Fujifilm X-E1 | FUJI X WEEKLY

Let’s Not Forget How Awesome Our Cameras Are

Posted on September 24 by Ritchie Roesch

I think it’s really easy to get caught up in the hype of advancing camera technology. It’s natural to think that we need the latest and greatest new gear. But lately I’ve been thinking that we should not forget just how awesome our current cameras are. Whatever camera gear you have, it’s pretty freakin’ amazing!

I found it interesting that Rob Morgan prefers the X100F over the X100V. He said, “…although the technical specs of the X100V are ‘better’ it lost the mojo of the earlier models.” In other words, he likes the five-year-old model more than the two-year-old one. What about gear that’s even older than that? Can it still be any good?

*Captured yesterday on my X-Pro1 + Xuan 30mm using the Color Negative Film recipe*

The Fujifilm X-Pro1 is ten years old now. So is the X-E1. If you are using decade-old camera gear, you are certainly behind the curve, right? Everyone else’s pictures are so much greater than yours, right? Those cameras aren’t capable of capturing worthwhile images, right? Of course, the answer is no to all three questions—your gear is not obsolete, your pictures aren’t inherently inferior, and, yes, your gear is plenty capable as long as you are. Photography has been around for 196 years, but only cameras released in the last 12 months are worth owning, some would say—those cameras that evolved after only 186 years aren’t nearly as good as those that have had the full 196 years to be released. That’s nothing but pure nonsense!

The X-Pro1, the X-E1, and every single other Fujifilm X camera is a capable photographic tool. Is the X-T4 better? Maybe. Is the X-H2 better? Maybe. Is the X-T1 better? There are some who think so. Is the X-H1 better? Many X-H1 owners think so. Does any of it matter? No. What matters is how you use your gear, not what gear you use.

*One of my favorite pictures (that has hung on my wall for years) is this image captured on a Fujifilm X-E1 with a 50 year old lens.*

The fact is that the X-Pro1 and X-E1 are just as capable today as they were in the year that they were released. Actually, that’s wrong. With Fujifilm’s firmware updates (that they used to be known for), the cameras are better today than they were in 2012. A lot of positive things were said about the cameras back then. A lot of wonderful pictures were captured with them back then. 10 years later and it all still applies, and the cameras can still capture amazing pictures today.

I thought it would be a worthwhile exercise to reread the old X-Pro1 reviews, and quote the positive things that were said about it back then. I think this is a good perspective to have, especially if you’re feeling a little camera envy. The X-Pro1 was a highly desirable model when it was released. I remember drooling over it in the pages of a photography magazine, but I couldn’t afford it back then. I’m very happy to own it now, because it’s still a solid camera, and still worth drooling over, even at the decade mark.

“It’s not just a retro look that distinguishes the Fujifilm X-Pro1, but its cutting-edge hybrid optical viewfinder and emphasis on quality prime lenses. Excellent image quality with very clean detail is the extra surprise inside.” —Imaging Resource, 04/18/2012

“The Fujifilm X-Pro1 does almost everything right: it’s a beautiful (if enormous) camera, it takes great pictures and video, and once you take the time to learn its controls and systems it’s as capable a shooter as I’ve tested.” —The Verge, 05/22/2012

“The X-Pro1 is certainly right up there with the best APS-C sensor cameras on the market, and some full-frame models too.” —Photography Blog, 03/15/2012

“The camera’s images are exceptional, delivering on the claims that it can match up to existing full-frame sensor’s abilities.” —What Digital Camera, 03/09/2012

“The image quality is stunning, with excellent, and I really mean excellent pixel level detail, with excellent colour reproduction, great dynamic range, excellent high ISO noise results and excellent JPEG output straight from the camera.” —ePhotoZine, 03/12/2012

“This is a high ISO street shooters dream. Yes, I said STREET SHOOTERS DREAM.” —Steve Huff, 04/04/2012

“This camera is a wave-breaker. May the other companies take note!” —Digital Photography School, 03/30/2012

“With the X-Pro1 Fujifilm has built on the platform provided by the X100, and is beginning to look like a very serious contender at the high end of the camera market.” —Digital Photography Review, 06/28/2012

Whatever camera you have, don’t worry about it being “good enough” or “new enough” or anything else. What you do with the gear you have is much more important than the gear you have—the limitation is only oneself. Do the best you can with what you have, and in time you’ll surprise even yourself at what you create. Your camera—whatever it is—is awesome, and we shouldn’t so easily forget that.

5 Tips For Photographing Grand Teton National Park (Without Going Inside The Park)

Posted on January 7, 2020 by Ritchie Roesch

John Moulton Barn Grand Teton National Park

Barn by the Tetons – Grand Teton NP, WY – Fujifilm X-E1

The Grand Teton National Park in western Wyoming is incredibly beautiful! It’s one of my favorite places. Once you’ve been, you’ll want to return again and again. There’s a magical quality to it, similar to that first view of the Grand Canyon or a misty morning in Yosemite Valley. If you’ve never visited the range, it should be high on your bucket list of places to see! The Grand Tetons are a landscape photographer’s playground, and you definitely need to visit with a camera in hand.

Many people who see the Grand Tetons do so from their car. U.S. Highway 191 runs north and south just east of the mountain, offering spectacular sights the whole length. There are so many amazing views of the range that don’t require an entrance into the park. Yellowstone National Park, which is a little north of the Grand Tetons, is the more popular park of the two, and Jackson Hole has itself become a destination, so a lot of people only see the Teton Range as they travel between the two places. While taking time to go inside the Grand Teton National Park is certainly a worthwhile endeavor, it’s definitely possible to experience exquisite views from outside the gate. Going inside the national park isn’t required for a memorable Teton visit. Below are five tips for photographing the Grand Tetons from outside the park entrance.

The Off Season Is The Best Season

Tetons From Mormon Row – Grand Teton NP, WY – Fujifilm X-E1

Avalanche Canyon – Grand Teton NP, WY – Fujifilm X-E1

The Grand Teton National Park can get very crowded. Even though it plays second fiddle to nearby Yellowstone, it still sees a ton of visitors from across the world, especially in the summer months. The winter months are harsh yet could provide some amazing photographic opportunities for those willing to brave the elements, but that’s not when I’d recommend visiting. There are a couple of small windows that are better suited for travel to the Grand Tetons.

The month of May is an excellent time, as the crowds are low since school is still in for many people, and the weather is usually decent enough. The earlier in the month you go, the smaller the crowds will be, but the temperatures will be colder and it still might feel like winter. Mid-May is the sweet spot. Mid-September to mid-October is another excellent time, as most children have returned to school, and the weather is still decent enough. The earlier you go the better the weather, but the larger the crowds will be. Late September is another sweet spot for visiting Grand Teton National Park. If the forecast is for clouds and cold temperatures, it could provide a dramatic environment for your pictures, so it might be preferable over endless sunshine, but be prepared for the conditions.

Early Morning Is Magical

Mountain & Clouds – Grand Teton NP, WY – Fujifilm X-E1

Sliver of Illumination – Grand Teton NP, WY – Fujifilm X-E1

While sunset can be a spectacular time to photograph the Grand Tetons, nothing beats sunrise. Since the highway runs on the east side of the range, the sunrise light is often better for photographing the mountains. The early morning “golden hour” is a time that you don’t want to miss. Be sure to arrive well before the official sunrise because the peaks will illuminate before the valley. If you can only be there for either sunrise or sunset (and not both), make sure that it’s sunrise. It’s worth getting up while it’s still dark outside to catch the early morning light on the Teton Range.

Because the sunrise will light the tips of the peaks first, it’s a good plan to begin the day with a telephoto lens. Once more of the landscape has daylight, you can switch to a wide-angle lens if you’d like. The Grand Tetons are a place where you’ll want the option for both telephoto and wide-angle focal lengths, and you’ll probably switch between both frequently.

Mormon Row Is Historic

Mountain & Mormon How – Grand Teton NP, WY – Fujifilm X-E1

Barn In The Mountains – Grand Teton NP, WY – Fujifilm X-E1

If you are starting off your photographic journey in the early morning, make the Mormon Row Historic District your first stop. It’s located just north of the Grand Teton National Park entrance on the east side of the highway. The old houses and barns are found about a mile down Antelope Flats Road. The John Moulton Barn is probably the most famous of the historic structures, and surely you’ve seen pictures of it, but there are other buildings that are equally picturesque. Mormon Row is one of the most famous spots at the Grand Tetons for photography, so even during the off season you’re likely to find a crowd with cameras at this place.

Besides the historic buildings, this is a location where you might spot bison, as buffalo commonly graze in the area. You might also see deer or even moose. Always be vigilant around wildlife and keep a safe distance. While the animals are fairly used to crowds of people, they can still be quite dangerous, so don’t get too close.

Schwabacher Landing Is Unbelievable

Tetons From Schwabacher Landing – Grand Teton NP, WY – Fujifilm X-E1

Schwabacher Landing Beaver Dam – Grand Teton NP, WY – Fujifilm X-E1

After you are done photographing the barns at Mormon Row, head further north up the highway to Schwabacher Landing. There’s a little road on the west side of the highway that takes you down close to the river, which is calm and reflective thanks to a bunch of beaver dams. Honestly, this place is magical! It can feel unreal. It’s my favorite place at the Grand Tetons, so be sure to stop here.

If there’s a place that you’ll want to use a tripod and really take your time, this is it. Walk around the trails a little. Soak in the scene. Enjoy the incredible nature that’s around you. Don’t be in a hurry to head down the road. Be in the moment, because the moment is amazing. If you are visiting during the off season, there’s a good chance you’ll have the place to yourself. Don’t miss Schwabacher Landing because it’s unbelievably beautiful!

Snake River Overlook Is Iconic

Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1

The Tetons and the Snake River, 2017 – Grand Teton NP, WY – Fujifilm X-E1

About 21 miles north of Jackson Hole, Wyoming, is the Snake River Overlook, which is a pullout on the west side of Highway 191. There are a bunch of scenic pullouts along the highway that offer stunning views of the Grand Tetons, but this one is special because Ansel Adams captured one of his most iconic pictures at this spot. What makes it especially great is that you can capture the Snake River winding in front of the incredible mountain range. This is a good place to finish the morning, and, if you can, return for sunset.

As a photographer who has studied Ansel Adams’ work, who has been inspired and influenced by his pictures, there’s something prodigious about being in the exact spot where he captured one of his famous pictures. It’s walking in the footsteps of greatness. It seems particularly appropriate, when you visit the Teton Range, to pay homage to Adams by making your own photographs at the Snake River Overlook.