Vivid Chrome — A Fujifilm Recipe for X and GFX Cameras

Flower Farm – Buellton, CA – Fujifilm GFX100S II – Vivid Chrome

Fujifilm Nordic asked if I’d be interested in making a Film Simulation Recipe specifically designed for Denmark that would be unveiled at the upcoming Fujikina event in Copenhagen next month. Of course I said yes! I made three Recipes, and then traveled to Solvang and Catalina Island in California to test them out. Solvang is probably the most Danish town in America, so that was an obvious choice. Catalina Island has more of a Mediterranean vibe than Baltic Sea, but it’s colorful and leans slightly European, making it another good option. After photographing with each of the three Recipes at those two locations, the winner was obvious to me. That Recipe will be unveiled in Copenhagen in a little less than a month, and published on Fuji X Weekly a short time later. Second place was Avalon Ace, which is currently available in the Fuji X Weekly App. This Recipe, called Vivid Chrome, came in last; however, it’s very nice, and I’m sure many of you will appreciate it. Even though it didn’t win, it’s still a winner.

Vivid Chrome is probably most reminiscent of Fujichrome Velvia 100, but it’s not intended to be a replication of that or any other specific film. The idea was more to produce good results for colorful scenes. This Recipe produces punchy, vibrant colors; however, it’s also slightly restrained, and avoids being too over-the-top. This is a great option for landscape photography, and also for travel if you’ll be someplace colorful. This Recipe works best in sunny daylight, and can be ok for nighttime photography in the right lighting situations.

Crescent Ave Morning – Avalon, CA – Fujifilm X- E5 – Vivid Chrome

The Vivid Chrome Recipe is compatible with all fifth-generation Fujifilm X-series cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III. It’s also compatible with “newer” fourth-generation models: X-T4, X-S10, X-E4, and X-T30 II. Additionally, it works well on the latest GFX cameras, like the GFX100S, GFX100 II, GFX100S II, and GFX100RF.

Film Simulation: Velvia
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Off
White Balance: Daylight, +2 Red & -2 Blue
Dynamic Range: DR400
Highlight: -1
Shadow: -0.5
Color: +2
Sharpness: -2

High ISO NR: -4
Clarity: +3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this Vivid Chrome Film Simulation Recipe on a Fujifilm X-E5, GFX100RF, and GFX100S II:

Green Pleasure Pier & Boats in the Bay – Avalon, CA – Fujifilm GFX100RF
Shoreboat – Avalon, CA – Fujifilm X-E5
Nautical Preparations – Catalina, CA – Fujifilm X-E5
Docked Boats in Avalon Bay – Avalon, CA – Fujifilm X-E5
Green Rope on a Dock – Avalon, CA – Fujifilm X-E5
Yellow Rope in the Water – Avalon, CA – Fujifilm GFX100RF
Ready for a Ride – Avalon, CA – Fujifilm GFX100S II
Avalon Morning – Avalon, CA – Fujifilm GFX100S II
Hotel St. Lauren – Avalon, CA – Fujifilm GFX100RF
Atwater Hotel at Dusk – Avalon, CA – Fujifilm GFX100RF
Christmas Window – Solvang, CA – Fujifilm X-E5
Patina Rooftop – Solvang, CA – Fujifilm X-E5
Office – Solvang, CA – Fujifilm GFX100S II
Windmill Morning – Solvang, CA – Fujifilm GFX100S II
Hamlet Square Ice Cream – Solvang, CA – Fujifilm GFX100RF
Golden Light on Windmill – Solvang, CA – Fujifilm GFX100RF
Last Light on Solvang – Solvang, CA – Fujifilm GFX100S II
Windmill Closeup – Solvang, CA – Fujifilm X-E5
Danish Design – Solvang, CA – Fujifilm X-E5
Hotel – Solvang, CA – Fujifilm GFX100S II
Green Apex – Solvang, CA – Fujifilm GFX100S II
Pinnacle – Solvang, CA – Fujifilm GFX100S II
Flower Bed – Solvang, CA – Fujifilm GFX100RF
Field of Flowers – Buellton, CA – Fujifilm GFX100RF
Flower Field – Buellton, CA – Fujifilm X-E5
Prickly Cactus – Apache Junction, AZ – Fujifilm X-E5
Superstition Mountains – Apache Junction, AZ – Fujifilm X-E5
Western Desert Girl – Apache Junction, AZ – Fujifilm X-E5

Find this Film Simulation Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

5 Tips for Better Landscape Photography

Avalon Bay – Avalon, CA – Fujifilm GFX100RF – Avalon Ace

There was a social media post today from an account that’s not mine, that purported to be my advice for better landscape photography. It included five tips, but I never said those things, and some of them were quite antithetical to what I believe, pretty much the opposite of what I would say. I would not have given much of the advice that the post claimed came from me. When I brought it to the attention of the account holder, they were very apologetic, and rectified the situation. Most of you probably never saw it, but a few of you might have.

But that made me think: what advice would I give? What are my five tips for better landscape photography? I contemplated that question this afternoon, and the answer might surprise some of you. At least a couple of the suggestions below are probably a bit unorthodox, and not the normal advice that you’re likely to find on the internet. Let’s dive right in!

1. Carefully Choose Your Fujifilm Recipes

White Bridge across Pond – Charleston, SC – Fujifilm X-E4 – Pacific Blues

Not every Fujifilm Recipe is ideal for every subject or situation. Just like film, you should carefully consider which one(s) are best for your specific subject, light situation, and desired aesthetic. For vivid landscapes, a Velvia-based Recipe is probably what you want; however, other Film Simulations can be good, too, infusing a different feel or emotion into the image. The new Filter By Categories feature is a helpful tool if you are unsure which Recipes are especially well suited for landscape photography. Using Recipes on your Fujifilm camera will save you time, allowing you to be more productive and efficient.

2. Look for Quality Light

Golden Appalachian Light – Gatlinburg, TN – Fujifilm X-T5 – Classic Amber

Great photographs often require great light, and great light is most obvious and prevalent during Golden Hour, which is the first hour after sunrise and the last hour prior to sunset. If you look hard enough, you can find great light anytime of the day or night, or you can even add it yourself with a flash or other lighting equipment. Pay close attention to light, and recognize when it is especially good for photography. With that said, the easiest way to improve your pictures is to be out with your camera during Golden Hour.

3. Photography Rules Are Meant to be Broken

Dark Cloud Over The Dark Mountain – South Weber, UT – Fujifilm X-T30 – Ilford HP5 Plus 400 Push-Process

There are a lot of “rules” in photography. A lot of people will tell you what you should or must do. You need specific cameras. You need to use certain settings. You need a particular lens. You should compose your pictures this way or that way. You should only do this and never do that. The rules are there to ensure consistently good photos; however, great photos sometimes happen when you break the rules. Carefully following the rules might prevent you from creating better images. Do photography however you want to do it, and ignore all of the gatekeepers.

4. Invest in Experiences (rather than new gear)

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

Depending on where you live, there might be plentiful photographic opportunities close by, or you may need to travel someplace a good distance away. Beautiful photos are much more easy to create in beautiful locations. So, my advice is to spend less on new gear and more on going to interesting places with the cameras and lenses you already own. Invest more in experiences rather than gear.

5. You’ve Got to Go Back

Cold Rim, Warm Light – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Vision3 250D v2

In the September 1955 issue of Arizona Highways magazine, photographer Chuck Abbott addressed the question: how does one become a better photographer? His answer was to return to the same subject or location over and over again. Try it on a different day, at a different time, in a different season, and in a different light. Come back to it again and again, even after you create a photo that you’re satisfied with. As Chuck stated, you’ve got to go back to get the good ones.

Vivid Velvia – Fujifilm X-E5 (X-Trans V) Film Simulation Recipe

Roaring Fork – Great Smoky Mountains NP, TN – Fujifilm X-E5 – Vivid Velvia

One item on my “bucket list” was to visit the Great Smoky Mountains in the fall. Two weeks ago I was able to check that one off; however, I was a little early for the peak autumn show. The trees were only just starting to show fall colors, with little pops here and there. I’ll have to try again sometime in the future, and hopefully time it just a little better. Even though I was a week or two early, it was still an amazing place to visit, and I’m so glad that I was able to go.

I created the Vivid Velvia Film Simulation Recipe in preparation for the trip, intending to use it on this adventure. My two favorite Velvia-based Recipes are The Rockwell and Velvia Film. The Rockwell Recipe, named after Ken Rockwell and designed to be similar to his aesthetic (he actually used it!), is very bold and a bit over-the-top, sometimes a smidge too much. The Velvia Film Recipe, which is a part of the Film Dial universal Recipe set, is very nice, but occasionally not bold enough. This Recipe is intended to bridge the gap between the two, sitting right in-between both of them. It’s a slightly less over-the-top alternative to The Rockwell, and a slightly more bold version of Velvia Film; overall, it’s similar to both.

Autumn Spires – Gatlinburg, TN – Fujifilm X-E5 – Vivid Velvia

After using this Vivid Velvia Recipe quite extensively on the trip, I’m very happy with the results. It does well in a variety of situations, including nighttime photography. Obviously, this is not a good choice for portraits, but it’s one of the best options for colorful landscape pictures. This Recipe is compatible with “newer” X-Trans IV cameras (Fujifilm X-T4, X-S10, X-E4, and X-T30 II), all fifth-generation X-Trans models (X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, X-M5, X-E5, and X-T30 III), and “newer” GFX cameras (GFX100S, GFX100S II, GFX100 II, and GFX100RF).

Film Simulation: Velvia
Dynamic Range: DR400
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome FX Blue: Weak
White Balance: Auto Ambience Priority, +1 Red & -3 Blue
Highlight: -1
Shadow: -1
Color: +4
Sharpness: +1

High ISO NR: -4
Clarity: +3
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this Vivid Velvia Film Simulation Recipe on my Fujifilm X-E5:

Rotary Club – Gatlinburg, TN – Fujifilm X-E5
Lights Left On – Gatlinburg, TN – Fujifilm X-E5
Cold Drinks – Gatlinburg, TN – Fujifilm X-E5
White House – Canton, GA – Fujifilm X-E5
Abandoned Garage – Gatlinburg, TN – Fujifilm X-E5
Sky Tram – Gatlinburg, TN – Fujifilm X-E5
Compass Tower – Gatlinburg, TN – Fujifilm X-E5
Fall Colors – Gatlinburg, TN – Fujifilm X-E5
Fall Bridge – Gatlinburg, TN – Fujifilm X-E5
Fall Trees – Gatlinburg, TN – Fujifilm X-E5
Pine Trees – Canton, GA – Fujifilm X-E5
Sunlight through Tree Branches – Canton, GA – Fujifilm X-E5
Ely’s Mill Trucks – Gatlinburg, TN – Fujifilm X-E5
Leconte Creek – Gatlinburg, TN – Fujifilm X-E5
Roaring Fork Waterfall – Great Smoky Mountains NP, TN – Fujifilm X-E5
Thousand Drips – Great Smoky Mountains NP, TN – Fujifilm X-E5
Falls Between Boulders – Great Smoky Mountains NP, TN – Fujifilm X-E5
Autumn Leaves on Rocks – Great Smoky Mountains NP, TN – Fujifilm X-E5
Log Fence – Great Smoky Mountains NP, TN – Fujifilm X-E5
Log Cabin – Great Smoky Mountains NP, TN – Fujifilm X-E5
Ephraim Bales Cabin – Great Smoky Mountains NP, TN – Fujifilm X-E5
Red Gondolas – Gatlinburg, TN – Fujifilm X-E5
Nantahala River – Wesser, NC – Fujifilm X-E5
Stop at Ela Cabins – Ela, NC – Fujifilm X-E5
Abandoned Store at Night – White House, TN – Fujifilm X-E5
Rock Concert – White House, TN – Fujifilm X-E5
Electric Guitars – White House, TN – Fujifilm X-E5
Blues & Red – White House, TN – Fujifilm X-E5

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-E5 in black:
AmazonB&HMomentNuzira
Fujifilm X-E5 in silver:
AmazonB&HMomentNuzira

Find this Film Simulation Recipe and over 400 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Antelope Island State Park – Two Cameras, Two Photographers

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Rainbow over Antelope Island. Photo by Ritchie Roesch with a Fujifilm X100V.

One of my favorite places in northern Utah is Antelope Island State Park. It’s such a strange land! Antelope Island, which sits in the Great Salt Lake, seems like a world away from the Salt Lake City metro area, even though it is located very close to the city. Wildlife abounds, including buffalo, mule deer, pronghorn antelope, big horn sheep and many other animals. At one time the bison herd on Antelope Island was the largest in America. There are a huge variety of birds that migrate across the area. The water is often calm, and the reflections can be incredible. There are sandy beaches. There are trails that curve across the rugged landscape. There is a unique beauty to Antelope Island that draws me back. It’s one of my favorite places to photograph!

Antelope Island is also disgusting! There’s a certain “rotten egg” smell that can be found near the shores. There are tons and tons of bugs, including biting no-see-ums, brine flies (that cover the shore like a thick cloud), mosquitoes, tons of spiders (venomous and non-venomous), among other things. It’s pretty common to see dead birds. There’s plenty to love and hate about this place. I try to look beyond the gross to see the beauty. It is indeed an odd place, and one has to purposefully look beyond the negative aspects to truly appreciate it. I feel like it is a secret treasure that is easily overlooked.

My wife, Amanda, and I visited Antelope Island earlier this week. I brought my Fujifilm X100V, while she had her X-T20 with a Fujinon 10-24mm f/4 lens attached to it. For my pictures, I used my Kodak Tri-X 400 film simulation recipe for black-and-white and my Fujicolor Reala 100 film simulation recipe for color. I reprocessed in-camera a couple of the rainbow pictures using Velvia. Amanda had PRO Neg. Hi loaded into her camera, but she reprocessed most of her pictures using either Acros or Velvia.

Even though we used different cameras with different generation sensors, I thought that our pictures worked well together. I wanted to share them with you as a set. I found it interesting that for some images our vision was nearly identical, and for others we captured our pictures differently. Amanda did a great job, and it was a fun experience to go out and photograph with her. Antelope Island once again proved to be a great location for photography. Enjoy!

B&W

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

Color

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Ritchie Roesch with a Fujifilm X100V.

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Photo by Amanda Roesch with a Fujifilm X-T20 and 10-24mm.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H
Fujifilm X-T20   Amazon   B&H
Fujinon 10-24mm f/4   Amazon   B&H

Film Simulation Review: Changing Light, Part 1: Velvia

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Wasatch Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

Over the last few days I’ve captured a number of pictures from my house of the nearby Wasatch Mountains. I’m very fortunate that I live so close to such a majestic and beautiful landscape. I can see it from my living room. I can sit on my patio and watch the light change and the seasons change on the mountains. It’s right there! I feel very lucky to witness this and be able to capture it with my camera.

It’s been between overcast and partly-cloudy lately, with conditions changing rapidly and dramatically. It’s gone from fairly uninteresting to amazing and back to mostly uninteresting in a matter of moments. This has repeated over and over. I’ve tried to keep an eye out for it, and tried to be quick enough to photograph it before it disappeared. That’s not always possible, and many times I wasn’t successful, but sometimes I was.

The film simulation recipe that I chose for these pictures is my Velvia recipe (I also used my Ilford HP5 Plus recipe, and those pictures are in Part 2). These settings are bold and vibrant, much like actual Velvia film. I really appreciate this film simulation recipe for landscape photography where I want colors to pop. The mountain is covered in the fresh green of spring, and these settings are the best for highlighting that. If I want vivid colors, my Velvia recipe is what I choose.

The gear that I used for these pictures is a Fujifilm X-T30 with a Fujinon 100-400mm lens attached to it. I like to use a tripod or monopod with the 100-400mm lens, but these pictures are all hand-held. If I had waited to attach a tripod to the lens, I would have missed many of these shots. The long telephoto lens allows me to bring the mountains up-close, like I travelled into the mountains to capture these pictures, yet I didn’t even leave home. It really is amazing that I was able to make these photographs without going anywhere.

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Clearing Clouds Above the Ridge – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Cold Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Francis Peak Veiled – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Mountain Mist – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Spring Green Mountain – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Mountain in May – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Mountain Radar – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Sliver of Illumination – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Spring Green Hill – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Wasatch Green – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

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Mountain Spring – Farmington, UT – Fujifilm X-T30 & Fujinon 100-400mm

Changing Light, Part 2: Ilford HP5 Plus
See also: Film Simulation Reviews