Cheap Fujifilm Cameras

Fujifilm X-E1 Camera Photography Blog

I’ve been searching the last couple of days for a new Fujifilm camera. Actually, a used camera. You might recall that back in September I posted that I wanted to buy a full-spectrum camera for infrared photography. I’ve had an interest in infrared photography for a long time, and I’ve been eager to try it, but the funds to buy such a camera have eluded me. I did get the green light to spend $300 or less on a used camera to eventually (maybe mid-2020) convert to full-spectrum. There are a few different companies that will convert your camera to infrared, and the going rate seems to be about $300, plus you still need to buy various filters, so it’s not exactly a cheap endeavor. I have been searching for a cheap Fujifilm camera that’s hopefully gently used, since I need to keep costs down in order to make this dream a reality.

When I looked at various places, such as eBay, Facebook Marketplace, KEH, etc., I was surprised to see a lot of great options for $300 or less. I found some Fujifilm X-E1 bodies for under $200, one as cheap as $150. The X-E1, or “Sexy One” as it was once called, was my introduction to Fujifilm cameras, and is a solid choice. I saw an X-T10 that claimed to have a low shutter count but with some serious scratches for $200. There were several X-E2 bodies for around $250, and an X-E2s for under $300. I was surprised to see a few X-T1 bodies for $300. There were also some non-X-Trans Fujifilm cameras, such as the X-A3, X-A5 and X-T100, for under $300. I had a lot to choose from.

As I was looking at all of these cameras, I was reminded of some articles I’ve written. About a year-and-a-half ago I published Digital Is Disposable, which is about how we continuously buy the latest gear and don’t keep what we own for very long. It’s just as true now as it was then. People (myself included) upgrade their gear much too quickly, and cameras that are still excellent get tossed aside like an old moldy bag of tangerines just because there’s something else that’s brand new. Last week I briefly touched on this topic in my Photography Investments article, and just the other day in 5 Tips To Become A Better Photographer. It’s better to keep your gear longer and spend your money on experiences instead of upgrading your very capable and practically still new camera.

The flip side to this coin, however, is that if you want a cheap yet excellent camera, there’s plenty to pick from. Maybe you’d like a second camera body. Well, you can have one for $300 or less, maybe even as low as $150! Perhaps your kid or spouse has been begging for a camera, but you don’t want to spend a bunch of money. Why not buy something used and affordable instead of brand new and expensive? I’m just throwing this out there in case you didn’t realize that used Fujifilm gear is going for so little.

I purchased a Fujifilm X-T1 that claims to have a very low shutter count and is in like-new condition for only $300. That seems like a fantastic deal! Sometimes someone else’s description doesn’t match how I would describe it, so when it arrives I’ll see just how “very low” the shutter count is and just how “like new” it actually is. If it’s in halfway decent shape I’ll be happy. With any luck sometime in the coming six months or so I’ll be able to convert it to full-spectrum, something I’ve wanted to do for many years. One man’s junk is another’s treasure, as the saying goes, and I’m hoping this camera will prove to be a treasure for me.

5 Tips To Become A Better Photographer in 2020

Fujifilm X-E1

It’s almost the new year! 2020 is at the doorstep. This year is nearly over. You might be wondering how to improve your photography in 2020. Perhaps you feel that your pictures aren’t “good enough” and you wish you could make pictures like what you see others creating. Maybe you are in a rut and don’t know how to move forward. Or it could be that you always keep your camera in auto because you are intimidated by all of the different settings and you don’t really understand all of the technical stuff. Perhaps you just received your first “real” camera for Christmas and don’t know where to start. Whatever the reason, you want to become a better photographer in 2020. Well, this article is for you!

If you are not moving forward, you are moving backwards. No matter what your skill level is, you should always be striving to improve. You should be pushing yourself to be more technically proficient or to learn a new technique or to be more creative or to have a stronger vision. Throughout your life, and not just in 2020, you should be trying to become a better photographer. Keep working towards improvement. Don’t stand still, because you can’t.

Really, I’m in the same boat as you. I’m trying to become a better photographer in 2020. I’m pushing myself to improve my camera skills. My advice is aimed at myself just as much as you. We’re all in this together. I hope that you find the five tips below helpful in your quest to become a better photographer in 2020!

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UP 4014 & UP 844 Racing West – Richardson Draw, WY – Fujifilm X-T20

Tip #1 – Know Your Gear, Part 1: Read The Manual

This might sound silly and obvious, but it’s important to know your camera and other photography gear inside and out. You need to know what all of the different settings do. You need to know how to make adjustments. You need to know how it all works. Most people thumb through the manual when they first get a new camera or other gear, and never look at it again. It’s a very good idea to take a careful look at it during unboxing, but it’s also a good idea to revisit the manual every so often. Pull the booklet back out after owning the camera for three months, and again at the one-year mark. You’ll be surprised at what you’ll find! If you are like me, you’ll learn new things each time that you do this. Knowing your gear is the necessary foundation for improving your photography.

Tip #2 – Know Your Gear, Part 2: Understand How It Works

Knowing how to change the aperture is one thing, but knowing how it will affect the picture is another. Those who have been doing photography for awhile likely have a good grasp on what all of the different settings do to a picture, but those who are inexperienced might have no idea. Even if you have a good grasp, it’s always beneficial to investigate more deeply, understand more precisely, and try new techniques. There are tons of people who don’t understand even the basics, and things like the exposure triangle are completely foreign to them. If you rely on the camera to guess what the right settings should be, you are basically crossing your fingers and wishing on a star that your picture will turn out well. If you intimately understand how your camera works and how different settings affect the image, you can ensure that your pictures turn out just as you want them to.

There are tons of great resources for learning different aspects of camera settings. Nowadays, with the internet, everything is right at your fingertips. Oftentimes the best way to learn is by doing, which means that you take your camera out of auto and play around with it. Spend some time experimenting with different apertures, different shutter speeds, different ISOs, etc.,etc., and compare the results. This is a learning process, so don’t worry that your pictures aren’t good yet. It takes a lot of time, but the time investment is well worth it. Whatever you are trying to learn, read up on it, then go out and do it, not being afraid to fail, but trying again and again until it’s second nature.

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Onaqui Wild Horses – Dugway, UT – Fujifilm X-T30

Tip #3 – Invest In Experiences

Camera companies want you to think that you need the latest and greatest gear to become a better photographer. If only you had more resolution, better auto-focus, a larger sensor, a faster lens, etc., your pictures would look amazing, and they don’t because you didn’t buy it. My advice is to use what you already have to the best of your ability, and spend the money on experiences instead of new gear. Travel! Go someplace amazing. It doesn’t have to be far. Even if you were only going to spend $500, that money could get you somewhere. Take your camera with you and use it. Take lots of pictures! It’s better to keep the gear that you own and really use it, than to buy new gear and not use it as much. Eventually it will make sense to “upgrade” to something new, and you’ll know when that time is, but for now spend your money on experiences and not gear.

Tip #4 – Find The Light

Photography requires light, so it should come as no surprise that great photography requires great light. “Great light” is a little difficult to define, and it varies greatly depending on the subject, but oftentimes you know it when you see it. You can find great light anytime of the day or night if you look hard enough, and most of the time you have to seek it to find it. You can sometimes even create your own great light if it does not naturally exist. The most obvious great light is found near sunrise and sunset, and that’s a great starting point for those searching for it. With practice and experience, you’ll more easily spot great light, recognizing how to best utilize it for stronger pictures. The key is to always actively look for great light, but it takes a lot of clicks of the shutter to be proficient at finding it.

Tip #5 – Be The Man Who Came Back

There was an article in the September 1955 issue of Arizona Highways magazine by photographer Chuck Abbott entitled You Have To Go Back To Get The Good Ones. In the article he addresses the very question of this blog post: how does one become a better photographer? His answer: be the man who came back. Return again and again to the same subject. Try the picture at a different time of day, in a different season, under different light, from a different angle, etc. Keep coming back to it over and over, and don’t stop, even if you are satisfied with the results. Press yourself to make a more interesting picture of something that you’ve photographed before. Be a better storyteller than the last time. Make a stronger composition than your previous attempts. This is the best piece of advice that I can give you: if you want to become a better photographer in 2020, be the person who came back.

Asahi Super-Takumar 28mm f/3.5 + Fujifilm X-T30

Asahi Super-Takumar 28mm f/3.5

Asahi Super-Takumar 28mm f/3.5

The Asahi Super-Takumar 28mm f/3.5 is a wide-angle prime lens that was made by Pentax in the early-1960’s through mid-1970’s for their M42-mount cameras. If you are a regular reader of the Fuji X Weekly blog, you will know that I love to pair my Fujifilm X-T30 with vintage lenses like this one. It’s incredibly fun for me, as I learned photography in the film era with manual-only cameras and lenses. Besides, many of these old lenses have tons of character that can add a little extra interest to my pictures. Super-Takumar lenses tend to be especially great, so I was excited to give this one a try.

There are actually four variations of the 28mm f/3.5 Takumar lens. The first two are very similar to each other. The main difference is that the original model has a minimum aperture of f/22 while the second model has a minimum aperture of f/16. The third and fourth models have a completely different design inside and out from the first two, and aside from sharing the same focal-length and maximum aperture, they don’t have all that much in common with the earlier models. My copy is the original version, which dates back to somewhere between 1962 and 1965.

Because of the crop factor, when mounted to my Fujifilm X-T30, the Asahi Super-Takumar 28mm f/3.5 lens has a focal-length equivalence of 42mm, which is barely wide-angle. It’s very close to being a “standard” prime. It’s actually a great all-around focal-length, which makes it especially appealing for many different genres of photography. The minimum focus distance is about 15″, so it’s not a macro lens and you can’t focus particularly close to your subject. The f/3.5 maximum aperture isn’t all that impressive, which means that this lens isn’t the best option for achieving a shallow depth-of-field or for low-light situations. Since it’s an M42-mount lens, you’ll need an adapter to use it on your Fujifilm X camera.

This lens has some obvious flaws. At f/3.5 there’s significant corner softness and vignetting, both of which don’t completely disappear until f/8. Center sharpness is good-but-not-great when wide open, and I noticed some chromatic aberrations, too, but both improve significantly as you stop down. This lens has noticeable barrel distortion, which is obvious if you photograph brick walls and not especially obvious otherwise. Flare isn’t controlled especially well (I’m sure the Super-Multi-Coated version is much better at controlling flare), but I like the way the lens renders flare, so at least there’s that. Bokeh is rather mediocre.

What I love about the Asahi Super-Takumar 28mm f/3.5 lens is that it’s super sharp (“tack as a Tak”), especially between f/5.6 and f/16. The sweet-spot for this lens is between f/8 and f/11, which means if you are an “f/8 and be there” type of photographer, this lens will suit you well! Below f/5.6 there’s noticeable corner softness and even the center isn’t quite as crisp, becoming worse as the aperture increases, although it is still sharp even when wide open. Diffraction sets in when the aperture is smaller than f/11, but really isn’t a problem until beyond f/16. This lens has great contrast and renders pictures very nice overall. It’s built solidly, and my copy functions smoothly and flawlessly, like it’s new and not over 55 years old.

The Asahi Super-Takumar 28mm f/3.5 lens certainly has some shortcomings, but it also has some great strengths. Whether or not those strengths outweigh the weaknesses depends on how you use it. It’s a great lens within a somewhat small envelope, and a so-so lens outside of that. I personally love it, but part of that might be because I’ve learned when to use it to best take advantage of its strengths, and when it’s better to put it on the shelf. The Super-Takumar 28mm f/3.5 is not a lens that I will use all of the time, but it’s definitely a great one to use when the time is right.

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American Christmas – Layton, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Roof Curve – Ogden, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Ice Cold City – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Iowa Pump – Centerville, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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House Blend – South Weber, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Style – South Weber, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Sisters – South Weber, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Jo at a Museum – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Amanda Waiting – Riverdale, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Criddle’s Cafe – Ogden, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

See also:
Downtown SLC w/Fujifilm X-T30 & Asahi Lenses
Asahi Super-Takumar 135mm
Asahi SMC Macro-Takumar 50mm f/4
Asahi SMC-Takumar 50mm f/1.4

Christmas Portrait Fails

My talented wife, Amanda, loves to make videos, and she’s becoming good at it. She’s made a couple for the Fuji X Weekly blog YouTube channel, which I’ve shared before, and they’ll be some more in the near future, so be sure to keep an eye out for those. A couple of weeks ago I shared with you my experience photographing our family’s holiday portraits, and Amanda took some of those images and made a video out of it, which is at the top of this post. That’s her Christmas gift to the Fuji X Weekly community. I invite you to take a look; it’s pretty short yet entertaining.

Amanda has made many videos, mostly family films of our outings. She’s made several creative videos, and some of my favorite ones feature slow motion footage. These short films aren’t related to Fujifilm (except for the last one which has some of my pictures in it), as she used her iPhone and not her X-T20, but I thought you might enjoy them nonetheless. You’ll find a few of them below.

Feel free to “thumbs up” any of the videos that you like. If you don’t already do so, please follow the Fuji X Weekly blog and YouTube channel. You can also find me on Instagram @fujixweekly. I hope you are having a wonderful holiday season!

Fujifilm X100F Now Only $900!

The Fujifilm X100F has been discounted at Amazon, and right now you can buy it brand-new for only $900! Wow, merry Christmas! It only applies to the silver model, and only at Amazon. I have no idea how long this sale will last. Click here to buy!

The X100F is one of the best-looking cameras ever made in my opinion, and it’s easy to fall in love with the camera. It’s incredibly fun to shoot with. It’s the epitome of what’s great about Fujifilm! If I were stranded on a desert island and could have only one camera, the X100F would be it.

I hope everyone is having a great holiday! And if you don’t find an X100F under your tree in the morning, you know where to find it for a fantastic deal.

This post contains an affiliate link, and if you make a purchase using my link I will be compensated a small amount for it.

Photography Investments

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Cameras are terrible financial investments. In a way they’re like cars: as soon as you own it, the value drops, because it’s now used and not brand-new. And the more it’s used and the older it gets, the more the value drops. That’s not 100% true all of the time–there are exceptions–but it’s pretty true. You don’t buy cars as a financial investment, unless it’s a rare antique car, and you don’t buy camera gear as a financial investment, unless there’s something that makes it collectible. Most of your photography gear, if not all of it, is worth a little less now than when you purchased it.

About a year-and-a-half ago I did something really crazy: I distressed a Fujifilm X-E1 to look old and worn. It was a gutsy thing to do, and I had mixed thoughts as I did it. I mean, who takes sandpaper to their cameras? Once finished, I sold the distressed camera for more than I had paid for it. I turned the camera from an appliance into art, and that increased the value of it, at least a little. That’s an unusual situation. Most of the time, the photography gear that I buy decreases in value, not increases.

Cameras are a lousy investment, but you can make money with them if you want. You can do family portraits or weddings or sell prints. People make money with cameras all of the time. Not necessarily lots of money. In the United States, according to the Bureau of Labor Statistics, the medium salary of a photographer is about $35,000 annually, which is an average wage. You can use your gear as a tool to make money, even if down the road you sell your camera for far less than you paid for it.

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The photography business world is extraordinarily crowded. Everyone’s a photographer nowadays. Not only are there a ton more photographers than there used to be, but the number of great photographs being created has skyrocketed. What used to be considered “good” is now “average” and what used to be “great” is now “good”–yet “amazing” photographs are still amazing. It’s easy to get lost in the crowd, and there’s very little being created that’s unique. Starting a photography business has never been easier, but creating a successful photography business is still just as tough as it has always been, if not more difficult because there are fewer photography consumers (from a business standpoint) than there used to be, yet with stiffer competition.

There is a way in which photography gear is a worthwhile investment, and that’s experiences. Because I own a camera, I want to photograph with it, and because of that I go places, see things, meet people, and otherwise live differently than if I didn’t have a camera. The camera opens up a life of experiences that would be completely foreign to me if I wasn’t a photographer. You cannot put a dollar figure on these experiences because they’re priceless. Their value transcends money. I wouldn’t trade these experiences for any amount of money.

Besides, I love creating photographs. There’s something deep inside of me that yearns to be creative, and photography is my preferred artistic outlet. I feel that photography is just as necessary for me as eating, sleeping and breathing. An investment in photography gear is an investment in experiences if I allow it to be. Even though the camera I spent $1,000 on might only be worth $500 next year, it was still money well spent, just as long as I create photographs with it. If gaining wealth isn’t the goal, investing in photography is a great decision because my life is richer for it. In my opinion, it’s better to live a rich life than to live a life devoted to being rich. My photography gear allows me to live a richer life, not because of the gear itself, but because of what I do with it.

Photoessay: Passing Through Nevada, Part 2: Monochrome

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Terrible Ford – Boulder City, NV – Fujifilm X-T30

Part 1: Color

I’ve passed through Nevada many times, often only stopping for gas or lunch. It never seems to be my destination. I’m headed somewhere else, and I have to go through the Silver State to get to where I’m going. While I have stayed longer than a few hours, most of the time I’m through Nevada so quickly that it’s easy to forget that I was ever there. The photographs in this article were captured during those times where I just passed through, and didn’t stay. In fact, many of them were captured from inside my car. I hope that you enjoy this set!

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Plaza Hound – Las Vegas, NV – Fujifilm X-T30

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I-15 Overpass – Las Vegas, NV – Fujifilm X100F

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Chance of Rain – Las Vegas, NV – Fujifilm X-T30

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Abstract Roof Lines – Las Vegas, NV – Fujifilm X-T30

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Empty Hoppers – Las Vegas, NV – Fujifilm X-T30

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Palm Shadow – Las Vegas, NV – Fujifilm X100F

See also: November Arizona

Downtown SLC Street Photography with Fujifilm X-T30 & Vintage Super-Takumar Lenses

Downtown Salt Lake City Street Photography

Walking Next To The Trax – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

Earlier this week I was able to do some street and urban photography in downtown Salt Lake City, Utah, with my Fujifilm X-T30. I had two vintage Asahi-Pentax lenses with me: a Super-Takumar 28mm f/3.5 and a Super-Takumar 105mm f/2.8. I mostly used the 28mm lens, as its focal-length is more ideal for this type of photography. As you already know if you follow the Fuji X Weekly blog, I really love pairing vintage lenses with my Fujifilm cameras. They go together like peanut butter and jelly! I have so much fun with it, and for whatever reason using vintage lenses seems especially appropriate for street photography.

I used my Kodachrome II recipe, with Color set to +2 on some images, for the color pictures in this series. The black-and-white photographs are my Acros Push-Process recipe, except I set Grain to Weak, Dynamic Range to DR400, and Highlight to +3 or +2, depending on the picture. I like to say that you can “season to taste” my different film simulation recipes; it’s something that I do. If a scene requires something to be adjusted a little different in order to create a stronger picture, I will not hesitate to do so. While my different film simulation recipes work well as-is in many circumstances, sometimes they need an adjustment to best fit the scene.

Downtown Salt Lake City is a great location for street and urban photography. It’s pretty safe. Parking is easy. Getting around is easy. It typically has just enough going on for interesting pictures, but not too much where it feels crowded. It’s large enough that you can’t do it justice in just one visit, but not too large where you might get lost. There’s interesting architecture and art. There are interesting people. Downtown Salt Lake City might not be the most idealistic street photography location, but it is nonetheless ideal in many ways.

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Federal Traffic Signal – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban Sunshine – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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1st & 4th – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Man On Main – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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The Joy of Train Riding – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Rail Riders – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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35 Minute Parking – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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City Winter – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban Mailbox – SLC, UT – Fuji X-T30 & Asahi Super-Takumar 28mm f/3.5

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Every Style – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Table For One – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Old Business – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Urban American – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Planetarium Platform – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Climbing Aboard – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Electric City – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Tribune – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 28mm f/3.5

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Gateway Living – Salt Lake City, UT – Fujifilm X-T30 & Asahi Super-Takumar 105mm f/2.8

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Gateway – SLC, UT – Fujifilm X-T30 & Asahi Super-Takumar 105mm f/2.8

See also:
Downtown SLC Street Photography w/Fujifilm X-T30 & Fujinon 35mm f/2
Downtown SLC Street Photography w/Fujifilm X100F & Fujifilm XF10

‘Tis The Season For Stealing

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Ethos – Riverdale, UT – Fujifilm X100F – Double Exposure

It’s come to my attention that I’m the victim of theft. People have been stealing my words and pictures from the Fuji X Weekly blog. They have taken them without permission and illegally used them on their own websites. Sometimes they’ve even claimed them as their own. It’s extraordinarily disheartening. This blog is intended to be helpful to Fujifilm photographers, and not a place to find license-free content. I, and I alone, own the copyright.

This isn’t the first time, and it won’t be the last, that someone has illegally taken my intellectual property. Five or six years ago I was reading a newspaper (something that I rarely do) and I spotted one of my pictures in an advertisement. Someone found my picture on the internet, copied it, and used it in a printed ad to sell their product. Crazy, huh? I’ve seen someone trying to illegally sell one of my pictures on a print-on-demand site. Someone else used some of my pictures without permission in an article that was factually untrue. In a theft that I just recently became aware of, an entire article of mine was copy-and-pasted onto someone else’s website, word-for-word, picture-for-picture, without permission. They didn’t even credit it to me (not that it would have made it any less illegal, but perhaps slightly less unethical). Sometimes creative people are easy targets because we put ourselves “out there” for the public to see.

The internet has made theft incredibly easy. It only takes a couple of clicks to steal someone’s pictures or words. As many times as my pictures have been illegally taken and used, my words have been plagiarized even more often. There are ways to use someone else’s words legally and ethically, but there are people out there on the internet who either don’t know or don’t care. Perhaps ignorance is better than irreverence, but they’re both bad. I just want people to stop stealing my stuff. I don’t want to be victimized by lowlifes on the internet who are trying to benefit from my work. Go write your own words! Go capture your own pictures! Oh, you’re not very good at those things? Well, did you ever think to contact me and go about this the right way? Or do you only care about yourself?

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I do this website mostly as a service to you. Nobody pays me to write the articles you find on Fuji X Weekly, a blog that has been beneficial to many Fujifilm photographers. I do get compensated a small amount for the ads and the affiliate links, but it doesn’t pay much; mostly it covers the cost of running the website. In the words of Napoleon Dynamite, “That’s like a dollar an hour!” If only it were that much. But I enjoy “giving back” because so many have helped me along the way, and it’s good for the soul to be helpful to others. I also love to write, and this blog is good practice for me. I hope that you like seeing my pictures, too. There are many reasons why I do this Fujifilm blog, but being victimized is surely not one of them.

If you are reading this and you illegally copied my pictures and words and are using them without permission and in a way that violates “fair use” laws, please take it down. Please remove from your website what you stole from me. If you go to the About page, there’s a way to contact me. Please use that to reach out to me if you’d like to use my pictures or words the right way, the legal way: with permission. I’m sure we can work something out. But please stop stealing. I don’t like it. Nobody does. It’s wrong. This is a community, and we’re all neighbors, so let’s be kind and not disrespectful. Thank you.

Some of you have shared my content in limited ways, citing the source, and following the rules of fair use. Rest assured that this article isn’t aimed at you. I appreciate what you do and your support. My disdain is aimed towards those who don’t follow the rules, operating outside of ethical and legal; those who would rather steal, profiting off of the hard work of others. My words belong to me, and my photographs are mine. Don’t take what’s not yours, it really is that simple.

Photoessay: November Arizona, Part 2: Monochrome

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North Mountain Saguaro – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

Part 1: Color

Many years ago, Ansel Adams photographed the Arizona desert in black-and-white. Many people might be unaware that he was a regular contributor to Arizona Highways magazine back in the day. Adams’ photographs of the desert have been an inspiration to me even before I captured a single exposure in Arizona. Don’t get me wrong, I’m certainly not trying to compare myself with the legend. What I am saying is that Arizona and black-and-white photography go together like peanut butter and jelly. There’s something timeless about it that just makes me feel good on the inside. It brings me back to those classic pictures by Ansel Adams that I carefully studied back in the early years of my own picture-making. As colorful as Arizona can be, to me it looks best in black-and-white.

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Downtown Phoenix From North Mountain – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Saguaro In The City – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Monochrome Desert Hill – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2 

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Hillside Saguaro – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Lookout Mountain – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Cactus Sun – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Morning In The Desert – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Arizona Saguaro – Phoenix, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Saguaro Couple – Surprise, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Rushing New River – Peoria, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Bridge Over Troubled Waters – Peoria, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

See also:
Willow Beach, Arizona
McCormick Stillman Railroad Park, Scottsdale, Arizona