Baseball legend Lefty Gomez said, “I’d rather be lucky than good.” This particular film simulation recipe was a failure, but it was a lucky failure. I’ve been trying to create a Kodak Vision3 500T recipe, but I can’t get it right. I’ve tried a number of different combinations of settings, but I haven’t cracked the code (yet). This was one attempt. Under the right light, it does resemble Vision3 500T, but under most conditions it does not. Even though it was a failure, I like the look of this recipe, so I thought I’d share it with you.
I call this new film simulation recipe “Cine Teal” because it looks a bit cinematic thanks to the Eterna film simulation, and has a teal, green or yellow cast, depending on the light. This recipe looks best when used in the “blue hour” of dusk or dawn, and does well in shade and on overcast days. It can be used in other situations, but the results tend to be so-so, although you can still get interesting pictures sometimes. This recipe is a little limited in where it works best, but in the right situations it can look very nice. It’s not for everyone, but some of you will really appreciate it.
Because this film simulation recipe requires the use of Clarity, it will slow your camera down considerably. Fujifilm suggests, if you shoot RAW+JPEG, to add Clarity later by reprocessing the RAW file in-camera or with X RAW Studio. I just use the pause to slow myself down. This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4.
Dynamic Range: DR200
Noise Reduction: -4
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: 4550K, +1 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this “Cine Teal” film simulation recipe on my Fujifilm X100V:
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See also: Film Simulation Recipes
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