Weekly Photo Project, Week 37

The theme this week is black-and-white. While I did capture a number of color images, overall I felt more monochrome and so I captured a lot of monochrome images. Black-and-white is more abstract in nature and relies on contrast. It’s important to carefully consider highlights and shadow in order to create a successful monochrome image. You’ve likely seen several of these pictures in other articles, but a few of them are new. I hope that you enjoy!

Sunday, April 14, 2019

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Shopping Carts – Farmington, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, f/2, ISO 5000

Monday, April 15, 2019

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Mountain Obscured – South Weber, UT – Fuji X-T30 & 50-230mm @230mm – 1/1600, f/7.1, ISO 640

Tuesday, April 16, 2019

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Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 & 35mm f/2 – 1/300, f/8, ISO 640

Wednesday, April 17, 2019

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Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/1900, f/10, ISO 640

Thursday, April 18, 2019

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Bud & Blossom – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/105, f/5, ISO 6400

Friday, April 19, 2019

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Wasatch Ridge In April – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/750, f/5, ISO 160

Saturday, April 20, 2019

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White Clouds Over Mountain – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/900, f/5.6, ISO 160

Week 36  Week 38

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Kodak & Fujifilm Unite! Sort of….

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When I first started out in photography, two big names in the industry were Kodak and Fujifilm. While they both made cameras, it was not their gear that they were famous for. Kodak and Fujifilm were known for their photographic films. Kodak was the long-standing big dog on campus, while Fujifilm was the distant runner up. Back then, almost everyone used film, as digital capture was new and not particularly good, and so there was a lot of business to be had. These two companies were rivals, and they both battled very hard for your business.

When the film industry collapsed, it was very abrupt. Within a couple of years, both companies went from record profits to full-fledged panic. Film sales dropped about 25% each year for many years in a row. Kodak, the giant in the industry, fell especially hard, eventually going bankrupt. What remained was divided and sold, and Kodak today, in its various forms, is mostly insignificant in the current photographic industry. Fujifilm, on the other hand, made some smart decisions, such as diversifying by applying their unique knowledge to other fields (such as cosmetics and pharmaceuticals), which allowed them to not only survive, but grow. Now photography is a small part of their overall business model, but nevertheless it is a successful and profitable arm of the company. While Kodak had the upper hand for a long, long time, Fujifilm won in the long run.

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A Kodak Moment – Antelope Island SP, UT – Fujifilm X-T20

When I purchased my Fujifilm X-T30, I wanted to upgrade to a better camera neck strap than the one that came with the camera. I browsed the web for different ones, and I ended up going with a vintage Kodak strap. A cool feature is a built-in film canister holder (it can hold up to three), which is completely useless in today’s photographic world, but would have been handy 20 years ago. I’m not completely sure how old the neck strap is, but it was in great condition, like it was barely used, if used at all. It adds a retro touch that nicely compliments the retro-inspired design of the X-T30.

It might seem strange to put a Kodak strap on a Fujifilm camera. At one time these two companies were serious rivals. Back then I used film made by both of them, as well as other companies like Ilford and Agfa. I supported these companies with my hard-earned dollars. It’s sad that film has become a small niche market. It’s sad that the mighty Eastman Kodak Company experienced such a big fall. I’m happy to display their logo on my gear in honor of the pictures that I made with their products. I’m also happy to use a Fujifilm camera today, as it’s such a great photographic tool. While it may seem unusual to unite these two brands together in this way, I feel privileged to do so, since both have played an important role in my photography.

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My Fujifilm X-T30 Velvia Film Simulation Recipe

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Mesa Trail – Castle Valley, UT – Fujifilm X-T30 – Velvia

I already have a Velvia film simulation recipe. I’ve been using it for about a year-and-a-half now and I like the recipe. It’s designed for X-Trans III cameras. With the Fujifilm X-T30, which has the new sensor and processor, including the new Color Chrome Effect, I decided to revisit Velvia. Can I make Velvia better on an X-Trans IV camera?

I don’t know if this recipe is better than the old one. It’s a little bolder with slightly more contrast and color saturation. It’s probably a little more accurate to Velvia 100 than the old recipe, and a tad closer to Velvia 50, too. I do like this recipe more than the original, but the old one has its place, too. I don’t think this replaces the old recipe, but more supplements it when the situation calls for something punchier.

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Red Mesa – Castle Valley, UT – Fujifilm X-T30 – Velvia

I have grain effect set to weak on this recipe, but I only like to have grain on when using ISO 1600 or below. Above that the digital noise acts as a grain effect, so I like to turn the grain effect off when working with higher ISOs. Depending on the image, +4 color can sometimes look better, so don’t be afraid to bump that up when needed, but I think +3 works best as the standard setting. This recipe has a stronger shadow setting than the old one, and if you find that there’s too much contrast, simply set Shadow to 0. The original Velvia recipe called for DR200, but I went with DR-Auto on this one. If you’d prefer to use DR200 instead of auto, feel free to do so.

Velvia
Dynamic Range: DR-Auto
Highlight: 0
Shadow: +1
Color: +3
Noise Reduction: -4
Sharpening: +2
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs, captured using a Fujifilm X-T30 with this film simulation recipe:

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Rock Balanced – Arches NP, UT – Fujifilm X-T30 – Velvia

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North Window Arch – Arches NP, UT – Fujifilm X-T30 – Velvia

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Red Hill – Castle Valley, UT – Fujifilm X-T30 – Velvia

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Castles To The Sky – Castle Valley, UT – Fujifilm X-T30 – Velvia

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Water & Stone – Moab, UT – Fujifilm X-T30 – Velvia

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Cactus Noon – Moab, UT – Fujifilm X-T30 – Velvia

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Dead Tree Point – Dead Horse Point, SP, UT – Fujifilm X-T30 – Velvia

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Desert River – Dead Horse Point SP, UT – Fujifilm X-T30 – Velvia

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Peak Through The Thin Clouds – South Weber, UT – Fujifilm X-T30 – Velvia

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Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 – Velvia

Weekly Photo Project, Week 36

Some feedback I have received is that some of you out there would appreciate knowing some of the technical information about my pictures. I thought that this weekly series would be a good place to try it out. You’ll notice that, in addition to the usual information, I have included the lens, aperture, shutter speed and ISO. Most of these pictures you’ve likely seen already in other articles (especially the Eterna film simulation post), but I hope you enjoy them anyway.

Sunday, April 7, 2019

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Neon Reflection – Ogden, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, ISO 200, f/5.6

Monday, April 8, 2019

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Kodak 35mm Film – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/170, ISO 6400, f/4

Tuesday, April 9, 2019

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Spring or Autumn? – Layton, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, ISO 2000, f/6.4

Wednesday, April 10, 2019

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Evening Orange – South Weber, UT – Fujifilm X-T30 & 50-230mm @230mm – 1/200, ISO 1600, f/6.7

Thursday, April 11, 2019

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Kitchenscape – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/120, ISO 6400, f/5

Friday, April 12, 2019

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100 North & Main Street – Kaysville, UT – Fujifilm X-T30 & 35mm f/2 – 1/1100, ISO 320, f/4.5

Saturday, April 13, 2019

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Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 & 50-230mm @80mm – 1/120, ISO 320, f/5.2

Week 35  Week 37

Lens Review: Fujinon XF 35mm f/2 R WR

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When I purchased my Fujifilm X-T30, I took advantage of a bundle deal that was being offered, and added the Fujinon XF 35mm f/2 R WR prime lens to the camera for an additional $100. What an incredible bargain! This lens normally sells for $400. I didn’t do any research on the 35mm f/2 lens prior to the purchase–I just knew that I wanted it because of the focal length and price–so what arrived in the mail was a surprise. When I opened the box and saw the lens for the first time, I was disappointed by how ugly it was. I know that one shouldn’t judge a book by the cover, so I didn’t hesitate to attach it to the camera and put it to the test.

The Fujinon XF 35mm f/2 R WR lens is a “standard” prime lens on Fujifilm X cameras, giving a full-frame equivalent focal length of about 52mm. It’s neither wide-angle nor telephoto, but sees roughly the same as the human eye, which is why it’s known as the standard lens. This focal length is very common, and is often the first prime lens that one purchases. I’ve used standard prime lenses off and on for twenty years now, although this is my first Fujinon lens with this focal length.

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Something that I’ve heard said many times over the last five or so years is that the 50mm focal length (or, in the case of this lens, the 50mm equivalent focal length) is the most boring of all focal lengths. There are people who will never purchase this lens because they believe that it’s not possible to create interesting photographs with it. I completely disagree with that sentiment! It’s only boring if you create boring pictures with it. If you think this focal length is boring, that should motivate you all the more to use it and prove the statement wrong. Many of the greatest photographs ever created were captured using a standard prime lens. The only limitation to creating interesting pictures is the photographer, and not the camera or lens.

I’m not going to talk a whole lot about the technical aspects of the Fujinon XF 35mm f/2 R WR lens, as that information is already plentiful on the internet. I want to spend most of my time discussing my experiences using this lens to create pictures. Is it a good lens in real world use? Is this lens worthwhile to own?

The first thing that I noticed is just how sharp this lens is. The quality of the glass is obvious. It’s corner-to-corner tack sharp, even at f/2. There’s a barely noticeable amount of vignetting wide-open, but that quickly goes away as you stop down. Bokeh (which is an overrated aspect of lens quality) is creamy and otherwise excellent. This is a nearly flawless lens from an image-quality point of view. The 35mm f/2 is a great example of why Fujinon lenses are renown.

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Note how the bottom of the picture seems to curve up when in reality it is a straight line.

I did say “nearly flawless” in the last paragraph, and if there is one complaint, it’s some obvious pincushion distortion. Don’t expect straight lines to be perfectly straight. This would be most noticeable when shooting a brick wall. It’s not uncommon for lenses to have some barrel or pincushion distortion, so I wouldn’t get too worked up over this, but it’s good to know what to expect.

How this lens handles lens flare might be seen as positive or negative, depending on if you like flare in your pictures. It’s definitely prone to flare, but it has a lovely quality to it if you like that sort of thing. If you don’t like flare, I recommend getting an aftermarket hood to help prevent it.

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You might really love or hate all that lens flare.

The minimum focus distance is about 14 inches, which isn’t great or terrible. You can’t do any macro photography, but this isn’t a macro lens, either. Auto-focus is fast, quiet and accurate. It’s also a good lens for manual focus with a smooth focus ring. The 35mm f/2 is fairly small and lightweight, and so it’s good for walk-around and travel photography. It seems to be well built and durable. It’s weather sealed, which is great if you have a weather sealed camera to attach it to. The Fujinon XF 35mm f/2 R WR is a quality lens, and not much negative can be said about it.

While this isn’t the best looking lens ever made, once you get past that, it is high quality glass, and one of the best prime lenses that I’ve ever used. It’s not perfect, but it is very, very good. If you are looking for a quality prime lens to add to your camera bag, this is one you shouldn’t overlook. In real world use it excels and it is indeed worthwhile to own. You can purchase the Fujinon XF 35mm f/2 R WR lens by clicking here, which helps to support this website.

Example photographs, captured using the Fujinon XF 35mm f/2 R WR lens attached to a Fujifilm X-T30:

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Monochrome Mesa – Castle Valley, UT – f/10

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Frozen Reservoir – Causey Reservoir, UT – f/8

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Dead Desert Tree – Moab, UT – f/8

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Two Pots – Layton, UT – f/5.6

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It’s Lit – Layton, UT – f/4

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Hand Held Phone – South Ogden, UT – f/2.8

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Microwave – Moab, UT – f/4.5

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25th Street – Ogden, UT – f/4

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Joyful – South Weber, UT – f/2

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Kitchenscape – South Weber, UT – f/5

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Trapped Inside – South Weber, UT – f/3.6

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Gathering Raindrop – Layton, UT – f/9

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Castles To The Sky – Castle Valley, UT – f/7.1

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North Window Arch – Arches NP, UT – f/9

My Fujifilm X-T30 Acros Film Simulation Recipe (Agfa APX 400)

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Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 – Acros

I made a new Acros recipe! I’ve been playing around lately with the Acros settings on my Fujifilm X-T30, trying to create a certain look (which I’m still working on), and I stumbled upon some interesting settings. I tried them out for a few days and wanted to share my findings with you. I think some of you might like this one!

This recipe is not intended to mimic the look of any particular film, but it’s in the neighborhood of a couple different black-and-white stocks. The closest might be Agfa APX 400 (the newer version), but it’s not an exact match for that film. I don’t think it really matters if it’s an exact match or not, it has an analog black-and-white look that’s easy to appreciate!

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Shopping Carts – Farmington, UT – Fujifilm X-T30 – Acros

The idea behind this film simulation recipe is to have a lower-contrast option that doesn’t look flat. It seems to be especially well suited for high-contrast scenes, but there’s a certain beauty in low-contrast scenes where it produces almost a faded aesthetic. This Acros recipe is really great for certain situations, and it’s one of my favorite Acros recipes that I’ve created. If you don’t have an X-Trans IV camera, you can still use this recipe, except you can’t use Color Chrome Effect or Toning, so the results will be slightly different, but still very similar.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR400
Highlight: -2
Shadow: +4
Noise Reduction: -4
Sharpening: +4
Grain Effect: Weak
Color Chrome Effect: Strong
Toning: +1 (warm)
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 to +1-1/3 (typically)

Example photographs, all camera-made JPEGs using this recipe on the Fujifilm X-T30:

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Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 – Acros

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Mid Morning Mountain – South Weber, UT – Fujifilm X-T30 – Acros

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Head In The Clouds – Ogden Canyon, UT – Fujifilm X-T30 – Acros

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Mountain Obscured – South Weber, UT – Fujifilm X-T30 – Acros

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Reaching For Grass – South Weber, UT – Fujifilm X-T30 – Acros

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Jo by a Window – South Weber, UT – Fujifilm X-T30 – Acros

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Girl Sitting – South Weber, UT – Fujifilm X-T30 – Acros

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Bread Cutting – South Weber, UT – Fujifilm X-T30 – Acros

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The Course Toward – Farmington, UT – Fujifilm X-T30 – Acros

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Asleep – Farmington, UT – Fujifilm X-T30 – Acros

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Couch – South Weber, UT – Fujifilm X-T30 – Acros

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Three Vases By A Window – South Weber, UT – Fujifilm X-T30 – Acros

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White Flower Bouquet – South Weber, UT – Fujifilm X-T30 – Acros

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Dead Rose Leaves – South Weber, UT – Fujifilm X-T30 – Acros

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Hiding Hydrant – Farmington, UT – Fujifilm X-T30 – Acros

Weekly Photo Project, Week 35

I’m getting closer and closer to the end of this photo-a-day project. Still a little ways to go, though. This is the second week in a row using my new Fujifilm X-T30. It’s been a joy to use! I’ve captured so many images since the camera arrived, and I’ve only shared a small percentage of them with you. I have so many more to put on this blog and a bunch of articles that I’d like to write. If only there were more hours in each day.

Sunday, March 31, 2019

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Dead Tree Point – Dead Horse Point SP, UT – Fujifilm X-T30

Monday, April 1, 2019

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Grey & White – South Weber, Utah – Fujifilm X-T30

Tuesday, April 2, 2019

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Gathering Raindrops – Layton, UT – Fujifilm X-T30

Wednesday, April 3, 2019

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If You Can’t Stand The Heat – South Ogden, UT – Fujifilm X-T30

Thursday, April 4, 2019

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Clouds Beyond The Morning Mountain – South Weber, UT – Fujifilm X-T30

Friday, April 5, 2019

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It’s Lit – Layton, UT – Fujifilm X-T30

Saturday, April 6, 2019

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White Cap – South Weber, UT – Fujifilm X-T30

Week 34  Week 36

My X-T30 Eterna Recipe For X-Trans III

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Kitchenscape – South Weber, UT – Fujifilm X-T30 – Eterna

A couple of days ago I published my Fujifilm X-T30 Eterna film simulation recipe, which I have received a lot of positive feedback for. I have also received several requests to invent a film simulation recipe that produces similar results without using Eterna, for those who have X-Trans III cameras and don’t have access to that film simulation. Well, I did it! I made an “Eterna” recipe that mimics my Eterna recipe. It’s not a 100% match, but it’s pretty close, and don’t think you’ll get much closer without using Eterna.

There are a few settings that could be adjusted, so you’ll have to decide what you like best. I think Shadow should be set to +1.5, but since that setting doesn’t exist, you’ll have to choose between +1 and +2. I went with the latter. It’s a similar situation with Color, and I went with +3 but you could choose +2 instead. I think that an argument could be made that a white balance shift of +6 Red and -6 Blue is more accurate, so there’s another decision. You can make whatever changes you’d like to customize this recipe to your own tastes.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +2
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpening:+2
Grain Effect: Strong
White Balance: Auto, +5 Red & -6 Blue
ISO: Auto up to ISO 6400

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100 North & Main Street – Kaysville, UT – Fujifilm X-T30 – Eterna

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“Eterna” using PRO Neg. Std.

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Neon Reflection – Ogden, UT – Fujifilm X-T30 – Eterna

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“Eterna” using PRO Neg. Std.

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Taste On Sale – Ogden, UT – Fujifilm X-T30 – Eterna

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“Eterna” using PRO Neg. Std.

Current Fujifilm Deals at Amazon

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There are some great deals on a few Fujifilm cameras currently at Amazon. As you may know, I’m an Amazon affiliate partner, which means that I get a small kickback from Amazon whenever you order something through my links. Nobody pays me to write the content you find on this blog, such as my film simulation recipes or my review of the Fujifilm X-T30. If you find these articles helpful and you want to support this website, ordering something that you were already intending to purchase using my links is a great way to be a part of this. I would never want to pressure anyone into buying anything, so please only order something if you were already planning to do it. I hope that making you aware of these sales is a service to some of you.

The X-T30 lens bundle deal is pretty nice. I ordered mine with the 35mm f/2 (review coming soon). The X-T2 body for only $900 and the X-T20 body for only $500 are just incredible bargains! If you were considering a new body, I’d go with one of those because you’re not going to find a better value. I have no idea how long these deals will last.

Fujifilm X-T30 Black with 15-45mm lens $1,000
Fujifilm X-T30 Silver with 15-45mm lens $1,000
Fujifilm X-T30 Charcoal with 15-45mm lens $1,000
Fujifilm X-T30 Black with 18-55mm lens $1,300
Fujifilm X-T30 Silver with 18-55mm lens $1,300
Fujifilm X-T30 Charcoal with 18-55mm lens $1,300
Fujifilm X-T30 Black with 15-45mm + 50mm f/2 $1,150
Fujifilm X-T30 Silver with 15-45mm + 50mm f/2 $1,150
Fujifilm X-T30 Charcoal with 18-55mm + 50mm f/2 $1,450
Fujifilm X-T30 Black with 35mm f/2 $1,000
Fujifilm X-T30 Silver with 35mm f/2 $1,000
Fujifilm X-T30 Charcoal with 35mm f/2 $1,000
Fujifilm X-T30 Black with 50mm f/2 $1,050
Fujifilm X-T30 Silver with 50mm f/2 $1,050
Fujifilm X-T30 Charcoal with 50mm f/2 $1,050
Fujifilm X-T30 Black with 23mm f/2 $1,050
Fujifilm X-T30 Silver with 23mm f/2 $1,050
Fujifilm X-T30 Charcoal with 23mm f/2 $1,050

Fujifilm X-T2 (body only) $900!!
Fujifilm X-T2 with 18-55mm lens $1,300

Fujifilm X-H1 (body only) with power grip $1,300

Fujifilm X-T20 (body only) $500!!
Fujifilm X-T20 with 18-55mm lens $800

Fujinon XF 16-55mm f/2.8 is $300 off

My Fujifilm X-T30 Eterna Film Simulation Recipe

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25th Street – Ogden, UT – Fujifilm X-T30 – Eterna

Eterna is beautiful. Fujifilm’s most recent film simulation, Eterna, has a lot of potential for creating lovely color negative film aesthetics. Even though it has the lowest contrast and lowest color saturation of all the different film simulation options, I suspect that it has significant potential for mimicking many analog looks. It has a film-like feel to it.

Real Eterna was a motion picture film. You’ve likely seen movies and television shows captured on Eterna and didn’t even know it. While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1. Unfortunately, if you don’t have one of those cameras you can’t use this recipe. [Update: if your camera doesn’t have Eterna, you can use this alternative (click here)]

I wasn’t trying to mimic the look of any particular film when I invented this recipe. I was just playing around with the settings and really liked what I found. It has an analog feel to it. Initially the look reminded me of something from Nik Anolog Efex. As I used these settings, I found myself getting interesting results. Depending on the lighting and exposure, I was achieving different looks, despite using the exact same settings. Sometimes the results remind me of overexposed Fujifilm 400H, sometimes pushed-process Fujifilm Superia 400, sometimes underexposed expired Superia 800, and sometimes Superia 1600. Occasionally it doesn’t resemble any of those films. It’s not supposed to look like any specific film, yet it often does, but results vary.

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Gathering Raindrops – Layton, UT – Fujifilm X-T30 – Eterna

I have always included a typical exposure compensation in my different film simulation recipes, but I didn’t do that this time because you get different results with different exposures. You can select -1 exposure compensation and you can select +1 exposure compensation, or anything in-between, and achieve various looks. You have to play around with it and decide what you like. Also, while I have Auto-ISO set to ISO 6400, I really feel that the best results are found at ISO 3200 or lower. You’ll have to decide how high you want to go with the ISO. For those using this on the X-H1, which doesn’t have Color Chrome Effect, you’ll get very similar results but it will be slightly different.

Eterna
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Color: +4
Noise Reduction: -4
Sharpening: +2
Grain Effect: Strong
Color Chrome Effect: Weak
White Balance: Auto, +5 Red & -6 Blue
ISO: Auto up to ISO 6400

Below are all camera-made JPEGs captured using this Eterna Film Simulation recipe on my Fujifilm X-T30 camera:

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Fake Plants For Sale – Riverdale, UT – Fujifilm X-T30 – Eterna

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Light Lens – South Weber, UT – Fujifilm X-T30 – Eterna

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Trapped Inside – South Weber, UT – Fujifilm X-T30 – Eterna

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Franklin – South Weber, UT – Fujifilm X-T30 – Eterna

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Wildcat Radial – Layton, Utah – Fujifilm X-T30 – Eterna

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Evening Orange – South Weber, UT – Fujifilm X-T30 – Eterna

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Cleanup Tools – South Weber, UT – Fujifilm X-T30 – Eterna

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Red Tile – Layton, UT – Fujifilm X-T30 – Eterna

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Kitchenscape – South Weber, UT – Fujifilm X-T30 – Eterna

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Tops – South Weber, UT – Fujifilm X-T30 – Eterna

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Kodak 35mm Film – South Weber, UT – Fujifilm X-T30 – Eterna

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Longing – South Weber, UT – Fujifilm X-T30 – Eterna

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Ball In The Grass – South Weber, UT – Fujifilm X-T30 – Eterna

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Blooming Red Tulip – Farmington, UT – Fujifilm X-T30 – Eterna

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Wee Wet White Flowers – Layton, UT – Fujifilm X-T30 – Eterna

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Daffodil Drops – Layton, UT – Fujifilm X-T30 – Eterna

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Spring or Autumn? – Layton, UT – Fujifilm X-T30 – Eterna

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Love – Layton, UT – Fujifilm X-T30 – Eterna

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Siblings Playing On A Tablet – South Weber, UT – Fujifilm X-T30 – Eterna

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Joyful – South Weber, UT – Fujifilm X-T30 – Eterna

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Don, Walt & Mickey – Ogden, UT – Fujifilm X-T30 – Eterna

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Brick & Beer – Ogden, UT – Fujifilm X-T30 – Eterna

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Taste On Sale – Ogden, UT – Fujifilm X-T30 – Eterna

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Jarred Pig – Ogden, UT – Fujifilm X-T30 – Eterna

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Neon Dragon – Ogden, UT – Fujifilm X-T30 – Eterna

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Neon Reflection – Ogden, UT – Fujifilm X-T30 – Eterna

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25th Street & Lincoln Avenue – Ogden, UT – Fujifilm X-T30 – Eterna