Vivid Velvia – Fujifilm X-E5 (X-Trans V) Film Simulation Recipe

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

One item on my “bucket list” was to visit the Great Smoky Mountains in the fall. Two weeks ago I was able to check that one off; however, I was a little early for the peak autumn show. The trees were only just starting to show fall colors, with little pops here and there. I’ll have to try again sometime in the future, and hopefully time it just a little better. Even though I was a week or two early, it was still an amazing place to visit, and I’m so glad that I was able to go.

I created the Vivid Velvia Film Simulation Recipe in preparation for the trip, intending to use it on this adventure. My two favorite Velvia-based Recipes are The Rockwell and Velvia Film. The Rockwell Recipe, named after Ken Rockwell and designed to be similar to his aesthetic (he actually used it!), is very bold and a bit over-the-top, sometimes a smidge too much. The Velvia Film Recipe, which is a part of the Film Dial universal Recipe set, is very nice, but occasionally not bold enough. This Recipe is intended to bridge the gap between the two, sitting right in-between both of them. It’s a slightly less over-the-top alternative to The Rockwell, and a slightly more bold version of Velvia Film; overall, it’s similar to both.

Autumn Spires – Gatlinburg, TN – Fujifilm X-E5 – Vivid Velvia

After using this Vivid Velvia Recipe quite extensively on the trip, I’m very happy with the results. It does well in a variety of situations, including nighttime photography. Obviously, this is not a good choice for portraits, but it’s one of the best options for colorful landscape pictures. This Recipe is compatible with “newer” X-Trans IV cameras (Fujifilm X-T4, X-S10, X-E4, and X-T30 II), all fifth-generation X-Trans models (X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III), and “newer” GFX cameras (GFX100S, GFX100S II, GFX100 II, and GFX100RF).

Film Simulation: Velvia
Dynamic Range: DR400
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Auto Ambience Priority, +1 Red & -3 Blue
Highlight: -1
Shadow: -1
Color: +4
Sharpness: +1

High ISO NR: -4
Clarity: +3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Vivid Velvia Film Simulation Recipe on my Fujifilm X-E5:

Rotary Club – Gatlinburg, TN – Fujifilm X-E5
Lights Left On – Gatlinburg, TN – Fujifilm X-E5
Cold Drinks – Gatlinburg, TN – Fujifilm X-E5
White House – Canton, GA – Fujifilm X-E5
Abandoned Garage – Gatlinburg, TN – Fujifilm X-E5
Sky Tram – Gatlinburg, TN – Fujifilm X-E5
Compass Tower – Gatlinburg, TN – Fujifilm X-E5
Fall Colors – Gatlinburg, TN – Fujifilm X-E5
Fall Bridge – Gatlinburg, TN – Fujifilm X-E5
Fall Trees – Gatlinburg, TN – Fujifilm X-E5
Pine Trees – Canton, GA – Fujifilm X-E5
Sunlight through Tree Branches – Canton, GA – Fujifilm X-E5
Ely’s Mill Trucks – Gatlinburg, TN – Fujifilm X-E5
Leconte Creek – Gatlinburg, TN – Fujifilm X-E5
Roaring Fork Waterfall – Great Smoky Mountains NP, TN – Fujifilm X-E5
Thousand Drips – Great Smoky Mountains NP, TN – Fujifilm X-E5
Falls Between Boulders – Great Smoky Mountains NP, TN – Fujifilm X-E5
Autumn Leaves on Rocks – Great Smoky Mountains NP, TN – Fujifilm X-E5
Log Fence – Great Smoky Mountains NP, TN – Fujifilm X-E5
Log Cabin – Great Smoky Mountains NP, TN – Fujifilm X-E5
Ephraim Bales Cabin – Great Smoky Mountains NP, TN – Fujifilm X-E5
Red Gondolas – Gatlinburg, TN – Fujifilm X-E5
Nantahala River – Wesser, NC – Fujifilm X-E5
Stop at Ela Cabins – Ela, NC – Fujifilm X-E5
Abandoned Store at Night – White House, TN – Fujifilm X-E5
Rock Concert – White House, TN – Fujifilm X-E5
Electric Guitars – White House, TN – Fujifilm X-E5
Blues & Red – White House, TN – Fujifilm X-E5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E5 in black:
AmazonB&HMomentNuzira
Fujifilm X-E5 in silver:
AmazonB&HMomentNuzira

Find this Film Simulation Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Antelope Island State Park – Two Cameras, Two Photographers

50027061181_7880f71529_c

Rainbow over Antelope Island. Photo by Ritchie Roesch with a Fujifilm X100V.

One of my favorite places in northern Utah is Antelope Island State Park. It’s such a strange land! Antelope Island, which sits in the Great Salt Lake, seems like a world away from the Salt Lake City metro area, even though it is located very close to the city. Wildlife abounds, including buffalo, mule deer, pronghorn antelope, big horn sheep and many other animals. At one time the bison herd on Antelope Island was the largest in America. There are a huge variety of birds that migrate across the area. The water is often calm, and the reflections can be incredible. There are sandy beaches. There are trails that curve across the rugged landscape. There is a unique beauty to Antelope Island that draws me back. It’s one of my favorite places to photograph!

Antelope Island is also disgusting! There’s a certain “rotten egg” smell that can be found near the shores. There are tons and tons of bugs, including biting no-see-ums, brine flies (that cover the shore like a thick cloud), mosquitoes, tons of spiders (venomous and non-venomous), among other things. It’s pretty common to see dead birds. There’s plenty to love and hate about this place. I try to look beyond the gross to see the beauty. It is indeed an odd place, and one has to purposefully look beyond the negative aspects to truly appreciate it. I feel like it is a secret treasure that is easily overlooked.

My wife, Amanda, and I visited Antelope Island earlier this week. I brought my Fujifilm X100V, while she had her X-T20 with a Fujinon 10-24mm f/4 lens attached to it. For my pictures, I used my Kodak Tri-X 400 film simulation recipe for black-and-white and my Fujicolor Reala 100 film simulation recipe for color. I reprocessed in-camera a couple of the rainbow pictures using Velvia. Amanda had PRO Neg. Hi loaded into her camera, but she reprocessed most of her pictures using either Acros or Velvia.

Even though we used different cameras with different generation sensors, I thought that our pictures worked well together. I wanted to share them with you as a set. I found it interesting that for some images our vision was nearly identical, and for others we captured our pictures differently. Amanda did a great job, and it was a fun experience to go out and photograph with her. Antelope Island once again proved to be a great location for photography. Enjoy!

B&W

50019172618_ae86b7d895_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50019154218_b2c01855f5_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50016302493_85bffe1a7a_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016824466_196394b8d9_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50019699141_de25887495_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50016892766_6b4b0097c4_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016367093_f70a4cb3d7_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016894801_c46bba7fa3_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50017154967_73d192b5f3_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50017154977_61e5941c8f_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016287078_c3a4543f08_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50019941407_024025b806_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50017076107_d82cf83fd1_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016815561_f21235c410_c

Photo by Ritchie Roesch with a Fujifilm X100V.

Color

50027325602_796080226f_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50016302163_5908485ac0_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016367593_f6e4bc9228_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016830616_1704bc0f96_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50019936497_e4393680c4_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

50016825106_b1fb74db5f_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50017085387_03cd0217a2_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50016296073_5653e64dae_c

Photo by Ritchie Roesch with a Fujifilm X100V.

50019957992_9af673982d_c

Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H
Fujifilm X-T20   Amazon   B&H
Fujinon 10-24mm f/4   Amazon   B&H

Film Simulation Review: Changing Light, Part 1: Velvia

49920136948_ddb426aa8a_c

Wasatch Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

Over the last few days I’ve captured a number of pictures from my house of the nearby Wasatch Mountains. I’m very fortunate that I live so close to such a majestic and beautiful landscape. I can see it from my living room. I can sit on my patio and watch the light change and the seasons change on the mountains. It’s right there! I feel very lucky to witness this and be able to capture it with my camera.

It’s been between overcast and partly-cloudy lately, with conditions changing rapidly and dramatically. It’s gone from fairly uninteresting to amazing and back to mostly uninteresting in a matter of moments. This has repeated over and over. I’ve tried to keep an eye out for it, and tried to be quick enough to photograph it before it disappeared. That’s not always possible, and many times I wasn’t successful, but sometimes I was.

The film simulation recipe that I chose for these pictures is my Velvia recipe (I also used my Ilford HP5 Plus recipe, and those pictures are in Part 2). These settings are bold and vibrant, much like actual Velvia film. I really appreciate this film simulation recipe for landscape photography where I want colors to pop. The mountain is covered in the fresh green of spring, and these settings are the best for highlighting that. If I want vivid colors, my Velvia recipe is what I choose.

The gear that I used for these pictures is a Fujifilm X-T30 with a Fujinon 100-400mm lens attached to it. I like to use a tripod or monopod with the 100-400mm lens, but these pictures are all hand-held. If I had waited to attach a tripod to the lens, I would have missed many of these shots. The long telephoto lens allows me to bring the mountains up-close, like I travelled into the mountains to capture these pictures, yet I didn’t even leave home. It really is amazing that I was able to make these photographs without going anywhere.

49931526453_e5e45abbe0_c

Clearing Clouds Above the Ridge – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49932348587_23f29b2021_c

Cold Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920094843_762b116e96_c-1

Francis Peak Veiled – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920135123_615d3d083d_c-1

Mountain Mist – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920124298_a456f309d5_c

Spring Green Mountain – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920640411_29135a49b5_c

Mountain in May – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920109503_77691e305f_c

Mountain Radar – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920588631_3bfde606fa_c

Sliver of Illumination – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920095473_5fa1f26916_c

Spring Green Hill – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49932347942_9e804f46a0_c-1

Wasatch Green – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

49920573511_2df2ee3d9e_c

Mountain Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

Changing Light, Part 2: Ilford HP5 Plus
See also: Film Simulation Reviews