Mountain photography | FUJI X WEEKLY

On Top of the World with a Fujifilm X100V: Driving Farmington Canyon to Francis Peak

Posted on July 15, 2020 by Ritchie Roesch

Francis Peak in Green – Francis Peak, UT – Fujifilm X100V

From my house I can see Farmington Canyon and Francis Peak in Utah. It’s an amazing view! But I had never been up the canyon or to the top of the mountain. There’s a narrow dirt road that snakes up the canyon side and leads to the peak. At the top is a radar site. Recently I grabbed my Fujifilm X100V and drove up the winding dirt road seeking adventures and vistas.

The road up the canyon turned out to be much too crowded with cars, UTVs, ATVs, bicyclists and even pedestrians. It’s not especially wide, sometimes not wide enough for two cars to pass. It’s a sketchy drive at times with steep drop-offs and rough sections. The difficult road rewarded me with beautiful scenes and incredible views.

I used three film simulation recipes on my Fujifilm X100V: Kodak Tri-X 400, Fujicolor Reala 100, and a new Velvia recipe that I’ve been working on (expect a modified version of this recipe to be published in the coming weeks). In a way this was like loading my camera with three rolls of film, but of course in the film days you could only have one roll loaded at a time. With the X100V (and most Fujifilm cameras) you can have up to seven! Amazing!

The view from the peak is nothing short of breathtaking! It feels like standing on top of the world. You can see for miles and miles and miles. I could even see my house way down at the bottom. I feel fortunate to live so close to this place. It’s great that I can make this journey again if I want, and I surely will!

Kodak Tri-X 400

Bicycling Up – Farmington Canyon, UT – Fujifilm X100V

Dirt Road – Farmington Canyon, UT – Fujifilm X100V

Farmington From Above – Farmington Canyon, UT – Fujifilm X100V

Valley Peek – Farmington Canyon, UT – Fujifilm X100V

New Mexico – Farmington Canyon, UT – Fujifilm X100V

Mountain Road – Francis Peak, UT – Fujifilm X100V

Tough Tree in a Rough Place – Francis Peak, UT – Fujifilm X100V

Family Above Everything – Francis Peak, UT – Fujifilm X100V

Road Above the Valley Below – Francis Peak, UT – Fujifilm X100V

Valley Below from High Above – Francis Peak, UT – Fujifilm X100V

Salt Lake Valley from a Wasatch Peak – Francis Peak, UT – Fujifilm X100V

Salt Lake Valley – Francis Peak, UT – Fujifilm X100V

Wasatch Mountains Monochromatic – Francis Peak, UT – Fujifilm X100V

Fujifilm Fujicolor Reala 100

Dusty Road – Farmington Canyon, UT – Fujifilm X100V

Might As Well Jump – Francis Peak, UT – Fujifilm X100V

ATVs – Francis Peak, UT – Fujifilm X100V

High Voltage – Francis Peak, UT – Fujifilm X100V

A Few Dead Trees – Francis Peak, UT – Fujifilm X100V

Mountain Green – Francis Peak, UT – Fujifilm X100V

Fujifilm Velvia

Spring Green – Farmington Canyon, UT – Fujifilm X100V

Vibrant Green Hill – Farmington Canyon, UT – Fujifilm X100V

Mountain Thistle – Farmington Canyon, UT – Fujifilm X100V

Wasatch Green – Francis Peak, UT – Fujifilm X100V

Mountain Vista – Francis Peak, UT – Fujifilm X100V

Morgan Valley – Francis Peak, UT – Fujifilm X100V

Mountain & Valley – Francis Peak, UT – Fujifilm X100V

Trees at the Top – Francis Peak, UT – Fujifilm X100V

Compass Rock – Francis Peak, UT – Fujifilm X100V

View From the Top – Francis Peak, UT – Fujifilm X100V

Salt Lake Valley From High Above – Francis Peak, UT – Fujifilm X100V

Trail Down to the Valley – Francis Peak, UT – Fujifilm X100V

Wasatch Mountains in Spring Green – Francis Peak, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black Amazon B&H
Fujifilm X100V Silver Amazon B&H

Film Simulation Review: Changing Light, Part 2: Ilford HP5 Plus

Posted on May 26, 2020 by Ritchie Roesch

Clouds On Top – Farmington, UT – Fujifilm X-T30 & Fujinon 90mm

Changing Light, Part 1: Velvia

I get asked sometimes how do I decide between color and black-and-white. I don’t remember where I heard this, but a long time ago somebody told me that if color is important to the scene then it should be a color picture, and if it’s not it should be black-and-white. Back then you had to make this decision before loading your camera with 24 or 36 exposures. Nowadays you can wait until after capturing the picture before deciding, although I find it best to choose before making the exposure.

Color pictures are (primarily) about three things: light, shadow and color. Black-and-white pictures are (primarily) about two things: light and shadow. It’s easy to see that if color isn’t an essential element to the picture, then it only serves as a distraction to light and shadow; however, that’s an oversimplified way of looking at it. There are many different color theories, and whether color is important or unimportant is highly subjective. One thing is for certain: black-and-white pictures are about light and shadow and those in-between grays.

Whenever I photograph in monochrome my mentality changes. They way that I look at the scene is different. When I photograph in color, I look for color. When I photograph in black-and-white, I look for tones. That’s why it’s important for me to decide before capturing the picture whether it will be color or not. For the pictures in this article, I decided that they needed to be monochrome. I chose my Ilford HP5 Plus film simulation recipe because I thought it would offer me the right amount of contrast. It’s not my most contrasty black-and-white recipe, but it has a good amount of contrast—not too much or too little. I think it was a great choice for these scenes.

I captured these pictures over the last several days from my house. I didn’t go anywhere. There were a lot of clouds and the light on the mountain was constantly changing. Oftentimes it was rather dull, but sometimes it was amazing! The camera I used was a Fujifilm X-T30. Most often I used a Fujinon 100-400mm lens, but occasionally I used a Fujinon 90mm. These longer focal lengths allowed me to “bring close” the mountain, making it appear as though I was in them, and not at a distance. Sometimes you don’t have to go anywhere to capture interesting pictures. That’s especially true if you have a great view where you are.