add them to their phone. You can download a Word document that contains the JPEGs below. If you want to print them, the file above is what you want. If you just want to view them without printing, the file below might be better. Thanks, Oleksii!

Part 2

Welcome to the New Fuji X Weekly!

Fuji X Weekly has been revamped! I’ve made a bunch of changes to this website, hopefully good ones.

One thing that you might notice right away is there’s a brand-new homepage, which is where you land when you type fujixweekly.com into your browser. From there you can choose where you want to go. The “old” landing page, which is the blog, is now found at fujixweekly.com/blog.

Instead of all of the film simulation recipes being located on one page, I’ve now sorted them by sensor. Having them all in one place made sense when there wasn’t nearly so many. Now that we’re approaching the 100 recipe mark, it can be difficult to find the one that you’re looking for. It should be much easier now.

There’s been many other smaller changes here and there throughout the website. I’ve been working on this for awhile, but it’s hard to know if everything works well or is actually a good change until it’s online and is put through the paces. I appreciate any feedback. I’d love to know what you like and dislike about the new look. If you find something that doesn’t work right, let me know.

I’m very excited about the new Fuji X Weekly website! If you don’t follow this blog, be sure to do so. I think many good things are just around the corner. I appreciate you coming along for the ride!

Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color

Vibrant Autumn – Fruit Heights, UT – Fujifilm X-M1 – “Vivid Color”

The Fujifilm X-M1 doesn’t have nearly as many JPEG options as newer X-Series cameras have; however, that doesn’t mean that this camera can’t produce great-looking images straight-out-of-camera. This film simulation recipe is proof of that, as it simply looks great!

Many of you don’t have X-Trans I cameras, since there were only three models made: the X-M1, X-E1 and X-Pro1. Fujifilm quickly moved on to the X-Trans II sensor. I know that some of you still have your old X-Trans I camera, or have purchased one second-hand for cheap. For a long time I neglected creating recipes for these cameras, but no more! This is the second one for X-Trans I, and expect several more to be published in the coming months.

Fall Forest – Flathead Lake, MT – Fujifilm X-M1 – “Vivid Color”

Even though this film simulation recipe is intended for the X-M1, X-E1 and X-Pro1, if you have an X-Trans II or Bayer model, feel free to try this recipe on your camera. It won’t be exactly the same, but it will produce very similar results.

Velvia
Dynamic Range: DR200
Highlight: +1 (Medium-Hard)
Shadow: +2 (Hard)
Color: +2 (High)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 1 (“Daylight Fluorescent”), -5 Red & +5 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this Vivid Color film simulation recipe on a Fujifilm X-M1:

Stinker – Idaho Falls, ID – Fujifilm X-M1
Leave the Light On – Farmington, UT – Fujifilm X-M1
Sunlight Through the Curtain – Farmington, UT – Fujifilm X-M1
Business Hours – Idaho Falls, ID – Fujifilm X-M1
Thrifty Nickel – Idaho Falls, ID – Fujifilm X-M1
Clothes Hangers – Farmington, UT – Fujifilm X-M1
H&M – Farmington, UT – Fujifilm X-M1
Autumn Forest Sunlight – Fruit Heights, UT – Fujifilm X-M1
Bright Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
Red Berries & Orange Leaves – Fruit Heights, UT – Fujifilm X-M1
Early Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
October Leaves – Fruit Heights, UT – Fujifilm X-M1
Leaves in a Dark Forest – Fruit Heights, UT – Fujifilm X-M1
Lit Autumn Leaves – Fruit Heights, UT – Fujifilm X-M1
Slowly Dying – Fruit Heights, UT – Fujifilm X-M1
Autumn Leaves & Green Weed – Missoula, MT – Fujifilm X-M1
Misty Mountain Morning – Farmington, UT – Fujifilm X-M1

See also: Film Simulation Recipes

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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New: Fujifilm X-S10

It seems like everyone is talking about the newly announced Fujifilm X-S10, an upcoming mid-range interchangeable-lens mirrorless camera with in-body image stabilization (IBIS). This new camera will be released on November 19 for $1,000 for the body-only.

The X-S10 is a new line, not just a new camera. Fujifilm obviously didn’t listen to my advice (I highly doubt they ever saw it). Really, Fujifilm should have added IBIS to the X-T30 and called it the X-T40, at least that’s what I suggested. Instead they made a new camera from scratch (is that what the “S” stands for?). Internally, the X-S10 is an X-T4 (Fujifilm’s high-end model). Externally, this is an X-T200 (Fujifilm’s low-end model) with a grip (I assume the grip is for heat dispersion more than anything). It seems like they put a Porsche engine inside a VW Bug.

The X-S10 is the X-T4, except smaller, lighter, not weather sealed, with only one memory card slot, and in a body similar to the X-T200 (but with a hand-grip). You get a pretty darn solid camera for a pretty decent price. But, you also get a PASM dial instead of the shutter and ISO dials. It’s what’s on the inside that counts, right? On the inside the X-S10 is a great camera, no doubt about it!

I don’t like the name, though. Did Fujifilm put their hand in a Scrabble bag and pull out an S? What does the S stand for? When I think of S10, I think of cheap Chevy trucks with questionable reliability and presumably lots of rust. That’s not a good association! Of course, if you say the full name, it sounds like “Excess 10” which perhaps is appropriate but not necessarily great from a marketing point-of-view. Maybe the S stands for Sony-killer, which is what I think Fujifilm hopes that this camera becomes. It seems pretty obvious that the Fujifilm X-S10 and the Sony A6500 will be direct competitors. The A6500 is aesthetically uninspiring, so despite my misgivings about the X-S10’s body design, it still wins hands down over the Sony model, in my opinion. Most likely, the S stands for stabilized, as this camera joins a small list of Fujifilm cameras that have IBIS.

Interestingly, Fujifilm also announced a new 10-24mm f/4 lens, which is simply an update to a lens they’ve had for awhile. The new version is weather-sealed. There are a few other small improvements, but weather sealing is the big one. Apparently at some point you’ll be able to buy the X-S10 bundled with the new 10-24mm lens, but the X-S10 isn’t weather sealed, so you might be better off buying the old version of the lens instead, if you plan to use it with that camera.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-S10 Amazon B&H

Fuji X Weekly Update

Lakeshore & Dock – Flathead Lake, MT – Fujifilm X100V

It’s been very quiet here on Fuji X Weekly, but that doesn’t mean I haven’t been busy. In fact, the opposite is true. I wanted to give you a quick update so that you know what’s going on.

First, I’ve been revamping this website. It will have a new look pretty soon. I was hoping to finish it this week, but I’m running behind, so maybe by the end of this month it will be online. I think you’ll really appreciate the changes, and it will make things easier to find.

My review of the Fujifilm X-T200 will be published soon, probably next week. Gear reviews always take a long time to write. I’ve also been working on a review of the Fujinon 80mm f/2.8 Macro, but it’s still a ways off from being published (maybe in a couple weeks).

Time On Bridge – Big Fork, MT – Fujifilm X100V

I have two new film simulation recipes that will be posted in the coming days: one for X-Trans I and one for X-Trans II. At the bottom of this article you’ll find an example of each. I have a few in the works for X-Trans IV, but they’re not ready yet. I hope to create a new one for X-Trans III, too.

There’s plenty of great content coming, so stay tuned!

One other reason why it’s been quiet the last week is that I took a quick vacation to Montana. It was great to relax and reinvigorate my creativity! You’ll be seeing some of the pictures from that trip, too, such as the photographs in this article. I hope that you enjoy them!

Fall Forest – Flathead Lake, MT – Fujifilm X-M1
Rain at the Lake – Flathead Lake, MT – Fujifilm X-T1

Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Monochrome

Broken View – Farmington, UT – Fujifilm X-M1

Fujifilm introduced the world to the X-Trans sensor in January of 2012 with the announcement of the X-Pro1 camera. Later that same year the X-E1 became the second camera with this new sensor, and a year later the X-M1 became the third and final camera to have the original X-Trans sensor. Even before the X-M1 was released, Fujifilm had begun selling cameras with the X-Trans II sensor, so the original sensor was already old news by the time the camera was released. It seems that, more-or-less, Fujifilm had some spare X-Trans I sensors laying around, so they put them inside of the X-A1, a Bayer sensor camera, and renamed it X-M1. There never was an X-M2.

Even though only three cameras have an X-Trans I sensor, I’ve had many requests for film simulation recipes that are compatible with the X-Pro1, X-E1 and X-M1. I used to own an X-E1 (two, actually), but I mostly shot RAW with it and never developed any film simulation recipes for it. Some X-Trans II and Bayer recipes are technically compatible, but produce slightly different results. I purchased a cheap, gently used X-M1 to create some recipes with, and this is the very first one!

White Trees – Farmington, UT – Fujifilm X-M1

The X-M1 only has one black-and-white option. There’s no B+Y, B+R and B+G. There’s just standard B, which is the abbreviation for the Monochrome film simulation. I wanted to create a B&W recipe that produces dramatic results, but the JPEG options are limited on this camera compared to the newer models, so I had to get creative with the white balance to get the look that I wanted. This recipe is intended for X-Trans I cameras, but those with Bayer and X-Trans II cameras can use it, too, but the results will be slightly different.

Monochrome
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +2 (Hard)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Incandescent, -5 Red & +9 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this Monochrome film simulation recipe on a Fujifilm X-M1:

Old Phone – Farmington, UT – Fujifilm X-M1
Dark Chocolate – Farmington, UT – Fujifilm X-M1
Ice Cream Bowl – Farmington, UT – Fujifilm X-M1
Countertop – Farmington, UT – Fujifilm X-M1
Steel Deck – Farmington, UT – Fujifilm X-M1
Good Sam – Farmington, UT – Fujifilm X-M1
Tool Ghosts – Farmington, UT – Fujifilm X-M1
Timesaver – Farmington, UT – Fujifilm X-M1
Saw Table – Farmington, UT – Fujifilm X-M1
Abandoned Workshop – Farmington, UT – Fujifilm X-M1
Buy American – Farmington, UT – Fujifilm X-M1
Anchor Screw Drawer – Farmington, UT – Fujifilm X-M1
Open Drawers – Farmington, UT – Fujifilm X-M1
Indoor Hoop – Farmington, UT – Fujifilm X-M1
Window with Broken Glass – Farmington, UT – Fujifilm X-M1
Abandoned Garage – Farmington, UT – Fujifilm X-M1

See also: Film Simulation Recipes

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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