Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Color Negative Film

Yellow – Layton, UT – Fujifilm X-T1 – “Color Negative Film”

One of my favorite X-Trans I Film Simulation Recipes is Color Negative Film, which has a white balance shift inspired by my Fujicolor 100 Industrial recipe. This recipe, which was a Patron Early-Access Recipe on the Fuji X Weekly App but is now available to everyone, is an adaptation of the X-Trans I recipe for X-Trans II. It doesn’t mimic any specific film, but just has a more generic film aesthetic. It’s not an exact match to the X-Trans I recipe, but it’s pretty close.

This “Color Negative Film” recipe is a great allrounder for daylight situations. My Fujifilm X-T1 was boxed away for over two months as I moved, and when I unboxed it last week this recipe is the one that I programmed and used first. It’s a recipe that I know many of you will love, too. If you have an X-Trans II camera, give this one a try!

No Swimming – Layton, UT – Fujifilm X-T1 – “Color Negative Film”

Provia
Dynamic Range: DR400
Highlight: +2 (Hard)
Shadow: +2 (Hard)
Color: -2 (Low)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 3200K, +8 Red & -8 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Color Negative Film” film simulation recipe on my Fujifilm X-T1:

Sunlit Leaves – Layton, UT – Fujifilm X-T1
Green Leaves – Farmington, UT – Fujifilm X-T1 – Photo by Jon Roesch
Early Autumn – Farmington, UT – Fujifilm X-T1
Forest Trail – Farmington, UT – Fujifilm X-T1
One Dead Leaf – Farmington, UT – Fujifilm X-T1
Backlit Autumn Leaves – Farmington, UT – Fujifilm X-T1
Autumn Flare – Farmington, UT – Fujifilm X-T1
Changing Leaves in the Woods – Farmington, UT – Fujifilm X-T1
Yellow Shrub – Farmington, UT – Fujifilm X-T1
Trail to the Trees – Layton, UT – Fujifilm X-T1
Water Logged – Farmington, UT – Fujifilm X-T1 – Photo by Jon Roesch
Little Purple Blooms – Farmington, UT – Fujifilm X-T1
Reeds of Summer – Farmington, UT – Fujifilm X-T1
Magenta Blossoms – Buckeye, AZ – Fujifilm X-T1
Trumpet Flower – Buckeye, AZ – Fujifilm X-T1
Pride of Barbados – Buckeye, AZ – Fujifilm X-T1
Jon by a Wall – Buckeye, AZ – Fujifilm X-T1

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Winter Slide

Winter Neighborhood at Sunset – Farmington, UT – Fujifilm X-T1 – “Winter Slide”

This recipe began with a weather forecast. It had been unusually dry and warm here in Utah, but cold temperatures and plenty of snow was on the way. At this time of year I get asked regularly which film simulation recipes are best for snow—there are plenty that will work well, but not many that are specifically made for it. A camera like the Fujifilm X-T1, which is weather-sealed, is great for these type of conditions, so I thought, with the forecasted wintry weather, I’d create a good-for-snow recipe for X-Trans II cameras that I could use on my X-T1. When the snow finally came, I’d be ready!

The initial inspiration for this recipe was Agfa Precisa CT 100 color slide film, which I read was one of the best film options for winter situations. I wasn’t having good luck recreating the aesthetic of it, but, in the process, I made some settings that I thought might be good for snow. So I failed at mimicking Agfa Precisa CT 100, but I succeeded at what I set out to do, which was a film simulation recipe that works well in snow. Interestingly, when I created the recipe, it wasn’t yet snowy, so I wasn’t completely sure how it would do. Luckily, it did every bit as well as I had hoped it would.

Two Cold Horses – Farmington, UT – Fujifilm X-T1 – “Winter Slide”

The trick to snow photography is to overexpose (based on what the meter says) because the camera sees a lot of white and wants to make it grey. So if you follow the meter, you’ll get a lot of dark pictures. By increasing the exposure compensation, you’ll get brighter pictures—I found myself often using +1 exposure compensation. If you are using this recipe when it’s not wintry white, you won’t have to increase the exposure compensation quite as much, and +1/3 to +2/3 will likely be better. This film simulation recipe is compatible with all X-Trans II cameras.

Provia/STD
Dynamic Range: DR200
Highlight: 0 (Standard)
Shadow: +2 (Hard)
Color: -2 (Low)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 5000K, -1 Red & -3 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: +1/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this “Winter Slide” film simulation recipe:

Ice Cold Red – Farmington, UT – Fujifilm X-T1
Winter Red Berries – Farmington, UT – Fujifilm X-T1
Snow on Branch – Farmington, UT – Fujifilm X-T1
Snow on Tree Trunk – Farmington, UT – Fujifilm X-T1
Winter Tree – Farmington, UT – Fujifilm X-T1
Winter Bush with Red Berries – Farmington, UT – Fujifilm X-T1
Snow on a Bush – Farmington, UT – Fujifilm X-T1
Winter Girl – Farmington, UT – Fujifilm X-T1
White House in Snow – Farmington, UT – Fujifilm X-T1
Lamp with Bow – Farmington, UT – Fujifilm X-T1
Winter Blue Home – Farmington, UT – Fujifilm X-T1
One Light in a Tree – Farmington, UT – Fujifilm X-T1

Find this film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Kodacolor 200

Pumpkin – Farmington, UT – Fujifilm X-T1 – “Kodacolor 200”

For this recipe, I was attempting to recreate a Kodak Portra 400 NC aesthetic. A couple of decades ago, Portra (both the ISO 160 and ISO 400 emulsions) came in two versions: NC (“Neutral Color”) and VC (“Vivid Color”). Kodak later revised the film to be something in-between the two, which they simply called Portra 160 and Portra 400. This recipe is, I believe, in the general ballpark of Portra 400 NC, but not exactly right; however, I like the results anyway. So if this recipe is close to Kodak Portra 400 NC, why did I call it Kodacolor 200? Because I think it is actually a little closer to Kodacolor 200, which is a variety of Kodacolor VR, and related to ColorPlus 200. I wouldn’t call it an exact match to Kodacolor 200, but that’s the film this is most likely closest to. If you want a Portra 400 NC or Kodacolor 200 aesthetic, this recipe is relatively similar to both.

There’s a fair amount of contrast produced by this recipe, which looks really good in conditions without harsh light. In bright daylight, the contrast might be a little too much, perhaps more closely resembling push-processed film, or (to a lessor extent) even bleach-bypassed Portra. On bright days, you might consider dropping both Shadow and Highlight to +1 if you find it to be too contrasty. I believe this film simulation recipe produces its best results when the sun is a little obscured, but not heavy overcast; however, it’s possible to get good results in many different circumstances. If your X-Trans II camera has Classic Chrome, I invite you to give this recipe a try—it’s a great high-contrast, low saturation option.

Power Pole Cup – Farmington, UT – Fujifilm X-T1 – “Kodacolor 200”

Classic Chrome
Dynamic Range: DR200
Highlight: +2 (Hard)
Shadow: +2 (Hard)
Color: -2 (Low)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 3200K, +8 Red & -8 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this Kodacolor 200 film simulation recipe:

Phragmites – Farmington, UT – Fujifilm X-T1
Touch of Red – Salt Lake City, UT – Fujifilm X-T1
Pumpkin Stem – Farmington, UT – Fujifilm X-T1
Autumn Shrub – Farmington, UT – Fujifilm X-T1
Ground Leaves – Farmington, UT – Fujifilm X-T1
Neighborhood Autumn Tree – Farmington, UT – Fujifilm X-T1
Creek Path in Autumn – Farmington, UT – Fujifilm X-T1
Narrow Path – Farmington, UT – Fujifilm X-T1
Old Mile Post – Farmington, UT – Fujifilm X-T1
Delicate Fibers – Farmington, UT – Fujifilm X-T1

Find this film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-Trans II Film Simulation Recipe: Yosemite Velvia

Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1 -“Yosemite Velvia”

On a recent trip to Yosemite National Park, my daughter, Joy, created a new film simulation recipe for X-Trans II cameras, which I’m calling Yosemite Velvia. Joy has made two X-Trans I recipes, Superia Xtra 400 and Winter Blue, but this is her first for X-Trans II. On this trip I let her use my Fujifilm X-T1 camera, and I told her that she could use whichever settings she wanted—this recipe is what she came up with.

I asked her why she chose these settings. She told me that she wanted the pictures to be colorful but without too much contrast. She decided on the Shade white balance because the forecast was for overcast sky, although it ended up being mostly sunny; however, she liked how it looked, so she stuck with it. Besides photographing in Yosemite, she also used these settings in Reno, Nevada.

Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1 -“Yosemite Velvia”

This film simulation recipe is compatible with all Fujifilm X-Trans II cameras. You can use it on X-Trans I and Bayer sensor cameras, too, but the results will be a little different (feel free to try, though).

Velvia
Dynamic Range: DR200
Highlight: -1
Shadow: -2
Color: +2
Sharpness: -1
Noise Reduction: -2
White Balance: Shade, -2 Red & -2 Blue
ISO: Auto up to ISO 3200

Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured by Joy on my Fujifilm X-T1 using this “Yosemite Velvia” film simulation recipe:

Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1
Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1
Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1
Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1
Photo by Joy Roesch – Yosemite NP, CA – Fujifilm X-T1
Photo by Joy Roesch – Reno, NV – Fujifilm X-T1
Photo by Joy Roesch – Reno, NV – Fujifilm X-T1
Photo by Joy Roesch – Reno, NV – Fujifilm X-T1

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-Trans II Film Simulation Recipe: Kodak Platinum 200

Bicycle 88 – West Valley City, UT – Fujifilm X-T1 – “Kodak Platinum 200”

Fuji X Weekly reader Corey Steib (Instagram here and here) shared with me an X-Trans II recipe that he created called Kodak Platinum 200. Corey named it this because it reminds him of vibrant Kodak film captured with a Panaflex Platinum motion picture camera, and because the best results are found at or near ISO 200. This recipe is nothing like the Eterna film simulation, but it does have a slight cinematic feel to it nonetheless thanks to the Shadow setting. It looks really nice, with vibrant colors and soft shadows, and is a great all-purpose recipe. Thank you, Corey, for creating this and allowing me to share it!

I have the ISO in my camera set to Auto, with the upper limit set to ISO 3200. I’m happy with the results from my X-T1 all the way to ISO 3200, but the intention of this recipe is to keep the ISO lower when you can. In bright light, depending on the contrast in the scene, because of the DR-Auto setting, the camera might select ISO 200 or ISO 400, and the idea is to use this recipe at those ISOs when practical. As the available light decreases, it’s perfectly fine to increase the ISO, and I feel good going as high as ISO 3200 when necessary.

Touch of Red – Salt Lake City, UT – Fujifilm X-T1 – “Kodak Platinum 200”

This film simulation recipe is compatible with all Fujifilm X-Trans II cameras. You can use it on X-Trans I and Bayer sensor cameras, too, but the results will be a little different (feel free to try, though).

Provia
Dynamic Range: DR-Auto
Highlight: +1 (Medium-High)
Shadow: -2 (Low)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, 0 Red & 0 Blue
ISO: Auto up to ISO 3200
(but… the lower the better)
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured with my Fujifilm X-T1 using this “Kodak Platinum 200” film simulation recipe:

Snack – Salt Lake City, UT – Fujifilm X-T1
Yellow Rope – West Valley City, UT – Fujifilm X-T1
Unicorn Jo – West Valley City, UT – Fujifilm X-T1
Curved Trunk – Salt Lake City, UT – Fujifilm X-T1
Log Bridge & 3 Trees – Salt Lake City, UT – Fujifilm X-T1
Bridge & Stump – Salt Lake City, UT – Fujifilm X-T1
Pine Needles – Salt Lake City, UT – Fujifilm X-T1
Tree Canopy – Salt Lake City, UT – Fujifilm X-T1
Plastic Plants – Farmington, UT – Fujifilm X-T1

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$2.00

Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: “Eterna”

49996726362_6614b54871_c

Lavender – Farmington, UT – Fujifilm X-T1 – “Eterna”

I haven’t forgotten about my Fujifilm X-T1! My last five film simulation recipes have been for my new X100V, but I will continue making recipes for other sensors. Not everyone, probably not most Fujifilm X shooters, have the latest models, so the recipes for those cameras are irrelevant to many Fuji X Weekly readers. There will still be many articles related to the X100V, but I will continue to publish articles about other Fujifilm cameras, too. I’ll try to keep things balanced.

This “Eterna” film simulation recipe is my best facsimile of my X-T30 Eterna recipe. Obviously X-Trans II cameras don’t have the Eterna film simulation, as well as other options that the X-T30 has. It’s impossible to make an exact match, but this one is surprisingly pretty close. It looks nothing like straight-out-of-the-box Eterna, but it resembles pretty closely my Eterna recipe, which requires some big adjustments to various settings.

49993237098_4a4a78c0d1_c

Red Blooms – Farmington, UT – Fujifilm X-T1 – “Eterna”

My X-T1 “Eterna” recipe has a strong warm color cast, and it has a fair amount of contrast. It reminds me of Kodak Gold printed on Kodak paper, but I’m sure it’s not an exact match for that, just a general impression. This recipe is not for every situation, but it can look great for certain pictures.

PRO Neg. Std
Dynamic Range: DR100
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Auto, +6 Red & -7 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Eterna” recipe on my Fujifilm X-T1:

49994004647_90b73a1882_c

Yellow Truck with Red Graffiti – Salt Lake City, UT – Fujifilm X-T1

49993236048_6990d1dde9_c-1

Empty Trailers – Salt Lake City, UT – Fujifilm X-T1

49993236013_f30cff69f4_c

Evening Thistle – Salt Lake City, UT – Fujifilm X-T1

49993756971_fbe21ecf0d_c

Someone’s Watching – Salt Lake City, UT – Fujifilm X-T1

49993236063_1ea4c354ef_c

Authorized Persons and Vehicles Only – Salt Lake City, UT – Fujifilm X-T1

49994004612_1a878b0821_c

Bike Lane Ends – Salt Lake City, UT – Fujifilm X-T1

49993757011_c5bf63f629_c

Stump by the Water – Salt Lake City, UT – Fujifilm X-T1

49994004702_d2b5d671da_c

Pole Reflection – Salt Lake City, UT – Fujifilm X-T1

49994004987_0c8a871725_c

Sunstar Tree – Salt Lake City, UT – Fujifilm X-T1

49994005007_9ca07d061f_c

Empty Bench – Salt Lake City, UT – Fujifilm X-T1

49993757251_59ab2cdd59_c

Ford 250 – Salt Lake City, UT – Fujifilm X-T1

49993236338_93b029e142_c

SkyWest – Salt Lake City, UT – Fujifilm X-T1

49993237073_942d3417ae_c

Statue Girl on Bench – Farmington, UT – Fujifilm X-T1

49994005057_3179984c24_c

Shadow Stripes – Salt Lake City, UT – Fujifilm X-T1

49996065657_a4dbafbc85_c

Toes & Couch – Farmington, UT – Fujifilm X-T1

49996065832_89191b7972_c

Josh in the Window Light – Farmington, UT – Fujifilm X-T1

49993237078_1545e8fcc1_c

Kitchen Succulent – Farmington, UT – Fujifilm X-T1

49993237083_72e949a248_c

Tree Branch Blossoms – Farmington, UT – Fujifilm X-T1

49995675016_a8023e72a1_c

Cloud Above The Mountain Ridge – Farmington, UT – Fujifilm X-T1

49995156863_3e7580666a_c

Mountain Tree – Farmington, UT – Fujifilm X-T1

49995155708_db6dcc2318_c

Tree Top – Farmington, UT – Fujifilm X-T1

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00