10 More Fujifilm X-E1 & Meike 35mm f/1.7 Photographs

Yesterday I published an article about the Fujifilm X-E1 & Meike 35mm that I distressed to make it appear old and worn, like a well-used 1960’s rangefinder. I included 10 photographs in that article captured with that camera and lens. I’ve been using the X-E1 a lot over the last two weeks because it’s been a lot of fun to shoot with, so I have a bunch of pictures that I wanted to share, but I didn’t want to make that article any longer than it already was.

Below you will find 10 more images that I captured with the X-E1 and Meike lens combination. Of the 20 photographs (ten in each post), 12 of them are straight-out-of-camera JPEGs, while eight of them are camera-made JPEGs that received some editing using the RNI Films app.

41245482780_b4acc5b963_z

Lost Baby Shoe – Riverdale, UT – Fujifilm X-E1 & Meike 35mm

42392607164_6d3dac59e1_z

Coffee Shop Light – Riverdale, UT – Fujifilm X-E1 & Meike 35mm

43055739851_118db5e076_z

Table Vase – South Weber, UT – Fujifilm X-E1 & Meike 35mm

29220033378_56c2516eb3_z

Roses On A Table – South Weber, UT – Fujifilm X-E1 & Meike 35mm

28212307777_73d9730da0_z

Last Light On A Picture Frame – South Weber, UT – Fujifilm X-E1 & Meike 35mm

29220029918_799beb1b5d_z

Evening Johanna – South Weber, UT – Fujifilm X-E1 & Meike 35mm

41280855430_5669f1d1fa_z

American Pyro Trailer – Layton, UT – Fujifilm X-E1 & Meike 35mm

29184082878_9f4934077a_z

Fake Potted Plants – Bountiful, UT – Fujifilm X-E1 & Meike 35mm

42153906105_6afd31c085_z

Coffee Shop Shakers – Bountiful, UT – Fujifilm X-E1 & Meike 35mm

43111114831_f3638db1cc_z

Espresso Shot Glasses – Riverdale, UT – Fujifilm X-E1 & Meike 35mm

 

Distressing A Camera – Or, Making The Fujifilm X-E1 Sexy Again – Or, Am I Nuts?!

29205831118_e596bc81da_h

Distressed Fujifilm X-E1 & Meike 35mm

A couple of months ago I ran across a message board post about a guy who distressed his Fujifilm X70 to make it look old. When I first saw it I thought that it looked cool, but you’d have to have a few screws loose to do that to your new camera. As the days went on I couldn’t get what this guy did to his X70 out of my mind. I was fascinated by the idea of distressing a modern camera to make it look old and worn.

One day, about a month after I had initially seen the distressed X70, I was photographing my wife as she was distressing some old dining chairs. My wife takes unwanted furniture and gives them new life, making them look “shabby-chic” or whatever the current term is for making something look old and worn but still really cool and interesting (she calls it “reloving”). She’s very good at it, and she gets a lot of compliments. I told her about the distressed X70 and showed her the pictures. She thought that it looked neat but it takes some guts to do that to a nice, new camera.

I began to contemplate how to do something like this myself, even as I contemplated my own sanity. They say that it’s a fine line between genius and crazy. Is this something that I should even try? After much back-and-forth in my mind I decided that this was indeed something that I was going to do it. I don’t distress furniture like my wife does (although I have helped her on occasion), but I have done some scale modelling and “weathered” things to make them appear old and well used. So I started to research. Is this a unique concept? Have others done it? How did they do it? What are some reasons why someone might do this?

I discovered that two other photographers did something similar to their X-Pro1 cameras. They took it a few steps further and I thought that the end result wasn’t as good as the X70. I also found out that Fujifilm distressed an X-Pro2 to simulate how it would look after years of heavy use, and they displayed it in Japan. Interestingly enough, the distressing treatment that was given to the X-Pro2 was similar to that given to the X70, so, not surprising, the results were strikingly similar.

Something else that I came across was a limited edition Leica M-P that was designed with the assistance of Lenny Kravitz. It’s a film camera that Leica introduced in 2003. The Lenny Kravitz model is made to look worn as if it had been heavily used for decades. Similarly, Pentax made a version of the MX-1 that was also designed to look old and worn, but it never went into production.

29205832198_5e01604e12_z

“Vintage” Fujifilm X-E1

There are collectors who will pay top dollar for certain models of vintage Leica cameras that are worn but functional. I discovered that sometimes these cameras are worth more beat up than in near-mint condition, and the more worn-looking the better.

Some interior decorators will dig through flea markets, estate sales and antique stores for old film cameras that appear well-used and worn. These cameras look interesting displayed on shelves and such. I found a couple of people who claim, if they can’t find a camera that looks worn enough, that they will add some distressing to make the cameras more visually interesting.

Something else that I discovered is that people will hide the fact that they have a nice camera when they travel, so that they might be less targeted by thieves. Typically this involves taping up the camera body with black tape to hide the make and model and make the camera seem less nice. They don’t want to appear to be carrying something worth thousands of dollars because it could draw the attention of crooks looking to make a quick dollar.

With all my research done, I knew what I wanted to do, why I wanted to do it and how to accomplish it. My intentions were to buy a used Fujifilm X-E1, which has the right “vintage rangefinder” look, and can be found for cheap yet is capable of excellent image quality, attach my Meike 35mm lens to it, and distress it to make look old and worn.

One reason why I would distress an X-E1 is that it looks neat. Displayed on a shelf, around my neck or as the subject of photographs, the camera looks very interesting. Someone told me, as I was doing some street photography, that they thought I had a 1960’s rangefinder. Another person said, “I bet that camera has some stories to tell!” The distressed X-E1 simply looks cool. It has much more character than any shiny new DSLR.

42330877614_57c664f72c_z

Distressed Fujifilm 

Another reason is that the camera appears less valuable to potential thieves. I feel like I’m less of a target. There have been times when walking the streets with my X-Pro2 or X100F that I feel like I’m being watched and even followed. Maybe I’m paranoid, as I’m not going into rough neighborhoods. But I have had my gear stolen before, in a high-end district of Scottsdale, Arizona, so perhaps I’m a little more suspicious and cautious than the average Joe. With the distressed X-E1, I feel like my camera is less attractive to somebody looking for something valuable to steal. And even if someone does take it, I didn’t pay a whole lot for it, and so it’s not as big of a deal than if someone took off with something I paid over a grand for.

A final reason why I would distress an X-E1 is that it was fun to do. As I mentioned before, I’ve done some scale modelling in the past. I found the process of distressing the camera to be similarly enjoyable. It was easy enough to do. I used fine-grit sandpaper to rough it up, using a heavier hand on the corners, edges and anywhere that someone might handle the camera more, such as knobs and where fingers would sit when holding it. I purchased a vintage strap and used rust-colored paint with a dry-brush technique to make it appear rusty (more rusty, actually, as it already had some natural rust).

The results are pretty convincing, I believe. This X-E1 looks like an old camera that has seen heavy use, and not something that’s fairly new. I wouldn’t have done this to a camera in mint condition. The one that I purchased had some obvious wear already, I just added some extra “wear” to what was naturally there. The Meike 35mm lens, which also looks like it came out of the 1960’s, received some distressing, as well, so that it matches the camera. I really love the way the camera and lens look together, but, perhaps more importantly, I love the images that they create together.

Some people might not appreciate what I did to this camera. I truly understand that it’s not for everyone. Some people might even say that it is inherently dishonest, which it is, but so are most people’s photographs. I’d rather create honest pictures with a dishonest camera than create dishonest pictures with an honest camera. I’m sure that this whole article is a bit polarizing, but when it comes down to it, it’s my camera and I can do whatever I want to it, and it doesn’t really matter what anyone else thinks. Still, I hope that some of you think that it turned out alright. I still haven’t completely decided which side of the genius/insanity line it falls on.

Below are some photographs of my distressed Fujifilm X-E1:

43049359911_2b572e3428_z

“Vintage” Modern Camera

42999579282_0ecb2b9522_z

Distressed Camera

42330872624_742f0c90ce_z

Distressed Camera Knobs

Below are some photographs that I’ve captured with my X-E1 and Meike 35mm lens:

42187555035_cd60c5661b_z

Blue Bird – South Weber, UT – Fujifilm X-E1 & Meike 35mm

41245553470_7f53cf909a_z

Suburban Evening – South Weber, UT – Fujifilm X-E1 & Meike 35mm

28187383307_2d46a7f02e_z

Urban Nature – Bountiful, UT – Fujifilm X-E1 & Meike 35mm

28187378337_0c39a33670_z

Open Door – Bountiful, UT – Fujifilm X-E1 & Meike 35mm

43015317932_5a963f0251_z

Elevated Walkway – Farmington, UT – Fujifilm X-E1 & Meike 35mm

43064746331_67548a4a7f_z

Chill – Farmington, UT – Fujifilm X-E1 & Meike 35mm

28197014897_9ca6e4725a_z

If It Fits – SLC, UT – Fujifilm X-E1 & Meike 35mm

41254450200_50777e1541_z

Waiting At The Bus Stop – Farmington, UT – Fujifilm X-E1 & Meike 35mm

43006192972_79e2d36bfa_z

Bus Stop – Farmington, UT – Fujifilm X-E1 & Meike 35mm

42153921865_75e03ac72f_z

35mm Film – South Weber, UT – Fujifilm X-E1 & Meike 35mm

Click here to see more photographs.

Digital Is Disposable

42236821424_1626df0441_z

Fujifilm X-E1 & Meike 35mm

Digital cameras are disposable.

Camera manufacturers introduce the replacement models, the next generation, about every two years on average. This isn’t always true–the X100T came out just one year after the X100S while the X-Pro2 came out four years after the X-Pro1–but, generally speaking, it’s true. Your new camera will be “last year’s model” soon enough.

It’s no surprise that photographers, on average, upgrade roughly every two years, as well. When that new model comes out, it’s very tempting to buy it. The new model is better in this way and that way–faster, more resolution, etc.–you know the song and dance. You might still keep your current camera as a “backup body” once the new one arrives in the mail, and it will mostly collect dust.

There are plenty of photographers who don’t buy new. They’ll wait awhile until they can get a good deal on a gently used camera. But it’s still the same story of “upgrading” every other year or so. They’re just a model behind what’s current.

There are some who keep their cameras for many years. There are plenty of photographers who happily use their five-year-old camera. A much smaller number happily use their ten-year-old camera. Almost nobody happily uses their fifteen-year-old camera, because the cheapest interchangeable-lens cameras today are more advanced and capable of better image quality than the best “pro” cameras of 2003. Digital technology changes quickly, and advancements have come at breakneck speed.

We’ve reached a point of diminishing returns. Digital technology is still advancing quickly and the cameras released in 2017 are better in every way to their counterparts released in 2012. But how much better do they need to be? If a camera already has more resolution than what most need, what does even more resolution do? If a camera is already quick enough for most photographers, how does a faster camera help? If a camera already has amazing high-ISO performance, do you really need a stop more? Yes, there are people who need more, but that’s a small percentage. Most photographers already had everything that they needed in cameras from years past, and all the advancements since then have just been overkill. Cameras are becoming better all the time, but they were already more than good enough before.

34490458291_bb3fd50512_z

Barn By The Tetons – Grand Teton NP, WY – Fujifilm X-E1

I’m not suggesting that camera manufacturers should stop pushing forward. What I am suggesting is that this habit of upgrading to the latest camera model every couple of years is unnecessary. If you want to buy a new camera, go ahead and do it, I’m not trying to stop you. But I do want to make aware to the photographic community that many very good and highly capable cameras are being disposed simply because they’re several years old. I’m telling myself this just as much as I’m telling others, because I’ve been caught up in this routine just as much as the next guy.

My first “real” camera, a Canon AE-1, was over 20-years-old when I bought it. I used it for several years, and even at 25 it was still going strong. I sold it, and that’s one of my photographic regrets, because, even though it is around 40-years-old now, I’m sure someone out there is still capturing wonderful pictures with it. I have several film cameras on my shelf that I occasionally dust off, a couple of which are over 50-years-old, that still function properly and are still capable of capturing excellent pictures.

The idea of someone using a 50-year-old digital camera for anything remotely serious is laughable, and not just because a 50-year-old digital camera doesn’t exist, but because of the poor image quality and usability of the early models. Someday, though, the cameras manufactured today will be 50-years-old, and I can see some of them, if they’re still working, being used by photographers who want that “retro digital” feel. I don’t think too many cameras made before 2010 will ever be used at age 50 or even when they’re 20-year-old. A few of the higher-end models, perhaps, but by-and-large the technology just wasn’t there yet. However, the ones being made today, and even five to eight years ago, have advanced enough that they could still be used to capture quality photographs well into the future.

The Fujifilm X-E1 is not as good as the X-E3, but it is more than good enough for creating wonderful photographs. It is five-years-old, almost six, but it is still an excellent camera. You can find them for under $300 pretty easily because people have moved on. The X-E2 replaced it, and then the X-E2S came out a couple years later, and now the X-E3 is approaching the one year mark and there’s already talk about an X-E4. In the realm of digital cameras it might as well be 50-years-old because it is three and soon-to-be four models old. It’s archaic. It’s a has-been. It’s disposable.

I recently picked up an old X-E1 because they’re so cheap. I liked the one that I used to own, and I wish that I had kept it. I sold it to help fund the purchase of my X100F, which is another camera that I love. The X-E1, or “Sexy One” as it was nicknamed back in 2012, is still an excellent little camera, and for the price that it currently goes for, why wouldn’t you want one? It’s great for travel because of its size and weight, and if it gets stolen or damaged it’s not a huge deal because it didn’t cost much. It’s not as good as the cameras made in 2018, but it’s more than good enough to capture great pictures for years to come.

Digital cameras are disposable, or, perhaps they used to be. We’re at the point now, and have been for several years, where we can hold onto our cameras longer because they’re more than capable photographic tools. The latest and greatest cameras are wonderful, but, really, the advancements are mostly overkill stacked on top of overkill. Maybe it’s time to be content with what we have, myself included. Maybe it’s time to rediscover these wonderful “vintage” digital cameras, such as the original X100, the X-Pro1 and the X-E1. There was a time not very long ago when people raved over these models and stores had a hard time keeping them in stock. Now they go for a few hundred bucks on eBay.

My Fujifilm X-Pro2 Vintage Agfacolor Film Simulation Recipe


42867400061_4081ed61e5_z

Always Moving Ahead – Rawlins, WY – Fujifilm X-Pro2 & Meike 35mm

I stumbled across a new film simulation recipe while travelling through Wyoming last month. I saw this peculiar classic car parked in front of a gas station with an old radio station in the background, and an analog-film-esque photograph seemed most appropriate for the scene. Normally I’d go with my Vintage Kodachrome recipe, but I decided to play around with the setting and came up with something new.

At first these settings, which I’m calling Vintage Agfacolor, reminded me of Autochrome, an early color film from France. But after using the recipe for a few images, I decided that it more resembles 1950’s Agfachrome. It’s not exactly Agfachrome, but it definitely produces a vintage Agfacolor look.

While never as popular as Kodak, Agfa produced many great films (and other photography products) for still pictures and cinematography back in the good ol’ days. I used a few of their products, including paper for my black-and-white pictures. I liked Agfa, and it’s too bad that they don’t make film anymore.

41967206605_b49fff6850_z

Purple Weed Bloom – South Weber, UT – Fujifilm X-Pro2 & Fujinon 60mm

While the title says “X-Pro2,” this film simulation recipe can be used by all X-Trans III cameras. I have it saved on my X-Pro2, and I’ll likely plug it into my X100F at some point in the near future. All of my film simulations are interchangeable between the latest generation of Fujifilm cameras.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +2
Shadow: +1
Color: -4
Noise Reduction: -3
Sharpening: 0
Grain Effect: Strong
White Balance: Auto, -3 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to -2/3 (typically)

Example photos, all camera-made JPEGs using my Fujifilm X-Pro2 Vintage Agfacolor Film Simulation recipe:

42185108904_2a61c6e91e_z

Johanna In A Swing – South Weber, UT – Fujifilm X-Pro2 & Fujinon 60mm

42954190481_f20519a62e_z

Scout – South Weber, UT – Fujifilm X-Pro2 & 7artisans 25mm

29015925838_40630e62af_z

Handbag Abstract – South Weber, Utah – Fujifilm X-Pro2 & Fujinon 60mm

42186431144_5b88bec4bd_z

Clouds Over Mountain Green – South Weber, UT – Fujifilm X-Pro2 & Fujinon 60mm

29039302898_bb48e02a5d_z

Winnie The Pooh – Riverdale, UT – Fujifilm X-Pro2 & Fujinon 60mm

41967207215_ee696cdd3b_z

Red Handles – South Weber, UT – Fujifilm X-Pro2 & Fujinon 60mm

42044719265_2126b1bae3_z

Left Behind Lunch – SLC, UT – Fujifilm X-Pro2 & Fujinon 16mm

28077222047_5ae27aba58_z

City Sun – SLC, UT – Fujifilm X-Pro2 & Fujinon 16mm

42946582201_04131856e8_z

Airport Walkway – SLC, UT – Fujifilm X-Pro2 & Fujinon 16mm

42227390854_2eb5386c17_z

Window Waiting – SLC, UT – Fujifilm X-Pro2 & Fujinon 16mm

See also: My Fujifilm X-Pro2 Dramatic Classic Chrome Film Simulation Recipe

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Road Trip: Black Hills, South Dakota – Day 4, Part 1 – Early Morning In Custer State Park

42674991941_4cfdb2a0c3_z

Black Hills Sunrise – Custer SP, UT – Fujifilm X-Pro2 & Meike 35mm

Days 1 & 2  Day 3 – Part 1  Day 3 – Part 2  

Late to bed and early to rise is the life of a photographer, especially when travelling. Even though I had stayed up the night before capturing star pictures, on Day 4 I woke up when it was still dark to catch the sunrise along the Needles Highway, which is within Custer State Park. This area features unusual granite rock formations, many of which are pillars. There’s also an arch called Needles Eye that is unusual in that it is tall and not wide. The highway is narrow and curvy with several small one-lane tunnels. It’s a breathtakingly beautiful drive, and I wanted to capture it in the early morning hours.

I arrived at the Needles Eye area about 10 minutes before sunrise. I didn’t have a chance to scout the location ahead of time, so I was hoping to quickly find some good spots for photography. I think I did alright in that regard, but if I had a chance to visit before hand I would have come away with some better photographs. As far as sunrises go, the one that morning was mediocre since there were no clouds. Hopefully I’ll have a chance to try again another time.

The Golden Hour was spent in the general vicinity of Needles Eye, trying to find different angles and views of the rocks. On the way back to the campsite I stopped at Sylvan Lake. You might recognize this lake if you’ve seen the movie National Treasure: Book of Secrets. It’s a very scenic spot, and I enjoyed a peaceful morning hike around it, capturing photographs as I walked.

All of the photographs in this article are camera-made JPEGs using my X-Pro2 and either a Meike 35mm f/1.7 lens or a Fujinon XF 16mm f/1.4 lens. Both are great options for landscape photography, depending on if you want wide-angle or a “standard” focal length. One costs about 10x as much as the other. I used Acros, Velvia, Astia, PRO Neg. Std, and Classic Chrome film simulations.

There is one photograph that I did not include, called Father Nature (if you want to see it, click the link). It seems inappropriate, but I assure you that it is a natural granite rock formation found along the Needles Highway in Custer State Park. Since I want this to be a family-friendly website, I decided to simply link to the photograph instead of posting it directly on this page. Take a look if you want, or don’t click the link if you don’t want to.

Enjoy the photographs!

40853919610_e9d79456a2_z

Meager Pine – Custer SP, SD – Fuji X-Pro2 & Meike 35mm

28788879218_20e7502a28_z

Monochrome Needles – Custer SP, SD – Fujifilm X-Pro2 & 16mm

40853941290_88b54b7ed9_z

Black Hills Above The Great Plains – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

28788848368_198ee42627_z

Dawn At Cathedral Spires – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41762804375_a9d6787e32_z

Morning In The Hills – Custer SP, SD – Fujifilm X-Pro2 & 16mm

27806878937_3b0dd4105d_z

Needles Eye Tunnel – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

27792897367_dc5e45c917_z

Improbable – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41957140584_cae2ac67f1_z

Needles Eye – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

28788670358_3a7fab454e_z

Needles Eye Arch – Custer SP, SD – Fujifilm X-Pro2 & 16mm

27792919447_0c6d0e2fe9_z

Reaching Up – Custer SP, SD – Fuji X-Pro2 & Meike 35mm

41762830425_ce54845abb_z

Rugged Rocks – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

28970500728_5301bee3df_z

Jagged Landscape – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41762810765_78f019af4d_z

Tunnel At Needles Eye – Custer SP, SD – Fujifilm X-Pro2 & 16mm

41762858175_ec66cdb624_z

Overlook At Needles Eye – Custer SP, SD – Fujifilm X-Pro2 & 16mm

28788772988_a399ddde0a_z

Needles In The Black Hills – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

27792986447_6893b37475_z

Towering Rocks & Trees – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

42612328072_ebde9d64f2_z

Sylvan Lake Monochrome – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41762670505_ee5fe531d2_z

The Dam Bridge – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41906066315_1a7f35a809_z

Black Hills Pine Forest – Custer SP, SD – Fujifilm X-Pro2 & 16mm

40853555750_e77924ab4d_z

Morning Sun Through The Trees – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

42806402731_89af865d08_z

Looking Down The Dam – Custer SP, SD – Fujifilm X-Pro2 & 16mm

27792503657_949f94417a_z

Risky Tunnel – Custer SP, SD – Fuji X-Pro2 & Meike 35mm

42612317662_a1cc546321_z

Sylvan Blue – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41957168374_c21abbbb2a_z

Chairs On A Dock – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41906082675_9bd59791e8_z

Sylvan Lake & Blue Sky – Custer SP, SD – Fujifilm X-Pro2 & 16mm

40995981650_d47fe0432a_z

Boats Ashore – Custer SP, SD – Fujifilm X-Pro2 & 16mm

41944207684_7e876a769c_z

River Canoe – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

41906095045_f2aa93a049_z

Spill – Custer SP, SD – Fujifilm X-Pro2 & 16mm

42089073824_20852a9764_z

Grazing – Custer SP, SD – Fujifilm X-Pro2 & 16mm

Day 4 – Part 2  Days 5 & 6

My Fujifilm X100F Kodak Ektar 100 Film Simulation Recipe


40994195010_5880cea1b0_z

Peach City Drive-In – Brigham City, UT – Fujifilm X100F “Ektar 100”

When Fuji X Weekly reader Jackie asked if I could make a film simulation recipe that mimics the look of Kodak Ektar 100 film, I thought that it would be a simple task. Classic Chrome is halfway there already, providing a Kodak-esque look right out of the bag. But, as it turns out, creating an Ektar look wasn’t easy for one reason: Classic Chrome isn’t vibrant enough, even with color set to +4. Velvia was my next choice, but I couldn’t make it work. It turns out Astia is the key.

Before I get ahead of myself too much, let’s roll things back a little. Ektar is a color negative film made by Kodak. It’s known for vibrant colors, high contrast and fine grain, and, even though it is a negative film, it is more like reversal (slide) film. I would say that, while the results aren’t 100% identical, there are a lot of similarities between Ektar 100 and Ektachrome 100VS. In fact, when Kodak discontinued Ektachrome 100VS, they recommended Ektar 100 as the closest film.

Ektar is ideal for vibrant landscapes or any situation where you want lots of contrast and saturated colors. It’s not usually one’s first choice for portrait photography because skin tones can be off. Some people use it extensively for portraits, but the general advice is to use Ektar for everything other than people pictures. I’ve shot a few rolls of it in the past, but it’s been probably seven or eight years.

41903112615_c28675ebd0_z

Summer Boy – Layton, UT – Fujifilm X100F “Ektar 100”

I’m actually a little hesitant to call this film simulation recipe Kodak Ektar 100 because it’s not quite right. It’s close, but a little off. The color palette is slightly askew. Unfortunately, I couldn’t get it any closer to being right. I do feel that, if you like Ektar 100 film, you’ll like this film simulation recipe, even though it’s not an exact match.

One thing about this recipe that I’d like to mention is, while I have Dynamic Range set to Auto, almost always the camera selected DR100. If you don’t want to use DR-Auto, set it to DR100 instead and you’ll get the same results. Also, I did not use the faux grain effect for this recipe. I think you could use weak grain if the ISO is 800 or less, but once you get to ISO 1600 and higher the digital noise acts like a convincing weak grain, and adding more grain on top of it is too much. So I elected to set grain to off, but you might consider using weak grain, particularly at the lower ISOs.

Astia
Dynamic Range: DR-Auto

Highlight: +1
Shadow: +3
Color: +4
Noise Reduction: -3

Sharpening: +1
Grain Effect: Off
White Balance: Auto, +3 Red & -2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)

Example photos, all straight-out-of-camera JPEGs captured using my Kodak Ektar 100 Film Simulation recipe:

41903298665_c16537a230_z

Ice Cream Sandwiches – Brigham City, UT – Fujifilm X100F “Ektar 100”

27934901867_87146488f9_z

Open Fountain – Brigham City, UT – Fujifilm X100F “Ektar 100”

27934678177_d884ac6298_z

Peach City Fun – Brigham City, UT – Fujifilm X100F “Ektar 100”

27934784457_3b5a999227_z

Sunlit Sisters – Brigham City, UT – Fujifilm X100F “Ektar 100”

41903334865_2212558846_z

Happy & Sad – Brigham City, UT – Fujifilm X100F “Ektar 100”

27938600047_58925e2037_z

Splash Time – South Weber, UT – Fujifilm X100F “Ektar 100”

28930321888_98f3f720c9_z

Summer Wildflower Blossom – South Weber, UT – Fujifilm X100F “Ektar 100”

42101549384_c0d12c9eec_z

Birds In The Window – South Weber, UT – Fujifilm X100F “Ektar 100”

42803760551_8dde3a99fa_z

Crates & Dollies – Brigham City, UT – Fujifilm X100F “Ektar 100”

See also:
My Fujifilm X100F Kodak Porta 400 Film Simulation Recipe
My Fujifilm X100F CineStill 800T Film Simulation Recipe
My Fujifilm X100F Fujicolor Superia 800 Film Simulation Recipe
My Fujifilm X100F Vintage Kodachrome Film Simulation Recipe

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Road Trip: Black Hills, South Dakota – Day 3, Part 2

42446784482_79fbc73a1f_z

Rocky Ridge – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

Days 1 & 2  Day 3 – Part 1  

After leaving Mount Rushmore National Monument, we drove around the Black Hills a little, and then returned to our campsite to relax. After spending the two previous days on the road, it was good to limit the time in the car. We kept the evening low-key, playing board games and throwing around a football.

That night, once everyone was in bed, I tiptoed out into the darkness and did a little night photography. I set my X-Pro2 with a Fujinon 16mm f/1.4 lens on a tripod for some long exposure photography, utilizing Fujifilm’s Cam Remote app. The sky was dark but full of stars. I shined a flashlight into the forest and saw about 100 eyes looking back at me–deer, and perhaps other animals, were all over the place!

These photographs are all camera-made JPEGs. The black-and-white are Acros and the color are Velvia. I really appreciate the look that Fujifilm gear creates in-camera. I could spend hours in front of a computer post-processing, or I could rely on straight-out-of-camera JPEGs that look like they’ve been post-processed. I choose the latter whenever possible, because my time is important to me.

40530850950_7bbc28d133_z

Black Hills – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

42498870241_efc2b046d6_z

Norbeck Overlook – Keystone, SD – Fujifilm X-Pro2 & Meike 35mm

40690709540_e050b004a4_z

Twisted Tree – Keystone, SD – Fuji X-Pro2 & Meike 35mm

41780238184_c8a787ba2b_z

Leaning Tree & Stars – Hill City, SD – Fujifilm X-Pro2 & 16mm f/1.4

42662122481_c7efc4b368_z

Night Forest – Hill City, SD – Fujifilm X-Pro2 & 16mm f/1.4

41957151624_6687925a06_z

Night Sky Over Needles Highway – Hill City, SD – Fujifilm X-Pro2 & 16mm f/1.4

Day 4 – Part 1  Day 4 – Part 2  Days 5 & 6

Road Trip: Black Hills, South Dakota – Day 3, Part 1 – Mount Rushmore

27468114177_024ee7203a_z

Four Fathers – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

Days 1 & 2  

On the morning of the third day of our South Dakota trip, which was the first full day in the Black Hills, after breakfast, we headed out to see Mount Rushmore National Monument. This is an iconic landmark of America. The heads of four quintessential presidents were carved into the rocks: George Washington, the first president and Revolutionary War general, on the far left, Thomas Jefferson, the third president and author of the Declaration of Independence, on the middle-left, Teddy Roosevelt, the 26th president and Rough Rider, on the middle-right, and Abraham Lincoln, the 16th president and slavery abolisher, on the far right.

Gutzon Borglum is the sculptor who, along with his team of over 400 people, carved Mount Rushmore, which is an incredible work of art. The work began in 1927 and finished in 1941. It was mostly carved by careful use of dynamite. Borglum was a renown artist even before Mount Rushmore, but this is certainly his biggest and best known accomplishment.

When we arrived we were surprised to learn that our National Parks Pass didn’t do us any good. There is a “parking fee” (but no entrance fee), and they offer no discount for those who have an annual pass. The parking garage, which resembles something you’d find at a large airport or downtown, is a big expense, I’m sure, so I certainly understand the need to charge money to park. I just think that, if you have an annual pass, they should give a discount of some sort.

The way that this monument is set up is you traverse a walkway towards the sculpture, with things on your right and left as you make your way down. It kind of feels like much of it was an afterthought instead of integrated design. Still, it’s laid out in such a way that you could choose to get as much out of it as you want. Except, when we were there, half of the trail and the Sculptor’s Studio were closed. Still, we found the museum to be interesting enough.

42298525212_c4d24fab3d_z

Mount Rushmore Monochrome – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

Our ten-year-old and eight-year-old kids did the Junior Ranger program. This is a great way for them to not only learn about the park, but to be engaged and excited about it. Afterwards, once they had completed the requirements, they were sworn in as Junior Rangers and received a badge. This was a highlight of the trip for them.

The four heads are very large, but it is difficult to really appreciate the scale from the main viewing area. There is a trail that takes you closer, and it isn’t until you reach the end that you can better appreciate the size of the carvings. After we left the park we decided that Mount Rushmore was a neat place to see, but mildly disappointing. On the other hand, it made us want to watch the Alfred Hitchcock classic North by Northwest, which takes place, in part, at Mount Rushmore.

One takeaway from visiting this place is that photography is a lot like sculpting. Borglum’s job wasn’t all that much different from yours and mine, except the tools are different. He removed all of the stone that wasn’t Washington, Jefferson, Roosevelt and Lincoln. What was left was his great work of art. When you and I compose, our job is to remove everything that doesn’t belong so that what we are left with is the strongest image possible. Often less is more.

The photographs in this article, which are all camera-made JPEGs, were captured using a Fujifilm X-Pro2 with a Meike 35mm f/1.7 lens attached to it. I really like this camera-lens combination, and I thought it was a good choice for the location. One of the things that I appreciate about my X100F is the simplicity and restriction of one-camera and one-lens, and I found that not changing lenses on the X-Pro2 while at a location provides a similar experience.

41435811715_632626ffc3_z

Forefathers – Mt. Rushmore, SD – X-Pro2 & Meike 35mm

40530628900_556e46f619_z

Heads Up – Mt. Rushmore, SD – Fuji X-Pro2 & Meike 35mm

27468005997_cce985af34_z

George – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41435721825_0bea98e3d0_z

George Washington – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41435649165_40964d7000_z

Monumental Proportions – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41614915264_b903ca3bd9_z

Junior Oath – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41614899034_87ceb19358_z

Getting Ranger Badges – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

28464514128_7b981bdf5d_z

Junior Rangers – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41435878495_a33e1c5ef9_z

Making Connections – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41531431264_0bcc47b7f0_z

Securely In Father’s Arms – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41435864205_b58da2aee9_z

Along For The Ride – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41615075014_9fefe1ed91_z

Josh, Joy, Jon & Forefathers – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41615061234_f7e7abfa25_z

Amanda, Johanna & Forefathers – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41615032134_047dd37acf_z

American Heroes – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41531430264_03992f3922_z

Monumental – Mt. Rushmore, SD – X-Pro2 & Meike 35mm

42337689621_ddcfa22ba0_z

Avenue of Flags – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

41435839855_61923566f7_z

State & Federal – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

40530579340_47fee1db76_z

Umbrella of Liberty – Mt. Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

Day 3 – Part 2  Day 4 – Part 1  Day 4 – Part 2  Days 5 & 6

Fun With RNI Films App

40757297610_f07b1c5608_z

A couple of weeks ago I downloaded a photo editing app called RNI Films. It’s got a ton of different film simulation presets, including Negative (color and black-and-white), Slide, Vintage and Instant. With one touch you can transform your digital image into something that resembles analog film. It sounded like an app that I would appreciate, so I gave it a shot.

The RNI Films app is free to download. It comes standard with quite a few different film presets, but you can add more for a price. I believe to unlock everything is around $20, which is cheap but kind of unnecessary as it comes with a lot in its basic package. I did purchase one film pack for $4 to get a certain film simulation that I thought I’d like.

The different film presets seem accurate. I have personally used some of the different films that they are attempting to simulate, but many of them I have not. I don’t think it holds up in comparison to Alien Skin Exposure, which, as far as accuracy is concerned, is tops. But for a free or cheap cellphone app, it’s quite good. You get a look that appears analog instead of digital and seems reasonably close to actual film stock. Using this app, I think that you could convince some people that you shot film when you didn’t.

One issue that I have with RNI Films is that there are too many choices. I wish that I could keep a dozen that I really like and get rid of the rest. It takes forever to flip through each preset one-by-one, so it’s important to remember which ones I want to use and where they are located. The process is very slow going if you are browsing.

I don’t see a good way to incorporate this app into a regular workflow. I shoot Fujifilm because their JPEGs are good, which allows me to achieve the look that I want with less time and effort. I have created a bunch of different film simulations that I can use in-camera, and most of the time I don’t have a need to post-process. I believe creating the look that I want in-camera is more authentic than using software to manipulate an image. Sometimes, though, it is not practical (or it might even be impossible) to achieve the desired results straight-out-of-camera, so an app like RNI Films could be a good option for quickly and easily getting the right look. I see this as being helpful occasionally, and remaining unused most of the time.

Where I have found this app to be the most fun is re-imagining photographs while waiting. If I’m at the post office standing in line I can open up the app and create a slightly different version of one of my pictures. If I’m at the auto shop waiting for the oil change to get done, I can re-imagine one of my pictures there. Wherever and whenever I find myself with time to kill, I can open up the RNI Films app on my phone, pick one of my pictures and run it through some film presets. Maybe I’ll create something that I like, maybe I’ll prefer the original version better. You don’t always get better results with this app. Most often you just get a different result, which may or may not be as good as the original. But it’s fun to see how different film presets change the look of an image.

The photographs below show the before-and-after from using this app. For a few of the images I prefer the RNI Films version, while the rest I think the original version is better. I didn’t document which presets I used because I was lazy. I just found the ones that I thought would work for the photograph at hand, and went from there. Obviously what I feel would work best for me and my pictures might not work best for you and vice versa.

35704436396_1587ac451a_z

Schwabacher Landing Beaver Dam – Grand Teton NP, WY – Fujifilm X-E1

28668506158_9c07f57af5_z

RNI Films App Edit

33881674932_ca06412938_z

35mm Film & Yashica – South Weber, UT – Fujifilm X-E1

41819214864_3dbde4b2d3_z

RNI Films App Edit

38552668676_5fc30b342e_z

Bubble Hazard – Seattle, WA – Fujifilm X100F

28668513228_63b036003b_z

RNI Films App Edit

41623952704_e86a8372e8_z

Conoco – Edgemont, SD – Fujifilm X-Pro2

42493524702_2ae3eb7317_z

RNI Films App Edit

33365435204_359522979a_z

Little Blooms, Big Blooms – Lehi, UT – Fujifilm X-E1

41637327415_d8ac51e858_z

RNI Films App Edit

42574433672_cb1531d057_z

Window Rose – South Weber, UT – Fujifilm X-Pro2

27756978517_3b065e7398_z

RNI Films App Edit

41122422464_60c26d3859_z

Blossom Branch – South Weber, UT – Fujifilm X-A3

41886062784_1ea22cdf87_z

RNI Films App Edit 

40010228340_95a57e82ec_z

Red Lamp – Antelope Is. SP, UT – Fujifilm X-A3

28759928928_175c47c7bc_z

RNI Films App Edit

38551211636_827e9ce5a8_z

Seattle Center – Seattle, WA – Fujifilm X100F

27699778407_46636cc279_z

RNI Films App Edit

41918797852_84b7290a16_z

Early Morning Bloom – Farmington, UT – Fujifilm X-Pro2

28732909538_0412b73024_z

RNI Films App Edit

Road Trip: Black Hills, South Dakota – Days 1 & 2

41615413324_48dc26c57b_z

Threatening Sky – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

A couple of weeks ago my family and I took a road trip to the Black Hills in South Dakota to see Mount Rushmore. I visited that area when I was a little kid and don’t remember much of anything. Mostly what I remember is getting a piggy bank with the four presidents’ heads on it. My wife and kids had never been. We decided that it would be a great travel destination, so we hitched up the RV trailer and went.

Living in the Salt Lake City, Utah, metro area affords us the opportunity to see all sorts of great places. It’s closely located to many iconic sites of the American West. We can get to most anywhere west of the Great Plains within two days of driving, and many places can be reached within one day. To get to the Black Hills required two days on the road, although, if we weren’t pulling the trailer and really stretched ourselves, we might have been able to make it in one day.

Approaching the Wyoming boarder the landscape changes significantly. Even though you cross the Continental Divide several times while traversing the Rocky Mountains, the scenery becomes rather boring. While it is quite clear that these are not the same Rocky Mountains that John Denver penned songs about, there is a certain beauty in the emptiness, especially with building thunderstorms around.

We spent the night in Alcova, Wyoming, which is a tiny community along the North Platte River. It’s also the halfway point between our house and Mount Rushmore. This is where the scenery starts to become interesting again. The hills slowly become more green and trees begin to appear here and there, eventually becoming thick pine forest in South Dakota.

On the second day of our trip we arrived at our campsite north of Custer and south of Hill City in time to cook dinner and enjoy a campfire. Everyone was glad to be out of the car and at our destination. The fresh pine air felt great to breathe in. We spent the evening settling in and relaxing, as we had plenty of things planned for the next two days.

The only pictures that I captured on the drive out was at the camp in Alcova, Wyoming, and at a gas stop in Edgemont, South Dakota. Mostly I just wanted to “get there” so I kept pushing forward instead of stopping for photography. I saw plenty along the way that would have been worth the time to capture, so maybe on another trip through the area I will take my time. Once settled in at our camp in South Dakota I pulled out the camera again and captured some more images.

All of the photographs in this article were captured using a Fujifilm X-Pro2 and Meike 35mm lens. I really like this combination a lot. On this trip the lens was brand new so I was still figuring out how to best use it. I had other gear with me, but on these first two days I stuck to just this one camera and lens, more for the simplicity of it than anything else. These are all camera-made JPEGs, mostly Classic Chrome and Acros, although Velvia, PRO Neg. Std, and PRO Neg. Hi were also used. Enjoy!

28464881598_5895a626ba_z

Grey Reef – Alcova, WY – Fujifilm X-Pro2 & Meike 35mm

28464928498_5cea386353_z

Rusty Cactus – Alcova, WY – Fujifilm X-Pro2 & Meike 35mm

41436188235_cfe78e78f3_z

Old Wood Fence Post – Alcova, WY – Fujifilm X-Pro2 & Meike 35mm

28464939448_9f62127fb3_z

N. Platte River – Alcova, WY – Fuji X-Pro2 & Meike 35mm

42337979021_a60b140dd3_z

Flowers & Rail – Edgemont, SD – Fujifilm X-Pro2 & Meike 35mm

41615452764_95ff7ee9cb_z

Gas Tanks – Edgemont, SD – Fujifilm X-Pro2 & Meike 35mm

40531137640_e3a3244aed_z

Sinclair – Edgemont, SD – Fujifilm X-Pro2 & Meike 35mm

41623952704_e86a8372e8_z

Conoco – Edgemont, SD – Fujifilm X-Pro2 & Meike 35mm

41615317744_afe4416ed4_z

Big Cookie, Little Girl – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

40530897060_892ac1eb95_z

Camping Face – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

41615238734_be79cb11af_z

Adventure Joy – Hill City, SD – Fuji X-Pro2 & Meike 35mm

27468265067_a9b0482c95_z

Campfire – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

40531095660_5d38eda363_z

Leaning Tree – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

42346830511_61973202ae_z

Black Hills Monochrome – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

40531062590_862e57d7a0_z

Partly Sunny – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

42290101432_ed458b4603_z

Ominous – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

Day 3 – Part 1  Day 3 – Part 2  Day 4 – Part 1  Day 4 – Part 2  Days 5 & 6

A Benefit of Being A Photographer

42244720492_648907b611_z

When we purchased our 2011 Nissan Titan there were just four of us: my wife and I plus our two young children. Since that time we’ve added two more children. This truck has been paid off for a couple of years now, and that’s a big plus because there ain’t no car like the one you already own, but it has only five seats. We couldn’t all sit in it at the same time.

We made it work for the last year, using our other vehicle which does seat six (eight actually), but that car isn’t ideal for towing our travel trailer. You may have noticed, if you are a regular Fuji X Weekly reader, that we like to travel. It seems like every month or two we are off to somewhere amazing, like the Grand Canyon or Canyonlands or Seattle or most recently Mount Rushmore. We needed a vehicle that could keep up with us, so we set out to purchase a new truck that has a seat for all six of us.

I really loved the 2011 Nissan Titan, and I put a lot of miles on it. We definitely used it. It was good to us, never once giving us trouble. I didn’t want to sell it, but I needed to sell it in order to purchase something else. It was time, so I put it on the market. I used my Fujifilm X-Pro2 to capture some pictures for the ad.

27422136877_fe5a5700ba_z

One benefit of being a photographer is that I know how to make nice-looking pictures. For used cars, there are ads after ads with thoughtless snaps, mostly quick cellphone shots. They do very little to sell the vehicle. They don’t grab anyone’s attention. They are very boring, unappealing and pragmatic. I didn’t want that for my truck. I was going to do it right and create my own advertisement images. I was going to make my ad stand out from the crowd by making beautiful pictures that potential buyers would find attractive and idealistic. This was a truck that they’d want to come see for themselves.

It certainly worked! I sold the truck quickly and for a price above the Blue Book value. My photographs are what sold my truck. And, really, this is how everyone should be doing it, except most people don’t know how to create good photographs. They only know how to make thoughtless snapshots. Perhaps there is a business opportunity for someone to create car ad photos for those hoping to sell their vehicles.

The lesson is that you can use your photographic know-how to your benefit in situations that you might overlook. It certainly paid off for me with the sale of my truck. Maybe there are things for you where your photography could become invaluable in whatever the situation is. Use it to your advantage! Get out your camera and create some “professional” pictures for it, whether it’s selling a car, house, boat, yard sale, or something else entirely. I’m sure with some imaginative thought, you could come up with all sorts of things where your photographs could unexpectedly benefit you.

Fujifilm X100F Aperture Series: f/4

26374447598_1a66e842e5_z

f/2  f/2.8  

If there’s one aperture that I use more than the rest on my Fujifilm X100F, it’s f/4. It seems to be the sweet spot, with corner-to-corner sharpness and maximum sharpness in the center. Bokeh is quite nice, although not heavily pronounced. It has enough depth-of-field to be useful in almost any situation. It seems like the best all-around aperture on this camera.

Some of my favorite images were captured with the aperture set at f/4. I use it for street photography, still-life, family snapshots, landscapes–anything really. It’s large enough for use in low-light situations and small enough for bright-light scenes. It’s a good set-it-and-forget-it option. If I could use only one aperture on this lens, f/4 would be my choice.

36314901471_2bc5ddf2b2_z

Ilford Harman Technology – South Weber, UT – Fujifilm X100F @ f/4

36360551513_9cccb31dab_z

Walking Man – SLC, UT – Fujifilm X100F @ f/4

37947182022_a291a130b7_z

Thoughts Grow With A Cup of Joe – Ogden, UT – Fujifilm X100F @ f/4

36054643010_e2f95182c6_z

Train Watching – Farmington, UT – Fujifilm X100F @ f/4

36502327666_57c3fd39b6_z

Look What I Drew – South Weber, UT – Fujifilm X100F @ f/4

36544937361_c1e5a11132_z

Man In The Straw Hat – South Weber, UT – Fujifilm X100F @ f/4

37226419154_7e87c93dd7_z

Fortuity – SLC, UT – Fujifilm X100F @ f/4

39542957341_3732ca5f08_z

Train Ride Through The Christmas Tunnel – Scottsdale, AZ – Fujifilm X100F @ f/4

39542940191_784a95f262_z

Christmas Joy – Scottsdale, AZ – Fujifilm X100F @ f/4

42433822261_577150660a_z

Jump – South Weber, UT – Fujifilm X100F @ f/4

26153849518_90c1881ae9_z

Caramel Macchiato – Sandy, UT – Fujifilm X100F @ f/4

38755887260_f2907b23aa_z

Expedition Lodge – Moab, UT – Fujifilm X100F @ f/4

f/5.6