What’s in a Name (of Fujichrome films)?

Clearing Clouds Over Winter Ridge – Farmington, UT – Fujifilm X-Pro3 – Standard Provia

Someone asked me an intriguing question at Fujifilm’s Create With Us event in Minneapolis this last weekend. “How did Fujifilm come up with their film names,” he wondered, “like Provia, Velvia, and Astia? I know they were slide films, but what do those names mean?” I didn’t have an answer, so I spent some time researching, hoping to find something concrete.

The short answer is that Fujifilm never said what those name mean, or how they originated. The etymology is unknown. If Fujifilm ever did say—perhaps way back in the past—it never made it onto the internet. All we can do now is guess, so let’s do just that.

Beach Chairs – Folly Beach, SC – Fujifilm X-E4 – Velvia Film

Fujifilm had four lines of Fujichrome color reversal (slide) film that were given brand names: Velvia, Provia, Astia, and Sensia. The other slide films that they produced over the years weren’t given fancy names, only more utilitarian designations like 100D or 64T. I always thought that the “Pro” in Provia was short for “Professional” and “via” meant route. In this assumption, Provia simply means the path that professional photographers should take, which seems logical. After digging deeper, I don’t think that’s correct (although, since Fujifilm never said, it certainly could be—who knows?).

The commonality between the four slide film names is the “ia” ending, which (very likely) is Latin. In Latin, ia can be a feminine or abstract noun ending. It can be used to say the quality or condition of something, related to whatever is in front of the ia. So we have Velv -ia, Prov -ia, Ast -ia, and Sens -ia. Whatever the beginning is, the ia ending indicates that the film is the quality or condition of that.

Coastal Mist – Elk, CA – Fujifilm X-T5 – Velvia Film

Velvia has the most concrete information on the etymology. While Fujifilm never stated it, there are numerous sources (perhaps we’re in urban legend territory) that claim “Velv” is short for Velvet. The name Velvia is implying that the film has a velvety quality, which is to say that it is “richly colored with lush blacks.” The name seems to match the film fairly well.

Provia is another story. I couldn’t find anything to suggest what exactly “Prov” could be short for. Some possible options are Providential, Proven, Proverbial, Provide or Provision. None of those seem like strong candidates. I suppose Provia could mean the condition of being proven, although that would be an odd description for a brand-new film (when it was first released). Perhaps the purchase of a roll of Provia was a providential choice by the photographer—that’s definitely plausible. I think my original idea for the name meaning (Pro -via not Prov -ia) is also a possibility, but it doesn’t fit the pattern. This one is quite murky.

Lonely Desert Road – Tucson, AZ – Fujifilm X-T5 – Astia Azure

Astia has three likely options: Aesthetic, Astute, or Astral. The first one—Aesthetic—seems like the obvious answer; perhaps the original working name for the film was actually Aestia, but later shortened to Astia for marketing purposes. Astia would mean that the quality of the film is its aesthetic. Astute could imply a nuanced, perceptive rendering. Astral could be a reference to the sun. Those last two seem weaker than the first, but it could be anything, so who knows?

For Sensia, it obviously has something to do with Sense: Sensible, Sensitive, Sensory, Sensation, etc.. Since Sensia was a consumer film, Sensible seems like a solid answer—Sensia is a sensible choice, after all—but it could be any of them. To sense is to feel (emotion), so Sense could certainly be the word that the film was named after.

Hit – South Weber, UT – Fujifilm X-T30 – Fujichrome Sensia

I said there were four Fujichrome films, but actually there was a fifth: Fortia. This was a limited edition emulsion sold only in Japan, and only in the spring. It was more vibrant and bold than Velvia. The “Fort” in Fortia is likely from the Latin word Fortis, which is where we get the English word Fort, and it means strong or brave. That seems to fit the film well: you have to be brave to use it due to its strong colors.

For Velvia and Fortia, I think we have the answer: Velvet and Fortis, respectively. Fujichrome Velvia gives a velvety picture quality; Fujichrome Fortia has strong colors that only the bravest photographers will appreciate. For Provia, Astia, and Sensia, there’s a bit less clarity, as there are a number of potential options. Despite Fujifilm naming their “standard” Film Simulation after Fujichrome Provia, the etymology of Provia is the most murky. Astia is likely a reference to Aesthetic, and Sensia is likely a reference to either Sense or Sensible, but neither is certain. Since Fujifilm has never said, we only have our imaginations, and perhaps that is what they intended for their customers from the beginning—the names mean whatever we want them to.

Load These Two Film Simulation Recipes Into Your Camera…

Evening Saguaro – Buckeye, AZ – Fujifilm X-T30 – “Kodak Ektachrome 100SW”

For those who watch the monthly SOOC broadcast, the current recipe-of-the-month is Fujichrome Sensia 100. We introduced that Film Simulation Recipe in the last episode, and we will finish our discussion of it in the next show, which will be in one week, on Thursday, November 17th. I hope that you’ll join us! Don’t forget to upload your photos captured with the Fujichrome Sensia 100 Film Simulation Recipe (click here) by November 15th to be shown in the next broadcast.

Speaking of the next SOOC broadcast, after we finish our discussion of the Fujichrome Sensia 100 recipe, we’ll introduce the next recipe-of-the-month, which will be Kodak Ektachrome 100SW. It produces warm and vibrant colors, which I find especially well suited for landscape photography. Be sure to set a reminder, so that you don’t miss the episode!

For those who don’t know, SOOC is a monthly live video series, with each episode focused on a different Film Simulation Recipe. It is a collaboration between Tame Your Fujifilm (Fujifilm X-Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). SOOC is a fun and educational experience where we not only talk about Fujifilm camera settings, but also answer your questions and give tips and tricks. Basically, we’re trying to help you master your Fujifilm camera, with a focus on simplifying your photographic workflow. It’s also interactive, and your participation makes it great!

Even though I have my own photography projects going on and I’m always working on new Film Simulation Recipes, I also shoot with the recipes that we discuss in each episode (plus the upcoming episode). I have been using both the Fujichrome Sensia 100 and the Kodak Ektachrome 100SW recipes. I don’t just ask you to use the recipes, myself and Nathalie both use them, too—we’re doing it together as a community.

Flag Pole – Buckeye, AZ – Fujifilm X-T30 – “Fujichrome Sensia 100”

If you have a Fujifilm X-Trans III or newer camera, I invite you to program and shoot with the Fujichrome Sensia 100 Film Simulation Recipe, and share with us your results. While you’re at it, load the Kodak Ektachrome 100SW recipe into your camera, too, and have it ready to go for next week.

If you missed the last SOOC broadcast, which really was a good one, you can watch it below. It’s a bit long (we have a little problem called “time management”… 🤣), but I believe you’ll find it worthwhile.

See you next Thursday!

I’m Sick… and SOOC is Postponed to Next Week

I’m currently sick with the flu, and because of that the SOOC broadcast scheduled for this Thursday has been postponed one week. Nathalie and I will instead be live on Thursday, October 27th. Sorry for any inconvenience this might cause, and I hope to see you on the 27th!

For those who don’t know, SOOC is a monthly live video series, with each episode focused on a different Film Simulation Recipe. It is a collaboration between Tame Your Fujifilm (Fujifilm X-Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). SOOC is a fun and educational experience where we not only talk about Fujifilm camera settings, but also answer your questions and give tips and tricks. Basically, we’re trying to help you master your Fujifilm camera, with a focus on simplifying your photographic workflow.

On the 27th, we’ll finish our discussion of the Kodak Portra 400 recipes, and introduce the next recipe-of-the-month: Fujichrome Sensia 100. Can’t wait to see you then!

Fujifilm X100V — “Kodak Portra 400
Fujifilm X100V — “Fujichrome Sensia 100

My Fujifilm X-T30 Provia Film Simulation Recipe (Fujichrome Sensia 100)


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Evening Flag – Layton, UT – Fujifilm X-T30 – Provia

The film simulation that Fujifilm calls “standard” is Provia, but of all the color options, Provia is my least favorite. For the most part, I prefer the other film simulations instead. In fact, the only recipes that I’ve created that use Provia are Agfa Optima 200 and Cross Process, both of which are great in their own way. The problem with Provia is that it’s somewhat boring. And it doesn’t resemble the film that it’s named after. The Astia film simulation looks more like real Provia film, and the Provia film simulation more resembles Astia film. Weird, huh? Well, I decided that Provia needed a little more of my love, so I created a new recipe for it.

This Provia recipe reminds me of Fujifilm Fujichrome Sensia 100, although that is strictly coincidental, as I wasn’t attempting any specific film look, just a general analog aesthetic. Fujichrome Sensia 100 was a general-purpose slide film that was discontinued about 10 years ago. It was a popular choice for cross-processing, although that’s not the look you find here. There were three different generations of the film, and each looked very slightly different. I shot a little of the second version of Sensia back in the day, but I usually preferred Velvia or Provia film. This recipe’s accidental resemblance is a happy accident.

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Autumn Tree Branches – Riverdale, UT – Fujifilm X-T30 – Provia

The white balance required for this recipe is Warm-White Fluorescent, which is also known as Fluorescent Light 2 or Neon 2. It’s the second fluorescent white balance option underneath cloudy/shade. It’s a bit unusually to select this in daylight, but it works in this case.

Provia
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: 0
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Warm-White Fluorescent (2), -1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Provia film simulation recipe on my Fujifilm X-T30:

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Lost In Thought – South Weber, UT – Fujifilm X-T30

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Summer Is Over – South Weber, UT – Fujifilm X-T30

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The Last Yellow Leaf – South Weber, UT – Fujifilm X-T30

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Abscission – South Weber, UT – Fujifilm X-T30

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Leaves of Autumn – South Weber, UT – Fujifilm X-T30

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Autumn Sun – South Weber, UT – Fujifilm X-T30

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Autumn Tree Trunk – Riverdale, UT – Fujifilm X-T30

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Neighborhood Snowfall – South Weber, UT – Fujifilm X-T30

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Baseball Boy – South Weber, UT – Fujifilm X-T30

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Cottonwood Fall – South Weber, UT – Fujifilm X-T30

See also: Film Simulation Recipes

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