Fuji X Weekly reader Corey Steib (Instagram here and here) shared with me an X-Trans II recipe that he created called Kodak Platinum 200. Corey named it this because it reminds him of vibrant Kodak film captured with a Panaflex Platinum motion picture camera, and because the best results are found at or near ISO 200. This recipe is nothing like the Eterna film simulation, but it does have a slight cinematic feel to it nonetheless thanks to the Shadow setting. It looks really nice, with vibrant colors and soft shadows, and is a great all-purpose recipe. Thank you, Corey, for creating this and allowing me to share it!
I have the ISO in my camera set to Auto, with the upper limit set to ISO 3200. I’m happy with the results from my X-T1 all the way to ISO 3200, but the intention of this recipe is to keep the ISO lower when you can. In bright light, depending on the contrast in the scene, because of the DR-Auto setting, the camera might select ISO 200 or ISO 400, and the idea is to use this recipe at those ISOs when practical. As the available light decreases, it’s perfectly fine to increase the ISO, and I feel good going as high as ISO 3200 when necessary.
This film simulation recipe is compatible with all Fujifilm X-Trans II cameras. You can use it on X-Trans I and Bayer sensor cameras, too, but the results will be a little different (feel free to try, though).
Dynamic Range: DR-Auto
Highlight: +1 (Medium-High)
Shadow: -2 (Low)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, 0 Red & 0 Blue
ISO: Auto up to ISO 3200 (but… the lower the better)
Exposure Compensation: -1/3 to +1/3 (typically)
Example photographs, all camera-made JPEGs captured with my Fujifilm X-T1 using this “Kodak Platinum 200” film simulation recipe:
Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!
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The colours are so vibrant.
I agree. Good for showing vibrant colors.
How do you think this will work with trans 3
It definitely won’t look the same. Highlight and Shadow aren’t exact, and White Balance is significantly different. Maybe try a WB Shift of +2 Red & -2 Blue. Consider Highlight +2 and Shadow -1, which I think will get you closer, but it might not, so you’ll just have to try and see what you like better.