Fujifilm X100F – Digital Teleconverter + High ISO


I talked about how the Digital Teleconverter on the Fujifilm X100F adds versatility, and I talked about how great the camera does at high-ISO photography, but I never talked about how these two things do together. I’ve noticed some things about using the Digital Teleconverter at high-ISOs that I’d like to discuss.

Does the Digital Teleconverter limit how high you can go on your ISO settings? The answer is simple: yes. But it’s actually a little bit more complicated than that, so let me dig a little deeper.

I’ve already discussed exactly what the Digital Teleconverter is, and I don’t want to spend much time rehashing that, but basically it’s a digital zoom (zoom-by-cropping) that receives some smart upscaling and sharpening to make the file appear to have more resolution than it actually does. It’s a software trick that allows you to print larger than you might otherwise be able to. You can do this yourself with software on your computer, or you can let the X100F do it for you (which is the Digital Teleconverter).

I’ve also discussed that the practical high-ISO limit on the Fujifilm X100F is 12800, which is very high. Yes, some cameras with larger sensors can go a stop or so higher, but ISO 12800 is way up there, much higher than I ever imagined ISOs going even just 10 years ago.

When using the 50mm Digital Teleconverter (16 megapixel crop) setting, ISO 12800 doesn’t look all that usable. If you want soft and grainy looking black-and-white images, you can get away with ISO 12800 using Acros and the 50mm option. I’ve produced acceptable results this way. However, for the most part, ISO 6400 seems like a more practical high-ISO limit for this situation.

When using the 75mm Digital Teleconverter (12 megapixel crop) setting, anything above ISO 6400 doesn’t look all that usable. ISO 6400 looks alright for soft and grainy looking black-and-white images using Acros. For the most part, ISO 3200 seems like a more practical high-ISO limit for the 75mm Digital Teleconverter.

You might have noticed a trend, and that’s a one stop loss for the 50mm option and a two stop loss for the 75mm option. It’s not that the camera is performing worse, it’s that you are looking much more closely at the exposure (because of the crop). You can more clearly see the degradation in image quality that happens at the higher ISOs. It’s kind of like pixel-peeping–you don’t notice certain things when viewing normally, but they become obvious when you zoom in.

If you use the Digital Teleconverter along with auto-ISO, pay careful attention to the ISO that the camera is selecting. You may need to set it yourself (very quickly and easily done via the knob on top of the camera). My recommendation is to go no higher than ISO 6400 with the 50mm setting and no more than ISO 3200 with the 75mm setting. You can get away with higher sometimes (especially if it’s only for web use), but for best results keep the ISO a little lower than you otherwise would.

Fujifilm X-E3 Thoughts


Fujifilm X-E1 & 15-55mm Lens

I’m trying to avoid talking about gear other than the Fujifilm X100F on this blog (because this site is about the X100F), but some of you know that my introduction to Fuji was with an X-E1, so I have been asked to share my thoughts on the X-E3. This new camera, which is the fourth generation in the X-E line, will be shipping soon.

I love the X-E line, and I loved my X-E1. It was a great camera that reignited my passion for photography like no other camera, with perhaps the X100F as the only exception. It was a joy to use. I particularly liked pairing it with vintage lenses. I was sad to let it go.

What’s great about the camera is the user experience. I was reminded of the film days, and shooting with a Canon A-E1 (one of the greatest cameras ever made, by the way). I appreciated the process of creating photographs with it. Image quality was great, too.


Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1

The only reason that I gave up the X-E1 is because, after I purchased the X100F, I stopped using it. It was a shame watching it collect dust on a shelf. I didn’t expect that the fixed-lens camera would downright replace it, but it did.

So what about the X-E3? Well, it’s a tad smaller than the previous X-E versions. It has the same 24-megapixel X-Trans III sensor found inside the X100F. It has better auto-focus. It has Acros and film grain simulation. It has the ISO dial and focus joystick. It has a touchscreen and a simplified back.

The camera is an improvement over the previous models, I’m sure of it. There are definitely some advantages. I’m not sure that I would like the touchscreen, especially since many of the physical controls were moved to that–I can see it being both positive and negative.


The Tetons and the Snake River, 2017 – Grand Teton NP, WY – Fujifilm X-E1

Here’s the deal: the X-E3 is 90% the same camera as the X-E2s, which is 98% the same camera as the X-E2, which is 95% the same camera as the X-E1. Each new generation is an improvement over the previous, but not by huge margins. The X-E3 over the X-E2s is the largest change from one model to the next, but it’s still not a massive jump. The X-E3 would seem significantly different than the X-E1, but that’s to be expected considering how many models they are apart.

If you purchased the X-E3 you will certainly be happy with that decision. You won’t regret the camera! If the MSRP is a stretch for your budget, consider one of the previous models instead, which can be found for not much money (you can find the X-E1 with a lens for under $300). I think you’ll enjoy any camera from the X-E line. If I were purchasing an interchangeable lens camera, I’d choose one of them.

Are the X-E3’s improvements enough to justify the higher cost? Maybe. I think if you routinely print poster-sized prints, or you shoot straight-out-of-camera JPEGs, or you shoot a lot of moving subjects, you may find the higher price of the X-E3 worth it. If you have an X-E1 with a lot of clicks on the shutter and you’re not confident that it will last you another couple years, perhaps it might be time to upgrade. Otherwise I’d strongly consider a previous generation X-E instead.


Barn By The Tetons – Grand Teton NP, WY – Fujifilm X-E1



Fujifilm X100F @ Yellowstone National Park, Part 2 – Monochrome Photographs


Dying Tree At Grand Canyon Rim – Yellowstone NP, WY – Fujifilm X100F

Part 1 – Color Photographs

I learned plenty from this one-day trip to Yellowstone National Park. One thing is that a heck-of-a-lot of people visit this place from all over the world. The park was down right crowded from the west entrance all the way to Old Faithful. Even the Grand Canyon of the Yellowstone was packed with people.

Since summer break was well over and it was a Thursday, I figured we’d have the park almost to ourselves. I was way off! I talked briefly with some people while waiting for Old Faithful to erupt who have visited the park numerous times, and this was actually considered a small crowd for Yellowstone based on their experiences. I’d hate to come in the peak summer season!

You really get a sense that you’re on top of an active volcano while in Yellowstone. All of the geothermal activity is a big clue, but you can also tell that you are inside the caldera by observing the rim, which you can spot throughout the park. The place feels a bit unsettling, like it could blow at any moment. Hopefully the big eruption is many millennium away.

Old Faithful was alright, but the Grand Canyon of the Yellowstone was breathtaking! It was our favorite sight in the National Park. A definite must-see! The Dragon’s Mouth was my favorite geothermal spot. I would have liked to see more of the geysers and such, but the weather didn’t cooperate.

This was my first real travel adventure with the Fujifilm X100F, and it didn’t disappoint. It fit nicely into my jacket pocket, so it was always with me yet never in the way. The dark-grey sky made high-ISO a necessity, and the camera had no issues with that. When I wanted to zoom (but didn’t want to walk out in the rain), I used the Digital Teleconverter. I used the fill-flash several times. Despite no weather sealing, the camera got plenty wet several different times and it handled that like a champ, no worse for the wear.

The photographs in this post are all out-of-camera JPEGS using Acros Film Simulation. I love the Acros settings, and I feel like I get film-like results with it. It saves me tons of time not having to post-process my files. My workflow has been greatly simplified and quickened by the Fujifilm X100F, yet I’m not compromising on results. Enjoy!


Hebgen Lake – West Yellowstone, MT – Fujifilm X100F


Mountain Obscured – West Yellowstone, MT – Fujifilm X100F


Meadow & Mt Haynes – Yellowstone NP, WY – Fujifilm X100F


Firehole Falls – Yellowstone NP, WY – Fujifilm X100F


Lodgepole Pines – Yellowstone NP, WY – Fujifilm X100F


Faithful Steam – Yellowstone NP, WY – Fujifilm X100F


Old Faithful Erupting – Yellowstone NP, WY – Fujifilm X100F


Old Faithful Geyser From Old Faithful Lodge – Yellowstone NP, WY – Fujifilm X100F


Faithful Crowd – Yellowstone NP, WY – Fujifilm X100F


Bear & Fish – Yellowstone NP, WY – Fujifilm X100F


Family At Kepler Cascades – Yellowstone NP, WY – Fujifilm X100F


Kepler Cascades Monochrome – Yellowstone NP, WY – Fujifilm X100F


Yellowstone Lake – Yellowstone NP, WY – Fujifilm X100F


Pines On The Lakeshore – Yellowstone NP, WY – Fujifilm X100F


Steamy – Yellowstone NP, WY – Fujifilm X100F


Hot & Muddy – Yellowstone NP, WY – Fujifilm X100F


Rising Steam – Yellowstone NP, WY – Fujifilm X100F


Mud Puddle – Yellowstone NP, WY – Fujifilm X100F


Mud Volcano – Yellowstone NP, WY – Fujifilm X100F


Dragon’s Mouth – Yellowstone NP, WY – Fujifilm X100F


Photographing Lower Falls With A Phone – Yellowstone NP, WY – Fujifilm X100F


Lower Yellowstone Falls Monochrome – Yellowstone NP, WY – Fujifilm X100F


Grand View of Grand Canyon – Yellowstone NP, WY – Fujifilm X100F


Yellowstone’s Grand Canyon – Yellowstone NP, WY – Fujifilm X100F


Roadside Raven – Yellowstone NP, WY – Fujifilm X100F


Thin Crust – Yellowstone NP, WY – Fujifilm X100F


Beryl Steam – Yellowstone NP, WY – Fujifilm X100F

Fujifilm X100F @ Yellowstone National Park, Part 1 – Color Photographs


Lower Yellowstone Falls – Yellowstone NP, WY – Fujifilm X100F

I had an opportunity recently to visit Yellowstone National Park for the first time. Well, I went once when I was a young child, but I don’t really remember anything from that trip. My wife and kids had never been at all, so it was a new experience for us all.

The drive from our house (in the Salt Lake City, Utah, metro area) to our campsite near West Yellowstone, Montana, is a four-and-a-half hour trek according to Google Maps. It managed to take us nearly seven hours to get there with all of the stops we made (food, gas, restrooms and a crying baby).

Although we stayed two nights, we only had one day in the National Park. People advised me that two days is kind of a minimum for a Yellowstone visit. While that is certainly good advice, one day is all that I could dedicate, so one day is all we had.

This trip had been planned for a few months. We purposely chose to visit in September because several people noted that the crowds are smaller, the weather typically decent and the wildlife plentiful at this time of year. I don’t know if any of that proved to be true.

We arrived in Yellowstone National Park in the morning. We were greeted by a line of cars also trying to get in. We discovered that, even though this was technically the off-season and not a weekend, it can still get quite crowded inside the park.

The original plan was to stay on the west side of Yellowstone and really take our time exploring the geothermal sites. However, it was a rainy and cold-ish day, so we had to scrap our plans. Thankfully we downloaded an app called GyPSy Guide to Yellowstone National Park, which cost a few bucks but was completely worth it. It really helped us figure out where to go and what to see, and made the car ride more entertaining and educational.

We ended up driving all the way around the South Loop. It rained pretty heavy at times, and sprinkled the whole day. Due to the elements, we couldn’t spend very much time outdoors and didn’t go very far down any trail. We would have seen a lot more if the weather was better. Heck, we didn’t see hardly any wildlife at all.

This wasn’t a photography trip. This was a family getaway. The only camera gear that I brought with me was a Fujifilm X100F. The conditions weren’t great. If I had more time I would have at least carried a tripod with me. I was mostly shooting at high-ISOs. Because I didn’t venture very far down any path, I relied on the Digital Teleconverter a lot instead of zooming with my feet.

If this had been primarily a photography trip, I would have been somewhat displeased with the images captured (there are a few good ones). Since photography wasn’t the main objective–simply the icing on the cake–I’m happy with what I came away with.

These photographs are all out-of-camera JPEGs. I used Classic Chrome for most, and Velvia for a few. Check out Part 2, which features black-and-white images, plus some more details of the trip. Enjoy!


Frostor – Ashton, ID – Fujifilm X100F


Chicken Shrimp – Ashton, ID – Fujifilm X100F


Give Me Some Tots – Ashton, ID – Fujifilm X100F


Hebgen Lakeshore – West Yellowstone, MT – Fujifilm X100F


Jonathan At Madison River – Yellowstone NP, WY – Fujifilm X100F


Grand Prismatic Spring – Yellowstone NP, WY – Fujifilm X100F


Excelsior Geyser Crater – Yellowstone NP, WY – Fujifilm X100F


Excelsior Blue – Yellowstone NP, WY – Fujifilm X100F


Bubbling Blue – Yellowstone NP, WY – Fujifilm X100F


Along The Midway Geyser Basin Walkway – Yellowston NP, WY – Fujifilm X100F


Disappearing Walkway – Yellowstone NP, WY – Fujifilm X100F


Jon Waiting For Old Faithful – Yellowstone NP, WY – Fujifilm X100F


Goofy Siblings – Yellowstone NP, WY – Fujifilm X100F


Crowds Watching Old Faithful – Yellowstone NP, WY – Fujifilm X100F


Kepler Cascades – Yellowstone NP, WY – Fujifilm X100F


Isa Lake Lily Pads – Yellowstone NP, WY – Fujifilm X100F


Large Lily Pads – Yellowstone NP, WY – Fujifilm X100F


Hot Water & Mud – Yellowstone NP, WY – Fujifilm X100F


Dead Trees Near The Hot Spring – Yellowstone NP, WY – Fujifilm X100F


Green Blades – Yellowstone NP, WY – Fujifilm X100F


Getting Off The Holiday Bus – Yellowstone NP, WY – Fujifilm X100F


Tourists At Lower Yellowstone Falls – Yellowstone NP, WY – Fujifilm X100F


Umbrella At Grand Canyon – Yellowstone NP, WY – Fujifilm X100F


Grand Canyon of The Yellowstone – Yellowstone NP, WY – Fujifilm X100F

One Month, Two Months…


Today marks two important dates.

First, Fuji X Weekly, which is my Fujifilm X100F journal (and the blog you are reading at this very moment) is exactly one month old today. This particular post is #20, which is far more content than I had anticipated publishing within the first 30 days. There have also been more readers (that’s you!) than I expected, so thanks for visiting!

Second, I’ve owned my Fujifilm X100F for exactly two months today. Yes, it was July 19 that it arrived in my mailbox. I’ve captured a lot of pictures with it, so it seems like I’ve had it for longer. In reality, it’s still new and I’m still fine-tuning the settings and my process.

One thing that has come up regarding Fuji X Weekly is navigation. How does one find his or her way around this blog? It’s pretty straight forward, but not necessarily obvious. From the homepage you can scroll and scroll and scroll through every post. That’s not particularly convenient if you are trying to find something specific.

If you look up at the very top-left you’ll see three horizontal black lines. If you click on that you’ll find links to the homepage and an about page (which also contains contact information, if you’re looking for that), as well as a search box. If you know exactly what you are looking for, the search box is a great way to find it.

If you look up at the very top-right you’ll see four horizontal black lines. If you click on that you’ll find another search box (because you can’t have too many), as well as links to the most recent posts, monthly archives and the most popular posts. This is a good place to find whatever it is that you’re looking for.

I didn’t include these things (the search box and links) directly on the front page because I didn’t want to clutter it up. My last blog was a mess with links and boxes everywhere, so I wanted this one to be much more simple. The kiss method (“keep it super simple”) applies to blogs just as much as it applies to composition, gear choice and life in general.

5 Essential Elements of Photographic Vision


Photographing Lower Falls With A Phone – Yellowstone NP, WY – Fujifilm X100F

There are a lot of people that will tell you that you need photographic vision, but very few will explain what it means. You can search the web endlessly, but you won’t find a whole lot that lays it out simply and coherently. So let me pause from my regular Fujifilm X100F posts and briefly explain this important concept.

“In order to be a successful photographer, you must possess both vision and focus, neither of which have anything to do with your eyes.” –Kevin Russo

“There is nothing worse than a sharp image of a fuzzy concept.” –Ansel Adams

Photographic vision is a vivid and imaginative conception. Within that definition are three (of five) essential elements of photographic vision: Clarity, Creativity and Conception. Capturing and Composing are the fourth and fifth elements. Let’s take a look at each.

1. Clarity


Black Conduit – SLC, UT – Fujifilm X100F

In order to have photographic vision, you must see in your mind’s eye what it is that you want to create before opening the shutter. You must pre-visualize the finished photograph. You must have vivid clarity. This might be a brief moment before the shutter opens or this might be something you’ve thought about for days, weeks or even years in advance.

Great photographs are very rarely happy accidents. Almost all worthwhile pictures took some thought and planning to create. The more clearly you can see in your mind what it is that you want to capture, the more likely you are to accomplish it.

2. Creativity


Lines & Shadows – Farmington, UT – Fujifilm X100F

Some people seem to be naturally creative. If that’s not you, don’t fret! I believe that creativity is something that can be learned and fostered. The more you allow yourself to think outside the box and look at things from different angles, the more creative you’ll become.

You have to relax. You have to keep an open mind. You have to use your imagination. Try to channel your inner child. This all might sound cliché, but the only barrier to creativity is yourself. Your rigid self. The self that says words like “no” and “can’t” and “shouldn’t” and other negative things. Think positive and throw all the so-called rules out the window.

3. Conception


Man In The Straw Hat – South Weber, UT – Fujifilm X100F

Your photograph begins as a concept. You have an idea. You begin to see that idea vividly in your mind’s eye. As the thought forms, you begin to consider other ways to look at it. Your creativeness takes the concept to new places. This is a vivid and imaginative conception.

Speak some message through your picture. Show your unique perspective. You have something important to say. Photographs are a form of nonverbal communication, and they all say something. The stronger the communication, the stronger the image. Make your concept as clear as practical in your pictures.

4. Capturing


Ilford Harman Technology – South Weber, UT – Fujifilm X100F

The next step in photographic vision is to capture the image on film or a digital sensor. You’ve come up with a creative concept that you can clearly see in your mind. Now is the time to make it a photographic reality.

There is a lot to this, of coarse. You must consider gear and settings and lighting and composition and everything else. You have to know how to put what’s in your mind into something tangible. If you don’t know how, then perhaps you should learn. There are so many resources available on the internet and at the library–it’s all at your fingertips if you put in a little effort to learn. And oftentimes learning-by-doing is a good approach because, after all, practice makes perfect.

5. Composing


Sitting Large – SLC, UT – Fujifilm X100F

Composing probably reminds you of composition, but that’s not what I mean. Composition can be found in the previous principals. Instead, think of a symphony composer, putting everything together, placing consideration on even the smallest details. In the case of photographic vision, composing means taking account all of the little details, including editing. Especially editing.

Editing means post-processing your files if they require manipulation to fulfill your vision, and knowing how much manipulation is enough. It also means editing out the lesser exposures, deleting the bad ones and not including the mediocre ones with a body of work. It’s knowing when the vision or execution of the vision wasn’t good enough. Composing means knowing when to take it from the top and try again.

Horsing Around With The Fujifilm X100F


Learning To Ride – Farmington, UT – Fujifilm X100F

My nine-year-old daughter loves horses. She’s been enthralled by them since she was a toddler. Her equestrian interest seems to grow each year.

We don’t own a horse, although my daughter would love it if we did! We don’t have any horse property, so it would be impracticable for us to own one or care for one. Besides, horses can be expensive!

What we decided to do for her this year, as an extracurricular learning activity, is have her take some horse riding lessens, including how to care for a horse. We found a nearby stable that offers this sort of thing. She’s only had one lesson so far, but she loved every minute of it! She was really in her element.

I took my Fujifilm X100F camera along to capture her first lesson. I wasn’t allowed full access (in other words, I had to stay behind the fence), so the camera’s Digital Teleconverter came in handy. I used my Classic Chrome recipe to capture these out-of-camera JPEGs. The X100F is great for family snapshots. It just seems to effortlessly capture good photos.


Her Dream To Ride – Farmington, UT – Fujifilm X100F


Horse Riding Country – Farmington, UT – Fujifilm X100F


Riding Lessons – Farmington, UT – Fujifilm X100F


Trotting – Farmington, UT – Fujifilm X100F


Equestrian Training – Farmington, UT – Fujifilm X100F


Girl On A Horse – Farmington, UT – Fujifilm X100F


A Girl & Her Horse – Farmington, UT – Fujifilm X100F


Walking The Horse – Farmington, UT – Fujifilm X100F


Putting Away The Reins – Farmington, UT – Fujifilm X100F

And here are some other horse photographs (not related to my daughter’s riding lesson) that I captured while at the stables during that same time:


Animal Control – Farmington, UT – Fujifilm X100F


Ready For A Rider – Farmington, UT – Fujifilm X100F


Eye Am Ready – Farmington, UT – Fujifilm X100F


Spotted – Farmington, UT – Fujifilm X100F


Horse Skirt – Farmington, UT – Fujifilm X100F

Fujifilm X100F & High ISO


Bowling Shoes – Kaysville, UT – Fujifilm X100F @ ISO 12800

When it comes to high-ISO performance, digital camera technology has taken photography to a place that was impossible or nearly impossible not very many years ago. What used to be a fast film-speed is now just another ISO that looks like all the others.

I started photography in the age of film, and I studied film photography in college. It makes me sound old, but I remember when my high-ISO option was ISO 400 film! And if I was feeling daring, I might push-process that film to ISO 800 or (gasp!) ISO 1600 on a rare occasion. Only a couple of times did I dare try ISO 3200, and the results were super grainy.


Departures – SLC, UT – Fujifilm X100F @ ISO 12800

Nowadays ISO 400 seems closer to base-ISO than what most would consider high-ISO. Even ISO 1600 doesn’t seem all that high. Photographers routinely use ISO 3200 and higher. If you told me 20 years ago that this was going to be the case in the future, I probably wouldn’t have believed you.

All of this is truly amazing, and I wanted to lay out this context, because it’s easy to forget just how far this has come. Any camera that is capable of great results at ISO 1600 and higher is something that we should marvel at! And pretty much all cameras available today are capable of this.


Tabasco – Tooele, UT – Fujifilm X100F @ ISO 10000

The Fujifilm X100F, which has a 24-megapixel APS-C X-Trans III sensor, is capable of producing excellent high-ISO results well above ISO 1600. One reason for this is that there are more green sensor elements than a traditional Bayer sensor (55% vs. 50%). Luminosity information comes from green (while red and blue are for color information), so X-Trans cameras have a little more high-ISO headroom.

I have found that there is no practical discernible difference between ISO 200 (which is the base ISO) and ISO 800 on the X100F. There is a small increase in digital noise with each ISO stop increase above ISO 800; however, ISO 3200 is difficult to distinguish from ISO 800 (or ISO 200 for that matter) without a side-by-side comparison. ISO 6400 still appears great, but by this point the noise has become a little more obvious. ISO 12800 is a bit on the noisy side and noticeably softer, but it still looks good and I have no hesitation using it when I need to.


Sitting & Relaxing – South Weber, UT – Fujifilm X100F @ ISO 12800

Interestingly enough, ISO 12800 on the X100F reminds me a lot of ISO 1600 on my first DSLR from a decade ago. One of the biggest improvements in digital camera technology over the last ten years has been high-ISO performance.

There are cameras that go well beyond the ISO 12800 practical high-ISO limit of the X100F. But the high-ISO performance of this Fujifilm camera is truly amazing, all things considered. Ten years ago it would have seemed impractical and twenty years ago it would have seemed impossible. Yet here we are today, with good looking ISO 12800 right at our fingertips!


48 – Farmington, UT – Fujifilm X100F @ ISO 12800

I’m sure camera makers will continue to improve high-ISO performance throughout the coming years and decades. People will scoff that you could “only” get good results through ISO 12800 on the X100F. So what? You use what you have to the best of your ability and don’t worry about the rest. Do you think it really matters in the long run if you can’t shoot at ISO 25600 or ISO 51200? I’m personally happy to get good results above ISO 400, which wasn’t always an easy task in the days of film photography.

The photographs in this article were captured using the Fujifilm X100F. All are out-of-camera JPEGs using Acros or Classic Chrome. The camera can add faux film grain (Acros does this automatically, while Classic Chrome is either toggled on or off), and all of these have grain in additional to the digital noise.


The Tortilla Maker – Layton, UT – Fujifilm X100F @ ISO 12800

Photoessay: Street Feet


Stepping – SLC, UT – Fujifilm X100F

There are certain photo series that I’m actively working on, such as abandoned businesses in color (entitled Space Available), that are purposeful personal projects. Then there certain photo series that are more by happenstance, not created on purpose, where I notice a common thread among images. This series, Street Feet, falls into the latter category.

I had no intentions of this becoming a project. I didn’t try to make a series. It just sort of happened. I just subconsciously did it, and didn’t even notice that I had done so until reviewing my street photography images. I saw a pattern. I realized that I was creating these related pictures.

Street Feet is pretty straight forward: street-style black-and-white photographs of people’s feet. You can’t see the full body because I was photographing the lower extremities. Sometimes it’s a closeup of someone’s shoes, while other times the view is broader.

I used a Fujifilm X100F to capture these images. My Acros Film Simulation recipe was used for every picture, and the Digital Teleconverter was utilized for many. These are all out-of-camera JPEGs. Enjoy!


Walking Man – SLC, UT – Fujifilm X100F


Walking Away – SLC, UT – Fujifilm X100F


Together – SLC, UT – Fujifilm X100F


Skateboarding – Farmington, UT – Fujifilm X100F


Going Somewhere – SLC, UT – Fujifilm X100F


One Step At A Time – SLC, UT – Fujifilm X100F


Siblings At City Creek Mall – SLC, UT – Fujifilm X100F


Outside The Elevator – SLC, UT – Fujifilm X100F


Walking Shoes – SLC, UT – Fujifilm X100F

Fujifilm X100F Advanced Filter: Toy Camera, Part 1


There’s a feature on the Fujifilm X100F called “Advanced Filters” that has some JPEG options that aren’t really anything advanced. These are not intended for the professional users, but that doesn’t mean that they aren’t fun to play with.

One of these Advanced Filters is Toy Camera, which is supposed to make an effect like using a Holga or Diana camera and cross-processing slide film. There’s not a whole lot you can customize or change within Toy Camera, so you get what you get.

The effect is kind of interesting, but not something you’d want to do often. Also, it wouldn’t be difficult to replicate the look using Nik Analog Efex, Alien Skin Exposure or VSCO. It’s nice that the camera will do it for you, but you have to really like how the camera produces it.

I’m not in love with the look myself. I mean, I like the vintage camera and cross-processed look, especially when it comes from an actual vintage camera and actual cross-processed slide film, but the Toy Camera effect on the X100F just doesn’t quite do it for me. I think that Fujifilm could improve this feature significantly by making it more similar to the Film Simulations.

For this experiment I used the Toy Camera Advanced Filter for the first time. I set the aspect ratio to 1:1 because when I use an actual Holga camera I shoot the 120 film in square frames. I gave myself 12 exposures to try it out on, figuring if I shot a roll of 120 film with a square format I’d have 12 exposures. These are the “best” of the twelve:


Epic – South Ogden, UT – Fujifilm X100F Toy Camera


Pumpkin Coffee Lid – Woods Cross, UT – Fujifilm X100F Toy Camera


Bucks – Woods Cross, UT – Fujifilm X100F Toy Camera


– South Weber, UT – Fujifilm X100F Toy Camera


Coffee Shop Smile – Bountiful, UT – Fujifilm X100F Toy Camera


Green Leaves & Red Berries – Kaysville, UT – Fujifilm X100F Toy Camera


Red Post In Concrete – South Weber, UT – Fujifilm X100F Toy Camera