What Should the Next Film Simulation Be? 5 Ideas for Fujifilm to Consider

Empty Diner – Reno, NV – Fujifilm X100V – Xpro ’62 Recipe

Assuming that Fujifilm’s sixth-generation cameras are right around the corner—probably five or six months out—what should be different about it? I don’t want to answer that question in this article, but it is what made me think of today’s topic: which Film Simulation should come next? Looking back, Classic Chrome was introduced with X-Trans II, Eterna with X-Trans III (sort of), Classic Negative and Eterna Bleach Bypass with X-Trans IV, and Nostalgic Neg. and Reala Ace with X-Trans V. There’s a significant chance that a new Film Simulation or two will arrive during the next generation. What should they be?

I don’t think that Fujifilm should concentrate solely on introducing new Film Simulations. There are plenty of opportunities for improvements and advancements throughout the cameras, and I’m sure they are working on all of that. Within the Recipe realm, there are a number of potential options, including split-toning (for both color and B&W), faded blacks, vignetting, halation, and light-leaks. Since there is a good likelihood that a new Film Sim is coming, let’s briefly discuss some options that Fujifilm could possibly choose from.

PRO Neg 400H

Neighborhood – Farmington, UT – Fujifilm X-T30 – Fujicolor Pro 400H Overexposed Recipe

I know that there’s already PRO Neg. Hi and PRO Neg. Std, both of which are reminiscent of the Fujicolor PRO line of films. While Fujifilm has claimed that Reala Ace is modeled after the film of the same name, it really isn’t; it’s much more similar to Fujicolor PRO 160C and not Reala Ace, which is in the Superia line. Classic Negative is a much closer match to actual Reala Ace film. The Reala Ace Film Simulation is essentially a third PRO Neg., and it probably should have been called PRO Neg. C (although Reala Ace is a much better name for marketing purposes). Since there’s already three PRO Neg. Film Simulations, why do we need another? The answer is simple: none of them are quite like Fujicolor PRO 400H. That film stock is legendary, especially among wedding photographers. It famously turns pastel with overexposure. If Fujifilm can make a Film Simulation that closely resembles PRO 400H film and behaves similarly with overexposure, that would be an instant hit. Of course making a Film Simulation that can withstand a stop or two of overexposure without blowing out the highlights would be a challenge, but I have faith that Fujifilm could pull it off.

Fortia

Rose in Frame 7 – Buckeye, AZ – Fujifilm X100V – Pop Color Advanced Filter

Urban legend says that Fortia was an accident, a botched batch of Velvia 50 that was wildly vivid. Instead of trashing it, they sold it as a special run in Japan during the cherry blossoms. It was such a hit that they recreated it and sold it (only in Japan and now under the name Fortia SP) from 2005 to 2007 around the time of the cherry blossoms. Interestingly, Pop Color in Advanced Filters is surprisingly similar to Fortia. I think it’s time for it to graduate from an Advanced Filter to Film Simulation, so that we can add Grain, Color Chrome Effect, etc., to it. While the Velvia Film Simulation is indeed vivid, I think some nature and landscape photographers would welcome one that’s beyond Velvia.

Velvia XPRO

Red Caboose – Boron, CA – FED 5c – Fujichrome Velvia 50 cross processed

Back in the day, cross processing was a fun experiment. Cross processing, also sometimes called xpro, was simply developing film in chemistry that was not intended for that film. It could mean a lot of things, but most commonly it was developing slide film in C41 chemistry. My personal favorite film for this was Velvia 50. It would be really cool if Fujifilm made a Film Simulation that replicated cross processed Velvia. Or maybe this is something that could be added to Advanced Filters should Pop Color become a Film Simulation.

Infrared Chrome

Red Yucca in the White Sand – White Sands NP, NM – Fujifilm X-T4 ES – Aerochrome v2 Recipe

I love infrared photography with my full-spectrum Fujifilm X-T4 ES. RNI has an app that replicates Aerochrome on any digital photo. I don’t see why Fujifilm couldn’t make a Film Simulation that resembles Aerochorme, but obviously they’d need to change the name. I think a lot of people are interested in IR photography, but full-spectrum cameras aren’t particularly common and the cost to convert a camera is expensive. This would give a faux-IR experience in a non-IR camera, and without the need of various filters.

Expired Film

Railroad Museum Diptych – Savannah, GA – Fujifilm X half – Expired Film Filter

Expired Film is a really cool Filter on the Fujifilm X half. It’s definitely not for every subject or situation, but it can be great occasionally. If they don’t make it a Film Simulation, at the very least it should be added to Advanced Filters on other X-series cameras.

Now it’s your turn! In your opinion, what Film Simulation should Fujifilm make next? Let me know in the comments, I’d love to hear your ideas.

What’s in a Name (of Fujichrome films)?

Clearing Clouds Over Winter Ridge – Farmington, UT – Fujifilm X-Pro3 – Standard Provia

Someone asked me an intriguing question at Fujifilm’s Create With Us event in Minneapolis this last weekend. “How did Fujifilm come up with their film names,” he wondered, “like Provia, Velvia, and Astia? I know they were slide films, but what do those names mean?” I didn’t have an answer, so I spent some time researching, hoping to find something concrete.

The short answer is that Fujifilm never said what those name mean, or how they originated. The etymology is unknown. If Fujifilm ever did say—perhaps way back in the past—it never made it onto the internet. All we can do now is guess, so let’s do just that.

Beach Chairs – Folly Beach, SC – Fujifilm X-E4 – Velvia Film

Fujifilm had four lines of Fujichrome color reversal (slide) film that were given brand names: Velvia, Provia, Astia, and Sensia. The other slide films that they produced over the years weren’t given fancy names, only more utilitarian designations like 100D or 64T. I always thought that the “Pro” in Provia was short for “Professional” and “via” meant route. In this assumption, Provia simply means the path that professional photographers should take, which seems logical. After digging deeper, I don’t think that’s correct (although, since Fujifilm never said, it certainly could be—who knows?).

The commonality between the four slide film names is the “ia” ending, which (very likely) is Latin. In Latin, ia can be a feminine or abstract noun ending. It can be used to say the quality or condition of something, related to whatever is in front of the ia. So we have Velv -ia, Prov -ia, Ast -ia, and Sens -ia. Whatever the beginning is, the ia ending indicates that the film is the quality or condition of that.

Coastal Mist – Elk, CA – Fujifilm X-T5 – Velvia Film

Velvia has the most concrete information on the etymology. While Fujifilm never stated it, there are numerous sources (perhaps we’re in urban legend territory) that claim “Velv” is short for Velvet. The name Velvia is implying that the film has a velvety quality, which is to say that it is “richly colored with lush blacks.” The name seems to match the film fairly well.

Provia is another story. I couldn’t find anything to suggest what exactly “Prov” could be short for. Some possible options are Providential, Proven, Proverbial, Provide or Provision. None of those seem like strong candidates. I suppose Provia could mean the condition of being proven, although that would be an odd description for a brand-new film (when it was first released). Perhaps the purchase of a roll of Provia was a providential choice by the photographer—that’s definitely plausible. I think my original idea for the name meaning (Pro -via not Prov -ia) is also a possibility, but it doesn’t fit the pattern. This one is quite murky.

Lonely Desert Road – Tucson, AZ – Fujifilm X-T5 – Astia Azure

Astia has three likely options: Aesthetic, Astute, or Astral. The first one—Aesthetic—seems like the obvious answer; perhaps the original working name for the film was actually Aestia, but later shortened to Astia for marketing purposes. Astia would mean that the quality of the film is its aesthetic. Astute could imply a nuanced, perceptive rendering. Astral could be a reference to the sun. Those last two seem weaker than the first, but it could be anything, so who knows?

For Sensia, it obviously has something to do with Sense: Sensible, Sensitive, Sensory, Sensation, etc.. Since Sensia was a consumer film, Sensible seems like a solid answer—Sensia is a sensible choice, after all—but it could be any of them. To sense is to feel (emotion), so Sense could certainly be the word that the film was named after.

Hit – South Weber, UT – Fujifilm X-T30 – Fujichrome Sensia

I said there were four Fujichrome films, but actually there was a fifth: Fortia. This was a limited edition emulsion sold only in Japan, and only in the spring. It was more vibrant and bold than Velvia. The “Fort” in Fortia is likely from the Latin word Fortis, which is where we get the English word Fort, and it means strong or brave. That seems to fit the film well: you have to be brave to use it due to its strong colors.

For Velvia and Fortia, I think we have the answer: Velvet and Fortis, respectively. Fujichrome Velvia gives a velvety picture quality; Fujichrome Fortia has strong colors that only the bravest photographers will appreciate. For Provia, Astia, and Sensia, there’s a bit less clarity, as there are a number of potential options. Despite Fujifilm naming their “standard” Film Simulation after Fujichrome Provia, the etymology of Provia is the most murky. Astia is likely a reference to Aesthetic, and Sensia is likely a reference to either Sense or Sensible, but neither is certain. Since Fujifilm has never said, we only have our imaginations, and perhaps that is what they intended for their customers from the beginning—the names mean whatever we want them to.

Shooting a Roll of Fujichrome Fortia 50

“Fujichrome Fortia 50” frame 18 of 36 — Fujifilm X100V

I shot a 36-exposure roll of Fujichrome Fortia 50 on my Fujifilm X100V.

Right now you are thinking one of a few things. What is Fujichrome Fortia 50? Fortia was discontinued a long time ago, and is well expired now and difficult to find. Anyway, you can’t shoot film in a Fujifilm X100V! There’s not a Fujichrome Fortia 50 Film Simulation Recipe, is there? All of that and more will be explained in this article!

Note: This was a Creative Collective article, but now it’s available to everyone.

“Fujichrome Fortia 50” Frame 5 of 36 — Fujifilm X100V

Fujifilm made Fujichrome Fortia 50 color reversal (slide) film from 2004 to 2007, and was only available in Japan (although it did manage to slip out of the country). It was their highest saturation emulsion, even more wild than Velvia 50!

An urban legend says that someone at Fujifilm messed up a batch of Velvia 50; when it didn’t pass quality control, instead of tossing it into the trash, Fujifilm decided to package it as a new film—Fujichrome Fortia 50—and sell it during the Japanese cherry blossoms when photographers might want an extra boost in color vibrancy. It was a hit! So they brought it back the next three years during the cherry blossom season; however, it was sold under the name Fujichrome Fortia SP 50 (SP might mean “SPecial” or “Saturated Palette” or something like that). This new run of Fortia was a little different than the original, presumably because the first one was a complete accident, and the second was an attempt to recreate that accident. While Fortia was discontinued in 2007, apparently there was enough supply that it could be found fairly easily in 2008. If you are lucky to find an unexposed roll today, it will be well past the expiration date and I’m sure very expensive. If you don’t know what Fortia looks like, click here, here, and here to get an idea.

Fujifilm doesn’t have a Fortia film simulation in their cameras. The closest is Velvia, and if you go wild with it, such as The Rockwell Film Simulation Recipe, you can approach but not quite reach a Fortia look. It’s not possible to truly get a Fujichrome Fortia 50 aesthetic from your Fujifilm camera. Or is it?

The Rockwell is left, revealed by moving the slider right; Pop Color (a.k.a. Fortia) is right, revealed by moving the slider left — frame 20

Most Fujifilm cameras have what they call “Advanced Filters” which aren’t really advanced, but are instead kind of gimmicky. I’ve used Toy Camera, High Key and Low Key. They’re ok, but not something that I would choose often. There’s another that’s called Pop Color, which I never paid much attention to, until recently. Fujifilm claims that Pop Color “emphasizes contrast and color saturation.” If you want to learn more about Advanced Filters, Fujifilm has a video that you can watch about this topic.

Fortia 50 is like Velvia 50 on steroids; Pop Color is like the Velvia film sim on steroids—is Pop Color basically a built-in Fortia film simulation? Actually, yes! It’s not a perfect replication, but it’s not all that far off, either. Unfortunately, you cannot customize any aspect of Pop Color, so it’s not possible to add Weak/Small Grain, for example, or Color Chrome Effect. You get what you get, but (fortunately) what you get is actually kind of good if you are after wild colors. The best part is that it doesn’t use up a C1-C7 Custom Preset, so you can use the Pop Color Advanced Filter as a bonus option in addition to whatever Film Simulation Recipes that you have programmed.

Recently I shot 36 exposures (simulating a roll of film) of Fujichrome Fortia 50—I mean, Pop Color—on my Fujifilm X100V. Below are some of the pictures:

“Fujichrome Fortia 50” Frame 1 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 4 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 7 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 8 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 9 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 13 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 16 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 23 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 24 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 25 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 26 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 29 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 30 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 31 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 32 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 34 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 35 of 36 — Fujifilm X100V
“Fujichrome Fortia 50” Frame 36 of 36 — Fujifilm X100V

If the Velvia film simulation isn’t quite vibrant enough for you, Pop Color might just be a solid solution. If you have C1-C7 already set with your favorites, but want a colorful 8th option, give Pop Color a try. It’s not as gimmicky as I thought it would be, and (surprisingly) the results retain an analog soul despite not being a Film Simulation Recipe. I don’t think Pop Color is for everyone or every situation, but in the right situations it can look quite good. For those wanting to mimic Fujichrome Fortia 50 on their Fujifilm camera, Pop Color is as close as you’re going to get.