My 5 Most Used Fujinon Lenses (Lately)

I frequently get asked which lenses one should buy for their Fujifilm X-series camera. Lens choice is very personal. One might love a certain focal length while another might dislike it. I like primes, but you might prefer zooms. Some photographers prioritize character while others want maximum sharpness. Without knowing exactly what your preferences are, I cannot give good recommendations. What I can do is tell you what I like, and maybe—just maybe—that information will be helpful to you.

The list below are the five lenses that I have used the most lately. It’s not a comprehensive list by any means, as I have a whole bunch of other options, which get used sometimes. A few of the lenses that didn’t get mentioned—the 35mm f/2 and 90mm f/2 come immediately to mind—are frequently attached to my cameras, but just not often enough to make the Top 5. Ask me again next year and this list might look different.

Without any further delay, let’s dive right into my most-used lenses lately list!

Fujinon XF 23mm f/2.8 R WR

Fujifilm’s latest prime lens offering is the Fujinon 23mm f/2.8 pancake. Paired with the Fujifilm X-E5, it’s the closest you’re likely to get to an interchangeable-lens X100VI. This lens is an excellent performer, and has some good close-focus capabilities (not macro, but cropping will get you near-macro). An advantage that APS-C has over full-frame is size and weight, so you’d think that Fujifilm would offer a series of pancake lenses to pair with their smaller cameras; however, for many years your options have been the hard-to-find 27mm f/2.8 and the 18mm f/2, which is barely a pancake and, as one of the older lenses in the lineup, in need of a refresh. So I think it was smart for Fujifilm to release a third option, and I hope that another pancake lens or two are in the works.

While I really like the Fujinon 23mm f/2.8 pancake, I don’t love it quite as much as the 27mm f/2.8 pancake. Clinically speaking, it’s probably the better of the two, but it lacks a little of the soul that makes the 27mm special. I tend to only use it when the 27mm focal length is a bit too tight, or I want to focus a little closer. It’s completely worth owning, but you’re likely to choose either the 23mm or 27mm, and not both, since their focal lengths are fairly similar.

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 & 23mm f/2.8 – Vivid Velvia
Route 66 in Rural Arizona – Seligman, AZ – Fujifilm X-E5 & 23mm f/2.8 – Agfa Scala

Fujinon XF 27mm f/2.8 R WR

When I preordered the Fujifilm X-E4, I did so as a kit with the (new version) Fujinon 27mm f/2.8 pancake lens. I was hesitant to do so because the maximum aperture of “only” f/2.8 wasn’t impressive, and I was unsure if it was going to be sharp enough. At the time, the Fujinon 35mm f/2 was my favorite lens, and it has a similar focal-length, a larger maximum aperture, and, while not a pancake, it’s pretty small overall. After getting the 27mm f/2.8, I fell in love with the character and compact size, and it immediately became my favorite lens.

This is my most used lens over the last several years. Even after getting the 23mm f/2.8 pancake, I still use the 27mm more than any other; however, I do use it a little less than I used to. If I could only own one Fujifilm lens, it would probably be this one.

White Bridge across Pond – Charleston, SC – Fujifilm X-E4 & 27mm f/2.8 – Pacific Blues
Rainbow over Hoboken – Hoboken, NJ – Fujifilm X-T50 & 27mm f/2.8 – Pushed Analog

Fujinon XF 33mm f/1.4 R LM WR

The Fujinon 33mm f/1.4 lens is a recent addition to my collection. It’s actually not mine, it belongs to my wife, Amanda, who uses it for portrait photography. This, the 56mm f/1.2, and the 16-50mm f/2.8-4.8 are her three favorite lenses. When Amanda isn’t using the 33mm f/1.4, I enjoy borrowing it. It has excellent image quality, I appreciate the “nifty fifty” focal length, and the large aperture is especially useful in low-light situations.

The focal length difference between this and the 27mm f/2.8 isn’t dramatic. If I’m not anticipating low-light situations, more often than not I’ll go with the pancake lens; however, if I expect to be shooting indoors or at night, this is the better option. It is a little on the larger/heavier side (but not terribly so), and I typically use it only when it makes the most sense to do so.

Love’s Trucks – Winslow, AZ – Fujifilm X-E5 & 33mm f/1.4 – Retro Slide
Birthday Cowgirl – Buckeye, AZ – Fujifilm X-E5 & 33mm f/1.4 – Reggie’s Superia

Fujinon XF 56mm f/1.2 R WR

The Fujinon 56mm f/1.2 (new version) is extra special. It’s mostly regarded as a portrait lens, but it is good for so much more than that. The extra large maximum aperture makes the lens super useful for low light situations, and the shallow depth-of-field and extra sharp glass gives a medium-format feel to the photographs. The 84mm full-frame equivalent focal-length is slightly awkward for some subjects and situations, and it can take some time to get used to, but well worth the effort to get comfortable with.

My largest gripe with this lens is that it’s not mine. It, too, belongs to my wife, Amanda, but thankfully she lets me borrow it whenever she’s not using it. I don’t have access to it all of the time, but I like to use it whenever the opportunity arises. Because it’s significantly larger and heavier than the previously mentioned lenses, I prefer to use it on my X-T5, but I’ve used it plenty of times on a X-E4 and X-E5, too; however, it definitely balances better on the bigger bodies.

Frontier Motel & Cafe – Truxton, AZ – Fujifilm X-T5 & 56mm f/1.2 – Kodak Vericolor III 160
Corn Crib – Great Smokey Mountain NP, TN – Fujifilm X-T5 & 56mm f/1.2 – Classic Amber

Fujinon XF 16-80mm f/4 R OIS WR

In general, I’m not a fan of zooms. I much prefer primes. Historically, I’ll carry a bag full of primes well before I’ll use a zoom. While the Fujinon 16-80mm f/4 is slightly on the large/heavy side for me, and the maximum aperture isn’t all that impressive, I found that I like this lens a lot more than I thought I would. It offers a large range of focal length versatility. The OIS combined with IBIS allows for slow shutter speeds, hindering it less in low-light than I expected. The image quality is quite good for a zoom, probably on par with some older Fujinon primes like the 60mm f/2.4. Essentially, I can leave my 18mm f/1.4 and 90mm f/2 at home and take this instead—not replacing them precisely, but close enough that it’s worthwhile switching out two-for-one when traveling (but still using the 18mm f/1.4 and 90mm f/2 when staying local).

If I could only pick three lenses, I could see choosing this for the focal-length versatility, one of the pancakes (probably the 27mm) for the compactness, and either the 33mm f/1.4 or 56mm f/1.2 (likely the latter) for lowlight situations. That would cover 99% of my photography needs, and—when traveling—that’s a massive win. So if you are not sure which lenses to buy, I hope this article provides a little clarity, and is helpful to you in some way.

Rock Peaks – Mesa, AZ – Fujifilm X-T5 & 16-80mm – Kodak Tri-X 400
Bridge Encounter – Austin, TX – Fujifilm X-E5 & 16-80mm – Classic Retro

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujinon 23mm f/2.8 in black:
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Fujinon 23mm f/2.8 in silver:
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Fujinon 27mm f/2.8:
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Fujinon 33mm f/1.4:
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Fujinon 56mm f/1.2 R WR:
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Fujinon 16-80mm f/4:
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Flashing Cactus — Using a Godox Lux Master in the Desert

I really like Godox flashes. They’re good quality, easy to use, oftentimes retro styled, reasonably priced, and fun to use. The Godox Lux Junior is my personal favorite mainly because it is compact and lightweight. I also like the Godox Lux Cadet; it’s also fairly small and light. Either one of those are fun to use, but I’m not really a flash-photography guy, so I only occasionally utilize them.

I paid for my Lux Junior out of my own pocket, and wrote briefly about that flash in Getting that ’90’s Film Look with Fujifilm Cameras. Perhaps because of that, Godox sent me a Lux Cadet, which I discussed at length in Using a Godox Lux Cadet for a ’90’s Film Look. More recently, Godox asked if I’d be interested in trying the Lux Master. I said sure; however, I probably should have researched a little before agreeing. Anyway, the flash arrived, and I was a little surprised by the size of the box. The Lux Master is neither compact nor lightweight!

Of course, that doesn’t mean it’s not good, because the Lux Master is definitely a pro-level flash (and only $250, which seems like a bargain for what it is). If you are an event, wedding, or portrait photographer and do flash photography, the Lux Master is one to strongly consider. Or, put on a fedora hat with a paper containing the word PRESS on it, and you could be an old-fashioned photo journalist. I don’t have anything negative to say about the Lux Master, other than it’s a little too much for my photography. I’d use a Lux Junior or Lux Cadet over the Lux Master any day of the week, personally, just because those suit me better (mainly, the size and weight). But, there are some people who need a bit more, and that’s where the bigger flash comes into play. If you need a pro-level flash that is retro cool and affordable, the Lux Master should be high on your list.

There are two main ways that I use an external flash with my photography. With the X100-series I sometimes use the built-in flash for daylight fill, but for the Godox flashes I use them either to get a retro ’90’s look (for lack of a better description… essentially, Film Simulation Recipes combined with flash) and/or creatively use shutter drag (slow shutter speed with intentional movement combined with flash). That’s how I typically use the Lux Junior and Lux Cadet, and how I initially was using the Lux Master.

Fujifilm X-T5 + Fujinon 56mm f/1.2 + Godox Lux Master flash

But then I decided I’ve probably covered that topic enough, and maybe you’d like to see something else. So I waited until sunset, grabbed my Fujifilm X-T5 with the Godox Lux Master attached, and headed out into the desert. How about some cacti photographi? (BTW, that spelling error was intentional). I live in the desert and photograph cactus regularly, but not often when combined with a flash. I did this after-sunset desert trek a few different times, and came away with a few good pictures.

Obviously there’s a pretty significant difference between after-sunset photography with and without a flash. How bright the flash is set, how close the subject is to the camera, and the exact light situation will all affect the outcome. I don’t know if I came away with any good tips to pass along, other than try and try again. For a lot of images, finding the right flash and camera settings often took three or four or five tries, sometimes more. It was a fun little project to do, and I think the experimental nature of it (for me, anyway, since it’s not something that I normally do) was somehow both therapeutic and thrilling. Even if you don’t do much flash photography, something like the Lux Master could be a good training tool to help improve your photography. Or it could be just for fun.

The photographs below are all camera-made JPEGs captured with a Fujifilm X-T5 + Fujinon 56mm f/1.2 lens + Nostalgic Americana Film Simulation Recipe + Godox Lux Master flash:

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T5 in silver:
AmazonB&HMomentWexNuzira
Fujinon 56mm f/1.2 R WR:
AmazonB&HWexNuzira
Godox Lux Cadet:
AmazonB&H
Godox Lux Junior:
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Godox Lux Master:
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