March | 2023 | FUJI X WEEKLY

Fujifilm Discontinues the X-E4?!?

According to Fujirumors, some camera stores are beginning to mark the Fujifilm X-E4 as discontinued. It’s not uncommon for cameras to be marked as such prior to the announcement of its successor, but I don’t think that’s the case here.

I own and love my X-E4. I’ve always had a special place in my heart for the X-E line because my very first Fujifilm camera was an X-E1, which was my gateway into the Fujifilm family. The X-E4 was my most-used camera body in 2022. It’s an especially great camera for travel photography due to its small size and minimalistic design, and I’m so glad that I preordered it when it was announced.

Of course, it wasn’t without controversy. Fujifilm probably went a step or two too far in their attempt at minimalism, removing a couple of things they probably shouldn’t have. No camera is perfect. Despite that, the X-E4 has been in-demand since its release, with sales often exceeding Fujifilm’s ability to manufacture new bodies. The camera has been on backorder for the majority of the time since its release a little over two years ago. If you are a camera maker, best case scenario is that a camera’s demand exceeds your ability to make them, and they are already sold before they even reach the end of assembly. The X-E4 was one such model.

*Evening Charge* – Santa Rosa, NM – Fujifilm X-E4 – Kodak Portra 400 v2 Recipe

So why, then, is it being discontinued?

The reason why Fujifilm couldn’t keep up with demand is the global parts shortage that affected so much within the industry. Fujifilm didn’t prioritize securing parts and manufacturing efforts for the X-E4 for two reasons, I believe: 1) other models were even more in-demand, and 2) other models have higher profit margins. I don’t have any proof of that, it’s just my assumptions. Cameras like the X100V and X-T5 are more in-demand than the X-E4, and more money is made per camera sold than the X-E4, so less of an effort was made to produce more X-E4 bodies. Instead of trying to fulfill the full demand, Fujifilm prioritized other models. It’s fine that they did that, because something had to give somewhere, and Fujifilm made their tough decisions.

My guess is that parts are running especially thin now for the X-E4, so Fujifilm is telling camera stores that they cannot fulfill more orders. I think more bodies have been made and are en route to the stores, and possibly more are on the assembly line right now, but after that there will be no more. Some of those who have it backordered will get their camera, and some won’t. That’s all just a guess and so take it with a large grain of salt. I have zero inside information.

*Coastal Blooms* – San Simeon, CA – Fujifilm X-E4 – Pacific Blues Recipe

Instead of trying to secure more parts and manufacture more copies of the X-E4, I think Fujifilm is trying to move onto X-Trans V as quickly as they can. I suspect that the X-Pro3 is no longer manufactured, and Fujifilm and camera stores are waiting for the current stock to dry up. I think the X-T30 II is on it’s last production run, and will soon be discontinued. My guess is that all of the X-S10’s that will be made have been already, and it’s a matter of the current stock running out. Same for the X-T4. The X100V is another story. I think Fujifilm will continue to manufacture it as long as demand remains sky-high, which will likely be until the day the X100Z (or whatever they will call it) is released; however, I do think they are giving manufacturing priority to the X-T5, X-H2, and X-H2S. Again, this is all speculation and nothing more.

Supposedly, the next Fujifilm camera to be announced will be the X-S20 sometime next month, but Fujifilm cancelled their April X Summit. Maybe they weren’t as ready for the X-S20 as they thought they would be. I think Fujifilm should prioritize the next X100-series camera, but my suspicion is that 2024 will be the year of the X-Pro4 and X100Z, and not 2023. I do think the plan is for one more X camera to be announced this year (aside from the X-S20, in or around September), but it will likely be an affordable (budget) model, such as the X-T40 (they might call it X-T50).

*Old Saguaro* – Buckeye, AZ – Fujifilm X-E4 – Arizona Analog Recipe

Fujifilm has three low-budget lines: X-S, X-E, and X-T00. They used to have other lower-budget lines, but that end of the camera market dried up so they discontinued them. I don’t believe that Fujifilm will continue with three models competing against each other. My guess is that either the X-T00 or X-E line is done for. Since Fujifilm has flirted in the past with discontinuing the X-E line, that series is likely on the chopping block, or at least being discussed as such within Fujifilm management. Don’t be surprised if there is no X-E5.

If the autumn camera isn’t the X-T40, what could it be? Fujifilm would be smart to prioritize the next X100-series model. That should be near the very top of their to-do list (after fixing the Cam Remote app). I wouldn’t be surprised if Fujifilm introduced a new mid-tier PASM line in-between the X-S20 and X-H2/X-H2S—I have no idea if that’s in their plans or not, but it does seem like a gap in the lineup. I’ve heard of plenty of demand for a non-PASM flagship model, but I don’t think that’s currently in the cards. Of course, I’d love to see an X80 or monochrome-only model—those are the only cameras that I’m personally interested in right now—but I’m not holding my breath. Most likely, 2023 is the year for the X-S20 and X-T40.

I hope the X-E line isn’t done for. I hope there is an X-E5. If they do make it, the series has historically been announced near the end of a sensor’s lifecycle, so perhaps we will see one in 2025, just before X-Trans VI is introduced. We’ll see.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E4 in black: Amazon B&H Moment
Fujifilm X-E4 in silver: Amazon B&H Moment

Let’s Talk Street Photography! SOOC Live is THIS Thursday!

Posted on March 28 by Ritchie Roesch

*Roadkill* – Glendale, AZ – Fujifilm X100V – Classic Kodak Recipe

Want to talk about street photography? Yeah? Me, too!

Join myself and Fujifilm X-Photographer Nathalie Boucry this Thursday as we discuss Street Photography live! We’ll talk about the four Film Simulation Recipes—Kodachrome 64, Classic Kodak, Serr’s 500T, and Agfa Scala—that we’ve been shooting with, show a selection of your pictures, answer any questions that you might have, and much more. I hope that you can join us on March 30 at 10 AM Pacific Time, 1 PM Eastern! This is 2nd part to our discussion, so click here if you missed the last broadcast.

We are inviting you—challenging you, in fact—to shoot with one, two, three, or even all four of the Film Simulation Recipes this month. For those wanting an extra challenge, we have two: 1) use reflections and/or silhouettes in your pictures and 2) use a 1/15 shutter speed. These extra challenges are completely optional, but I am excited to see what you do with them. Upload your images by today: up to three of your favorite street photography photographs captured with one (or more) of the four Film Simulation Recipes that we suggested you try—please include the Recipe(s) you used in the file name so that we know. The uploaded pictures will be included in the Viewer’s Images slideshow video and have a chance to be featured in the next live broadcast. Don’t procrastinate! If you have something to upload, be sure to do it right now (click here to upload).

Of course, we don’t just ask you to shoot with these Recipes—Nathalie and I are doing it, too, right along with you. This is a community-wide project, which means that everyone is invited to participate. Below are a few of my street photography pictures for this month. I didn’t do real well with the extra challenges, but I feel good that I tried, even if I wasn’t all that successful.

*1/15 Shutter challenge — Fujifilm X100V — Kodachrome 64 Recipe*

*Silhouette challenge — Fujifilm X100V — Kodachrome 64 Recipe*

*Reflection challenge — Fujifilm X100V — Classic Kodak Recipe*

Be sure to follow SOOC Live on YouTube! You can not only catch Season 3 there, but also all of Season 1 and 2.

Which Film Simulation Recipe, When? Part 5 — Fujifilm X-Trans V (X-T5, X-H2, X-H2s)

Posted on March 28 by Ritchie Roesch

*Way Over That Way* – Tucson, AZ – Fujifilm X-T5 – Thommy’s Ektachrome Recipe

Part 1 — Part 2 — Part 3 — Part 4

I get asked all of the time when to use which Film Simulation Recipe. With nearly 300 on the Fuji X Weekly App to choose from, it can be difficult to know when each Recipe should be chosen. Besides, you only have C1-C7 Custom Presets on your Fujifilm camera (most of you, anyway). Which seven Recipes should you have programed? When should you select them?

To understand the idea behind this post, it’s important to go back to Part 1, which explains it all. Definitely review the earlier articles in this series if you never saw them or if it’s been awhile. When I started, the Fujifilm X-T5 wasn’t even announced yet, and I had zero X-Trans V Film Simulation Recipes. By the time I published Part 4, I had a couple of Recipes for the X-T5, but only a couple. This followup had to wait awhile.

I still don’t have a ton of X-Trans V Recipes, but I do have just enough that I could complete this Part 5. I do want this to be an ongoing series, but new posts will likely be few and far between, so don’t expect a Part 6 anytime soon.

Below I will suggest to you seven Film Simulation Recipes (one for each C1-C7 Custom Preset) for you to program into your Fujifilm X-Trans V camera, and state when to use each. If you have a Fujifilm X-T5, X-H2, or X-H2S (or any other X-Trans V camera that is released after this is published), I invite you to try these Recipes for the situations that I recommend.

C1 — Kodak Portra 400 v2 — Golden Hour

*Flock of Cranes* – Gilbert, AZ – Fujifilm X-T5 – Kodak Portra 400 v2 Recipe

Kodak Portra 400 v2 is a Recipe that does well at anytime during daylight hours, and as the name suggests it is a good option for portrait photography, but I’m going to recommend it specifically for “golden hour” near sunrise and sunset. This really could be your primary use-all-of-the-time Recipe, and that’s why I suggest placing it in C1, but when the sun is low to the horizon, make sure that this is the one you’re shooting with. I personally use this Recipe frequently.

Alternatives for “golden hour” photography:

Nostalgia Negative
Kodak Negative

C2 — 1970’s Summer — Midday

*More Than Double Wide* – Arlington, AZ – Fujifilm X-T5 – 1970’s Summer Recipe

You might be surprised that Kodachrome 64 didn’t make it to the top-spot on this category. I love that Recipe and think it’s a wonderful choice—don’t be afraid to choose it over this… or even over Kodak Portra 400 v2 for “golden hour” photography. Yet, for midday—which I’m defining as daylight that’s in-between the “golden hour” light of sunrise and sunset—I think 1970’s Summer is tough to beat. It’s not the most versatile Recipe, but if the sun is out, it’s an excellent option.

Alternatives for “midday” photography:

Kodachrome 64
Kodachrome 25

C3 — Kodak Ultramax 400 — Overcast

*Rainy Day Window* – Buckeye, AZ – Fujifilm X-T5 – Kodak Ultramax 400 Recipe

For dreary overcast, Kodak Ultramax 400 is my favorite option. It is a versatile Recipe, so it’s not just good for rainy days, but many other situations, too, including golden hour, midday, shade, indoor, nighttime and more. This could be your go-to Film Simulation Recipe. Emulsion ’86 and Thommy’s Ektachrome are very good runners up, and could also be alternatives for C2.

Alternatives for “overcast” photography:

Emulsion ’86
Thommy’s Ektachrome

C4 — Timeless Negative — Indoor

*Dark Coffee* – Buckeye, AZ – Fujifilm X-T5 – Timeless Negative Recipe

For natural light indoor photography, my top choice is the Timeless Negative Recipe (although any of the Recipes listed above this could work well, too). Timeless Negative is an all-rounder that could be used in most situations and produce excellent results, but specifically I’m recommending it for natural light indoor pictures. For artificial-light indoor images, use the recipes for nighttime photography below.

Alternative for “indoor” photography:

Standard Provia
Nostalgic Print

C5 — Superia Xtra 400 — Nighttime

*Night Blossoms* – Buckeye, AZ – Fujifilm X-T5 – Superia Xtra 400 Recipe

I don’t yet have a “Tungsten” Film Simulation Recipe for X-Trans V, but that doesn’t mean you are out of luck. I’ve gotten good results at night with both Kodak Ultramax 400 and Timeless Negative, but Superia Xtra 400 is my favorite for after-dark photography. Superia Xtra 400 is also good for any of the C1-C4 situations mentioned above, as it’s a versatile Recipe—it’s another that could be your go-to for any situation. The two alternatives mentioned below are great options for golden hour or midday photography—I prefer both for that, and Pacific Blues is one of my absolute favorites—but I have also had decent results with those two Recipes at night, so they are worth your consideration (either in C5, or in C1 or C2).

Alternatives for “nighttime” photography:

Pacific Blues
CineStill 400D v2

C6 — Vintage Bronze — Wildcard

*Paperflowers* – Buckeye, AZ – Fujifilm X-T5 – Vintage Bronze Recipe

In Parts 1-3, this category was called Alternative Process; however, for Part 4 and Part 5, since there is no Film Simulation Recipe that fits that category, it was renamed Wildcard. My top-option for it is Vintage Bronze, which produces vintage analog-like results in a variety of situations, including daylight and indoors. Alternatively, you could fill C6 with a favorite color Recipe that didn’t make it to C1-C5 above (such as Kodachrome 64 or Pacific Blues). Otherwise, the two options below are also great choices to program here.

Alternative “wildcard” Recipes:

Summer of 1960
CineStill 400D v1

C7 — Ilford FP4 Plus 125 — B&W

*Window Shade Pull* – Buckeye, AZ – Fujifilm X-T5 – Ilford FP4 Plus 125 Recipe

Technically speaking, Ilford FP4 Plus 125 is the only black-and-white Film Simulation Recipe made specifically for X-Trans V cameras—and it’s a very good Recipe! But, X-Trans IV B&W Recipes are also compatible with X-Trans V cameras, and of those Kodak Tri-X 400 is my all-time favorite. I definitely recommend that one, but Ilford FP4 Plus 125 is excellent, too.

Alternatives for “B&W” photography:

Kodak Tri-X 400
Ilford HP5 Plus 400

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

Find this Film Simulation Recipe and nearly 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Thommy’s Ektachrome — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Posted on March 24 by Ritchie Roesch

*Backlit Lupine* – Sun City, AZ – Fujifilm X-T5 – Thommy’s Ektachrome

Thommy’s Ektachrome Film Simulation Recipe was created by Thomas Schwab, who has made a number of Recipes published on this website, including Pure Negative, Superia Xtra 400, Fujicolor NPS 160 Pulled, Urban Vintage Chrome, Kodachrome II, Kodak Portra 800 v2, Kodak Brilliance, Classic Monochrome, B&W Superia, and Monochrome Kodachrome. Thomas has also collaborated on other Recipes, playing an important role in getting them right, including Kodak Portra 800, Kodak Ektar 100, Kodachrome 1, Kodak Portra 400, and Kodak T-Max 400. I’m sure I’ve missed a few, and for that I apologize. When he sent me this one to try, I was especially excited!

Thomas was simply trying to make a Recipe using the Nostalgic Neg. film sim that would be good for portraits. The Recipe he created has a distinctive Ektachrome aesthetic, especially similar to National Geographic photographs prior to Ektachrome’s discontinuation by 2013 (prior to the revival in 2018). That was, of course, by chance and not intentional, but there certainly are some similarities, and why this Recipe is called Thommy’s Ektachrome. It’s not only good for portraits, but also landscapes and I’m sure many genres of photography. This Recipe does particularly well in sunny daylight, but is good for overcast, shade, and natural-light indoors, too.

*Way Over That Way* – Tucson, AZ – Fujifilm X-T5 – Thommy’s Ektachrome

Because this Thommy’s Ektachrome Film Simulation Recipe uses the new Nostalgic Neg. film simulation, it is only compatible with the Fujifilm X-T5, X-H2, and X-H2S (as well as any other X-Trans V camera released after this article is published). Those with newer GFX cameras can likely use it, too, although it will probably render slightly different (but try it anyway!).

Film Simulation: Nostalgic Neg.
Grain Effect: Weak, Small
Color Chrome Effect: Weak
Color Chrome FX Blue: Off
White Balance: 5000K, -1 Red & +3 Blue
Dynamic Range: DR100
Highlight: +1.5
Shadow: +1.5
Color: +1
Sharpness: -1
High ISO NR: -4
Clarity: -2
ISO: Auto, up to ISO 6400
Exposure Compensation: +0 to +1/3 (typically)

Example photographs, all camera-made JPEGs using Thommy’s Ektachrome Film Simulation Recipe on my Fujifilm X-T5:

*Amanda Using RitchieCam* – Sun City, AZ – Fujifilm X-T5

*Caterpillar Blossoms* – Sun City, AZ – Fujifilm X-T5

*Wildflower Spring* – Sun City, AZ – Fujifilm X-T5

*Colors of Spring* – Sun City, AZ – Fujifilm X-T5

*Rain on a Green Leaf* – Buckeye, AZ – Fujifilm X-T5

*Raindrops on Rose Leaves* – Buckeye, AZ – Fujifilm X-T5

*Trumpet Flower in Blossom* – Buckeye, AZ – Fujifilm X-T5

*Water Drop on a Lightbulb* – Buckeye, AZ – Fujifilm X-T5

*Spring Cage* – Buckeye, AZ – Fujifilm X-T5

*Breakfast* – Buckeye, AZ – Fujifilm X-T5

*Fallen Tree over Sabino Creek* – Summerhaven, AZ – Fujifilm X-T5

*Sabino Creek* – Summerhaven, AZ – Fujifilm X-T5

*Waterfall from Snowmelt* – Summerhaven, AZ – Fujifilm X-T5

*Waterfall over Stone* – Summerhaven, AZ -Fujifilm X-T5

*Historic Ranch House* – Tucson, AZ – Fujifilm X-T5

*Jon in the Forest* – Summerhaven, AZ – Fujifilm X-T5

*Two at the Overlook* – Tucson, AZ – Fujifilm X-T5

*Old Man at the Vista* – Tucson, AZ – Fujifilm X-T5

*Mountains* – Summerhaven, AZ – Fujifilm X-T5

*Rock Climbers* – Tucson, AZ – Fujifilm X-T5

*Resting on Top* – Tucson, AZ – Fujifilm X-T5

*Desert Pine* – Tucson, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

Find this Film Simulation Recipe and nearly 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

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DPReview is Dead

Posted on March 23 by Ritchie Roesch

It’s been widely reported that DPReview is closing down on April 10th. This is huge news! Not only is DPReview one of the oldest photography websites—first launched in 1998 when digital photography was a small niche—but it is one of the most popular. Its closure was a shock to me, and it probably was for you, too.

I’m not afraid to admit that I didn’t know DPReview was owned by Amazon. I was still shooting film when that purchased happened (and I think the only thing I had ever ordered from Amazon by that time was used school books), so it’s understandable that I didn’t notice. I suppose it makes sense that Amazon would want to own a camera tech website at the peak of digital camera sales. I’m sure that DPReview drove a lot of sales for them, and helped Amazon become one of the largest—if not the largest—camera seller in the world. Now that Amazon has a clear hold on that market—which has been a shrinking market over the last decade—DPReview has run its course and is no longer worthwhile to its giant parent company. After all, the many websites with affiliate links back to Amazon—which includes Fuji X Weekly—probably drive more sales nowadays than DPReview does.

*Going Out of Business* – Prescott, AZ – Fujifilm X-T5 – “1970’s Summer” Recipe

DPReview had its time and place, but I think its demise was inevitable. I suppose that could be said for every website—including mine—but why I say that about DPReview specifically is this: digital camera tech has gotten to a point where it’s all pretty excellent and everything is more than good enough for most people, and forums are outdated. That’s DPReview’s bread-and-butter.

The bread is pointing out the small differences in digital camera tech that at one time actually mattered, but now matters a whole lot less. If you cannot do amazing things with your gear, it’s not the gear’s fault! At one point it might have been, and that’s where DPReview came in handy. Nowadays your gear can do more than you can, so it’s more important to learn how to achieve what you want with it than to spend your energies studying the extraordinarily tiny differences in dynamic range or high-ISO performance or autofocus speed or lens sharpness. In other words, the attention to fine detail that made DPReview relevant is also what made it eventually irrelevant—or at least less relevant—as the fine details themselves mattered a lot less.

*This almost decade-old budget camera takes pretty good pictures.*

The butter is the forums. This was a popular digital hangout for photographers for a long time. But, forums just aren’t cool anymore (and haven’t been for awhile). The problem is that trolls and jerks ruin it for everyone else. There’s someone genuinely trying to learn something and gain some insight, and there’s someone with pure gold to offer, but there’s someone else who belittles the person for asking, and another who argues why the pure gold is garbage. While a lot of good happened in those forums, there was also a heck-of-a-lot of toxicity. One bad apple spoils a whole bunch, but unfortunately the forums had a lot of bad apples. I just hope those trolls don’t find their way here, because their behavior is not welcome and will not be tolerated. DPReview shouldn’t have tolerated it, either, but they surely seemed to do so, which made their butter taste bitter for many good-hearted people.

There’s a lesson here that I think might get overlooked but shouldn’t. Technical reviews of camera gear are less important now than they were 25, 20, 15, 10, and even just five years ago. All of the gear is plenty good enough nowadays. What people want to know is how to use what they own. How to get the most out of it. How to achieve what they want to achieve, either the simplest way or the “best” way. That’s what most people are looking for. Fuji X Weekly is successful because I help people achieve the look they want the simplest way (and what I would argue is also the best way, but I understand that’s certainly debatable). DPReview didn’t do enough, in my opinion, to help people in the way that they increasingly needed it. The opportunity was there—they had the audience—they just failed to recognize it and seize it, or perhaps because it wasn’t in the interest of the owner to do so. Now DPReview is dead.

I think it’s easy to say that DPReview’s closure is a result of the economic times—and there’s certainly an aspect of that to the situation; however, I believe that its failure is pointing out an opportunity for whoever will listen. It’s not to fill the void. Certainly some are already eagerly trying to do that—attempting to capitalize on the failure by attracting their audience. No, that’s not where the opportunity truly is. What DPReview’s failure is showing you is that if you can help people in the way that they desire to be helped, there’s an opportunity for success—even in a struggling economy with a shrinking market. Figure out what help people need, and provide them with the easiest and/or best solution. If you do that, you’ll find success. Maybe I should write a book about this?

The best part of DPReview was their YouTube channel. Chris and Jordan will be moving over to PetaPixel’s YouTube channel (which I didn’t know was a thing), and certainly that will quickly become the best part of PetaPixel. I wish them much luck!

Summer of 1960 — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Posted on March 22 by Ritchie Roesch

*Ranch House* – Tucson, AZ – Fujifilm X-T5 – Summer of 1960 Recipe

I love Arizona Highways magazine! When I was a kid, my grandparents, who lived in Arizona, would give me their old copies of the publication. The pictures were always amazing. I didn’t know it at the time, but that simple act had a profound impact on my life. Eventually I would become a photographer, and I would be significantly influenced by the pictures from that magazine.

For those who don’t know, Arizona Highways is a magazine with an important history. It began in 1925, and in 1946 published the world’s first all-color publication. From the beginning, Arizona Highways has been dedicated to the art of photography. Ansel Adams was a regular contributor. Barry Goldwater, Ray Manley, Chuck Abbott, David and Josef Muench, Ed Ellinger, Esther Henderson, and many other talented photographers were often featured. The publication is full of wonderful images even to this day. While it is not purely a photography magazine, Arizona Highways is a publication that photographers love due to their passion for the medium.

I recently found the December 1960 issue of Arizona Highways in a used bookstore. It has page after page of amazing photography! I really love the look of the pictures in this particular issue—while not every image looks alike, there is definitely a commonality to the photo aesthetic. I suppose that some of it is due to the printing process, which the magazine proudly claims is “Micro-Color Lithography” printed on “Glossette Offset Enamel 70-pound base” paper. I believe that the age of the magazine—now over 62-yeas-old!—has something to do with it, as color photographs and pages have a tendency to fade and discolor over time. What about the film? Well, there’s that, too.

*Agaves in 1960* – Buckeye, AZ – Fujifilm X-T5 – Summer of 1960 Recipe
Photo of a page in the December 1960 issue of *Arizona Highways* magazine.

In the back of the magazine is a page that provides detailed notes on all of the photographs. For example, the picture shown in the magazine above—entitled The Blossoming Agaves—was photographed by Chuck Abbott in July 1960 during midday using a 5×7 Deardorff View camera set to f/18 and 1/10 shutter on Kodachrome, which had an ISO of 10. You might note that this is the “Sunny 16 Rule” except underexposed by 1/3 stop (presumably to protect the highlights). The detailed notes that were provided are a real treasure trove!

The vast majority of the pictures in the December 1960 issue were captured on Ektachrome. Now Ektachrome prior to 1955 used the E1 development process and was ISO 10, from 1955 to 1958 used the E2 development process and was ISO 32, and from 1959 to 1965 used E3 and was ISO 50—this particular issue had a mix of all three of those Ektachromes. A few Ascochrome images were also published, and those have a look that’s noticeably different than the Ektachrome and Kodachrome pictures. One image was captured on Ektacolor negative film, and that’s the only picture in the issue that wasn’t shot on slide film. Many of the photographs printed in the December 1960 issue of Arizona Highways were captured during the spring, summer, or fall of 1960.

Inspired by the aesthetic of the pictures found in the magazine, I set out to mimic the look with my Fujifilm X-T5. After a little fiddling and trial-and-error, I was able to get surprisingly close—almost an exact match to some of the pictures! There are certainly some similarities to both the Ektachrome and Kodachrome photographs published in the December 1960 issue of Arizona Highways, some of which were captured in the summer of 1960, hence the name of this Film Simulation Recipe.

*Saguaro Spines* – Tucson, AZ – Fujifilm X-T5 – Summer of 1960 Recipe

Because this Summer of 1960 Film Simulation Recipe uses the new Nostalgic Neg. film simulation, it is only compatible with the Fujifilm X-T5, X-H2, and X-H2S (as well as any other X-Trans V camera released after this article is published). Those with newer GFX cameras can likely use it, too, although it will probably render slightly different (but try it anyway!). This Recipe seems especially well suited for sunny daylight photography, and does alright in overcast, shade, and natural-light indoors, too.

Film Simulation: Nostalgic Neg.
Grain Effect: Strong, Small
Color Chrome Effect: Off
Color Chrome FX Blue: Strong
White Balance: 5250K, -3 Red & -5 Blue
Dynamic Range: DR400
Highlight: +4
Shadow: +2
Color: +3
Sharpness: -4
High ISO NR: -4
Clarity: -3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Summer of 1960 Film Simulation Recipe on my Fujifilm X-T5:

*Green Growth Under Dormant Trees* – Tucson, AZ – Fujifilm X-T5

*Falling Rain on Bougainvillea* – Buckeye, AZ – Fujifilm X-T5

*Bougainvillea on a Sunny Day* – Buckeye, AZ – Fujifilm X-T5

*Oleander and Palm Tree* – Tucson, AZ – Fujifilm X-T5

*March Palms* – Tucson, AZ – Fujifilm X-T5

*Agua Caliente Pond* – Tucson, AZ – Fujifilm X-T5

*Palm and Pond* – Tucson, AZ – Fujifilm X-T5

*Manmade Pond* – Tucson, AZ – Fujifilm X-T5

*Ham & Cheddar* – Tucson, AZ – Fujifilm X-T5

*Jon by a Pond* – Tucson, AZ – Fujifilm X-T5

*Ranch House & Palm* – Tucson, AZ – Fujifilm X-T5

*Yellow Blossom by Blue Window* – Tucson, AZ – Fujifilm X-T5

*Door Lamp* – Tucson, AZ – Fujifilm X-T5

*Sunlight Pines* – Summerhaven, AZ – Fujifilm X-T5

*Light Pouring Downhill* – Summerhaven, AZ – Fujifilm X-T5

*Leftover Forest Snow* – Summerhaven, AZ – Fujifilm X-T5

*Small Waterfall* – Summerhaven, AZ – Fujifilm X-T5

*Evergreen Forest* – Summerhaven, AZ – Fujifilm X-T5

*Icy Mountain Road* – Summerhaven, AZ – Fujifilm X-T5

*Blue Sky & Green Pines* – Summerhaven, AZ – Fujifilm X-T5

*Evening at an American Mountain* – Tucson, AZ – Fujifilm X-T5

*Eastern Mountains at Sunset* – Tucson, AZ – Fujifilm X-T5

*Rincon Peak at Sunset* – Tucson, AZ – Fujifilm X-T5

*Small Water Fountain at Sunset* – Tucson, AZ – Fujifilm X-T5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

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Using AI to Create Film Simulation Recipes + Urban Dreams X100V (X-Trans IV) Film Simulation Recipe

Posted on March 21 by Ritchie Roesch

*B is for Bisbee* – Bisbee, AZ – Fujifilm X100V – Urban Dreams Recipe

Can you use Artificial Intelligence to create Film Simulation Recipes for Fujifilm cameras? Does AI even know what that is? If so, would those Recipes be any good? Those questions and more have been rattling around inside my head for the last few months.

Back in January I asked Open AI‘s Chat GPT what a Film Simulation Recipe was and it didn’t know—it couldn’t differentiate a Film Simulation Recipe from a Film Simulation, but only went so far as to acknowledge that Film Sims could be customized. It also didn’t know much about Fuji X Weekly. It didn’t take long for things to change.

Last week Open AI announced the new-and-improved GPT-4, and so I put it through the same test. To my surprise, it not only knew what a Film Simulation Recipe is, but could even create one! The AI also provided the reasons why it chose the settings it did, and they seemed logical. However, I noticed that some required parameters were missing, so I asked it to add those settings to the Recipe, and it did. I also asked Chat GPT to give the Recipe a name. The AI created Recipe turned out to be pretty good, and I used it for some photography in southern Arizona, but I’m getting ahead of myself. We’ll get back to this in a moment, but let’s talk about some other things first.

*Don’t Park Overnight at Boothill* – Tombstone, AZ – Fujifilm X100V – Urban Dreams

I wanted to find out how Chat GPT knew how to create a Film Simulation Recipe. Obviously the software has never used a camera, so where was it getting its information? I asked, and the software deflected, telling me where I could find further information on Fujifilm cameras and Film Simulation Recipes. To my surprise, Fuji X Weekly was listed as a potential resource. I wasn’t satisfied with the answer, so I kept asking, rewording the question, until the software admitted that it gathers information from (among other things) websites, such as Fuji X Weekly, One Camera One Lens, Dan Bailey, and Ted Forbes. I was a little surprised on the last two, especially Ted who I’m pretty certain doesn’t use Recipes or out-of-camera JPEGs. Maybe it just threw out some names associated with Fujifilm gear. My conclusion is that the software searches the web for resources and attempts to make sense of what it finds, and it borrows heavily from the work of others (but, thankfully, doesn’t outright copy).

I had Chat GPT make a total of seven Film Simulation Recipes for the Fujifilm X100V. Not once did it provide me with all the necessary parameters on the first try, and I had to ask it to add the missing fields. It always chose Auto White Balance (once it did not provide a WB, so I had to ask it to do so), and only provided a White Balance Shift once on the first try; for the other six Recipes, when I asked it to provide me with a WB Shift, it never ventured beyond +/- 2 for Red and Blue. In fact, only once did the software suggest that any setting go beyond +/- 2, so I think it takes a conservative approach, perhaps not understanding why anyone would want to go wild with the JPEG options.

On the first try I was provided with Color Chrome Effect and Color Chrome FX Blue settings: Off on both. For the next five attempts Chat GPT didn’t list either option, so I had to ask, and it chose Off each time. With the final Recipe attempt, it listed Color Chrome Effect set to Strong, but didn’t list Color Chrome FX Blue; when I asked it to give me a Color Chrome FX Blue setting, it (surprisingly) stated that Color Chrome FX Blue isn’t an option on the Fujifilm X100V. I think the software struggles to understand what these settings do and why someone would choose them, and also struggles to understand what specific settings are available on each Fujifilm model.

*Cienega Bridge on Old Highway 80* – Vail, AZ – Fujifilm X100V – Urban Dreams Recipe

Two settings that the software never provided on the first try are Grain size and Clarity. It would list Grain strength (Off, Weak, or Strong) but never size (Small or Large). When asked about size, it suggested Large four times, Small twice, and Standard once (there is no Standard option). With Clarity, it typically suggested a positive number, and only gave me a negative number once, zero once, and Off (which I suppose is the same as zero) once. As with the other settings, it never ventured beyond +/- 2.

I asked it to mimic the look of a certain film stock, and Chat GPT provided a Film Simulation Recipe that (in my opinion) wasn’t a great match. I then asked it to mimic the look of a different film that just so happens to be the same exact emulsion just sold under a different brand name (to see if it would provide similar or identical settings), and the second Recipe was much different than the first. It’s clear that the AI isn’t analyzing pictures from film to create its Recipes, but instead finds descriptions of the stocks and suggests which Fujifilm settings could logically match the descriptions. “Vibrant” means Velvia and “soft” means PRO Neg. Std, which makes sense to a point; even though one film can produce many different aesthetics based on how it was shot, developed, printed and/or scanned (among other things), I believe you’d be hard pressed to find a single emulsion that could be emulated by both Velvia and PRO Neg. Std, but that’s what the software did.

I also asked Chat GPT to create a Recipe that I already have a Film Simulation Recipe for. I wanted to see if it would just copy my Recipe, but thankfully it didn’t. It was actually significantly different. For now, at least, the software isn’t outright plagiarizing anyone (that I’m aware of), and I hope it stays that way. Finally, using a different account, I asked Chat GPT to create a Recipe with an identical request to one of the seven, just to see if it would give me the same answer, and it didn’t. I repeated this test once more, and it once again provided a different result. While it tries to come across as “intelligence” it appears to be more like a roll of the dice.

*Red Brick and Good Cakes* – Bisbee, AZ – Fujifilm X100V – Urban Dreams Recipe

Based on this test, I believe that AI is about 60% of the way there to being a useful tool for creating Film Simulation Recipes. It struggles to know which parameters to provide. It doesn’t understand the nuances between camera models. It seems to take a rather predictable and conservative approach to creating Recipes. While I think it tries to be logical with its choices, it is basically just taking a guess and giving random settings, which might produce good results sometimes and might not other times. The amazing thing, though, is that just a couple months ago the AI didn’t even know what a Film Simulation Recipe was, so it has made significant strides in a short period. I think eventually—and it might not even be that far out—the software will be able to analyze an image and provide settings for your Fujifilm camera that will be a reasonably close match to that image. For now, though, AI isn’t a particularly good way to get a Recipe.

I promised that I would get back to the first Film Simulation Recipe that I asked Chat GPT to create for me to use on my Fujifilm X100V. I asked the software to create a Recipe that would be good for an urban environment at night. It provided me with everything except for Grain size, White Balance Shift, and Clarity, so I asked it to give me those settings, too. Then I asked it to name the Recipe—it gave me five choices, and I went with the first: Urban Dreams.

I found Urban Dreams to be a pretty decent and versatile Recipe. I didn’t get a chance to use it much in an urban environment at night, but the results were good in the few opportunities that I did have. It seems to do well in sunny daylight, dreary overcast, nighttime, indoors, outdoors, landscapes, street, still-life, portraits, etc., so this could be one’s go-to Recipe for everyday photography. It reminds me a little of Kodachrome 200, a high-ISO slide film introduced by Kodak in the mid-1970’s and discontinued in 2006. It’s not completely “right” for Kodachrome 200, but can be surprisingly close sometimes, and this Recipe is probably the closest to it that I’ve seen.

*Dusk on Highway 90* – Benson, AZ – Fujifilm X100V – Urban Dreams Recipe

This Urban Dreams Film Simulation Recipe is compatible with most X-Trans IV cameras: the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II. For X-Trans V and newer GFX, you can use this Recipe, but it will render slightly different (try it anyway). For the X-T3, X-T30, X-Trans III, and older GFX, simply ignore Clarity and consider Sharpness set to 0; the results will be very similar (only slightly different).

Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpness: -1
Clarity: +2
Grain Effect: Strong, Large
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: Auto, 0 Red & +2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Urban Dreams Film Simulation Recipe on a Fujifilm X100V:

*Oleander Blue* – Tucson, AZ – Fujifilm X100V

*Colorful Triangle* – Bisbee, AZ – Fujifilm X100V

*Gunfight at the O.K. Corral* – Tombstone, AZ – Fujifilm X100V

*Boothill Visitors Leaving* – Tombstone, AZ – Fujifilm X100V

*H.B. Cook 1882* – Tombstone, AZ – Fujifilm X100V

*Tattered Flag* – Tombstone, AZ – Fujifilm X100V

*Gunslinger* – Tombstone, AZ – Fujifilm X100V

*Wells Fargo* – Tombstone, AZ – Fujifilm X100V

*Courthouse* – Tombstone, AZ – Fujifilm X100V

*Bisbee Afternoon* – Bisbee, AZ – Fujifilm X100V

*Under the Trestle* – Vail, AZ – Fujifilm X100V

*Just not Straight Ahead* – Bisbee, AZ – Fujifilm X100V

*Studebaker* – Bisbee, AZ – Fujifilm X100V

*Studebaker 2* – Bisbee, AZ – Fujifilm X100V

*Blue Truck* – Bisbee, AZ – Fujifilm X100V

*Uphill to Downtown* – Bisbee, AZ – Fujifilm X100V

*Object Limited* – Bisbee, AZ – Fujifilm X100V

*Outdoor Breakfast* – Tucson, AZ – Fujifilm X100V

*Coke and Produce* – Tucson, AZ – Fujifilm X100V

*Lit Lamp* – Tucson, AZ – Fujifilm X100V

*Saloon & Steaks* – Tucson, AZ – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V in black: Amazon B&H Moment
Fujifilm X100V in silver: Amazon B&H Moment

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New Fujifilm X-Trans II FXW App Patron Early-Access Film Simulation Recipe: PROvia

Posted on March 20 by Ritchie Roesch

*O.K. Corral* – Tombstone, AZ – Fujifilm X70 – PROvia Recipe

Omar Gonzalez posted a hilarious YouTube video called Do You Suffer from Fujifilm Sim Depression?, which is a parody of pharmaceutical commercials, except that it’s about Fujifilm film simulations and not prescription drugs. It’s incredibly well done and funny! I don’t want to spoil it if you haven’t watched it, but the conclusion is that Omar likes the Provia film simulation. So watch the video if you haven’t yet seen it, and if you are suffering from “Fujifilm Sim Depression” let me offer you are this cure: the PROvia Film Simulation Recipe. Perhaps Omar someday will see it and try it; if so, I hope he likes it!

Provia is one of the film simulations that I personally like least… well above Sepia, but towards the bottom of the list nonetheless. Ouch. As it turns out, I was never meant to like it, yet it is the “Standard” film simulation on all Fujifilm cameras. This PROvia Recipe is my take on a “better” Provia, and is intended to not only look good, but also be versatile so that it could be one’s go-to Film Simulation Recipe (that’s why “PRO” is capitalized in the name). It is compatible with all X-Trans II cameras; those with X-Trans I and Bayer models can use it, too, but it will render slightly different on those models (try it anyway!).

*Car Care* – Tucson, AZ – Fujifilm X70 – PROvia Recipe

This PROvia Film Simulation Recipe is a Fuji X Weekly App Patron Early-Access recipe, which means if you are an App Patron, you have access to it right now. The Fuji X Weekly App is free, yet becoming a Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes, such as this one. These Patron Early-Access Recipes will eventually become available free to everyone in time, including this new one. Patrons help support Fuji X Weekly and, really, without them there would be no App, so I want to give a special “thank you” to all of the Patrons!

If you are a Fuji X Weekly App Patron, I invite you to give the PROvia Film Simulation Recipe a try today! Don’t have the Fuji X Weekly App? Download it for free today! Consider becoming a Patron subscriber to unlock the best App experience, to gain Early-Access to this Recipe, and to support Fuji X Weekly.

Example photographs, all camera-made JPEGs using this PROvia Film Simulation Recipe on my Fujifilm X70:

*Sabino Creek* – Summerhaven, AZ – Fujifilm X70

*Saguaro Behind Palms* – Tucson, AZ – Fujifilm X70

*Palm Branches* – Tucson, AZ – Fujifilm X70

*Green Ocotillo* – Tucson, AZ – Fujifilm X70

*Gunfight Site* – Tombstone, AZ – Fujifilm X70

*Reach for the Sky* – Tombstone, AZ – Fujifilm X70

*Bird Cage Theatre* – Tombstone, AZ – Fujifilm X70

*One Way Alley* – Bisbee, AZ – Fujifilm X70

*Cloudy Saguaro* – Tucson, AZ – Fujifilm X70

*Prickly Pear Pads* – Tucson, AZ – Fujifilm X70

*Sunlight Through the Forest* – Summerhaven, AZ – Fujifilm X70

*Snowy Hillside* – Summerhaven, AZ – Fujifilm X70

*Rainy Desert at Dusk* – Tucson, AZ – Fujifilm X70

*Indoor Fireworks* – Tucson, AZ – Fujifilm X70

*Used Bookmans* – Tucson, AZ – Fujifilm X70

Fujifilm X-Trans II Film Simulation Recipe: Provia Negative

Posted on March 20 by Ritchie Roesch

*Empty Baseball Field* – Buckeye, AZ – Fujifilm X-T1 – Provia Negative Recipe

Unlike most Film Simulation Recipes, I didn’t model this one after any film or process. My first thought was this: how can I make a Recipe that’s helpful. Let me back this up a minute. Unless your camera is an X-Pro3 or newer, you cannot save a white balance shift with your C1-C7 custom presets; however, your camera will remember one shift per white balance type, so if each C1-C7 recipe uses a different white balance type, you won’t have to remember to change the shift when you change Recipes. For X-Trans II, there are recipes that use Auto, Daylight (which Fujifilm calls “Fine” for some reason), Kelvin, and Shade, so I thought it would be helpful to create a recipe that calls for a different white balance type that I haven’t yet used.

After some playing around, I created a Film Simulation Recipe that I was quite happy with. It reminds me a little of Fujichrome Provia 100F slide film, but less vibrant, and a tad less contrasty, too, but still kind of similar; however, I think the tonality is more similar to negative film than reversal film. That’s why I call this recipe Provia Negative. This recipe has a slight cool color cast, with white leaning towards blue. I was able to get good results in several different light situations—including indoors, overcast, and shade—but it is especially well suited for sunny daylight.

*Indoor Tree* – Buckeye, AZ – Fujifilm X-T1 – Provia Negative Recipe

This Provia Negative Film Simulation Recipe was a Fuji X Weekly App Patron Early-Access Recipe, so subscribers to the App have been able to use it since July; however, a new Early-Access Recipe has replaced it, so it is now available to everyone. Because it uses the Classic Chrome film simulation, it is only compatible with X-Trans II camera with Classic Chrome, which are the Fujifilm X100T, X-E2, X-E2S, X-T1, X-T10, X30, XQ2, and X70.

Classic Chrome
Dynamic Range: DR400
Highlight: -2 (Soft)
Shadow: +2 (Hard)
Color: +2 (High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 3, -2 Red & -2 Blue
ISO: Auto up to ISO 3200
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Provia Negative Film Simulation Recipe on my Fujifilm X-T1 and Fujifilm X70 cameras:

*Fake Leaf by Real Window* – Tucson, AZ – Fujifilm X70

*Cienega Creek Bridge* – Vail, AZ – Fujifilm X70

*Sharp Agave* – Tucson, AZ – Fujifilm X70

*Two Magenta Flowers* – Buckeye, AZ – Fujifilm X-T1

*One Bloom Remains* – Buckeye, AZ – Fujifilm X-T1

*Pink & Green* – Buckeye, AZ – Fujifilm X-T1

*Pop of Warmth* – Buckeye, AZ – Fujifilm X-T1

*Pink Flower Blossom* – Buckeye, AZ – Fujifilm X-T1

*Pink Flower Blossom 2* – Buckeye, AZ – Fujifilm X-T1

*Bougainvillea Pink* – Buckeye, AZ – Fujifilm X-T1

*Backlit Flowers & Leaves* – Buckeye, AZ – Fujifilm X-T1

*Basketball in the Grass* – Buckeye, AZ – Fujifilm X-T1

*Go Supply* – Goodyear, AZ – Fujifilm X-T1

*Hobby Lobby* – Avondale, AZ – Fujifilm X-T1

*1:40 Diner* – Benson, AZ – Fujifilm X70

*Square on Block Wall* – Buckeye, AZ – Fujifilm X-T1

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Street Photography with my Fujifilm X100V + 4 Film Simulation Recipes

Posted on March 20 by Ritchie Roesch

*Night on Main* – Buckeye, AZ – Fujifilm X100V – Serr’s 500T Recipe

First, before we get into this article, I’ve got to apologize to you all. You see, I went out of town, and I didn’t answer any comments or emails while gone. I just didn’t have time. Sorry. Last night I returned back home, so I’ll try to catch up on all of that over the next several days. It might take a few days to get to them all—I just ask for a little patience. Thank you! Now to the article….

The first episode of the third season of SOOC Live aired on March 2nd. This year Nathalie Boucry and I are doing things a little different, and one of the changes is that we’re discussing themes instead of a singular Film Simulation Recipe. The very first theme is Street Photography. If you missed Episode 1 when it was live, you can watch it below. Don’t worry, the shows this year aren’t two or three hours long like they often were in the first two seasons, so it won’t require quite the time commitment that they used to. Definitely check it out if you haven’t seen it yet!

The Film Simulation Recipes that we suggested for street photography are Kodachrome 64, Classic Kodak, Serr’s 500T, and Agfa Scala. We think that these four Recipes are excellent options for this genre of photography, and if you have an X-Trans III or newer model, there’s one that you can use. We are inviting you—challenging you, in fact—to shoot with one, two, three, or even all four of them this month. For those wanting an extra challenge, we have two: 1) use reflections and/or silhouettes in your pictures and 2) use a 1/15 shutter speed. These extra challenges are completely optional, but I am excited to see what you do with them. Upload your images by March 28: up to three of your favorite street photography photographs captured with one (or more) of the four Film Simulation Recipes that we suggested you try (click here to upload)—please include the Recipe(s) you used in the file name so that we know. The uploaded pictures will be included in the Viewer’s Images slideshow video and have a chance to be featured in the next live broadcast; those who upload are automatically entered into a Fuji X Weekly App Patron 12-month subscription giveaway. I can’t wait to see your pictures!

The next show will be live on March 30th at 10 AM Pacific Time, 1 PM Eastern. SOOC Live is now twice per month: the first Thursday and the fourth Thursday. The first broadcast is where we introduce the theme-of-the-month and challenge you to photograph using the suggested Film Simulation Recipes, and the second show is where we discuss lessons learned and show your pictures. I hope that you can join us on March 30th! I’ve included the scheduled video below so that you can set a reminder.

Nathalie and I don’t just ask you to shoot with these Recipes, but we do so, too. We’re all on this journey together. Nathalie has an excellent article on her website about this that you should definitely check out! If you don’t yet subscribe to the SOOC Live YouTube channel, be sure to do so now so that you don’t miss any of the future episodes.

Here are a few of my street photography images captured with a Fujifilm X100V using the four Film Simulation Recipes we’re all shooting with this month:

*Shopping Baskets, Shadow & Girl* – Buckeye, AZ – Fujifilm X100V – Classic Kodak Recipe

*Need A Snack* – Buckeye, AZ – Fujifilm X100V – Classic Kodak Recipe

*Waiting in the Grass* – Surprise, AZ – Fujifilm X100V – Kodachrome 64 Recipe

*Bookstore* – Surprise, AZ – Fujifilm X100V – Kodachrome 64 Recipe

*Walking Past an Open Door* – Surprise, AZ – Fujifilm X100V – Agfa Scala Recipe

*Arch Abstract* – Surprise, AZ – Fujifilm X100V – Agfa Scala Recipe

*Overflowing Trash* – Buckeye, AZ – Fujifilm X100V – Serr’s 500T Recipe

*Night Fountain & Three Palms* – Buckeye, AZ – Fujifilm X100V – Serr’s 500T Recipe

Introducing Classic DigiCam

Posted on March 16 by Ritchie Roesch

I’ve been secretly working on a little side camera project. It’s just for fun—nothing too serious—but I’ve enjoyed it a lot so far. What is it? The answer might surprise you.

Let me introduce you to Classic DigiCam, a celebration of the nostalgia of retro digital photography. Specifically, it’s about old digital pocket point-and-shoot cameras, especially those from about 2006 through 2012 when those models were particularly popular.

*Captured with a Fujifilm AX655 DigiCam*

These cameras are really trendy right now. I’ve had one for several years (before they were once again popular), but recently I rediscovered the joy of DigiCam photography. Actually, it’s fun for the whole family, as we all get to use them when we travel somewhere, including all four of my kids. It’s a great way to include everyone.

If you’re intrigued by this, check out my brand new website: ClassicDigiCam.com. If this topic doesn’t interest you, no problems at all. I won’t be posting much DigiCam stuff on Fuji X Weekly—if I do, I’ll make it related to Fujifilm somehow; otherwise, this might be the one and only post about this topic. Maybe. I hope that some of you do find this new project interesting, and I invite you to follow my new website!

Now back to your regularly scheduled programming….

Creative Collective 043: Dreamy Light (The Cheap & Easy Way)

Posted on March 14 by Ritchie Roesch

*Sunset & Saguaro* – Sun City, AZ – Fujifilm X-E4 & Fujinon 90mm – Superia Summer Recipe

Dreamy light is all the rage right now. Maybe it has been for awhile, but it is definitely something that photographers are seeking right now. But how does one achieve it? Vintage lenses. Diffusion filters. Scratching a UV filter. Those can work. How about these: shooting through an optical viewfinder, oiling a filter, or using a LoFi lens? Yep, that’ll do it, too. But there is a cheaper and easier camera hack that might just work even better!

Here’s how to do it and what it looks like.

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How to Solve Fujifilm’s Cam Remote App Not Connecting to iPhone

Posted on March 13 by Ritchie Roesch

I posted a comical Reel on my Instagram account about the much maligned Fujifilm Cam Remote App, and it clearly struck a nerve. Between all of the social media accounts where I posted the short video, I had over 3,000 reactions (hearts, thumbs up, etc., etc.) and about 350 comments, which is a lot more than usual. Most of the comments were in agreement: the Cam Remote App is frustrating, and doesn’t seem to work well. By far, the biggest issue is getting the camera to even connect to the app. It often takes several tries before it will work, if it does at all. There have been times that, despite my best efforts, I just couldn’t get it to work, and I gave up trying to connect the camera to the app.

It’s really unfortunate that I cannot get the app to work sometimes—and when I can it is often a frustrating experience—because it is an important part of my workflow. I shoot with Film Simulation Recipes, then transfer the JPEGs off my camera and to my phone using the Cam Remote app, straighten and/or crop if necessary, and then upload to cloud storage. 99% of the time that is the full extent of my photographic workflow. When I can’t get the app to work, it’s a significant issue for me.

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I haven’t always had trouble with Fujifilm’s Cam Remote app. Years ago I would receive reports from people stating that the app sucks, but I didn’t share those experiences; however, the problems began to show up after I purchased my Fujifilm X-T30. Then it got worse and worse. What changed? I think two things: Bluetooth and multiple bodies. In my experience, the Bluetooth feature is sometimes the cause of the hangup. Also, the app didn’t seem to like when I connected to one camera and then tried to connect to another camera right afterwards. So using the app for multiple cameras, and especially if one or more of those cameras have Bluetooth, is where it went wrong for me. It could be other problems, too, that I’m just not aware of.

While most of the comments to my Reel were in agreement, there were some who reported a different experience. A small number seem to have no issues with the app at all. It could be that they are using only one camera (and not multiple) and/or they don’t have Bluetooth models, but that’s just a guess. A few of the comments and messages that I received suggested that it was user error. Someone even told me the reason why I was having trouble is because I’m technologically inept and perhaps even stupid. People can be mean sometimes. Thankfully, some other people shared that they figured out a solution, and now the Cam Remote app works just fine for them.

There were a number of ideas put forth to resolve the issue. I spent a couple of hours putting these different potential solutions to the test. What I discovered through this process is a method that (so far) seems to work every time. You have to jump through some hoops that shouldn’t be necessary. Oh, and this method is for iPhones only. I assume there must be a similar method for Android, but I’m an iPhone user and not Android, so I cannot help much with that. So if you have an iPhone, I invite you to try this solution and see if it fixes the problem for you. Hopefully you’ll find that you can now consistently connect to Fujifilm’s Cam Remote app without issue.

Step 1: Open the Fujifilm Cam Remote App and select the camera you are going to connect with. Then swipe out of the app (exit out completely).

Step 2: Turn on WiFi on your Fujifilm camera.

Step 3: Open the Settings app and select Bluetooth. Tap the green slider to turn Bluetooth Off (disable). If Bluetooth works consistently for you or if your Fujifilm camera doesn’t have Bluetooth, skip this step. For me, Bluetooth is sometimes a hangup, so disabling it allows the app to work more consistently (albeit more slowly).

Step 4: Select Wi-Fi in the Settings App.

Step 5: Find the camera’s WiFi (in the Settings app—might be found under “My Networks” or “Other Networks”). Tap the “i” with a circle around it. Toggle Off (disable) “Private Wi-Fi Address” (if it is enabled).

Step 6: Turn Wi-Fi Off on your phone (tap the green slider) then immediately turn it back On. Select your camera’s WiFi before the phone auto-connects to another network. Wait a moment to make sure that the phone is connected to the camera.

Step 7: Relaunch the Cam Remote app. It should open to the camera you are trying to connect to (because of Step 1), but if it didn’t, select your camera from your list. The app might automatically connect to the camera (it sometimes does for me, although I don’t know why), but if it doesn’t (which is what should happen most of the time), tap “Import images selected on app” and it should connect. Boom, done!

Since following these seven steps, I have been able to connect with all of my Fujifilm cameras consistently each time on the first try. I tried it over and over and over just to be sure. Yes, it’s a hassle, and more steps than should be necessary, but it works, and eventually it becomes easier and more natural (second nature). If you have had problems with Fujifilm’s Cam Remote app on your iPhone, this should solve the issue for you.

I want to thank everyone who shared their experiences with the Cam Remote app with me, and especially for those who shared their solutions. It was a big help. Thank you! Supposedly Fujifilm has been working on a new app for awhile. With any luck that app will be ready soon and will work much better. I have no inside information on that, it’s just been rumored for awhile, so hopefully it is true.

7 Film Simulation Recipes for Ultra-High-ISO Photography

Posted on March 10 by Ritchie Roesch

*Garden Spiderweb* – Buckeye, AZ – Fujifilm X-E4 – GAF 500 Recipe – ISO 12800

I remember when ISO 400 used to be consider high ISO. In fact, the “H” in Fujicolor Pro 400H means high ISO. When I shot film, I usually didn’t go higher than ISO 400, although on a rare occasion I did go wild and use an ISO 800, 1600, or (gasp!) 3200 emulsion (those were ultra-high-ISOs back then), when the expected light was dim and a tripod wasn’t practical. When I started shooting digital almost 15 years ago, I remember that ISO 1600 on my first DSLR was barely usable in a pinch, and it was best to stay at or below ISO 800. Nowadays those limitations are long gone.

Thanks to the X-Trans color array, Fujifilm is better able to differentiate color noise from color information (than with a Bayer array), allowing more control over how noise is rendered. Because of this, the APS-C sensor on Fujifilm X cameras does pretty darn well at high-ISO photography. Yes, it can get noisy, but the noise is more organic-looking and less color-splotchy (perhaps even a little film-grain-like) than non-X-Trans cameras typically produce.

Still, a lot of photographers are hesitant to try high-ISO photography. I’ve had someone tell me that they never go beyond ISO 800 on their Fujifilm cameras. Someone else said that they don’t use Film Simulation Recipes with DR400 because it requires an ISO that they’re not comfortable using. Everyone has their own preferred upper ISO limit—mine might be higher than yours, and that’s ok. What I’d like to do, though, is encourage you to step outside of your comfort zone, and try some ISOs that you would not normally—or perhaps ever—use.

You might want to use ultra-high-ISOs—which I consider to be ISO 12800 and higher, but your definition might be different—in dim light situations, such as at night or in a poorly lit room. That’s probably the most common reason. I will sometimes use really high ISOs in daylight when it’s not even necessary just for the aesthetic of it. Crazy, right?! I think sometimes digital can appear too clean, and an ultra-high-ISO can give the picture a grittier look, more similar to some film emulsions.

Of course, using ultra-high-ISOs in daylight can be problematic because the light is strong. My Fujifilm X100V has a built-in ND filter, which makes it more practical. Otherwise, screwing an ND filter onto the end of the lens will help. If you don’t have one, be sure to use your camera’s electronic shutter (instead of the mechanical one) because it is capable of faster shutter speeds. You might also have to use small apertures like f/11 or f/16 to reduce the light entering the camera.

If you want to give it a try, below are seven Film Simulation Recipes that use ultra-high-ISOs. Many of them go “up to” an ultra-high-ISO, so in that case you’d want to purposefully choose a high ISO instead of a low one. Give one or more of these Recipes a try today! Leave a comment to let me know which one (or ones) you like. My personal top favorites are GAF 500 for color and Kodak Tri-X 400 for B&W.

ISO 12800

Up to ISO 12800

Up to ISO 25600

ISO 1600-12800

Ilford Delta Push Process

ISO 12800

Kodak Tri-X Push Process

ISO 3200-12800

Ilford HP5 Plus 400 Push Process

ISO 25600-51200

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Superia Summer

Posted on March 9 by Ritchie Roesch

*Fading Flowers in the Desert* – Buckeye, AZ – Fujifilm X-E4 & 27mm – “Superia Summer”

I almost always have several experimental Film Simulation Recipes programmed into each of my Fujifilm cameras. Sometimes these developmental settings become Recipes and sometimes they don’t (more don’t than do). Occasionally I forget the story behind an experimental Recipe—why the settings are the way they are, and what I was intending to mimic. It might have been a film photograph I saw, or a film stock someone requested I copy, or a certain photographer’s aesthetic—whatever it was, I just don’t remember. That’s the case with this Recipe: it was programmed into C5 on my Fujifilm X-E4 with the custom name “Exp 9/21” and no further details. I suppose I initially created it back on September 21, but I don’t remember why. The story of it is a complete mystery to me.

Just recently I noticed this Recipe in my camera, and—not remembering what it was—I decided to shoot with it. And I was blown away. The results were stunning! Why didn’t I use it back in September? I don’t know. What I do know is that it produces beautiful analog-like pictures. It reminds me of Fujicolor Superia—maybe 200 or 400—overexposed by about a stop, and shot with a warming filter (such as an 81a or 81b) or maybe with a Takumar lens that has turned yellow due to the thorium coating—perhaps printed on Kodak paper, too, instead of Fujifilm Crystal Archive. It has a strong warm cast, but still retains that distinct Superia palette, so I’m calling it Superia Summer. I cannot overstate just how much I like it!

*2nd Story Windows* – Buckeye, AZ – Fujifilm X-E4 & 90mm – “Superia Summer”

This Superia Summer Film Simulation Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. Because Blue is rendered more deeply on X-Trans V cameras, set Color Chrome FX Blue to Off in order to use it on the X-T5, X-H2, or X-H2s (or any other X-Trans V camera that is released after this writing). For the X100V and X-Pro3, I recommend using the Fujicolor 100 Gold Recipe or Superia Xtra 400 Recipe instead, which produce similar results, or simply set Highlight to -1 and Shadow to 0. For best results, use the Superia Summer Film Simulation Recipe in sunny daytime light; it does alright in cloudy conditions, too, as long as it’s not thick overcast.

Classic Negative
Dynamic Range: DR400
Highlight: -1.5
Shadow: -0.5
Color: +1
Noise Reduction: -4
Sharpness: -1
Clarity: -4
Grain Effect: Weak, Small
Color Chrome Effect: Off
Color Chrome Effect Blue: Weak
White Balance: 5300K, +3 Red & -6 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this “Superia Summer” Film Simulation Recipe on my Fujifilm X-E4:

*Desert Creek* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Wildflower Creek* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Riverbed* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Rocks in the Water* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Desert Stump* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Hiding Stump* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Water & Stone* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Young Giant* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Cholla in the Flower Field* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Red-Tipped Cacti* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Saguaro Wren* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Saguaro Sky* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Palm Tree Three* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Roof Vent* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Bougainvillea Villa* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Vibrant Red* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Morning Light* – Buckeye, AZ – Fujifilm X-E4 & 90mm

*Falling Door* – Litchfield Park, AZ – Fujifilm X-E4 & 27mm

*Abandoned Building Through Broken Window* – Litchfield Park, AZ – Fujifilm X-E4 & 27mm

*Blurry Building* – Litchfield, Park, AZ – Fujifilm X-E4 & 27mm

*Crack of Light* – Buckeye, AZ – Fujifilm X-E4 & 27mm

*Chairback Window* – Buckeye, AZ – Fujifilm X-E4 & 90mm

Comparison:

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E4 in black: Amazon   B&H  Moment
Fujifilm X-E4 in silver:  Amazon B&H  Moment
Fujinon 27mm: Amazon   B&H   Moment
Fujinon 90mm: Amazon   B&H   Moment

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I Think You’ll Appreciate This …Or, How to Get Through Another Hump Day

Posted on March 8 by Ritchie Roesch

*Julio* – Arlington, AZ – Fujifilm X-T5 – 1970’s Summer

Recently I shared videos by Leigh and Raymond Photography, Andrew Goodcamera, and Mango Street that mention Fuji X Weekly and/or Film Simulation Recipes. That’s awesome! Those are pretty big names in the camera world. But if you look on YouTube, there are so many other photographers who are shooting with Recipes and making some wonderful content. They don’t (yet) have the large following of those well-established channels, but they deserve some love and recognition for what they are doing. That’s what this post is about. I want to share with you some of those videos that I found, which perhaps didn’t come up in your feed, but are worthwhile to watch.

Today is Wednesday, which is also sometimes called Hump Day because it is in the middle of the week. If today is a struggle and you are in need of inspiration and/or entertainment, this will surely help! Find a video or two (or more!) below that look interesting, and give it a watch. At the end, if you liked it, don’t forget to give it a thumbs up and consider subscribing to that person’s channel. Let them know that you appreciate their content!

I’m sure I missed several wonderful videos. If you published one recently that I didn’t include, or if you’ve seen one by someone else that should have been in this list, feel free to leave a link to it in the comments. The videos below are simply the ones that YouTube presented to me, and I appreciated them so I thought you might, too.

Enjoy!

7 Fujifilm Film Simulation Recipes for Photographing Basketball Hoops

Posted on March 7 by Ritchie Roesch

*Rusty Hoop* – Santa Rosa, NM – Fujifilm X-E4 – Kodak Portra 400 v2 Recipe

I shared with you yesterday that Mango Street posted a YouTube video entitled If Camera Brands Were People, where they (in all humor) suggested that Fujifilm photographers use Film Simulation Recipes to capture images of basketball hoops. Of course that’s true, at least to some extent, because I have photographed a few hoops over the years, and I imagine that some of you have, too. To be fully honest, I’ve been photographing basketball hoops long before I ever picked up my first Fujifilm camera. Also, I should disclose that basketball hoops are rarely in my pictures, only occasionally.

Despite my limited experience in this specific genre, just for fun and to expound on Mango Street’s comedy, I will suggest to you seven Film Simulation Recipes for photographing basketball hoops. These are certainly not the only Recipes that will work well for this, and they might not even be the best, but they are ones that I have personally used, so I am happy to recommend them to you. You’ll find the seven Recipes below.

This is, of course, my least serious article of this type. The other posts where I suggest Recipes for different scenarios are intended to be helpful, and not funny like this one. Even so, I do hope that at least one of these seven is worth your consideration the next time you encounter an interesting basketball hoop somewhere out in the wilds of suburbia. You might want to bookmark this page, just in case.

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Kodachrome 25 — Fujifilm X-T5 (X-Trans V) Film Simulation Recipe

Posted on March 6 by Ritchie Roesch

*Green Hills* – Goodyear, AZ – Fujifilm X-T5 – Kodachrome 25 Recipe

This Film Simulation Recipe is intended to mimic Kodachrome 25 color transparency film, which was introduced in 1974, replacing the similar Kodachrome II emulsion. I was fortunate to shoot a few rolls of Kodachrome 25. It was a beautiful film, and probably the sharpest color film ever made, but its low ISO made it difficult to use. Kodachrome 64, which was still a low-ISO film, was significantly faster. The major differences between the two Kodachrome emulsions is that the ISO 25 version was sharper and less grainy, while the ISO 64 version was more contrasty, vibrant and a hair warmer. Both were very similar, though, and it would be hard to spot the differences without a close inspection. Some people preferred the slightly more subtle tones and finer detail of Kodachrome 25, and some preferred the faintly punchier pictures rendered on Kodachrome 64. Kodak discontinued Kodachrome in 2009.

This isn’t a new Film Simulation Recipe, but simply a tweak of the X-Trans IV Kodachrome 25 recipe to make it compatible with X-Trans V cameras. Because blue in Classic Chrome is rendered deeper on X-Trans V than X-Trans IV, Color Chrome FX Blue needs to be set to Weak instead of Strong. Otherwise, this recipe is identical to the X-Trans IV version.

*No Lifeguard at 8* – Oceanside, CA – Fujifilm X-T5 – Kodachrome 25 Recipe

This Kodachrome 25 Film Simulation Recipe is intended for Fujifilm X-Trans V models, which (as of this writing) include the X-H2, X-H2S, and X-T5 cameras. It’s compatible with newer GFX models too, but will likely render slightly different on those cameras. Those with an X-T4, X-S10, X-E4, or X-T30 II, try the Kodachrome 25 Recipe for those models (click here).

Film Simulation: Classic Chrome
Grain Effect: Off
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Daylight, +2 Red & -4 Blue
Dynamic Range: DR400
Highlight: +0.5
Shadow: -0.5
Color: +1
Sharpness: +3
High ISO NR: -4
Clarity: +3
ISO: Auto, up to ISO 1600
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Kodachrome 25” Film Simulation Recipe on my Fujifilm X-T5:

*Dormant Trees Reflected* – Buckeye, AZ – Fujifilm X-T5

*White Flowers Faux* – Buckeye, AZ – Fujifilm X-T5

*Sunrise Light* – Buckeye, AZ – Fujifilm X-T5

*Pink on a Grey Day* – Oceanside, CA – Fujifilm X-T5

*Backyard Joy* – Buckeye, AZ – Fujifilm X-T5

*Wet Haired Boy* – Litchfield Park, AZ – Fujifilm X-T5

*Raymond Photographing Flowers* – Goodyear, AZ – Fujifilm X-T5

*Cholla Arms* – Goodyear, AZ – Fujifilm X-T5

*Rock Ridge* – Goodyear, AZ – Fujifilm X-T5

Flowers in the Dry Desert – Goodyear, AZ – Fujifilm X-T5

*Remnants of a Tree* – Goodyear, AZ – Fujifilm X-T5

*Prickles* – Goodyear, AZ – Fujifilm X-T5

*Desert Cacti* – Gilbert, AZ – Fujifilm X-T5

*Tall Cactus* – Goodyear, AZ – Fujifilm X-T5

***Note: When this Kodachrome 25 Film Simulation Recipe was first published, this article mistakenly listed Auto instead of Daylight for White Balance. In the Fuji X Weekly App it has always been correct.***

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Fujifilm X-T5 in black: Amazon B&H Moment
Fujifilm X-T5 in silver: Amazon B&H Moment

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If Fujifilm was a Person….

Posted on March 6 by Ritchie Roesch

If a movie was ever made about your life, who would play you? That’s a fun question that is sometimes used as an icebreaker. I’ve never really thought much about it myself. I’ve been told several times that I have a slight resemblance to Elvis Presley (although I don’t really see it personally), so maybe someone like Austin Butler? If it were up to me, I’d choose Gerardo Celasco, who is not only a good actor, but a super cool guy who shoots with Fujifilm cameras.

In a recent YouTube video by Mango Street entitled If Camera Brands Were People, the portrayal of Fujifilm reminds me a lot of me. It’s a little too accurate. It hits close to home. The video is a lot of fun to watch—I literally laughed out loud several times. I’ve included it below, so if you haven’t seen it, you can do so now. The picture at the top of this post will make more sense afterwards.

So who played me? Unexpectedly, it was Rachel Gulotta (and, unfortunately, not Gerardo… maybe next time). Of course, the video was all in good fun, and meant as comedy. Is it accurate? Are you Fujifilm if Fujifilm was a person? Is Rachel playing the part of you? Tell me what you think!

It’s quite amazing that “Film Simulation Recipe” has become a part of camera culture. For several years the phrase was neologism and used only within a fairly small circle, but it has now become a normal part of photography phraseology. In the Fujifilm world it is (amazingly!) common jargon; “Fujifilm” and “Film Simulation Recipe” are almost inseparable. Now it is beginning to spill outside of that and into the general photography lexicon. It’s hard for me to wrap my head around that, because I never thought this would grow so big, and that so many people would use Fuji X Weekly Recipes on their Fujifilm cameras. Incredible!

Top 10 Film Simulation Recipes of 2022 (& 2023 So Far)

Posted on March 3 by Ritchie Roesch

*Two Caballeros* – Culleoka, TX – Fujifilm X-E4 – Kodachrome 64 Recipe

After yesterday’s Take the Blind Blind Film Simulation Recipe Test article, I’ve been asked a couple of times what were the 10 Film Simulation Recipes that I provided to Andrew Goodcamera. You see, he asked me to give him a list of the Top 10 most popular Film Simulation Recipes of 2022. Now, I have no way of knowing which are the most used; however, I can tell which are the Top 10 most viewed Recipes on the Fuji X Weekly website. Are page-views a good indication of use? Probably, but it’s also quite possible that some Recipes are overrepresented and others are underrepresented. Unfortunately I don’t have a more accurate metric, so this will have to suffice.

Below you will find the Top 10 most popular Film Simulation Recipes of 2022 based on page-views, in order from least to most popular. Seven of them are X-Trans IV Recipes (for the X-Pro3, X100V, X-T4, X-S10, X-E4, & X-T30 II cameras), and three are X-Trans III Recipes (plus compatible with the X-T3 & X-T30). X-Trans V Recipes are pretty new—the oldest published in the third week of November—so it make sense that none made this list, and I suspect that they’ll become increasingly more popular throughout 2023. The Recipes for X-Trans I, II, Bayer, and GFX just aren’t nearly popular enough to crack this list (not likely a Top 20 list, either). The majority of people who shoot using Film Simulation Recipes are doing so on X-Trans III and newer cameras, and the largest group are shooting with X-Trans IV models.

Interestingly, the Classic Chrome Recipe, which is the second one ever published on Fuji X Weekly, ranks pretty high. Black-and-white Recipes aren’t usually as popular as color, so I’m happy to see the Kodak Tri-X 400 Recipe climb the list. I’m not surprised by much else, so let’s get to that list!

Top 10 Film Simulation Recipes of 2022:

Number 10:

Number 9:

Number 8:

Number 7:

Number 6:

Number 5:

Number 4:

Number 3:

Number 2:

Number 1:

Which of these Film Simulation Recipes do you use most? What is your favorite Recipe not found on this list? Let me know in the comments!

I also thought it would be interesting to see if 2023 is trending different so far, or if the Recipes rank the same. While the top half of the list looks nearly identical, there are some notable differences in the bottom half. Pacific Blues is one of my top-favorite recipes, so I’m happy to see it crack the Top 10.

Top 10 Film Simulation Recipes of 2023 (so far…):

Number 10: