Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Nostalgic Print

Empty Shell – Pasadena, CA – Fujifilm X-E4 – “Nostalgic Print”

My wife, Amanda, visited her mom, and when she returned home she had a 4″ x 6″ print. “I thought you’d find this interesting,” she said as she handed it to me. I looked at it carefully—front and back—then set out to recreate the look on my Fujifilm X-E4. I have no idea what film was used to capture the picture (other than it was a color negative film), but it was about 20-years-old (based on the subject), definitely from a cheap point-and-shoot of some sort (possibly a disposable camera), it was printed on Fujicolor paper at a one-hour lab, and was likely faded from improper storage. I only had one picture to go off of, but I feel I nailed the aesthetic of it pretty darn closely.

Perhaps more importantly, I really like the look of this recipe. It is the most nostalgic-analog-like results that I’ve ever achieved from the PRO Neg. Std film simulation. It reminds me a little of the Kodak High Definition Plus 200 recipe, but with less contrast and less saturation. I’ve enjoyed shooting with this one—it’s definitely not for everyone or every situation; however, some of you will really appreciate it in the “right” situations.

Palms & Pond – Gilbert, AZ – Fujifilm X-E4 – “Nostalgic Print”

This “Nostalgic Print” Film Simulation Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. Those with newer GFX cameras can likely use it, too. For those with the X-T3 and X-T30 (or older GFX cameras), if you ignore Color Chrome FX Blue and Grain size (since your camera doesn’t have those), and replace Clarity with a diffusion filter (such as a 10% CineBloom), you can get pretty close to this look; for X-Trans III, you’ll have to additionally ignore Color Chrome Effect (since you don’t have it)—the results will be slightly more different, but still pretty similar overall.

PRO Neg. Std
Dynamic Range: DR400
Highlight: -2
Shadow: 0
Color: -4
Noise Reduction: -4
Sharpness: -2
Clarity: -3
Grain Effect: Strong, Small
Color Chrome Effect: Weak
Color Chrome Effect Blue: Weak
White Balance: 4700K, -3 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this “Nostalgic Print” Film Simulation Recipe on a Fujifilm X-E4:

Red Train – Gilbert, AZ – Fujifilm X-E4
Five Palms – Gilbert, AZ – Fujifilm X-E4
Eagle 5 – Ehrenberg, AZ – Fujifilm X-E4
Morning Mountain Palms – Riverside, CA – Fujifilm X-E4
76 Pretzel – Ehrenberg, AZ – Fujifilm X-E4
Palm Leaves – Gilbert, AZ – Fujifilm X-E4
Tropical Plant – Pismo Beach, CA – Fujifilm X-E4
Ice Bloom – Pismo Beach, CA – Fujifilm X-E4
Sam’s Market – Pismo Beach, CA – Fujifilm X-E4
Green House – Redlands, CA – Fujifilm X-E4
Cupboard & Curtain – Redlands, CA – Fujifilm X-E4
A Sub Above the Dumpster – Pasadena, CA – Fujifilm X-E4
Three Bikes & Pedestrian – Pasadena, CA – Fujifilm X-E4
Umbrellas Here – Pasadena, CA – Fujifilm X-E4
Yield on Green – Pasadena, CA – Fujifilm X-E4
Top Floor Tree – Redlands, CA – Fujifilm X-E4
The Kitchen – Gilbert, AZ – Fujifilm X-E4
Indoor Shrine – Redlands, CA – Fujifilm X-E4

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

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My Fujifilm X-T30 Color Negative Film Simulation Recipe


Evening Light On A Clearing Mountain – Riverdale, UT – Fujifilm X-T30 – “Color Negative”

Silly Putty was invented by accident. There was a shortage of rubber during the second world war, and as a result several companies worked hard to create a synthetic substitute. What we now know as Silly Putty was a failed attempt at synthetic rubber. Even though it didn’t turn out exactly like its inventor had hoped, it still became a useful product that has brought joy to many people across the world. This “Color Negative” film simulation recipe has a similar story to Silly Putty (minus the war and rubber).

I’ve been working on a number of different recipes, trying to mimic several different aesthetics that I’ve been asked to create. One of the films that I’ve been trying to recreate the look of is Fujifilm C200, but I’ve yet to crack the code. This recipe is one of the failed attempts at C200. I like how it looks, so I thought I’d share it, even though it’s not exactly what I was trying for. I hope it become useful and brings joy to someone.


Cameras and Coffee – South Weber, UT – Fujifilm X-T30 – “Color Negative”

I named this recipe “Color Negative” only because it has a general color negative aesthetic, and I didn’t know what else to call it. It’s in the general neighborhood of Fujifilm C200, but it’s not exactly right for that film. Perhaps there’s some generic film that looks similar to this. It doesn’t precisely mimic any one film that I’m aware of, but this recipe does have a film-like quality to it.

PRO Neg. Hi
Dynamic Range: DR400
Highlight: +2
Shadow: +2
Color: -2
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Daylight Fluorescent (1), -2 Red & +4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Note: There was some confusion on the white balance required for this recipe. It’s Fluorescent 1, also called Daylight Fluorescent or Neon 1. It’s the first option underneath Cloudy.

Example photographs, all camera-made JPEGs using my Color Negative Film Simulation recipe on a Fujifilm X-T30:


Fallen Leaves – South Weber, UT – Fujifilm X-T30


Hanging Apple – South Weber, UT – Fujifilm X-T30


Leaf Hanging On – South Weber, UT – Fujifilm X-T30


Boy Unsure – South Weber, UT – Fujifilm X-T30


Joy’s Smile – South Weber, UT – Fujifilm X-T30


White Stars – Roy, UT – Fujifilm X-T30


White Cloud Ridge – South Weber, UT – Fujifilm X-T30


Reserved Parking – South Ogden, UT – Fujifilm X-T30

See also: My Fujifilm Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!


Fujifilm PRO Neg. Std Film Simulation Recipes


Great Salt Lake Evening – Layton, UT – Fujifilm X-T20 – PRO Neg. Std

PRO Neg. Std is one of the least popular film simulations available on Fujifilm X-Trans cameras, so you might be surprised by the number of different film simulation recipes I created that use it as the base. At first PRO Neg. Std may seem flat and dull. It has the softest tonality of all the film simulation options, and it is one of the least saturated. Fujifilm modeled it after Fujicolor Pro 160 NS film printed on Fujicolor paper. It has a great analog print quality to it that can be quite appealing!

The PRO Neg. Std film simulation was inspired by a portrait film, so it’s no surprise that it is great for skin tones. By adjusting the settings, it can be made to resemble different negative films or produce different analog looks. I particularly appreciate how this film simulation handles shadows. Many of the different color film simulations that Fujifilm offers on their cameras handle shadows similar to reversal film, but not PRO Neg. Std, which has a negative film quality, particularly in the shadows.

Below you will find all of my different film simulation recipes that I have created that use PRO Neg. Std. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorites are Superia 800 and Pro 400H, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F and X-T20, they are completely compatible with any Fujifilm X-Trans III or newer camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

Fujicolor Superia 800

CineStill 800T


Aged Color

Fujicolor Pro 400H