The X-Mount Lenses That Sigma Should Have Made (Or Should Make Next)

Yesterday I published an article about the three Fujifilm X-Mount lenses that Sigma announced. These were already existing lenses within Sigma’s lineup, and they simply converted them for use on Fujifilm cameras. I stated that Sigma should have modified the lenses by adding aperture rings, because that is an important part of the Fujifilm experience. I also hinted (without downright stating) that Sigma should have filled holes in the Fujinon lineup, instead of going head-to-head with already existing lenses (hoping the cheaper price point is enough to entice potential customers). Yes, selling discount knockoffs (I don’t mean that to sound so harsh, because Sigma makes quality products) is one strategy, but I think offering something unique would be better.

With that in mind, I thought it would be a fun exercise to explore which Sigma lenses (that already exist) would fill holes in the Fujinon lineup. These are the lenses that Sigma should have released for Fujifilm X-mount, or maybe the lenses they should release next.

Sigma 24-70mm f/2.8 Art

A high-quality mid-range zoom covering some very useful focal-lengths? A lens that is great for street, portrait, and travel? Heck, yeah! While Fujifilm offers a number of zooms covering all sorts of focal-lengths, they don’t have one quite like this.

Sigma 85mm f/1.4 Art

Fujifilm has a 90mm f/2, and an 80mm f/2.8, but they don’t have an 85mm lens or a telephoto lens longer than 56mm that has a maximum aperture larger than f/2. Seems like a winner to me.

Sigma 105mm f/2.8 Art

Fujifilm jumps from 90mm all the way to 200mm, and skips everything in-between. This would fill that gaping hole quite nicely.

Sigma 105mm f/1.4 Art

Or go crazy with the “bokeh master.” This is a full-frame lens, but it might pair well with the upcoming X-H2….

Sigma 45mm f/2.8 Contemporary

Fujifilm doesn’t offer a 45mm lens. 35mm? Yes. 50mm? Yes. But nothing in-between. Could be a nice “compromise” if you want both a 35mm and 50mm but can’t afford both.

Sigma 65mm f/2.8 Contemporary

Fujifilm has a 60mm lens, but if you want something just a bit longer, you have to jump to 80mm, which might be too long. Both the 60mm and 80mm lenses are macro, which can be nice, but they also have their challenges (lots of focus to scroll through), so a non-macro lens might be a good option.

Sigma 70mm f/2.8 Macro Art

This might be a good in-between lens if you can’t decide on the 60mm and 80mm macros.

In my opinion, this list is what Sigma should have used when deciding on which lenses to bring to Fujifilm. These make a lot more sense to me. What do you think? Do you prefer the three lenses Sigma announced, or would you prefer some of these instead? Which lenses should Sigma release on Fujifilm next?

Whatever Sigma does, I hope that they don’t just change the mount, but modify the lenses to fit the full Fujifilm experience. As it stands now, I have zero interest in any of these lenses, mainly because of the lack of aperture rings. What do you think? Should Sigma include an aperture ring, even if they have to raise the price a little to do so?

Sigma Announces Three X-Mount Lenses

Sigma just announced three autofocus lenses for Fujifilm X-mount: 16mm f/1.4, 30mm f/1.4, and 56mm f/1.4. This is a big deal because 1) Sigma lenses are pretty darn good yet typically “affordable” and 2) it’s good to have options, which has been a little missing for Fujifilm photographers. These lenses can be pre-ordered and will ship in April.

I’m sitting here sipping my first cup of coffee, and already there has been plenty of press and early reviews published on these three lenses. What can I add that hasn’t already been said?

I’m glad that Sigma announced these lenses. I think it’s good. But I’m going to give you three quick reasons why you should not buy them. I’ll briefly explain why the similar Fujinon offerings are superior, and you should go with those instead.

First, there are no aperture rings on these Sigma lenses. Sigma literally took three already existing lenses for other mounts and made them compatible with X-mount. These lenses aren’t designed for the Fujifilm experience—they’re designed for Sony, in which you use a command wheel to adjust the aperture (yuck!). It is true that some Fujinon lenses work this same way, but most don’t. Most have an aperture ring, and that’s an important aspect of shooting Fujifilm. Sigma should have redesigned their lenses to include an aperture ring, but they didn’t, and I predict their X-mount lenses won’t sell as well because of this.

Second, behind the scenes, your Fujifilm camera is secretly fixing little flaws in the Fujinon glass. Fujifilm programmed their cameras to do this automatically, so you don’t know that there’s actually a little vignetting or chromatic aberrations or whatever else that doesn’t show in the pictures but is actually there if the camera wasn’t making this adjustment. Your camera won’t do this for third-party lenses. For the greatest optimization, stick with native glass.

Third, these three Sigma lenses are rather plain-looking. They don’t really match the retro-vibes of most Fujifilm X cameras because they look like modern lenses. Not all Fujinon lenses were modeled after vintage designs, but many of them were, and they match the stylings of the body much better than these Sigma offerings.

With all that said, there’s definitely a market for third-party autofocus lenses; however, they must offer something that Fujifilm doesn’t. It could be a focal-length and/or aperture. It could be quality. It could be speed. It could be size and/or weight. It could be price. What do these Sigma lenses offer that Fujifilm doesn’t? Let’s take a look.

Fujifilm offers a 16mm f/1.4 lens already—a high-quality, quick lens that’s smaller than the Sigma offering. The Sigma is less than half the price.

Fujifilm offers a 33mm f/1.4—a high-quality, quick lens that’s a similar size (and focal-length) to the Sigma offering. The Sigma is less than half the price.

Fujifilm offers a 56mm f/1.2—a high-quality, quick lens that’s a similar size to the Sigma offering (but larger maximum aperture). The Sigma is less than half the price.

Now you see why one would choose a Sigma lens over the Fujinon: to save some cash. They’re priced significantly cheaper while offering something similar. If you can afford it, the Fujinon lenses are better, but if not, this is a solid alternative that’s friendlier on the wallet. There are also lesser-expensive Fujinon options worth considering, which maybe don’t have the tech-sheet wow factor, but are otherwise fantastic lenses that you’re sure to be happy with.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Sigma 16mm f/1.4 $449 — B&H
Fujinon 16mm f/1.4 $999 — Amazon B&H
Fujifilm 16mm f/2.8 $399 — Amazon B&H

Sigma 30mm f/1.4 $339 — B&H
Fujinon 33mm f/1.4 $799 — Amazon B&H
Fujinon 27mm f/2.8 $399 — Amazon B&H

Sigma 56mm f/1.4 $479 — B&H
Fujinon 56mm f/1.2 $999 — Amazon B&H
Fujinon 50mm f/2 $449 — Amazon B&H