The Fuji X Weekly moment CineBloom giveaway is in its final hours. There’s not much time, so I hope that you participated for a chance to win one of five Cinebloom diffusion filters. The full rules and details are found here. So far, there have been over 400 submissions! Check out the #fujixweeklymoment hashtag on Instagram to see them all.
I want to give a huge “Thank You” to Moment for teaming up with Fuji X Weekly to make this giveaway possible! They did it because they’re big fans of this website, Fujifilm cameras, film simulation recipes, and the Fujifilm community. Moment’s website (shopmoment.com) is definitely one of the better camera stores out there (yet, really, they are so very much more than just “a camera store”). If you’ve never visited Moment, be sure to do so—you can thank me later.
I hope to announce the five Cinebloom diffusion filter winners on Monday (September 6th), so stay tuned!
Also, while I’m here, if you haven’t downloaded the Fuji X Weekly App, be sure to do so. It’s free, and available for both Android and Apple. If you are looking for a way to support Fuji X Weekly and all that I’m doing for the community plus unlock the best app experience, consider becoming a Fuji X Weekly Patron (available in the app)!
SOOC is a monthly live video series, with each episode focused on a different film simulation recipe. It is a collaboration between Tame Your Fujifilm (Fujifilm X-Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). SOOC is a fun and educational experience where we will not only talk about Fujifilm camera settings, but also answer your questions. This is an interactive program, which means that we need your participation!
Episode 03 of this live interactive video serieswill be this Thursday, September 9, at 11 AM MST (10 AM Pacific, 1 PM Eastern)! We’ll discuss the Fujicolor C200 film simulation recipe, and take a look at the photographs that you’ve submitted. Click here to submit your photographs! We really would love to see your pictures captured with the Fujicolor C200 recipe, and when you submit a picture you are entered into a drawing to win a one-year Patron subscription to the Fuji X Weekly App. We’ll also be introducing the next recipe, among other things. I truly hope you’ll join us!
While you are waiting for Thursday to come around, let me share with you a wonderful article by Nathalie Boucry (click here) entitle Not Lost, Verloren, which includes many wonderful pictures captured with the Fujicolor C200 recipe on a Fujifilm X-S10. If you have a few moments today, go read the article, it’s well worth your time!
My favorite part of The Fuji X Weekly Moment giveaway is reading your great stories. For example, @snapsbybennettshared:
I love how the places at my dad’s have literally never changed since I was a kid. If you’re a Fuji shooter and haven’t used the Fuji X Weekly App yet… GO TRY IT OUT! Changed my whole look on my photography. Fujifilm XT3, 18-55mm, Portra 400 Sim.
Shot with Fujicolor Pro 160NS film simulation. I am loving the film simulation recipes from Fuji X Weekly. They add another level of creative control in camera that enhances my experience when shooting my Fujifilm X100F.
My Fuji X Weekly moment: Modeled a classic helmet this afternoon. Turn head right, left, up, that’s it…!!! In order for the color of this afternoon’s sun to get better, I’m using Fuji X Weekly’s Provia recipe in camera. A Provia standard color variation that is soft and suitable with the yellowish shine of the afternoon sun. No Grain in this recipe because it’s made for larger sensors. Whatever it is, the color looks cool on X-Trans III cameras. Find it on the Fuji X Weekly App!
This is my Fuji X Weekly moment. Captured on my Fujifilm X100V with the Fuji X Weekly Kodak Portra v2 film simulation recipe, which I found on the Fuji X Weekly App. Image is of my granddaughter Sutton gripping her Mimi’s finger. First time I used an X100V—instead of a professional DSLR or my new Canon EOS R5. Sutton was 2 days old, and I wanted to “focus” on my new granddaughter and not my camera settings. The X100V did the trick.
There are, of course, so many more (almost 400!)! I encourage you to take a look at all of the #fujixweeklymoment submissions, and to submit your own! The giveaway closes on Saturday (September 4th), which is only a couple days away, so don’t procrastinate. I look forward to seeing your pictures and reading more of your stories!
Not Filed – Ogden, UT – Fujifilm X-Pro1 – “Kodachrome I”
This Kodachrome I film simulation recipe is an adaption of my Vintage Kodachrome recipe for the Fujifilm X-Pro1 and X-E1 cameras. Of course, those two cameras don’t have Classic Chrome, which makes recreating a Kodachrome look nearly impossible; however, Thomas Schwab figured it out! Thank you, Thomas! You might remember, he also figured out how to recreate Kodachrome II using the PRO Neg. Std film simulation. While this recipe isn’t quite as close of a match to the original recipe as Kodachrome II, it does manage to capture the feel of Vintage Kodachrome, and is as close as you’ll get to that aesthetic on X-Trans I. Because it doesn’t have PRO Neg. Std, this is not compatible with the X-M1.
You might recall that the Vintage Kodachrome recipe is mimicked after the first era of Kodachrome, which was from 1935 to 1960. This Kodachrome was the first film that produced reasonably accurate colors, and, because of that, was the first commercially successful color film. It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images. While the most popular Kodachrome during this time was ISO 10, Kodak also produced an ISO 8 version, as well as a Tungsten option in the 1940s.
Green Oak Leaves – Layton, UT – Fujifilm X-Pro1 – “Kodachrome 1”
PRO Neg. Std Dynamic Range: DR400 Highlight: +2 (Hard) Shadow: -2 (Soft) Color: +2 (High) Sharpness: +1 (Medium-Hard) Noise Reduction: -2 (Low) White Balance: Auto, 0 Red & -3 Blue ISO: Auto, up to ISO 3200 Exposure Compensation: -1/3 to -1 (typically)
Example photographs, all camera-made JPEGs captured using this “Kodachrome I” film simulation recipe on my Fujifilm X-Pro1:
Green Lake – Layton, UT – Fujifilm X-Pro1
Backlit Forest Leaves – Layton, UT – Fujifilm X-Pro1
Joshua – Farmington, UT – Fujifilm X-Pro1
Chicken Soup for the Soul – Ogden, UT – Fujifilm X-Pro1
Books in a Pew – Ogden, UT – Fujifilm X-Pro1
Church Pew Near a Window – Ogden, UT – Fujifilm X-Pro1
Red Carpet Stairs – Ogden, UT – Fujifilm X-Pro1
Window Light on Floor – Ogden, UT – Fujifilm X-Pro1
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Windows Within Windows – Salt Lake City, UT – Fujifilm X100V – “Monochrome Negative”
It’s been awhile since I created a black-and-white film simulation recipe. Part of it is that my favorite recipe is Kodak Tri-X 400, and I often choose to shoot with that. Another factor is that the differences between monochrome recipes are often much more subtle than color. For this, I didn’t start out with the intention of making a black-and-white recipe—in fact, it began with Classic Negative—and I wasn’t satisfied with the look, so I switched to Acros, and immediately liked what I saw. A few small changes later, and this recipe was born. It’s not modeled after any specific film, so I named it Monochrome Negative, as it does have a nice film-like quality to it.
The trick to this film simulation recipe is underexposure. I found myself most often lowering the exposure by 1/3 or 2/3 stops (many of my recipes often call for the opposite). Highlight set to +3 will keep the image bright, while the underexposure will deepen the shadows and provide good contrast. Obviously each exposure should be judged individually, so don’t be afraid to deviate from this advice.
This recipe was designed on and intended for the Fujifilm X100V, which has a newer X-Trans IV sensor, but because I didn’t use any of the new tools, such as Clarity and the Color Chrome Effects, this recipe is compatible with all X-Trans III & IV cameras. On X-Pro3 and newer, choose Grain size Small; on all other cameras, which don’t have Grain size as an option, simply select Grain Strong. If your camera has the Acros film simulation, you can use this recipe!
Acros (+Y, +R, +G) Dynamic Range: DR400 Highlight: +3 Shadow: 0 Noise Reduction: -4 Sharpening: -2 Clarity: 0 Grain Effect: Strong, Small (Strong for those cameras without Grain Size) Color Chrome Effect: Off Color Chrome Effect Blue: Off White Balance: Daylight, 0 Red & 0 Blue ISO: Auto, up to ISO 12800 Exposure Compensation: 0 to -2/3 (typically)
Example photographs, all camera-made JPEGs using this “Monochrome Negative” film simulation recipe on my Fujifilm X100V:
1104B – Salt Lake City, UT – Fujifilm X100V
Withering Flowers Along a Wall – Farmington, UT – Fujifilm X100V
City Roses – Farmington, UT – Fujifilm X100V
Backlit Turning Leaves – Farmington, UT – Fujifilm X100V
Pikachu is a Little Hungry – Farmington, UT – Fujifilm X100V
Space Fish – Farmington, UT – Fujifilm X100V
Release – Farmington, UT – Fujifilm X100V
Geese by a Tackle Box – Farmington, UT – Fujifilm X100V
Do or Don’t Follow the Crowd – Farmington, UT – Fujifilm X100V
Approaching Storm – Antelope Island SP, UT – Fujifilm X100V
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
The Fuji X Weekly Moment CineBloom Giveaway on Instagram is off to a great start! Many of you have already entered. Click here if you want to know how to participate, how to enter to win a CineBloom filter, and to see all of the rules.
I have been able to capture some beautiful memories for me and my family using the recipes found on Fuji X Weekly, coming to a point where I no longer have the need to edit anything, I can print the photographs directly from the camera and I know they come out fantastic. So, in a way, your recipes have provided me with the freedom to focus on what’s important, and that’s the photograph itself and what it means for my loved ones. This is my #fujixweeklymoment, which is every time I release the shutter button.
Definitely a very cherished #fujixweeklymoment captured on my Fujifilm X100V with the Kodachrome 64 film simulation recipe found on the Fuji X Weekly App, kindly provided by @fujixweekly. What makes a Fuji X Weekly moment special? For me, it starts when I fill in the adjustments on my X100V. The moment really goes on when I start using that film simulation enough to keep it in the custom settings for a while.
There are tons of other great moments being shared on Instagram by you, and I love seeing them all! I invite you to take a look yourself, and to add your own (if you haven’t done so already—or if you have, add some more!). I want to read your stories, as they are very encouraging and inspirational to me.
Oh, and you might just win one of five CineBloom filters that are being given away!
Which film simulation recipe is your favorite? What location did you last use it? How has it changed your photography? When is the Fuji X Weekly App most helpful to you? Share with me your Fuji X Weekly moment, and be entered to win a CineBloom diffusion filter (details below)!
Fuji X Weekly and Moment are teaming up to give away five CineBloom diffusion filters! Yes, that’s right—you could win one of five CineBloom filters!
CineBloom diffusion filters are a great way to take the “digital edge” off of your photographs, giving them an analog-like feel. Diffusion filters have been popular in cinematography for awhile, and people are beginning to realize that they’re great for still photography, too. These filters pair especially well with my Film Simulation Recipes, and are a wonderful tool for the JPEG photographer.
The Rules
These rules are pretty simple, but it is important that you follow each step.
First, if you don’t already, be sure to follow Fuji X Weekly and Moment on Instagram (here and here). This isn’t actually a requirement to win, but it would be great if you would do this (hey, we’re giving away free stuff!). While you’re at it, feel free to follow us on YouTube, too (here and here).
Next, on Instagram, share a picture that you’ve captured using a Fuji X Weekly film simulation recipe on your Fujifilm camera. Which recipe? Whichever one you want—there are over 150 to choose from! State in the post description that you used a Fuji X Weekly recipe and which recipe you used. It would be great if you could mention the Fuji X Weekly app, because I’m hoping to reach people who don’t yet know about recipes and the app. Maybe something like, “This is my Fuji X Weekly moment. Captured on my #Fujifilm #XPro2 with the @fujixweekly Kodachrome II film simulation recipe, which I found on the Fuji X Weekly App.” There are no rules for the exact wording, so don’t sweat it. Say what comes naturally to you, because I’d rather you say something authentic. Definitely let me know what your Fuji X Weekly moment is and why.
Third, tag a friend, especially if you think that friend might be interested in film simulation recipes or photography. If you don’t want to tag a friend, tag a photographer that you follow on Instagram. Or tag a famous photographer, such as @stevemccurryofficial, @petesouza, @chrisburkard, @seantuck, or someone else like that. Be sure to tag someone, or even several someones if you’d like.
Lastly—and this is highly important—use the hashtag #fujixweeklymoment when you post your picture. If you want, you can include this in the second-step statement (for example: “This is my #fujixweeklymoment.”). Then post your picture to Instagram!
That’s it! Well, sort of. There are actually several more rules, which you’ll find below.
The Fuji X Weekly Moment giveaway runs from from August 21, 2021 through September 4, 2021.
There will be five winners. Each winner will receive a code that can be redeemed from Moment for one CineBloom diffusion filter. Winners will be randomly selected (this is not a photography contest). Enter by using the #fujixweeklymoment hashtag on Instagram—each picture posted with that hashtag is one entry. You can enter up to five times; if you post more than five pictures, you’ll only be entered five times (but feel free to post as many pictures as you’d like!). Please keep the pictures family-friendly/safe-for-work. Each person can only win one prize. Winners will be announced between September 6th and 14th (hopefully on September 6th) and will be notified via an Instagram direct message (DM). Void where prohibited. By entering, you agree to all of these rules, Instagram’s policies, and all laws that may govern this giveaway. Fuji X Weekly and Moment are not responsible for any rule or law violations.
“Per Instagram rules, this promotion is in no way sponsored, administered, or associated with Instagram, Inc. By entering, entrants confirm that they are 13+ years of age, release Instagram of responsibility, and agree to Instagram’s terms of use.”
Don’t have the Fuji X Weekly — Film Recipes App? Find it in the Google Play and Apple App Stores!
Be sure to share this article on your social media channels to help get the word out! Thank you, have fun, and good luck!
Inside City Creek – Salt Lake City, UT – Fujifilm X-T30
This film simulation recipe was an experiment. I started out with my Fujicolor 100 Industrial recipe, but instead of using a cool White Balance with a warm White Balance Shift, I did the opposite: I used a warm White Balance with a cool shift. After many adjustments to various settings, this ended up not resembling the Fujicolor 100 Industrial recipe much at all, but it does have a great vintage print-film aesthetic that I really like.
I wasn’t sure at first which film this recipe most closely resembled (since it wasn’t intended to mimic any specific film), although it seemed to have some similarities to Kodacolor VR. I already have a Kodacolor recipe, which does a great job at mimicking Kodacolor VR; this recipe and that one look somewhat similar, but definitely different. Then I ran across some pictures that looked very similar to the ones you see in this article, and it turned out that they were shot on Kodacolor VR film that had expired. So I think this recipe, while it does resemble Kodacolor VR, as well as ColorPlus 200 (which is a direct descendant of that film), it most closely looks like Kodacolor VR that’s been stored a little past its expiration date. Of course, one film can have many different looks, depending on how it was shot, developed, scanned and/or printed, and (in this case) stored, so this recipe serves as a nice alternative to my original Kodacolor recipe.
Leaning Tower – Salt Lake City, UT – Fujifilm X-T30
The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best app experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the app, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no app. So I want to give a special “thank you” to all of the Patrons!
This new Patron early-access recipe is compatible with Fujifilm X-Trans III and X-Trans IV cameras. For those with newer cameras, set Color Chrome FX Blue to Off, Clarity to 0 (or perhaps -2), and I’d suggest Grain size Large, but use Small if you prefer.
If you are a Fuji X Weekly Patron, it’s available to you right now on the app!
Example photographs, all camera-made JPEGs captured using this “Kodacolor VR” film simulation recipe on my Fujifilm X-T30:
Summer Reeds – Farmington, UT – Fujifilm X-T30
Corner Through Leaves – Salt Lake City, UT – Fujifilm X-T30
Stones & Glass Ceiling – Salt Lake City, UT – Fujifilm X-T30
Glass – Salt Lake City, UT – Fujifilm X-T30
Building a Building – Salt Lake City, UT – Fujifilm X-T30
Small Spaces Between – Salt Lake City, UT – Fujifilm X-T30
Twilight Telephone Poles – Salt Lake City, UT – Fujifilm X-T30
Stoneground – Salt Lake City, UT – Fujifilm X-T30
Goes for Gold – Salt Lake City, UT – Fujifilm X-T30
Night Parking – Salt Lake City, UT – Fujifilm X-T30
Doki Doki – Salt Lake City, UT – Fujifilm X-T30
Escalators – Salt Lake City, UT – Fujifilm X-T30
Downtown Buildings – Salt Lake City, UT – Fujifilm X-T30
Coming Train – Salt Lake City, UT – Fujifilm X-T30
Trax – Salt Lake City, UT – Fujifilm X-T30
Waiting on the Platform – Salt Lake City, UT – Fujifilm X-T30
Glass & Sky – Salt Lake City, UT – Fujifilm X-T30
Tall Downtown Buildings – Salt Lake City, UT – Fujifilm X-T30
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Walking on a Bridge – Farmington, UT – Fujifilm X-T30 – “Kodak Portra 400 v2”
This film simulation recipe is a slight variation of my Kodak Portra 400 recipe. It came about after I made a Portra 400 v2 recipe for the newer X-Trans IV cameras, which was created after studying actual examples of the film provided to me by a reader. I wanted to create a similar modification for the X-T3 and X-T30, which became this recipe. One film can have many different looks, depending on how it’s shot, developed, and scanned and/or printed, so this isn’t necessarily a “better” recipe, just a slightly different take on recreating the film’s aesthetic. I really like this one, and I think you will, too!
Portra 400, which is a color negative film, was introduced by Kodak in 1998. It was redesign in 2006 and again in 2010. As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. It’s similar to Portra 160, but with more contrast, saturation and grain. Believe it or not, ISO 400 was considered “high ISO” by many photographers back in the film days, and Portra 400 was one of the absolute best “high ISO” color films ever made. Interestingly, Kodak briefly made a black-and-white version of Portra 400!
Downtownscape – Salt Lake City, UT – Fujifilm X-T30 – “Kodak Portra 400 v2”
This isn’t exactly a brand-new recipe. It was published as a Patron early-access recipe on the Fuji X Weekly App back on December 1st, so Patrons have had access to it for quite some time. Now another early-access recipe has replaced it, so this one is available to everyone! If you are a Fuji X Weekly Patron, be sure to check out the new early-access recipe in the app.
Classic Chrome Dynamic Range: DR-Auto Highlight: -1 Shadow: -1 Color: +2 Noise Reduction: -4 Sharpening: -2 Grain Effect: Strong Color Chrome Effect: Strong White Balance: Daylight, +2 Red & -6 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this “Kodak Portra 400 v2” film simulation recipe on my Fujifilm X-T30:
Blackberry Forest Evening – Farmington, UT – Fujifilm X-T30
Three Backlit Leaves – Farmington, UT – Fujifilm X-T30
Tiny Red Berries – Farmington, UT – Fujifilm X-T30
Broken and Boarded – Farmington, UT – Fujifilm X-T30
Window to the City – Salt Lake City, UT – Fujifilm X-T30
Lululemon – Salt Lake City, UT – Fujifilm X-T30
Two Tall Buildings – Salt Lake City, UT – Fujifilm X-T30
Hotel – Salt Lake City, UT – Fujifilm X-T30
Two Cranes – Salt Lake City, UT – Fujifilm X-T30
A Downtown Cityscape – Salt Lake City, UT – Fujifilm X-T30
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Despite a little technical trouble, Episode 02 of SOOC was a great success! I appreciate everyone who tuned in, and for everyone who participated. You guys are great! And it was wonderful to see your Kodachrome II pictures! Here’s the link to submit your Fujicolor C200 photographs: click here. I hope there was something in the broadcast that you found helpful or interesting, and that it was worth your time. It was supposed to be 45 minutes, but it ended up doubling that! If you missed it, you can watch it above.
The technical difficulty that I had on my end is this: my Fujifilm X-E4 that I was using for this broadcast kept overheating. In my review of the camera, I stated that I thought a similar overheating issue to the X100V was possible. Up until this video, which was being recorded live, I had not experienced it. Well, now you and I know: the X-E4 is prone to overheating if left on too long. I’ll use a different camera for future episodes.
I don’t believe the Fuji X Weekly App 12-month Patron giveaway winner has stepped forward yet. Adnan Omanovic was randomly selected from those who submitted pictures. Adnan, if you read this, leave a comment or send me a message so that I can get you your prize.
Episode 03 is already scheduled! If you click on the video where it says “Watch on YouTube” you can then “set a reminder” so you don’t miss it. Otherwise, mark your calendar for September 9th. I hope to see you then!
SOOC is a collaboration between Tame Your Fujifilm (Fujifilm X Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). It is a monthly live video series, and each episode focuses on a different film simulation recipe. It’s a fun and educational experience where we will not only talk about Fujifilm camera settings, but also answer your questions. This is an interactive program, which means that we need your participation!
Episode 02 of this live interactive video serieswill be Thursday, August 12, at 11 AM MST (10 AM Pacific, 1 PM Eastern)! We’ll discuss the Kodachrome II film simulation recipe, and take a look at the photographs that you’ve submitted. We’ll also be introducing the next recipe, among other things. I hope you’ll join us!
If you haven’t yet submitted a picture that you captured with the Kodachrome II recipe, there’s still time! The “old” link still works, but there’s a new one you can use that’s through Dropbox (click here). I’m really looking forward to seeing your images!
As a reminder, Episode 02 of the live interactive video series SOOCwill be this Thursday, August 12, at 11 AM MST (10 AM Pacific, 1 PM Eastern)!
SOOC is a collaboration between Tame Your Fujifilm (Fujifilm X Photographer Nathalie Boucry) and Fuji X Weekly (Ritchie Roesch). It is a monthly live video series, and each episode focuses on a different film simulation recipe. It’s a fun and educational experience where we will not only talk about Fujifilm camera settings, but also answer your questions. This is an interactive program, which means that we need your participation! Mark your calendar and be sure to tune in!
I was asked to create a film simulation recipe for AgfaChrome RS 100 color transparency film. Agfa made this slide film from 1984 through 1995, with an “improved emulsion” released in 1992. I never used AgfaChrome RS 100, so I have zero experience with the film. It was difficult to find examples of, and old issues of Popular Photography and Photographic magazines were my best resource. Despite the challenges, I was able to create a film simulation recipe that I’m very happy with.
This AgfaChrome RS 100 recipe renders pictures beautifully! It has a great vintage analog feel to it. People might think that the images are old film pictures that you scanned, and they certainly won’t suspect that they’re straight-out-of-camera JPEGs! I’m confident that this recipe will be an instant favorite for many of you.
Flower Garden – Park City, UT – Fujifilm X-E4 – “AgfaChrome RS 100”
Because this X-Trans IV recipe requires Classic Negative, Clarity, and Color Chrome FX Blue, it’s only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4 cameras—unfortunately it’s not compatible with the X-T3 and X-T30. I believe that it is compatible with the GFX100S, although results will likely be slightly different. If you have a compatible camera, be sure to give this AgfaChrome RS 100 recipe a try!
Classic Negative Dynamic Range: DR400 Highlight: +1 Shadow: -1 Color: +2 Noise Reduction: -4 Sharpening: -2 Clarity: -3 Grain Effect: Strong, Small Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: Daylight, -3 Red & +5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: -1/3 to +1/3 (typically)
Example photographs, all camera-made JPEGs using this “AgfaChrome RS 100” film simulation recipe on my X100V and X-E4:
Bowl on a Shelf – Scottsdale, AZ – Fujifilm X100V
Parking Garage – Park City, UT – Fujifilm X-E4
Below Deck Parking – Park City, UT – Fujifilm X-E4
Smile – Farmington, UT – Fujifilm X100V
Little Dragon – Scottsdale, AZ – Fujifilm X100V
Free People – Park City, UT – Fujifilm X-E4
Towering Cloud – Farmington, UT – Fujifilm X-E4
Drive Slow, But Don’t Park – Park City, UT – Fujifilm X-E4
Checkerboard – Scottsdale, AZ – Fujifilm X100V
Patagonia – Park City, UT – Fujifilm X-E4
Green Grapes – Farmington, UT – Fujifilm X-E4
Blackberries – Farmington, UT – Fujifilm X-E4
Pink Among Green – Farmington, UT – Fujifilm X-E4
Little Cherries – Farmington, UT – Fujifilm X-E4
Permission to Park – Park City, UT – Fujifilm X-E4
One Way – Park City, UT – Fujifilm X-E4
Honey Bucket & Trailer – Park City, UT – Fujifilm X-E4
We Are Open – Park City, UT – Fujifilm X-E4
Park City Downtown – Park City, UT – Fujifilm X-E4
Buildings in Downtown Park City – Park City, UT – Fujifilm X-E4
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
Diesel – Park City, UT – Fujifilm X-Pro1 – “Ektachrome”
The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best app experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These early-access recipes will eventually become available free to everyone in time, including this new one. In fact, many early-access recipes have already been publicly published on this blog and the app, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no app. So I want to give a special “thank you” to all of the Patrons!
This new Patron early-access recipe is called “Ektachrome” and is compatible with the Fujifilm X-E1 and X-Pro1 cameras. Unfortunately, even though the X-M1 is X-Trans I, this recipe is not compatible with that camera. I really like how this one looks, and I think some of you will really appreciate it, too!
Ektachrome is a line of color transparency film introduced by Kodak in the 1940’s. I did some research, and counted 40 different emulsions over the years that carried the Ektachrome name! Generally speaking, Ektachrome was less warm than Kodachrome (although it depends on which Ektachrome you’re referring to), and also less archival. While Kodachrome was discontinued in 2009, Ektachrome can still be purchased today.
Two Cans – Weber Canyon, UT – Fujifilm X-Pro1
I’m not certain which (of the 40) Ektachrome films this recipe most closely resembles. It has more of a general Ektachrome feel rather than being an exact copy of a specific emulsion. If you like the Kodachrome II recipe that I just published, you’ll like this one, too!
If you are a Fuji X Weekly Patron, it’s available to you right now on the app!
Example photographs, all camera-made JPEGs captured using this “Ektachrome” film simulation recipe on my Fujifilm X-Pro1:
House Flag – Farmington, UT – Fujifilm X-Pro1
Dead Wood – Farmington Bay, UT – Fujifilm X-Pro1
Cattails – Farmington Bay, UT – Fujifilm X-Pro1
Succulent Shelf – Farmington, UT – Fujifilm X-Pro1 – “Ektachrome”
Boy On Couch Watching TV – Farmington, UT – Fujifilm X-Pro1
Drinking Fountain – Weber Canyon, UT – Fujifilm X-Pro1
Two Trees – Farmington, UT – Fujifilm X-Pro1
Berries in a Tree – Farmington, UT – Fujifilm X-Pro1
Blackberry Bush – Farmington, UT – Fujifilm X-Pro1
Francis Peak Summer – Farmington, UT – Fujifilm X-Pro1
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This Fujifilm X-Trans I film simulation recipe was the first that I created after getting my nine-year-old X-Pro1 camera in the mail. It wasn’t intended to mimic the look of any particular film. I was trying to create a good-looking recipe with a white balance shift inspired by my Fujicolor 100 Industrial recipe. It has a wonderful print film aesthetic, perhaps Kodak-like, that looks especially nice in sunny conditions. I call this recipe “Color Negative Film” because of that generic color negative film quality.
If you are a Patron on the Fuji X Weekly App, you’ve had early access to this recipe since May. A different recipe has replaced it, so if you are a Patron, look for that new early-access recipe in the app! For those who are not Patrons, this recipe is now available to you. If you have a Fujifilm X-Pro1, X-E1, or X-M1, this recipe is compatible with your camera.
Diesel Cash Price – Park City, UT – Fujifilm X-Pro1 – “Color Negative Film”
If you have a Fujifilm Bayer camera, I invite you to try this recipe on your camera, although results will be a little different. Technically, X-Trans II cameras can use it, too, although it definitely won’t look the same—maybe you’ll like it, maybe you won’t. If you have an X-Trans I camera, this is a must-try recipe that many of you are sure to love!
Provia Dynamic Range: DR400 Highlight: +2 (High) Shadow: +2 (High) Color: -2 (Low) Sharpness: -1 (Medium-Low) Noise Reduction: -2 (Low) White Balance: 3000K, +8 Red & -9 Blue ISO: Auto, up to ISO 3200 Exposure Compensation: 0 to +2/3 (typically)
Example photographs, all camera-made JPEGs captured using this “Color Negative Film” recipe:
Rising Up – Farmington, UT – Fujifilm X-Pro1
Red Leaves of Summer – Layton, UT – Fujifilm X-Pro1
Backlit White Blossom – Farmington, UT – Fujifilm X-Pro1
Yellow Bench – Layton, UT – Fujifilm X-Pro1
Tiny Fruit – Farmington, UT – Fujifilm X-Pro1
Blackberry Forest – Farmington, UT – Fujifilm X-Pro1
Building Mountain Storm – Farmington, UT – Fujifilm X-Pro1
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Storm Building Over Mountain Ridge – Farmington, UT – Fujifilm X-Pro1 – “Kodachrome II”
Kodachrome is probably the most iconic photographic film ever made. It was legendary, and many people saw the world through its colors. Kodak produced Kodachrome film from 1935 through 2009, when it was suddenly discontinued.
The Kodachrome name has been used for many different films over the years. The first Kodachrome product was a two-glass-plate color negative that was introduced in 1915. Like all other color photography methods of its time, the results weren’t particularly good and the product not especially successful.
In 1935 Kodak released its next Kodachrome, which was a color transparency film with an ISO of 10. This Kodachrome was the first color film that produced reasonably accurate colors and was the first commercially successful color film. It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images.
Kodak made significant improvements to Kodachrome, and in 1961 released Kodachrome II. This film boasted more accurate colors, sharper images, finer grain, and a faster ISO of 25. While it was still similar to the previous Kodachrome, it was better in pretty much every way. A year later Kodachrome-X was introduced, which had an ISO of 64.
Neighborhood Flag – Farmington, UT – Fujifilm X-Pro1 – “Kodachrome II”
Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. The differences between this version and the previous weren’t huge and image quality was very similar. The biggest change was going from the K-12 to the K-14 development process (which was a little less toxic and complex, but still toxic and complex). This generation of Kodachrome is what most people think of when they picture (pun intended) the film, gracing the pages of magazines like National Geographic.
While I’ve published a number of recipes with the Kodachrome name, I’ve never made one for X-Trans I because Classic Chrome is necessary to replicate the look, and X-Trans I doesn’t have Classic Chrome. Well, Thomas Schwab got himself a Fujifilm X-E1, and he figured out a pretty phenomenal Kodachrome facsimile using PRO Neg. Std! Unbelievable! It’s amazing how good this recipe looks considering that it doesn’t use Classic Chrome. The X-M1 doesn’t have PRO Neg. Std, so this recipe isn’t compatible with that camera, but if you have an X-E1 or X-Pro1, this one is sure to become an instant favorite! Thank you, Thomas, for creating and sharing this recipe!
PRO Neg. Std Dynamic Range: DR400 Highlight: +1 (Medium-High) Shadow: +2 (High) Color: -2 (Low) Sharpness: +2 (Hard) Noise Reduction: -2 (Low) White Balance: Auto, +1 Red & -2 Blue ISO: Auto, up to ISO 3200 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs captured using this “Kodachrome II” film simulation recipe on my Fujifilm X-Pro1:
Cloud Building Behind Mountain – Farmington, UT – Fujifilm X-Pro1
Grass & Flowers – Farmington, UT – Fujifilm X-Pro1
Berry Bush – Farmington, UT – Fujifilm X-Pro1
Reddish Berries – Farmington, UT – Fujifilm X-Pro1
Sons for Mayor – Farmington, UT – Fujifilm X-Pro1
Top Stop – Centerville, UT – Fujifilm X-Pro1
Restroom Closed – Weber Canyon, UT – Fujifilm X-Pro1
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Moment mentioned this website and the Fuji X Weekly app in their YouTube video (above)! It’s around the six minute mark. Also, there’s a Fujinon lens giveaway that you might be interested in, so take a look!
This website isn’t sponsored by Moment (or anyone), but, if you’re from Moment (or B&H, Fujifilm, etc., etc., etc.) and want to become a sponsor, I’m open to it, so send me a note and let’s chat!
When Thomas Schwab shared with me his Fujicolor Super HG film simulation recipe, he also sent me an alternative recipe that uses Astia instead of Classic Negative. I gave it a try and thought that it worked quite well for landscape photography, particularly in sunny conditions. It can produce interesting results indoors or on cloudy days, but I think it really shines in sunshine. It’s called “Super HG Astia” because it is a modification of the Super HG recipe, but with Astia.
This “Super HG Astia” recipe wasn’t intended to mimic any particular film; however, it does have some resemblance to Fujichrome Provia 100F. For whatever reason, Fujifilm programmed the Provia film simulation to look more like Astia film, and the Astia film simulation to look more like Provia film, although neither are an exact match. This recipe brings the Astia film simulation closer to resembling Provia film (albeit unintentionally). It’s definitely not a perfect facsimile, but it does nonetheless produce a very nice Fuji color-reversal film aesthetic.
Green Pines – McCall, ID – Fujifilm X-E4 – “Super HG Astia”
This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, and X-E4 cameras. I accidentally used Large grain for some of my pictures, and the results were fine, but Small grain is better in my opinion—feel free to use whichever Grain size you’d prefer. For the X-T3 and X-T30, you can use this recipe by ignoring Grain size, Clarity and Color Chrome FX Blue—the results will be slightly different, but pretty close. For X-Trans III cameras, you’ll have to additionally ignore Color Chrome Effect; again, the results will be a little different but still very similar. If you’ve got an X-Trans III or newer camera, I invite you to try this recipe. I want to give a special “Thank you!” to Thomas for creating and sharing this recipe!
Astia Dynamic Range: DR400 Highlight: +2 Shadow: +1 Color: +2 Noise Reduction: -4 Sharpening: -1 Clarity: +2 Grain Effect: Weak, Small Color Chrome Effect: Weak Color Chrome Effect Blue: Weak White Balance: Fluorescent 2, -3 Red & -1 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this Super HG Astia film simulation recipe on my Fujifilm X-E4:
Blue Dumpsters – Phoenix, AZ – Fujifilm X-E4
This Sucker’s Electrical – Phoenix, AZ – Fujifilm X-E4
Gas Pipe – Phoenix, AZ – Fujifilm X-E4
Ms Pac-Man – Phoenix, AZ – Fujifilm X-E4
Pen – Phoenix, AZ – Fujifilm X-E4
Missing Boxer – Phoenix, AZ – Fujifilm X-E4
Watching A Two-Screen Movie – Scottsdale, AZ – Fujifilm X-E4
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Lilac Sun – McCall, ID – Fujifilm X-E4 – “Fujicolor Super HG v2”
When Thomas Schwab sent me his settings that would later be called Fujicolor Super HG, he asked me if there were any changes that I would make. I tried his recipe, and then created a couple of alternate versions. I concluded that I liked his recipe as-is with no changes; however, I thought that one variation I created was interesting, so I shot with it, too, and turned it into its own recipe. I call it Fujicolor Super HG v2. While it’s a collaboration between Thomas and I, he contributed the most to it.
Fujifilm introduced the Super HG line in 1986, with versions in ISOs between 100 and 1600. It saw several iterations and improvements before being replaced by the Superia line is 1998. Thomas Schwab’s Fujicolor Super HG recipe and this Fujicolor Super HG v2 recipe are more similar to Super HG 100 or Super HG 200 film. One film can have many different looks depending on how it was shot, developed, printed or scanned. The differences between the Fujicolor Super HG and Fujicolor Super HG v2 recipes might be like the differences produced by using different film scanners.
Joshua Wall – Scottsdale, AZ – Fujifilm X-E4 – “Fujicolor Super HG v2”
While both Super HG recipes look great, I prefer the Fujicolor Super HG recipe for natural light photography, and I prefer the Fujicolor Super HG v2 recipe for artificial light photography. I invite you to try both, and see which version you like better. You might find that you prefer one in a certain situation and the other in a different situation. Because this recipe uses the new Auto White Priority white balance, it’s only compatible (as of this writing) with the Fujifilm X-T4, X-S10 and X-E4 cameras (and maybe the GFX100S?). If you have the X-Pro3 or X100V, you can use Auto white balance instead, and in natural light you’ll get identical results, although in artificial light it won’t look quite the same.
Classic Negative Dynamic Range: DR400 Highlight: -1 Shadow: +1 Color: +2 Noise Reduction: -4 Sharpening: 0 Clarity: +2 Grain Effect: Weak, Large Color Chrome Effect: Weak Color Chrome Effect Blue: Strong White Balance: Auto White Priority, -3 Red & -1 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this Fujicolor Super HG v2 film simulation recipe on my Fujifilm X-E4:
Crocodile – Scottsdale, AZ – Fujifilm X-E4
Library Lamp – Scottsdale, AZ – Fujifilm X-E4
Books on a Table – Scottsdale, AZ – Fujifilm X-E4
Wood Workshop – Scottsdale, AZ – Fujifilm X-E4
33 RPM – Scottsdale, AZ – Fujifilm X-E4
Tired Lake Water – McCall, ID – Fujifilm X-E4
Children Playing With Sand – McCall, ID – Fujifilm X-E4
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Thomas was photographing using the Provia 400 film simulation recipe, which requires a Fluorescent 2 (also called “Warm White Fluorescent” or “Neon 2”) White Balance. He wanted to see how that not-often-used White Balance would look with some other film simulations, and, after several adjustments, came up with this recipe. He shared it with me, and I shot with it and really liked the results! We wondered if it closely resembled any particular film—it seemed to be in the general ballpark of several Fujifilm emulsions without matching any. After digging a little deeper, and after a chance encounter with a box of prints from 1992, it was determined that Fujicolor Super HG, which is a predecessor to the Superia line, was a surprisingly close match. This recipe wasn’t intended to resemble Fujicolor Super HG film, but fortunately it does!
Smokey Sunrise – Farmington, UT – Fujifilm X-E4 – “Fujicolor Super HG”
I thoroughly enjoyed shooting with this recipe, as it produces some great analogue-like results! Because it requires Classic Negative, Color Chrome FX Blue, and Clarity, it is only compatible with (as of this writing) the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4 cameras. I want to give a big “Thank you!” to Thomas Schwab for creating this great recipe and allowing me to share it with you—thanks, Thomas!
Classic Negative Dynamic Range: DR400 Highlight: 0 Shadow: +1 Color: +2 Noise Reduction: -4 Sharpening: 0 Clarity: -3 Grain Effect: Weak, Large Color Chrome Effect: Weak Color Chrome Effect Blue: Strong White Balance: Fluorescent 2, -3 Red & -1 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +2/3 (typically)
Example photographs, all camera-made JPEGs using this Fujicolor Super HG film simulation recipe on my Fujifilm X-E4:
Hole in the Wall – Scottsdale, AZ – Fujifilm X-E4
Locked Bike – Scottsdale, AZ – Fujifilm X-E4
Free College – Scottsdale, AZ – Fujifilm X-E4
College Hunks – Scottsdale, AZ – Fujifilm X-E4
Arizona Neighborhood – Scottsdale, AZ – Fujifilm X-E4
Hidden Home – Scottsdale, AZ – Fujifilm X-E4
Window Desk – Scottsdale, AZ – Fujifilm X-E4
Suburban Patriotism – Farmington, UT – Fujifilm X-E4
Ceiling Lights – Scottsdale, AZ – Fujifilm X-E4
Carousel Top – Scottsdale, AZ – Fujifilm X-E4
Super Shock Control – Scottsdale, AZ – Fujifilm X-E4
Giant Metal Gorilla – Scottsdale, AZ – Fujifilm X-E4
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