Film Simulation Recipe Compatibility: X-Trans IV

Bayer, X-Trans I & II
X-Trans III

Those with Fujifilm X-Trans IV cameras, which include the X-T3, X-T30, X-Pro3, X100V and X-T4, have the most film simulation recipes to choose from. There are currently five X-Trans IV cameras, and they actually fall into two groups: “Old” (X-T3 & X-T30) and “New” (X100V, X-Pro3 & X-T4). The two groups have different options. The latter has the new Classic Negative film simulation (also the new Bleach Bypass film simulation on the X-T4), Color Chrome Effect Blue, Clarity, new Grain options, and new B&W Toning. This means that the recipes that are intended for the X100V, X-Pro3 and X-T4 are not compatible with the X-T3 and X-T30, with the exception of Kodak Tri-X 400, which is compatible with X-Trans III & IV (just follow the directions explained in that recipe). I do hope that Fujifilm adds these new features to the X-T3 and X-T30 via firmware updates.

X-T3 & X-T30


The list below are the film simulation recipes that are intended for use on the X-T3 and X-T30. Also, all of the X-Trans III recipes are also fully compatible with these two cameras, so you have that list to choose from, too.

Kodachrome 64
Kodak Gold 200
Kodak Portra 160
Kodak Portra 400
Kodak Vision3 250D
Expired Eterna
Eterna Low-Contrast
Polaroid II
Analog Color
Jeff Davenport Night
Faded Color
Vintage Color Fade
Elite Chrome 200 Color Fade
Color Negative
Fujichrome Sensia 100
Fujicolor Pro 400H Overexposed
Warm Contrast
Bleach Bypass
Kodacolor II 126
Classic Slide
Urban Vintage Chrome
Fujicolor 100 Industrial
Lomography Color 100
Cross Process
Monochrome Kodachrome
Ilford HP5 Plus Push-Process
Ilford Delta Push-Process
Dramatic Monochrome
Faded Monochrome
Split-Toned B&W

If you have an X-Trans III camera, you can use some of the recipes above, even though they are intended for X-Trans IV. Those recipes that use the Eterna film simulation are only compatible with the X-H1, because that’s the only X-Trans III camera with Eterna. Those that call for Color Chrome Effect or B&W toning are not fully compatible with X-Trans III (but some can be used anyway, it will just look a little different). Others, such as Portra 160 and Warm Contrast, are actually full compatible with X-Trans III, because Color Chrome Effect is Off.

X100V, X-Pro3 & X-T4


The film simulation recipes below are only compatible with the X100V, X-Pro3 and X-T4, with the exception of Kodak Tri-X 400 (just follow the instructions in that article). Expect this list to grow significantly over the coming weeks and months, as I have a number of different recipes in the works.

Kodachrome 64
Kodak Portra 400
Fujicolor Reala 100
Fujicolor Superia 100
Fujicolor Superia 800
Fujicolor Superia 1600
Classic Negative
The Rockwell
Bleach Bypass
Cine Teal
Kodak Tri-X 400

All of the X-Trans III and “Old” (X-T3 & X-T30) X-Trans IV recipes are fully compatible with the X100V, X-Pro3 and X-T4, but with two caveats: Grain and B&W Toning. You’ll have to decide if you want Grain set to Small or Large. That will be your call, whatever you think is most appropriate for your pictures. If the recipe calls for B&W Toning, you’ll have to figure out how the new B&W Toning translates, because it’s different. Other than that, all of those recipes are yours to use, in addition to the ones listed above.

Now it’s your turn! Which recipes are your favorite and what cameras are you using them on? Let me know in the comments!

Film Simulation Recipe Compatibility: X-Trans III


Bayer, X-Trans I & II

Those with Fujifilm X-Trans III sensor cameras, which include the X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1, might be unaware which film simulation recipes to use. I’ve published around 80 different film simulation recipes, so which recipes are compatible with your camera? The answer is simple: all of the ones in the list below:

Classic Chrome
Vintage Kodachrome
PRO Neg. Hi
Fujicolor Superia 800
CineStill 800T
Kodak Portra 400
Kodak Ektar 100
Cross Process
Kodachrome II
Dramatic Classic Chrome
Vintage Agfacolor
Aged Color
Kodak Ektachrome 100SW
Fujicolor Pro 400H
Agfa Optima
Classic Negative
Cine Teal
Acros Push-Process
Agfa Scala
Ilford HP5 Plus
Tri-X Push-Process

If you have an X-Trans III camera, you have many recipes to choose from. Yet you actually have many more options than that. You see, X-Trans IV recipes intended for the Fujifilm X-T3 and X-T30 (not the X100V, X-Pro3 and X-T4, as that’s a whole other situation) are mostly compatible with your X-Trans III camera. The only X-Trans III camera with Eterna is the X-H1, so those X-Trans IV recipes that require the Eterna film simulation will work on that one camera only, and will not work on any other X-Trans III camera. Color Chrome Effect and B&W Toning are the two other features that are added to X-Trans IV. Not all of the X-Trans IV recipes call for those features, which makes those particular recipes fully compatible with X-Trans III. Those that do call for CCE or Toning can still be used, but results will be just a little different. In other words, those X-Trans IV recipes intended for the X-T3 and X-T30 are, for the most part, either fully or mostly compatible with X-Trans III cameras, especially if you have an X-H1, so I invite you to give them a try and see what you think!

X-Trans IV

Traveling With Fujifilm, Part 3: Red Rock Lakes National Wildlife Refuge


Abandoned Dream – Red Rock Lakes NWR, MT – Fujifilm X100V

Part 1  Part 2

In 1970, E.B. White published a fictional children’s novel called The Trumpet of the Swan, which is largely set in Red Rock Lakes, Montana. E.B. White is probably best known for penning Charlotte’s Web and Stuart Little, both of which are literary classics. While The Trumpet of the Swan is not as well known as the other two books, it is also considered a classic children’s novel. Not long before our road trip, we read this book as a family.

My 10-year-old son, Jonathan, who likes geography—you will frequently find him looking at maps and drawing maps—said to me, “Look, I found Red Rock Lakes!” He pointed to a spot on the map that appeared to be very close to our campsite in Island Park, which is in Idaho but very close to Montana. It turns out that the Red Rock Lakes National Wildlife Refuge, which is where the book is set, was only an hour drive away from our campsite. We made plans to visit this remote refuge while there.

The Red Rock Lakes area features lakes, rivers, marshlands, prairies, forested uplands, and mountain peaks. It’s highly diverse. Over 250 species of birds have been spotted in the refuge, including the illusive trumpeter swan, the main character of E.B. White’s novel. Moose, elk, deer, bears, wolves and many other animals call this place home.


Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V

The road to Red Rock Lakes is dirt. Rough at times, lightly flooded at times, and narrow at times, and quite rural the entirety, this was a fun drive in our four-wheel-drive truck. We did see some other cars and people, plus plenty of UTVs, but mostly we were alone. Not many people venture out to this lonely place. Red Rock Lakes might not be easy to get to, but it is highly rewarding and worth the journey.

Red Rock Lakes National Wildlife Refuge is incredibly beautiful! Breathtakingly beautiful at times, in fact. It’s a landscape photographer’s playground! I didn’t see much wildlife myself, but I image that wildlife photographers would love this place, too. Upper Red Rock Lake (which I have no idea why it’s named that as I didn’t see many red rocks) is surprisingly still and reflective. It reminded me a little of the Great Salt Lake, but smaller and freshwater. In some ways the refuge was like stepping into E.B. White’s book, and seeing it in person brought the words to life. I would love to spend several days there, not just a few hours. I hope to someday return.

These photographs were mostly captured with a Fujifilm X100V, and a couple were with a  Fujifilm X-T30 and Fujinon 90mm f/2 lens. On the X100V I used my “The Rockwell” and Kodak Tri-X 400 film simulation recipes. On the X-T30 I used my Velvia and Tri-X 400 recipes. Both cameras are great, but the X100V is such a wonderful travel camera that it renders the other gear largely unnecessary.


Red Rock Lakes Sign – Red Rock Lakes NWR, MT – Fujifilm X100V


Red Rock Road – Red Rock Lakes NWR, MT – Fujifilm X100V


Frontier Hills – Red Rock Lakes NWR, MT – Fujifilm X100V


Dilapidated Dream – Red Rock Lakes NWR, MT – Fujifilm X100V


Abandoned House by the Hill – Red Rock Lakes NWR, MT – Fujifilm X100V


Green Hills – Red Rock Lakes NWR, MT – Fujifilm X100V


Distant Mountains – Red Rock Lakes NWR, MT – Fujifilm X100V


Mountain Meadow – Red Rock Lakes NWR, MT – Fujifilm X100V


Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V


Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V


Wildflower Meadow – Red Rock Lakes NWR, MT – Fujifilm X100V


Wildflowers in the Forest – Red Rock Lakes NWR, MT – Fujifilm X100V


Forest Flowers – Red Rock Lakes NWR, MT – Fujifilm X100V


Flower in the Forest – Red Rock Lakes NWR, MT – Fujifilm X-T30 & Fujinon 90mm


Poolside – Red Rock Lakes NWR, MT – Fujifilm X100V


Red Rock Lake in Green – Red Rock Lakes NWR, MT – Fujifilm X100V


Algae Water – Red Rock Lakes NWR, MT – Fujifilm X100V


Pelican on the Shore – Red Rock Lakes NWR, MT – Fujifilm X100V


Looking For Trumpeter Swans – Red Rock Lakes NWR, MT – Fujifilm X100V


Grey Reflections – Red Rock Lakes NWR, MT – Fujifilm X-T30 & Fujinon 90mm


Upper Red Rock Lake Monochrome – Red Rock Lakes NWR, MT – Fujifilm X100V


Monochrome Lake Reflections – Red Rock Lakes NWR, MT – Fujifilm X100V


Water Pipe – Red Rock Lakes NWR, MT – Fujifilm X100V

Part 4 coming soon!

Film Simulation Recipe Compatibility: Bayer, X-Trans I & II


Fuji X Weekly reader Gustavo Potenza sifted through all of the film simulation recipes on this website and organized them by sensor and camera compatibility. Whoa! That was a tall task, but he knocked it out in a matter of minutes. I wanted to share this information with you, but also separate it into multiple posts so that you can quickly find the recipes you’re looking for. I’ll link this article to the recipe page for easy access, and I’ll keep it updated as I make new recipes. Thank you, Gustavo, for doing the hard work on this!

The first list, which are recipes compatible with Fujifilm Bayer and X-Trans I sensors, is very short. I really need to make it longer by adding more recipes. I hope to do that eventually. If you have a Fujifilm camera with a Bayer sensor or X-Trans I sensor, these are the recipes that you can use. The Classic Chrome recipe is only compatible with those cameras that have the Classic Chrome film simulation. At the bottom is the X-Trans II list, which is much longer.

Bayer & X-Trans I


Velvia, Classic Chrome, & Monochrome

The above recipes are intended for the Fujifilm X-A1, X-A2, X-A3, X-A5, X-A7, X-A10, XF10, X-T100, X-T200, X100, X100S, X-PRO1, X-E1, and X-M1 (I hope I didn’t miss any). Some of the X-Trans II recipes below might also work on your Bayer or X-Trans I camera, although results might vary slightly, and it will depend if your camera has the film simulation that the recipe requires.

X-Trans II


The film simulation recipes below are compatible with X-Trans II cameras. A few X-Trans II cameras don’t have all of the different film simulations required, so some of these recipes might not work on your camera.

Kodachrome 64
Kodachrome II
Ektachrome 100SW
Portra 160
Agfa Optima
Velvia, Classic Chrome & Monochrome
Faded Monochrome
Lomography Color 100
Cross Process
Kodachrome Without Classic Chrome

The above recipes are intended for the Fujifilm X100T, X-E2, X-E2S, X-T1, X-T10, X70, X20, X30, XQ1, and XQ2 (I hope that I didn’t miss any). Not all of the recipes will be compatible with every X-Trans II camera. Some of them might even be compatible with Bayer and X-Trans I cameras with varying results, so feel free to try.

X-Trans III
X-Trans IV coming soon!

Fujifilm XQ1 (X-Trans II) Film Simulation Recipe: Kodachrome Without Classic Chrome


Red Greens – Kaysville, UT – Fujifilm XQ1 – “Kodachrome”

I’ve made a lot of Kodachrome film simulation recipes for Fujifilm cameras (click here, here, here, here, here and here), and they’re very popular. Kodachrome was an iconic slide film made by Kodak for many, many years, so it’s no surprise that people want to get that look out of their Fujifilm camera. All of my Kodachrome recipes use Classic Chrome because it has a Kodak-esque slide film aesthetic, but some cameras don’t have Classic Chrome, such as the Fujifilm XQ1. Yes, the XQ1 is an X-Trans II camera, and most X-Trans II cameras have Classic Chrome, but this one doesn’t, only Provia, Velvia, and Astia for color images.

I created this recipe by capturing an image on my X-T1 using my Kodachrome 64 recipe for that camera, and then as best as possible recreated the look not using Classic Chrome. While I tried Velvia and Astia, I ended up using Provia. It’s a surprisingly close match, although not exact. I think you’ll like this Kodachrome recipe if your camera doesn’t have Classic Chrome.


!!! Ride !!! – Salt Lake City, UT – Fujifilm XQ1 – “Kodachrome”

Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +1 (Medium-Hard)
Color: -2 (Low)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: Daylight (Fujifilm calls it “Fine” for some reason), -1 Red & -4 Blue
ISO: Auto, up to ISO 1600
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this “Kodachrome Without Classic Chrome” film simulation recipe on a Fujifilm XQ1:


Lights & Reflections – Kaysville, UT – Fujifilm XQ1


Flag Poles – Farmington, UT – Fujifilm XQ1


Drive Thru Gas & Wash – Kaysville, UT – Fujifilm XQ1


Flowers in a Pot on Concrete – Kaysville, UT – Fujifilm XQ1


Horse Ranch – Salt Lake City, UT – Fujifilm XQ1


Closed Umbrella, Threatening Clouds – Farmington, UT – Fujifilm XQ1


Drawing Jonathan – Farmington, UT – Fujifilm XQ1


Breakfast – Farmington, UT – Fujifilm XQ1

See also: Film Simulation Recipes

Fujifilm X100F Review Blog

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