The Fujifilm X-Pro3 was released in late-November 2019, with much fanfare and much controversy. It was the first of the second-era of X-Trans IV, and is unique with its backwards-mounted rear screen. So much has been said, both good and bad, but now that we’re a year-and-a-half later I thought it would be fun to revisit the X-Pro3 for this week’s Fuji Features article. I didn’t want to share all of the old reviews, but only the ones that have been published this year, just to keep things fresh.
The X-Pro3 is a camera that I would love to own, and maybe someday I will, but it’s just not in the cards for me at the moment. I did shoot with an Fujifilm X-Pro2 that I absolutely loved a few years back, but I didn’t really own it, and unfortunately had to part with it (long story). The X-Pro line (along with the X100 and X-E lines) is beautifully designed, and better looking than most cameras made today.
Below are the Fujifilm X-Pro3 reviews from 2021 that I found on the web.
There doesn’t appear to be one place on the web to get your full Fujifilm fix. You might frequently visit a handful of websites, and the Fuji X Weekly blog is hopefully one of those websites. I have a few regular daily stops, plus a few that I visit less often. I realized recently that I’m missing a lot of great content that’s out on the web regarding Fujifilm, and perhaps you are, too. If there was a frequently visited website that gathered these articles and put them into one place, that would be very convenient. Seeing a need and wanting to fill it, I’m creating a new series called Fuji Features, which will have links to recent Fujifilm related articles. My intention is that each of these posts will have a theme, and the theme for this very first one is Fujifilm X-E4 reviews.
I searched the web and found a whole bunch of Fujifilm X-E4 reviews. I’m not including all of the reviews that I found, only those that were published over the last few weeks—if they’re older than that, it’s more likely that you’ve already seen them, so I didn’t include those in this article. I’m sure that I missed a few, so if you know of one that should have been included, don’t be afraid to add it via the comments section. Of course, I have my own Fujifilm X-E4 review, and I invite you to view it if you haven’t already. If you are considering purchasing an X-E4, my hope is that this post will be useful to you.
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
Hopefully you found this this post helpful or interesting. I plan to do more articles in this series, although the exact format might vary from post-to-post. I’m not certain how frequent these will come out, but my plan right now is weekly, but we’ll see how that goes. If you found one of these articles or videos especially helpful to you, let me know in the comments!
The X-E1 was my introduction to the world of Fujifilm cameras. I love the X-E line—the nearly perfect combination of form, function, size and price—it’s easy to understand why people are passionate about it. Fujifilm just released the latest model in this series: the X-E4. This new iteration has received plenty of praise and criticism. Fujifilm made some significant changes to this model, but do they equate to a better camera?
The Fujifilm X-E4, which retails for $850 for the body or $1,050 when combined with the new 27mm f/2.8 lens, is the fifth X-E camera. Fifth? Isn’t the X-E4 the fourth? In 2012 Fujifilm released the X-E1 (X-Trans I), a year later the X-E2 (X-Trans II), in 2016 the X-E2s (also X-Trans II), in 2017 the X-E3 (X-Trans III), and now in 2021 we have the X-E4 (X-Trans IV). Beginning with the X-E2s, this series marks the end of a sensor generation, and most likely the X-E4 will be the last camera with the X-Trans IV sensor.
Fujifilm knows how to make a beautiful camera, and the X-E line is one of their best looking. The X100, X-Pro and X-E series are the epitome of modern-retro fusion camera styling. People will mistake it for a vintage film camera. The X-E4 is indeed one of the loveliest cameras made today! The X100 and X-Pro lines are more premium, while X-E is more mid-level. This camera is not weather-sealed, and there’s no IBIS, which will certainly cause complaints, yet the X-E4 is a wonderful camera that is well-built and well-designed—a solid offering by Fujifilm, no doubt—but it’s not a premium model, so expectations should be kept reasonable.
The X-E4 is Fujifilm’s smallest interchangeable-lens camera with a viewfinder. It’s tiny! Really, though, it’s not all that much more compact than the X-T30 or especially the X-E3, but it is slightly smaller nonetheless. It’s pretty darn lightweight, too. This is why I bought the camera: I wanted a smaller and lighter option for travel, and the X-E4 fulfills that nicely.
Fujifilm’s promotional slogan for this camera is “Make more with less.” It’s clear that the design philosophy for the X-E4 was minimalism, something that I appreciate. They attempted to “achieve simplicity” with it, and indeed they did! But did they go too far? There are a number of buttons, switches, and wheels that have been removed from the camera body. Aside from the Shutter Speed and Exposure Compensation knobs and the On-Off/Shutter-Release switch/button, there are now just seven buttons, a joystick, and the front wheel—and that’s it! I wish that the M/C/S focus selector switch had not been axed (probably the most controversial decision), but I’m alright with all of the other design choices. It would have been a nice touch if Fujifilm had included an ISO ring around the shutter knob, but it’s not a big deal that they didn’t.
The X-E4 has an X-Trans IV sensor, which has been around for about two-and-a-half years now; however, Fujifilm has refreshed the firmware in new models, so this camera feels like a different generation than the X-T3 and X-T30. It’s more similar to the X-Pro3, X100V, and especially the X-T4, yet Fujifilm tweaked it a little, so it’s not exactly the same as those cameras, either. One difference is that literally everything in the menu can be (or, really, must be) set in the custom presets. There are some advantages and disadvantages to this, and it definitely takes longer to set up (there are a couple of new tools to potentially help with this); overall I feel like this was a good change that I hope Fujifilm carries forward into future models.
One positive side effect of this firmware change is that it’s now possible to program eight film simulation recipes into the camera. Yes, eight! There’s still the C1-C7 custom presets that can be accessed through the Q Menu, but whatever is programmed into the IQ Menu is remembered separately from the custom presets. As you scroll through the C1-C7 presets in the Q Menu, you additionally have the IQ Menu settings, which are designated by a P, A, S or M, (depending on the shooting mode you are in) in the Q Menu. This eighth “custom preset” cannot be named, but it’s nice to be able to store another recipe in-camera. Also, the very confusing “Base” designation is now gone.
One negative side effect of the firmware change is that the focus mode, whether Manual, Continuous or Single, must be set from within the menu, and must be programmed with each custom preset. I shoot in Single-AF 80% of the time, so that’s what I have it set to, and most of the time this works well. But, when I need to change it (I have a button programmed to quickly access this), it’s not remembered by the camera, so when I adjust to a different custom preset it’s back to Single-AF, when maybe I want Continuous or Manual instead. When I’m shooting in something other than Single-AF, I find myself having to sometimes reset it to the focus mode that I want to use, which can be a little inconvenient and a bit frustrating. The X-E4 does have the ability to automatically save changes to presets, which is a potential solution, but I can foresee some possible problems with that, so I haven’t tried it. I’m hoping that I’m just overlooking some simple solution to the problem, and this will be a complete nonissue once I figure it out. This curious design choice might be the biggest reason why people don’t buy the X-E4, and the inclusion of a M/C/S focus selector switch would have avoided it altogether. It’s just unfortunate, but it’s not a deal-breaker for me because most of the time the camera operates just as I want it to. It’s only a problem every once in awhile.
The X-E4 has a flat design with no bulges for grips. You can buy an aftermarket grip and thumb rest, which is supposed to help with holding the camera, yet adds a little girth and weight. I have had no issues holding the camera, so I have no plans to use those. I might be in the minority with this opinion, but I actually prefer the flat design; however, some people won’t like it, and this might be a reason to avoid the X-E4, depending on your preferences.
The electronic viewfinder is plenty good enough for me—I believe it’s the same one found in the X-T30. The rear screen is a touch-flip. I actually have the touch capability disabled because accidentally touching it, which happens often, does annoying things. The flip ability is nice, but I have never moved it to the “selfie” position—only 90° for waist-level shooting. Maybe someday the full flip will come in handy.
Image quality on the X-E4, like all X-Trans IV cameras, is outstanding. I said about the X100V, and it’s just as true (if not more true) with the X-E4, is that it’s like shooting with an endless roll of film. Actually, it’s like shooting with up to eight endless rolls of film. You can capture as many frames as you wish on each roll, and change the film anytime you want. Amazing!
The video specs are pretty darn good on the X-E4. I’ve not used the camera much for video yet, but I have no doubts that it would be plenty good enough for most people and most purposes. Most likely it has a similar overheating issue as the X100V, but I’ve not heard any reports or experienced overheating myself. Plan to keep clips under five minutes in length, and give the camera a break every now and then, and it should not be a problem at all. If you are serious about video, I don’t think you’d want the X-E4 as your primary cinema camera, but I believe that it would make a solid second body.
With product reviews, people often look for recommendations. Should I upgrade from the X-E3? Should I choose the X-T30 or X-S10 instead of the X-E4? What should I buy? I can’t tell you what decisions you should make, but, for me, I really like the X-E4 as an interchangeable-lens companion to the X100V for travel. That’s where this camera makes the most sense to me, but you’ll have to decide for yourself if it makes sense for you and how you might want to use it.
For travel photography, I’m trying to go smaller, lighter, and simpler, and a key component to that is the Fujifilm X-E4. I really appreciate the redesign. It’s not perfect—no camera is—but it’s pretty darn close to perfect for what I want it use it for. The X-E4, along with a handful of compact lenses, such as the new 27mm f/2.8 that came with it, fits nicely into a small camera bag, right next to the X100V. The X-E4 really is the little camera that can, and I couldn’t be happier with my purchase.
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
FUJI X WEEKLY 