Fujifilm X100V + X-Pro3 Film Simulation Recipe: Pushed CineStill

City Roses – Farmington, UT – Fujifilm X100V – “Pushed CineStill 800T”

This “Pushed CineStill 800T” Film Simulation Recipe came about after I stumbled across an amazing picture that was captured on CineStill 800T film during daytime with an overcast sky. It turned out that the film was push-processed, but I never learned by how many stops (I’m guessing one-stop). After some extensive Googling, I was able to find several more examples of push-processed CineStill 800T film shot in overcast daytime light. I then set out to mimic that aesthetic on my Fujifilm camera, and I figured it out; however, my first recipe was only compatible with the X-T4, X-S10, X-E4, and X-T30 II cameras, so I made this alternative version that works on the X-Pro3 and X100V (you can use it on those “newer” cameras, too, if you’d like).

Interestingly enough, even though this recipe is intended for daytime photography, it does quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions. It does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, or scanned (among many other things). This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

Cigarettes – Reno, NV – Fujifilm X100V – “Pushed CineStill 800T”

This was a Fuji X Weekly App Patron Early-Access Recipe, so App Patrons have had access to it since October, but now it’s available to everyone! A new Early-Access Recipe replaced it—find it in the Fuji X Weekly App!

Eterna
Dynamic Range: DR400
Highlight: +3
Shadow: +1
Color: -2
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 7700K, -9 Red & +7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” film simulation recipe on my Fujifilm X100V & Fujifilm X-E4:

Gas Pumps at Night – Farmington, UT – Fujifilm X-E4
Nighttime Neighborhood – Farmington, UT – Fujifilm X-E4
Night Walkway – Farmington, UT – Fujifilm X-E4
Nighttime Flowerpot – Farmington, UT – Fujifilm X-E4
Potted Shrub – Farmington, UT – Fujifilm X-E4
Burger Boy – Reno, NV – Fujifilm X100V
Playground Girl – Farmington, UT – Fujifilm X-E4
Rose Garden – Farmington, UT – Fujifilm X-E4
Hoop – Farmington, UT – Fujifilm X-E4

Find this Film Simulation Recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Pushed CineStill 800T

Snow on the Stormy Mountain – Farmington, UT – Fujifilm X-E4 – “Pushed CineStill 800T”

This “Pushed CineStill 800T” Film Simulation Recipe came about after I stumbled across an amazing picture that was captured on CineStill 800T film during daytime with an overcast sky. It turned out that the film was push-processed, but I never learned by how many stops (I’m guessing one-stop). After some extensive Googling, I was able to find several more examples of push-processed CineStill 800T film shot in overcast daytime light. I then set out to mimic that aesthetic on my Fujifilm camera.

Interestingly enough, even though this recipe is intended for daytime photography, it does quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions. It does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, or scanned (among many other things). This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

Book & Minolta – Farmington, UT – Fujifilm X-E4 – “Pushed CineStill 800T”

Because this “Pushed CineStill 800T” recipe uses the Eterna Bleach Bypass film simulation, it is only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. It’s possible that this recipe is also compatible with the GFX100S and GFX 50S II, but I’ve never tested it to be certain. This was a Fuji X Weekly App Patron Early-Access Recipe, so App Patrons have had access to it since October, but now it’s available to everyone! A new Early-Access Recipe replaced it find—it in the Fuji X Weekly App!

Eterna Bleach Bypass
Dynamic Range: DR400
Highlight: -0.5
Shadow: -1.5
Color: +3
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 7700K, -9 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” Film Simulation Recipe on my Fujifilm X-E4:

Happy Birthday Wish – Farmington, UT – Fujifilm X-E4
Ready To Go Nowhere – Farmington, UT – Fujifilm X-E4
Pipe Door – Farmington, UT – Fujifilm X-E4
Night Urban Path – Farmington, UT – Fujifilm X-E4
Empty Parking Garage – Salt Lake City, UT – Fujifilm X-E4
Empty Harmons Fuel Stop – Farmington, UT – Fujifilm X-E4
Night Hydrant – Farmington, UT – Fujifilm X-E4
Wet White Blooms – Farmington, UT – Fujifilm X-E4
Little Wild Berries – Farmington, UT – Fujifilm X-E4
Clouds Building Over Green Ridge – Farmington, UT – Fujifilm X-E4
Pumpkins In A Patch – Farmington, UT – Fujifilm X-E4
Bee Boxes – Farmington, UT – Fujifilm X-E4
Hidden Townhomes – Farmington, UT – Fujifilm X-E4
Winter Dusting – Farmington, UT – Fujifilm X-E4

Find this Film Simulation Recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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New Patron Early-Access Film Simulation Recipe: Pushed CineStill 800T (X100V & X-Pro3)

City Roses – Farmington, UT – Fujifilm X100V – “Pushed CineStill 800T”

The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best app experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the app, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no app. So I want to give a special “thank you” to all of the Patrons!

A few days back I published a Patron early-access recipe called “Pushed CineStill 800T” that was compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras, and I immediately received requests for an alternate version for the X100V and X-Pro3. I was able to get pretty darn close! While this new Patron early-access recipe is for those with an X100V or X-Pro3, it is also compatible with the X-T4, X-S10, X-E4, and X-T30 II, and if you have one of those cameras you will have to decide which version to use—even though they’re both nearly identical, you might prefer one over the other.

Both recipes mimic the look of push-processed CineStill 800T film. To create this aesthetic, I studied overcast daytime examples of the film, and, interestingly enough, it did quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions—it does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, printed, or scanned. This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

If you are a Fuji X Weekly Patron, it’s available to you right now on the app!

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” film simulation recipe:

Gas Pumps at Night – Farmington, UT – Fujifilm X-E4
Nighttime Neighborhood – Farmington, UT – Fujifilm X-E4
Night Walkway – Farmington, UT – Fujifilm X-E4
Nighttime Flowerpot – Farmington, UT – Fujifilm X-E4
Potted Shrub – Farmington, UT – Fujifilm X-E4
Cigarettes – Reno, NV – Fujifilm X100V
Burger Boy – Reno, NV – Fujifilm X100V
Playground Girl – Farmington, UT – Fujifilm X-E4
Rose Garden – Farmington, UT – Fujifilm X-E4
Hoop – Farmington, UT – Fujifilm X-E4

New Patron Early-Access Film Simulation Recipe: Pushed CineStill 800T

Snow on the Stormy Mountain – Farmington, UT – Fujifilm X-E4 – “Pushed CineStill 800T”

The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best app experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the app, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no app. So I want to give a special “thank you” to all of the Patrons!

This new Patron early-access recipe is called “Pushed CineStill 800T” and is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II X-Trans IV cameras. It mimics the look of push-processed CineStill 800T film. To create this aesthetic, I studied overcast daytime examples of the film, and, interestingly enough, it did quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions—it does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, printed, or scanned. This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

If you are a Fuji X Weekly Patron, it’s available to you right now on the app!

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” film simulation recipe:

Book & Minolta – Farmington, UT – Fujifilm X-E4
Happy Birthday Wish – Farmington, UT – Fujifilm X-E4
Ready To Go Nowhere – Farmington, UT – Fujifilm X-E4
Pipe Door – Farmington, UT – Fujifilm X-E4
Night Urban Path – Farmington, UT – Fujifilm X-E4
Empty Parking Garage – Salt Lake City, UT – Fujifilm X-E4
Empty Harmons Fuel Stop – Farmington, UT – Fujifilm X-E4
Night Hydrant – Farmington, UT – Fujifilm X-E4
Wet White Blooms – Farmington, UT – Fujifilm X-E4
Little Wild Berries – Farmington, UT – Fujifilm X-E4
Clouds Building Over Green Ridge – Farmington, UT – Fujifilm X-E4
Pumpkins In A Patch – Farmington, UT – Fujifilm X-E4
Bee Boxes – Farmington, UT – Fujifilm X-E4
Hidden Townhomes – Farmington, UT – Fujifilm X-E4
Winter Dusting – Farmington, UT – Fujifilm X-E4

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: CineStill 800T

Night Synergy – Centerville, UT – Fujifilm X-T1 – “CineStill 800T”

This is my favorite CineStill 800T film simulation recipe. I created my first CineStill 800T recipe, which is intended for X-Trans III cameras, over three years ago. My next version, which is intended for newer X-Trans IV cameras, was published nearly a year ago. This X-Trans II recipe was one of the original Patron “Early-Access” recipes on the Fuji X Weekly App. In other words, those who are Patrons on the App have already had access to this recipe, and now that another recipe has replaced it, this CineStill 800T recipe is available to everyone! Early-Access to some new recipes is one of the benefits of being a Fuji X Weekly Patron, and a great way to support this website.

CineStill 800T is Kodak Vision3 500T motion picture film that’s been modified for use in 35mm film cameras and development using the C-41 process. Because it has the RemJet layer removed, it is more prone to halation. The “T” in the name means tungsten-balanced, which is a fancy way of saying that it is white-balanced for artificial light and not daylight. CineStill 800T has become a popular film for after-dark photography.

Pair – Kaysville, UT – Fujifilm X-T1 – “CineStill 800T”

Even though the film that this recipe is intended to mimic is Tungsten-balanced, it can still produce interesting pictures in daylight. It’s a versatile recipe, but it definitely delivers the best results in artificial light. When I photograph with my Fujifilm X-T1 after sunset, this is the recipe that I use.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +1 (Medium-Hard)
Color: -1 (Medium-Low)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: 4300K, -3 Red & -3 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this CineStill 800T film simulation recipe:

Red Hatchback – Centerville, UT – Fujifilm X-T1
We Care About Asada Nachos – Centerville, UT – Fujifilm X-T1
Shoe Repair in Disrepair – Kaysville, UT – Fujifilm X-T1
Vending Machines – Kaysville, UT – Fujifilm X-T1
Narrow Drive – Kaysville, UT – Fujifilm X-T1
2nd & Main – Kaysville, UT – Fujifilm X-T1
The Kaysville Theatre – Kaysville, UT – Fujifilm X-T1
Park Gazebo – Clinton, UT – Fujifilm X-T1
Fall Branch – Clinton, UT – Fujifilm X-T1
Cut Off – Clinton, UT – Fujifilm X-T1

Find this film simulation recipes and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: CineStill 800T

Suburban Night – Farmington, UT – Fujifilm X100V

I created my original CineStill 800T film simulation recipe about two-and-a-half years ago. That recipe has remained quite popular. It’s received a lot of positive feedback and I remain quite proud of it. That recipe was created for X-Trans III cameras, but newer models have more JPEG options. I’ve been asked a few times if that recipe can be improved using the new features that weren’t around when I created it.

This new version is something that I’ve been working on for months and months. My CineTeal recipe is actually one of the failed attempts. I’ve been trying to achieve either an accurate CineStill 800T or Kodak Vision3 500T look straight-out-of-camera. These two films are actually the same film, but the CineStill version has the RemJet layer removed, which means that it is more prone to halation and can be processed in C-41 chemistry. Vision3 500T is meant to be developed using the ECN-2 process. With either CineStill 800T or Vision3 500T, how the film is shot, developed, and scanned and/or printed can significantly effect the aesthetic.

Lone Light – Farmington, UT – Fujifilm X100V – “CineStill 800T”

I’m not 100% satisfied with this recipe. I think in some situations and in certain lighting, it looks pretty darn accurate to the film. In other situations and in other lighting, it’s a little off. There’s a lot of variation in how the film can look, and it’s just not possible to encapsulate it all in one recipe. In any event, if you are looking for a recipe that produces results similar to Tungsten film, this is one to consider. It is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4.

Eterna
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: +4
Noise Reduction: -4
Sharpening: -3
Clarity: -5
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Fluorescent 3 (Cool White Fluorescent), -6 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new CineStill 800T film simulation recipe on my Fujifilm X100V:

Garage Door Light – Farmington, UT – Fujifilm X100V
Inside Looking Out – Farmington, UT – Fujifilm X100V
Fuel Stop – Farmington, UT – Fujifilm X100V
Quick Quack Centerville, UT – Fujifilm X100V
Old Navy – Farmington, UT – Fujifilm X100V
Brick at Night – Farmington, UT – Fujifilm X100V
Empty Bench – Farmington, UT – Fujifilm X100V
40% Off – Centerville, UT – Fujifilm X100V
Hi – Farmington, UT – Fujifilm X100V
Navy Surplus Baskets – Farmington, UT – Fujifilm X100V
Ghost Shoppers – Farmington, UT – Fujifilm X100V
Remodel – Farmington, UT – Fujifilm X100V
Red Cotton – Farmington, UT – Fujifilm X100V
Lit Corner – Centerville, UT – Fujifilm X100V
Chillin’ in the Drive Thru – Centerville, UT – Fujifilm X100V
Tree Leaves at Night – Farmington, UT – Fujifilm X100V
Night Rose – Farmington, UT – Fujifilm X100V
Hot Beans – Farmington, UT – Fujifilm X100V
Kitchen Ornament – Farmington, UT – Fujifilm X100V
Book Table – Farmington, UT – Fujifilm X100V
End Table – Farmington, UT – Fujifilm X100V
Girl in Window Light – Farmington, UT – Fujifilm X100V
Home Umbrella Farmington, UT – Fujifilm X100V

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X100F CineStill 800T Film Simulation Recipe


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I had never even heard of CineStill 800T film until a couple of weeks ago when a Fuji X Weekly reader asked if I could help him develop a film simulation recipe that mimics the look of it. This film didn’t exist back in the days when I shot a lot of film. Even though companies like Fujifilm are slowly discontinuing some of their 35mm films, other companies have been introducing new ones. CineStill 800T falls into the latter category, as CineStill has only been around since 2012.

CineStill 800T is Kodak Vision3 500T motion picture film that’s been modified for use in 35mm film cameras and development using the C-41 process. It has a “cinema” look, which means that it doesn’t have a lot of contrast or color saturation, as motion picture film is rarely as punchy as most still picture films are. The “T” in the name means tungsten, which is a fancy way of saying that it is not white balanced for daylight (typically 5500K) but for artificial light (3200K). Even though the unmodified film is rated at ISO 500, the modified version is rated at ISO 800.

I searched the web up and down looking for photographs captured with this film to get a good idea of what it looks like. I’ve never used it myself, so I don’t have any firsthand knowledge of what the aesthetics are. I hope to someday try CineStill 800T, but I have probably 25 rolls of unused 35mm film that I’m looking at right now, and in 2017 I shot a grand total of three rolls. So far in 2018 I’m at zero. I just don’t shoot all that much film anymore, especially after purchasing the Fujifilm X100F.

I discovered that CineStill 800T is an excellent high-ISO color film. The options for good quality high-ISO color film are very slim as most color film that’s ISO 800 and higher look especially bad. There are a few good choices, all of which I believe have been discontinued over the last several years. CineStill 800T definitely looks like one that I would have used if it had been around 15-20 years ago. It seems as though that it is mostly being used for portraits under artificial light and after-sunset street photography, although there are plenty of examples of it being used in other situations.

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Where Was Your Head That Day? – Farmington, UT – Fujifilm X100F – “CineStill 800T”

The issues with nailing down some good settings to mimic the look of this film (particularly in light of the fact that I’ve never used it) are that, when looking at an image online, I don’t know how much the process of scanning the image has changed the look of it, I don’t know what was done post-scanning to adjust it (if anything), and if filters were used during exposure to change the white balance (a common film practice). Some people provided good notes with their pictures, and this helped tremendously, but most did not, and so I was left guessing. Despite these shortcomings, I think I was able to get a look that’s pretty close to CineStill 800T. It might not be 100% exact, but I believe it to be close enough that you could probably convince some people that you used the film instead of your digital camera.

Initially I was just doing this recipe to help out a reader and for the challenge of it, but I’m pretty happy with the results and I might continue using it occasionally in the right situations. It’s not something that I’d want to use all of the time, but in the right moments it looks quite nice. It has an analog feel and certainly a different “look” than what most people are creating with their X100F. I simulated using three rolls of 36 exposure film to get the pictures seen in this article.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +3 (+2 when there is a bright light source in the image)
Shadow: +1
Color: -1
Noise Reduction: -3
Sharpening: +1
Grain Effect: Strong
White Balance: 3200K
ISO: Auto up to ISO 6400
Exposure Compensation: 0 to +1/3 (typically)

Example photos, all camera-made JPEGs, using my CineStill 800T Film Simulation recipe:

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Pavilion Roof – Layton, UT – Fujifilm X100F – “CineStill 800T”

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Watering Days – South Weber, UT – Fujifilm X100F – “CineStill 800T”

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Blue Bird – South Weber, UT – Fujifilm X100F – “CineStill 800T”

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Jets – Layton, UT – Fujifilm X100F – “CineStill 800T”

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Red & White Floral – South Weber, UT – Fujifilm X100F – “CineStill 800T”

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New Bloom – South Weber, UT – Fujifilm X100F – “CineStill 800T”

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White Spring Blossoms – Layton, UT – Fujifilm X100F – “CineStill 800T”

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Blinding Blue – S. Weber, UT – Fuji X100F – “CineStill 800T”

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Jon Laughing – S. Weber, UT – Fuji X100F – “CineStill 800T”

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Spoonful of Sugar – South Weber, UT – Fujifilm X100F – “CineStill 800T”

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City Intersection – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Moving Trax – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Down Main Street – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Inside Looking Out – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Anxious To Cross – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Hospital Nights – SLC, UT – Fujifilm X100F – “CineStill 800T”

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Hamburgers – Farmington, UT – Fujifilm X100F – “CineStill 800T”

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Red Circle – Farmington, UT – Fuji X100F – “CineStill 800T”

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Lamp Post – Farmington, UT – Fuji X100F – “CineStill 800T”

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Max Illumination – South Weber, UT – Fujifilm X100F – “CineStill 800T”

See also: My Fujifilm X100F Fujicolor 800 Superia Film Simulation Recipe

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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