Earlier this year Fujifilm sent me an X-Pro3 camera and Fujinon 33mm f/1.4 lens to try for a few weeks. The camera and lens are long gone—of the two, the one I miss the most is the Fujinon 33mm f/1.4 lens. Yes, the X-Pro3 is great and was a lot of fun to shoot with, but that lens is something special!
What I remember about the development of the Fujinon 33mm f/1.4 lens is that the original intention was for it to have an f/1 maximum aperture, but early in the design stages Fujifilm realized that in order to do so the lens would have to be both very large and very expensive, so they scaled it back to f1.4 instead. The 33mm focal length might seem odd until you take into account the APS-C crop factor—it’s full-frame equivalent to 49.5mm, which means it’s a “nifty fifty” lens.
Fujifilm already has a number of lenses that are close-ish to the 50mm (equivalent) focal-length: the 35mm f/2 (actually, there are two) and 35mm f/1.4 are just a little more telephoto, while the 27mm f/2.8 is a little more wide-angle (and is the closest “as the eyes see” lens in the Fujinon lineup). The 33mm f/1.4 seems a bit unnecessary when judged simply on this, but I do think it was a solid addition when Fujifilm released it last September.
The question on everyone’s mind is whether the Fujinon 33mm f/1.4 lens is any good or not. Of course it is—”Fujinon” is printed on it, and that’s an assurance of quality. The lens is super sharp edge-to-edge, even wide open, but especially when stopped down just a little. This lens out-resolves the 26mp sensors found on the current lineup, and I believe is capable of resolving future higher-resolution offerings that are in the pipeline. Fujifilm built this lens with the future in mind, yet in the meantime it allows you to maximize current cameras’ quality potential. Bokeh is beautiful. Aberrations and flare are fairly well controlled. There is almost no distortion. There is a very small amount of vignetting in the corners when wide open, but it is extremely minimal—you’re not likely to notice unless you are looking closely for it. Sunstars are excellent. While I believe that the flaws in lenses are what gives them character, this lens has proven that position wrong, because this is a near-flawless lens that is oozing with wonderful character. Bravo, Fujifilm!
While some might have wished for that f/1 aperture originally intended for this lens, I found f/1.4 to be more than enough. In daylight conditions, it’s actually difficult to use that large of an aperture, but indoors or at night it can come in handy. It’s possible to get a very narrow depth-of-field, especially if you are focused near the minimum distance (about 12″). I find it interesting that the GFX 63mm f/2.8 is basically the same thing for GFX as the 33mm f/1.4 lens is for X-series, with the same equivalent focal-length and same depth-of-field at maximum aperture. Aside from the resolution difference, you’re basically getting “medium format quality” from this lens—I’m not exactly sure what that means, but know that the lens is superb.
Another thing that you probably want to know is that this lens is weather-sealed, so if you attach it to a weather-sealed camera body, you’re good to go out into the elements. While I didn’t find myself in very many situations where this came in handy, it could be important to you, depending on the type of photography that you do, and where you live. Autofocus is super snappy and nearly silent. Build quality is excellent.
The Fujinon 33mm f/1.4 is a little less than 3″ long and weighs about 0.8 pounds. It’s noticeably bigger and heftier than some Fujinon primes, including the 35mm offerings and especially the 27mm f/2.8. I found it balanced really well on the X-Pro3, X-T4 and X-H1, and it balanced moderately well on the X-T30 and X-T1, but it didn’t seem to balance well with the X-E4. If I did own this lens, I would still use it on my X-E4, but I’d likely use the 27mm f/2.8 much more often on that camera. Basically, this lens pairs particularly well with larger X-series cameras.
The Fujinon 33mm f/1.4 lens retails for $799, which is definitely on the higher end. Is it worth quadruple the price of the cheap XC 35mm f/2? Is it worth double the price of the XF 35mm f/2 or 27mm f/2.8? Is it worth 33% more than the 35mm f/1.4? I can’t answer that for you, but if it is a lens you will use often—an essential tool in your kit—then probably yes. If not, perhaps consider one of the other options. If you do buy it, I have no doubts that it will instantly become one of your favorite lenses, and you’ll keep it for many years to come.
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Example photographs captured using the Fujinon 33mm f/1.4 lens:
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Not a single photo from the article confirms the author’s flattering reviews about the lens. Alas.
I’m the author. You don’t like my pictures? What pictures would you have preferred? The review is flattering because the lens is great, and the image quality is superb, and while that might sound subjective, I really don’t think it is–I would seriously question anyone who publishes an unflattering review of this lens regarding image quality, because they’ve got to be off their rocker if they do. So I’m not sure I understand what your complaint is. Maybe you can explain it further?
The lens is amazing.
But the photo is lacking. The potential of the lens is completely unrevealed by these photos.
I understand now. My pictures don’t live up to the lens’ potential. I get that. Unfortunately, I’m not a great photographer, and I also only had the lens for a short time. I appreciate the input!
Now I got it. My shots do not match the potential of the lens. I understand. Unfortunately, I am not a great photographer, and I did not have a lens for long. I appreciate the contribution!
Not ready to agree with your self-assessment.
But this article is not a creative stroke of luck – an article for the sake of an article. The pouring of water from empty to empty, all the more, review articles from masters of their craft on this lens came out a lot.
For a moment I thought I was seeing the great Stan Lee in “Mutual conversation” : D I think “Indoor Blooms” shows how good the lens is, even at f8 the bokeh is not nervous but gentle, the contrast has just the right amount to get the highlights of the petals in focus in a very natural way, not overblown or so, of course your recipe is part of that rendering but the rendering seems consistent in all the photographs. A great work of Fujifilm engineers, as always, for Fujinon lenses, as these are not only technically proficient but have a photographic character that transmits life.
Lol! It almost does look like Stan Lee. The lens is great! Maybe my pictures don’t convey that as well as other people’s photos (but I do really like a few of these). Bravo to the Fujifilm engineers for creating a wonderful lens!
Ritchie, thanks for a good review and some wonderful photos – I particularly like February Reaching and Desert Snow. Some of the nicest photos I’ve seen in a lens review.
I appreciate your kindness! Thank you!
Its a great lens. I guess i need to get it. Because i switched from Sony to Fuji and also ich doimg portrait. And 50mm equivalent is my loved most. Check out here some of my shots https://www.muratbostan.com
Thanks for sharing!
Ritchie, great photos with good lens – ignore Vlad…
Thanks so much! I appreciate the kindness and encouragement!