2019 Fujifilm Gift Giving Guide

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I get asked frequently for my opinions on Fujifilm cameras. Many people are seeking advice on what to buy. Tomorrow is December 1, and the Christmas shopping season is in full swing. This article is intended for those wishing to gift a camera and are searching for tips on what to choose. My hope is that there’s some helpful advice here as you camera shop for your loved ones.

This post contains affiliate links, and I will be compensated if you make a purchase after clicking through my links.

First Camera

If you are shopping for someone’s first interchange-lens camera, let’s say a teenage kid or spouse, I would recommend the Fujifilm X-T100. This is a low-budget entry-level model that is still very capable and will deliver high-quality pictures. You get a surprisingly large bang for a surprisingly few bucks. As of this writing, the Fujifilm X-T100 with a 15-45mm lens is only $400, which is an incredible bargain.

Fujifilm X-T100 w/15-45mm lens:   B&H   Amazon

Vlog Camera

Suppose that you are shopping for an aspiring vlogger. Maybe this person has been using their phone to do so, but is ready to upgrade to a more serious camera. My top recommendation is the Fujifilm X-A7. This camera is similar in a lot of ways to the X-T100 mentioned above, but with better video capabilities and an articulating rear-screen that makes it a better choice for vlogging. The Fujifilm X-A7 with a 15-45mm lens has an MSRP of $700.

Fujifilm X-A7 w/15-45mm lens:   B&H   Amazon

Good Camera

My wife wanted a camera. She had a Canon point-and-shoot, a GoPro, and her iPhone, but she wanted something better, something more capable, something good. She wanted a camera that could capture high-quality stills and video. So I bought her a Fujifilm X-T20, which has been my top recommended Fujifilm camera for over a year. This camera is a step up from the X-T100. It could be used as a vlogging camera, although the X-A7 might be a better choice for that. Because it’s not the latest model, it’s priced very well, and as of this writing the Fujifilm X-T20 with a 16-50mm lens is only $600, which is an amazing deal!

Fujifilm X-T20 w/16-50mm lens:   B&H   Amazon
Fujifilm X-T20 w/18-55mm lens:   B&H   Amazon

Second Camera

If you are shopping for someone who already has a Fujifilm camera and they’ve been hinting that they want a second camera body, you have several good options. The Fujifilm X-T3, which is at the high end, is currently $1,300, and the Fujifilm X-T30, which is mid-tier, is currently $800. The Fujifilm X-E3, which is also mid-tier, but doesn’t have the latest sensor and processor (yet is still great), is currently only $500. No matter if you have a large or small budget, you’ve got some good camera bodies to choose from.

Fujifilm X-T3 (Body Only):   B&H   Amazon
Fujifilm X-T30 (Body Only):   B&H   Amazon
Fujifilm X-E3 (Body Only):   B&H   Amazon

Fun Camera

Those wanting to gift a camera that’ll be super fun for the receiving photographer have two great choices: the Fujifilm X100F or the Fujifilm XF10. Both of these are fixed-lens cameras that are an absolute joy to use, especially the X100F, which might be my personal all-time favorite camera. These are great for travel or street photography or even snapshots of the kids. The Fujifilm X100F is currently $1,100 while the Fujifilm XF10 is currently $450.

Fujifilm X100F:  B&H   Amazon
Fujifilm XF10:   B&H   Amazon

Has-It-All Camera

If you are camera shopping for the photographer who already has it all, the one camera that they might not have is the brand-new Fujifilm X-Pro3. This is a unique camera that delivers a unique experience. It’s the most expensive camera on this list with an MSRP of $1,800. Another option is the Fujifilm X-Pro2 Graphite Edition, which comes with a lens and is currently discounted at only $1,600.

Fujifilm X-Pro3 (Body Only):  B&H   Amazon
Fujifilm X-Pro2 Graphite w/23mm f/2 lens:   B&H   Amazon

Kid Camera

For those with kids who have been begging for a camera, the one that I highly recommend is the Fujifilm Instax Mini 9. This is the camera that I got my daughter when she wanted one for Christmas, and she’s absolutely loved it! She’s had so much fun with it, and the “magic” of instant film is the same today as it was back when Polaroids were all the rage when I was young. Best of all, it’s super cheap.

Fujifilm Instax Mini 9:   B&H   Amazon

Travel: McCormick Stillman Railroad Park, Scottsdale, AZ

McCormick Stillman Railroad Park

Ol’ Number 11 – Scottsdale, AZ – Fujifilm X-T30

Almost two years ago my family and I visited the McCormick Stillman Railroad Park in Scottsdale, Arizona, and I captured it with a Fujifilm X100F. The McCormick Stillman Railroad Park is one of the best city parks in America (it’s actually been ranked #1), and it truly is a neat place to go. If you are in Phoenix, Arizona, with your family, I highly recommend that you stop by this park. It’s especially magical around Christmas, as they elaborately decorate it for the holiday season. Last week my family and I returned to the McCormick Stillman Railroad Park, but this time I had a Fujifilm X-T30 and Fujinon 35mm f/2 lens to photograph the visit.

What I love about this park is that there’s something for everyone. There’s a large playground for the kids. There are barbecue grills and pavilions and large grassy areas to throw a ball or Frisbee. There’s a gift shop where you can buy ice cream in the summer and hot cocoa in the winter. There’s a museum. There’s a carousel. There are scale trains which you can ride that loop around the park. It’s both modern and historic. You can feel mindfulness and nostalgic simultaneously. It really is unique. And, of course, it can make an interesting subject for photography. I used my Kodachrome 64 film simulation recipe for most of these pictures.

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Trains Boarding – Scottsdale, AZ – Fujifilm X-T30

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Santa Fe Sun – Scottsdale, AZ – Fujifilm X-T30

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Aguila – Scottsdale, AZ – Fujifilm X-T30

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Happy Train Riders – Scottsdale, AZ – Fujifilm X-T30

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Looking Back – Scottsdale, AZ – Fujifilm X-T30

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P&P 42 – Scottsdale, AZ – Fujifilm X-T30

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Train Rides Today – Scottsdale, AZ – Fujifilm X-T30

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Little Trolley Rider – Scottsdale, AZ – Fujifilm X-T30

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It’s Not Too Late – Scottsdale, AZ – Fujifilm X-T30

Photoessay: Monochrome Sun Rays Over Willow Beach, Arizona

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Rays Over Colorado River – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

Along U.S. Highway 93, about 12 miles south of the Hoover Dam, there’s a scenic view pullout, which offers tremendous views of desert mountains and canyons and a glimpse of the Colorado River at Willow Beach. This is part of the Lake Mead National Recreation Area. It’s easy to drive right on past this spot, as I have done many times before. Those who do stop here are rewarded with an incredible vista. It’s not the Grand Canyon, but it’s like a small glimpse of the Grand Canyon. It’s a quintessential Arizona landscape. Actually, you can see both Arizona and Nevada, as the river marks the boundary between the two states.

When I was at this scenic pullout last week, there was a storm passing through, which provided a dramatic sky with streaking light rays from the peeking sun. It was an amazing sight, yet short lived. I had my Fujifilm X-T30 with me, alternating between a Fujinon 35mm f/2 and a Fujinon 90mm f/2 attached to the front. A more wide-angle lens might have been nice, but these are the two lenses that I had with me. I captured a number of frames, then the great light disappeared as quickly as it had come.

Because I had a camera with me, and I decided to stop, I was able to witness and record this beautiful moment. Many cars zoomed down the highway, perhaps witnessing the scene quickly from behind their windows, or perhaps not noticing it at all, and only a few stopped. I’m thankful that I was one of the few who stopped, and what a great reward I was given for doing so. Sometimes the journey is the destination, especially if you are a photographer.

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Light Streaming – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 90mm f/2

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Light & Mesa – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 90mm f/2

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Shining Down – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 90mm f/2

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Pouring Light Over Desert – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 90mm f/2

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Dramatic Desert Sky – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Rays Over The Desert – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

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Rays Over Willow Beach – Lake Mead Nat’l Rec. Area, AZ – Fujifilm X-T30 & Fujinon 35mm f/2

Awesome Fujifilm X Deals!

Fujifilm X-Pro2 Blog

There are some really great deals on certain Fujifilm cameras right now. These aren’t necessarily “Black Friday” deals, but they are certainly great for holiday shopping or if you’ve been eyeing one of these for awhile. I want to bring special attention to the Graphite X-Pro2 with the Fujinon 23mm f/2 lens, which has been deeply discounted, and you’re not likely going to find it for cheaper. Need a second camera body? The X-T20 and X-E3 are dirt cheap right now. The X-T100 is at a rock-bottom price. It’s what I would gift to a family member who has been asking for a camera. Heck, for the price, I might pick one up for myself!

This post contains an affiliate link, and I will be compensated if you make a purchase after clicking through my link.

Fujifilm X-Pro2 (Body Only) $1,300   B&H   Amazon
Fujifilm X-Pro2 Graphite w/23mm f/2 lens $1,600   B&H   Amazon

Fujifilm X-T20 (Body Only) $500 – $550   B&H   Amazon
Fujifilm X-T20 w/16-50mm lens $600   B&H   Amazon
Fujifilm X-T20 w/18-55mm lens $800   B&H   Amazon

Fujifilm X-E3 (Body Only) $500   B&H   Amazon
Fujifilm X-E3 w/23mm f/2 lens $750   B&H   Amazon
Fujifilm X-E3 w/18-55mm lens $800   B&H   Amazon

Fujifilm X-T100 (Body Only) $350   B&H   Amazon
Fujifilm X-T100 w/15-45mm lens $400   B&H   Amazon

Fujifilm X-T3 (Body Only) $1,300   B&H   Amazon
Fujifilm X-T3 w/18-55mm lens $1,700   B&H   Amazon
Fujifilm X-T3 w/56mm f/1.2 lens $2,000   B&H

Fujifilm X-T30 w/15-45mm lens $850   B&H   Amazon
Fujifilm X-T30 w/18-55mm lens $1,100   B&H   Amazon

See also: Fujifilm Gear

Exposure X5 is 20% Off!

img_4885I don’t edit a lot of RAW files anymore, but sometimes I do, and when I do I use Exposure X5 software. It’s easy for me to recommend Exposure, as I’ve been using it for years, and it’s made a big difference for my workflow. Once you get it set up and figured out, it speeds up RAW editing tremendously, allowing you to achieve your desired look more quickly and accurately. There are over 500 one-click presets, most of which are based on classic films. You can read my review of Exposure X5 here.

Between now and December 2, Exposure X5 is 20% off! Instead of $120, it’s now only $95. You can download a fully-functioning 30-day free trial and see if it could be beneficial to your photography. And if you decide that it’s something you like, you can purchase it at a discount through December 2. Click here to find out more.

This post contains an affiliate link, and I will be compensated if you make a purchase after clicking through my link.

Fujifilm X-T30 Blog

I post-processed this photograph using Exposure X5.

Is Fujifilm’s Autofocus Any Good?

Captured with a Fujifilm X-T30.

Fujifilm’s autofocus is inferior, apparently. There’s been a buzz on the web lately about autofocus. There have been several tests recently comparing the autofocus capabilities of different camera brands and models, and Fujifilm hasn’t come out on top, and sometimes they’ve come in last place. There’s been a lot of negativity towards Fujifilm in response to these articles, and I want to talk about that.

I have no problem whatsoever with these articles. There’s always something, no matter how hard one tries, that someone points out as unfair in these type of tests. It’s the nature of it, and it’s nearly impossible to be completely fair and unbiased. There’s always something that you didn’t consider, there’s always an apples-to-oranges situation, and somebody will undoubtably point it out. I think it’s important to understand this, as taking these types of articles with a small grain of salt will alleviate some of the frustration that comes with them. In other words, don’t take them as gospel, even though they mean well and might contain useful information.

When I started out in photography, autofocus existed, but many cameras (mine included) didn’t have it, and autofocus wasn’t very good on those cameras that did have it. The best autofocus systems of 20 years ago are embarrassing when compared to those found today. That’s not surprising as technology advances quickly. The best autofocus systems of 10 years ago aren’t as good as the “worst” found in any of those cameras that were recently tested. Sony, Canon, Nikon or Fujifilm, it doesn’t matter which one “wins” and which one is rated last, as they are all great! No one could imagine 20 years ago that autofocus would become as good as it is today, and the autofocus found on “pro” cameras 10 years ago aren’t as good as some “entry level” cameras today. Context is key.

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Captured with a Fujifilm X100F.

It’s easy to get caught up in the results of autofocus tests, but the reality is that it doesn’t matter in practical use. Just because one camera did slightly better than another doesn’t mean that you’ll “get the shot” with one camera and not another. You’ll either get it with both or you’ll miss it with both, because the skill and vision of the photographer is far more important than the technical capabilities of the camera in hand, especially when the differences are so narrow. Cameras are tools, and one tool might work a little better for you than another, but they’ll all capable of getting the job done just so long as the photographer is also capable. One camera over another won’t make you a better photographer.

I don’t doubt that Sony’s autofocus is superior to Fujifilm’s. They’ve been working at it a heck of a lot longer, so they should be. What I argue is that it doesn’t matter, or if it does matter, it matters very, very little. Those saying that Fujifilm desperately needs to “catch up” or else are speaking hyperbole. A lot of the reactions I have seen have been overreactions. Instead of celebrating just how far autofocus has improved, people seem to be far more concerned about being ranked number one. Trust me on this: it doesn’t matter one bit. Fujifilm has made significant progress, and they’re continuing to do so. Autofocus on X-Trans II cameras is plenty quick and capable for most people and circumstances, yet it doesn’t compare to X-Trans IV. There comes a point where the improvements are more “gee whiz” than anything practical. It’s great for the marketing department, but is it something you’ll even notice? Will it really make a difference to your photography?

To answer the question in the title of this article, Fujifilm’s autofocus is indeed good. Very good, in fact! It’s more than capable, just as long as you are as well. So don’t worry so much where Fujifilm (or any brand) ranks compared to another in some test. It’s not important. Creating art is important, and you can use any camera to do that.

Review: Fujifilm X-Pro2 – Is It Still Relevant?

Fujifilm X-Pro2 Blog

The new Fujifilm X-Pro3 will be released on November 29, and there’s a lot of buzz around it, but what about the X-Pro2? Is it still relevant? Is it a camera that you should consider? Is it a good option even though it has the old sensor and processor? I hope to answer those questions in this review.

The X-Pro2 was released way back in March of 2016. It replaced the X-Pro1, which was the very first X-Trans sensor camera by Fujifilm. The X-Pro2 was the first camera to have the 24-megapixel X-Trans III sensor. The X-H1, X-T2, X-T20, X-E3 and X100F would later share this same sensor and processor. The 26-megapixel X-Trans IV sensor, which is the same sensor found in the upcoming X-Pro3, was introduced with the X-T3 in September of 2018. The X-Trans III sensor inside the X-Pro2 is almost four-years-old, and perhaps a year out-of-date, but is it still good?

The main advantage of the fourth generation sensor over the third generation is heat. The new sensor runs cooler, which means it can be pushed further. It’s quicker, and the processor can be asked to do more. There’s very little image-quality difference between the two sensors. Pictures captured with the X-Pro3 won’t look much different than those captured with the X-Pro2. But the older camera won’t be as quick, especially regarding auto-focus, and it has fewer features. The X-Pro3 is loaded with new tools, which may or may not be useful to you. Even though the X-Pro2 isn’t as quick or feature-rich, it’s still sufficiently quick and feature-rich for most photographers.

The X-Pro line isn’t about quickness anyway. It’s about having a solid quality camera that’s a joy to use. It feels good to have in your hand and to hold to your eye. It’s something to take to the city and wait for just the right light and moment. It’s a photographer’s tool. And what a great tool it is!

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Fujifilm blog Fujinon 23mm f/2 Lens

Something that I appreciate about the X-Pro2 is that it’s weather-sealed. Pair it with a weather-sealed lens, and you can use it in situations that you wouldn’t dare take another camera. For me that was the Great Sand Dunes National Park in Colorado, where the winds were whipping the sand, which pelted my skin. The X-Pro2 handled it like a champ, and I was able to “get the shot” that I was after.

Another thing that I really appreciate about the camera is the viewfinder. The X-Pro2 has a unique hybrid viewfinder that can be used electronically or optically. It’s a part of the experience of the camera. The X-Pro line isn’t about test charts or stat sheets, it’s about the user experience. Fujifilm calls it “pursuing pure photography” with “a body design that maximizes practicality.” While the X-Pro2 offers identical image quality and similar features to the X-T2 (and, really, the X-T20), what sets it apart is the experience of it, and the great viewfinder is a big part of that.

Even though the X-Trans III sensor is almost four-years-old now, it doesn’t come across as “old” in practical use. It offers more than enough resolution, dynamic range and high-ISO capabilities for most people and situations. The X-Pro2 is plenty quick and feature-rich to warrant consideration. It wasn’t designed to be your typical “throw-away” digital camera, which you own for perhaps two years, and then unload on eBay at a bargain basement price when the latest model is released. The X-Pro2 was intended as a camera that you keep for years. It’s a camera that you’ll still want to have around when it’s ten years old, and if it still has some clicks left in the shutter, perhaps longer.

The X-Pro2 is a beautiful camera! I think the only camera that’s better-looking in the Fujifilm lineup is the X100F, and only by a little. Fujifilm got the design right, and it’s cameras like this that have given Fujifilm a great reputation. Strangers will ask you about the camera around your neck, and fellow photographers will comment to you about the beautiful design. There’s a certain pride in owning one.

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I don’t want to dive deeply into the technical aspects of this camera. I’m not going to share stat sheets or show massive crops comparing the image quality to other cameras. You can readily find that information on the web. What I want to offer is my opinion of the X-Pro2. Is it a good camera to buy?

If you are in the market for a camera and are considering the X-Pro2, but you are unsure because it’s not the latest-and-greatest, I want to help you. You will love it! But with the caveat that the X-Pro series isn’t for everyone. If you are the type of person who has to have the newest, fastest and greatest, this might not be the best camera for you. If you find yourself constantly searching the internet for side-by-side crops to compare the tiny differences between cameras, this one might not be for you. If you are the person who buys a new camera every year, you might want to consider something else. If you’re the kind of person who likes to capture pictures at your own pace and in your own way, and you appreciate the way Fujifilm cameras render images, then the X-Pro2 might very well be a good choice. If you are after an experience that’s different from your typical digital camera, something with an analogue soul perhaps, the X-Pro2 is something you should strongly consider. It’s a great camera, even in 2019, and I’m sure still in 2026, and while it’s not for everyone, I do believe that most people would appreciate it.

You can buy the Fujifilm X-Pro2 here:  B&H  Amazon

These are affiliate links, which, when you purchase something using them, I get a small kickback. It doesn’t cost you anything, yet it helps to financially support this website. I would never ask you to purchase something that you don’t want, but if you found this article helpful and are planning to buy this camera, using my links to do so helps me tremendously. Thank you for your support!

Example photographs, all camera-made JPEGs from my Fujifilm X-Pro2:

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Twisted Tree – Keystone, SD – Fujifilm X-Pro2

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Jacob’s Ladder – Taos, NM – Fujifilm X-Pro2

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Passerby – Great Sand Dunes NP, CO – Fujifilm X-Pro2

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Storm Over San Luis Valley – Alamosa, CO – Fujifilm X-Pro2

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Old Truck & Mt. Lindsey – Fort Garland, CO – Fujifilm X-Pro2

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Clouds Around Timpanogos – Heber City, UT – Fujifilm X-Pro2

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Bells & Crosses – Taos, NM – Fujifilm X-Pro2

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Needle’s Eye Night – Custer SP, SD – Fujifilm X-Pro2

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Night Sky Over Needles Highway – Hill City, SD – Fujifilm X-Pro2

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Securely In Father’s Arms – Mount Rushmore NM, SD – Fujifilm X-Pro2

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From Dust To Dust – Great Sand Dunes NP, CO – Fujifilm X-Pro2

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Drummond Ranch – Pawhuska, OK – Fujifilm X-Pro2

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Red Leaves In The Forest – Wasatch Mountain SP, UT – Fujifilm X-Pro2

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Green & Blue Mountain – South Weber, UT – Fujifilm X-Pro2

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Wasatch Spring – South Weber, UT – X-Pro2

See also: Fujifilm Gear

Comparing “Classic Negative” and “Color Negative” Film Simulation Recipes

Someone asked me what the differences are between my “Classic Negative” film simulation recipe and my “Color Negative” film simulation recipe. They’re pretty similar, but they’re not exactly identical. I thought it would be helpful to see them side-by-side, so I applied my “Color Negative” recipe using the in-camera RAW converter on my Fujifilm X-T30 to a few recent exposures that I had captured using my “Classic Negative” recipe. Check them out:

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“Classic Negative”

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“Color Negative”

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“Classic Negative”

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“Color Negative”

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“Classic Negative”

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“Color Negative”

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“Classic Negative”

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“Color Negative”

As you can see, while they’re quite similar, the “Color Negative” recipe is more saturated, has a tad more contrast, and is a little warmer with a bit more red. The “Classic Negative” recipe is slightly more bland, but with a nice vintage negative-film aesthetic. So which film simulation recipe do you like better, “Classic Negative” or “Color Negative”? Let me know in the comments!

Rumor: Classic Negative + Other X-Pro3 Updates Not Coming to X-T3 or X-T30 Anytime Soon

Fujifilm X-Pro3 Blog

Fujifilm announced that the X-T3 will receive a couple of firmware updates, one in December and one in January, which will improve the camera, but neither will include the new features of the X-Pro3. No Classic Negative. No clarity or curves or custom grain, etc., etc. No ability to save white balance shifts with each custom preset. There are a bunch of new tools that Fujifilm has included on the X-Pro3, but none of them will be in these upcoming firmware updates. That doesn’t mean they won’t make their way to the X-T3 and X-T30, it just means it’ll be in the spring at the earliest. And perhaps not all of the new features will ever be added to the X-T3 and X-T30. You might have to wait until the X-T5 and X-T50 (they’ll skip the number four because it’s unlucky in Japan), or buy the X-Pro3. I bet the upcoming X100V will have the same tools as the X-Pro3, so there’s that, too. I was hoping that Fujifilm would add the capabilities of the new camera right away to the two “old” models that share the same sensor and processor, but it looks like they’re delaying it for awhile. I just hope that they don’t delay it indefinitely.

Film Simulation Challenge –Roll 4: Classic Negative (with Ree Drummond)

Back in August I introduced the Film Simulation Challenge, which is where you pick one film simulation recipe and shoot either 24 or 36 frames before changing settings. It’s kind of like loading your camera with a roll of film, and you are stuck with whatever film you loaded until that roll is completely exposed. This challenge is the digital equivalent of that analog issue. I thought it would be a fun experiment to encourage photographic vision while sharing the joy of Fujifilm X cameras.

The “film” that I loaded into my Fujifilm X-T30 was a 36 exposure “roll” of my new “Classic Negative” film simulation recipe. This recipe is the closest that I could come to matching the new film simulation of the same name that’s on the X-Pro3, but I have to admit, it’s not a complete match. The Classic Negative film simulation changes depending on the light and how you expose it, which is different than the other film simulations. I don’t think it’s possible to create an exact match, but hopefully my “Classic Negative” recipe is at least in the general ballpark. Or, if it isn’t, I hope that some of you appreciate it nonetheless.

My wife, Amanda, is a big fan of Ree Drummond (also known as The Pioneer Woman). She’s a famous blogger, author and television personality best known for her cooking recipes. She has a store, restaurant and bakery in Oklahoma, which my wife and I visited two summers ago. Ree has a new cookbook, and she’s been traveling the country doing book signings. Amanda insisted that we go so that we could meet her, and so we did! We stood in line for almost an hour in order to have a thirty second conversation with her. It was a very quick meet-and-greet that seemed like it was over before it even began. What you might not know is that Ree’s a pretty good photographer, and I was able to suggest that she create a photojournal book of her ranch that features her black-and-white photographs. She replied that she needs to get the pictures off her SD Card first.

I made 36 exposures using my “Classic Negative” film simulation, and most were of this event, especially while waiting in line. The lighting inside the bookstore was terrible, with some crazy mixed artificial lights, and this recipe wasn’t a good choice for it. I did reprocess in-camera the RAW image of Ree Drummond, and I’ve included that at the bottom of this article. I used a Fujinon 35mm f/2 lens for these pictures. I hope that you enjoy!

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Frame 1: Pink Sleeve – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 2: Sunset 218 – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 3: Changing Nature – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 5: Sweetaly Gelato – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 7: King of Books – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 8: Waiting For The Bus – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 9: 15th Street – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 15: Brick Chimney – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 18: A Roof – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 19: Waiting In The Waning Sun – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 22: Rick – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 24: No Trucks – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 26: Salt Lake Neighborhood – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 28: Ree Drummond – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 30: Open – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 31: Happy Amanda – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 32: Bank On It – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

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Frame 33: Brews – Salt Lake City, UT – Fujifilm X-T30 “Classic Negative”

Reprocess of frame 28:

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Ree Drummond – Salt Lake City, UT – Fujifilm X-T30 – PRO Neg. Hi

See also:
Roll 1: Kodachrome 64
Roll 2: Kodacolor
Roll 3: Eterna