Fujifilm’s Fujinon Super EBC XC 50mm-230mm f/4.5-6.7 OIS II lens is a budget telephoto zoom option for X series cameras. It has 13 elements in 10 groups with seven rounded blades and a maximum aperture of f/22. This lens accepts 58mm filters. Because of the APS-C crop factor, it has a full-frame focal-length equivalence of 75-345mm. The only Fujifilm lens that has a longer focal length is the Fujinon 100-400mm, which retails for about four times as much.
The Fujinon 50-230mm f/4.5-6.7 OIS II is mostly made of plastic. It doesn’t feel especially sturdy, like it would probably break if it took a big fall, but it’s super lightweight at about .8 pounds. This lens is fairly small, at between 4.4″ and 7″ depending on the focal length. For how telephoto this lens is, it’s impressive how light and small they were able to make it!
There’s no aperture ring, which is expected since it’s an XC series lens, but a bummer because the aperture ring is something that I appreciate about Fujinon lenses. There’s no doubt that this is a cheap lens when you look at the body. Manual focus is electronic and pretty good overall. Auto-focus, which is very quiet, isn’t especially quick, but it’s also not super slow. I would say that it’s sufficiently snappy for most purposes, and probably too slow for quickly moving subjects.
The lens has a maximum aperture of f/4.5 at 50mm and f/6.7 at 230mm, and variously in-between at other focal lengths. That’s not especially large, which means this isn’t a good lens for working in dim light or trying to achieve shallow depths of field. The close focus distance isn’t bad, though, so if you use the largest aperture at the closest focus distance you can get a nice out-of-focus background. When you do, bokeh is decent enough, but not particularly great.
The Fujinon 50-230mm lens is equipped with optical image stabilization, which Fujifilm claims will give you four stops extra. The math calculation I learned many years ago for achieving sharp hand-held pictures is the shutter speed should not go any slower than the focal length. That means, using good technique, you would expect to get a sharp hand-held image at 50mm with a shutter speed of 1/60, and at 230mm you should not go slower than 1/250. While Fujifilm says you get four stops extra because of the image stabilization, the reality is that you don’t, and even three stops might be pushing it. I would avoid going slower than 1/30 at 50mm and 1/125 at 230mm, although you may be able to get a little slower than that if you hold the camera really steady. The optical image stabilization is a nice addition, though, especially considering that the maximum aperture of this lens isn’t especially large.
There’s pretty much no distortion on the Fujinon 50-230mm lens. There’s a tiny amount of vignetting when wide open, especially at the further focal lengths, but that goes away as you stop down. I haven’t noticed any chromatic aberrations. Lens flare is well controlled. There’s very little negative to say about the optics.
This lens is surprisingly sharp for how cheap it is. It’s not as sharp as a typical Fujinon prime lens, and that’s to be expected, but it is more crisp than I thought it would be, especially considering that it’s a budget series lens. It’s better than many budget zooms I have used from other brands. While it comes across as cheap on the outside, the glass on this lens is clearly Fujinon, and it delivers the image quality that you’ve come to expect from that brand name. Sharpness is a highlight of this lens!
The Fujinon 50-230mm f/4.5-6.7 OIS II lens is lightweight and sharp and optically sound. With an MSRP of $400, it’s cheap, and some corners were cut to make it cheap, but none of that relates to image quality, which is excellent. It’s easy to recommend this lens. If you are a sports or wildlife photographer, you might find some aspects of it to be frustrating, such as focus speed and maximum aperture, and you should consider the 50-140mm or 100-400mm instead. Otherwise, this is an excellent addition to your Fujifilm X glass collection.
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Example photographs, all camera-made JPEGs captured using the Fujinon 50mm-230mm lens:
See also: Fujifilm Gear
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