You might or might not have noticed the recent RitchieCam 1.6.1 update. The App Store description states, “Temporarily removed HEIC format on certain operating systems until a future RitchieCam update.” So what’s going on?
There’s a weird bug on iOS 17 that affects RitchieCam. While iOS 17 isn’t officially out yet, the Beta test version is available today. Sometime between two and three weeks from now, Apple will make iOS 17 available to all compatible iPhones (which will be most), and your phone might even automatically update itself to the new operating system overnight as you sleep. It’s uncertain if Apple will fix the bug prior to publicly launching iOS 17 in mid-September.
The weird bug only affects HEIC format, and not JPEG. Photos captured using the HEIC format on RitchieCam display strangely like a double-exposure, as if the picture is offset and enlarged over itself with a 50% opacity. If you share the images (text, airdrop, email) to a non-iOS 17 device (for example, an iPhone with iOS 16, or a computer) it displays normally, but on iOS 17 phones, it displays super weirdly. HEIC images captured with the standard Apple camera app don’t seem to have this issue.
I don’t know what exactly is causing the problem, so I don’t yet know how to fix it. It’s been reported to Apple, so I’m hoping that when iOS 17 is released next month, they’ll have fixed whatever it is that they did to cause this issue, but I have no way to know if they will or not. If not, I hope to get to the bottom of it and have HEIC working properly again soon.
The temporary fix that RitchieCam version 1.6.1 provides is simple: disable HEIC on iPhones that have iOS 17. If your iPhone has iOS 16.6 or older, there’s no change for you. Whatever you have selected, whether HEIC or JPEG, will work as normal. But if you have the iOS 17 Beta, or the public version when it is released soon, RitchieCam will default to JPEG, and HEIC will be unavailable for you to choose. I’m really sorry if this causes any trouble. Hopefully it will be short-lived, and HEIC will be available in the near future for iOS 17.
I also want to say “thank you” to everyone who reported this issue to me. Your feedback allowed this temporary fix to be made available before the new operating system rolled out to the masses. I really appreciate your help!
There’s an easy way to get a filmic look from your iPhone!
I set out to help my wife, Amanda, get a filmic look from her cellphone images. Her “main” camera is a Fujifilm X-T4, but she also shoots quite a bit on her iPhone 13 Pro; her interest in photography and videography began with the iPhone. The filmic aesthetic is highly sought after, but not always easy to achieve; however, I found a good way to get it on the iPhone, so read on to find out how you can do it, too!
What exactly is a filmic look? I would describe it as a cinematic film aesthetic. Think stills from a motion picture, or photographs captured with cinema film that has had the Remjet layer removed. This wasn’t an attempt to mimic any specific movie or emulsion, but just achieve a general filmic look through cellphone photography—make it seem less digital and more analog-like, except without all of the editing that is traditionally required. As a mother of four and behind-the-scenes Fuji X Weekly cohort, Amanda is quite busy, and doesn’t have time for extensive editing, so post-processing pictures could not be a prerequisite for achieving a filmic aesthetic.
I’m sure the Sandmarc case isn’t the only one that allows you to use filters, but it is the one we got, and so far it seems to be a quality product. It works well and is reasonably inexpensive, so it’s easy to recommend. It did take a fall; while the case kept the phone safe and undamaged (which is great!), it did leave a noticeable mark on the case itself. Another note: Sandmarc has their own line of filters—including a diffusion filter—but we used the 20% CineBloom because I already own it for my Fujifilm X100V. I personally really like CineBlooms, but the brand of diffusion filter doesn’t really matter all that much, I don’t think.
On the iPhone 13 Pro, you can attach the filter over the main 26mm camera or over the telephoto 77mm camera, but not over the ultra-wide 13mm camera. You can only use it on one camera at a time, so it does take some of the convenience out of using the iPhone for photography—not only do you have to carry the filter, but also screw it over the correct lens. Not a dealbreaker for this method, but certainly a limitation that one should be aware of.
The camera app that Amanda uses is RitchieCam, which has filters inspired by film, crafted to have an analog essence. Designed with a one-step philosophy, RitchieCam produces photos that are ready to be shared or printed the instant that they’re captured. RitchieCam was recently enthusiastically endorsed by Leigh & Raymond Photography as their favorite iPhone camera app—it was one of their five suggested ways for achieving a film look on a digital camera. RitchieCam is my very own camera app; download it for free today from the Apple App Store!
I said that the 20% CineBloom was key to getting a filmic look because diffusion filters take the digital edge off of digital pictures. It blooms the highlights and softens the shadows more like negative film. Also, diffusion filters have been a cinematographic tool long before they were popular for still photography, so the aesthetic produced by these filters is inherently filmic. Below is an example of what a diffusion filter does to an image. I chose this particular set because the difference is obvious; oftentimes the effect is a little less apparent, especially if there is not a bright light source (such as the sun) in or near the frame. The strongest CineBloom is 20%, so if you find it to be too strong, consider the 10% or 5% options instead—sometimes subtlety is preferable.
Below are some of Amanda’s pictures captured with her iPhone 13 Pro using RitchieCam and the 20% CineBloom filter, made possible by the Sandmarc case and filter adapter. Combining RitchieCam with a diffusion filter produces images with a filmic quality, and, because editing isn’t required, this process works well for those who don’t have time to post-process their pictures, or who only want to do quick adjustments.
I just got back from a quick road trip to see the world’s largest travertine natural bridge. Located right in the center of Arizona in the Mazatzal Mountains, Tonto Natural Bridge is an under-appreciated natural wonder. While winding through the evergreen forest along Highway 87 between Payson and Pine, you’d never guess that the place was even there. An unassuming side road steeply descends into a canyon, which is where the park is located; however, even after parking it’s not obvious what you’ll find. Only after a very short hike is the natural bridge revealed. A longer hike will take you right up to it, and even through it if you want.
The actual reason for the trip was more than just a chance to experience this Arizona State Park. Even though it is now autumn, it is still hot like summer in the Phoenix desert, but the higher elevations offer a reprieve from the heat. The temperature at our cabin was 30 degrees Fahrenheit cooler than in the valley where we live. Also, we hoped to photograph some fall colors, which isn’t something commonly found in the desert.
So we (myself and my family) found ourselves among the pines in Pine, experiencing cooler temperatures, looking for autumn leaves, and visiting the largest travertine natural bridge in the world. It was great! I wish it could have lasted longer than just one weekend, but, alas, we could only stay but for a short time.
Upon returning, I realized that all six of us—myself, my wife, and my four kids—had all done some photography on this adventure. I mostly used my Fujifilm X100V, X-E4, and X70, while my wife used her X-T4. The two of us also at times used the RitchieCam camera app on our iPhones, as did each of our four kids.
As it turns out (and just as it was intended to be), RitchieCam is great for the whole family! It’s super easy—even my five-year-old had no problems figuring it out—yet robust enough that we felt comfortable using it to capture more serious photographic moments (as well as the silly ones sometimes). RitchieCam is an app for everyone, including kids, and is especially well suited for family adventures.
I thought it would be fun to share with you some of the photographs that each of us captured with RitchieCam on our trip. I used it specifically for the 65:24 XPan aspect ratio. I found it interesting to see what the rest of my family had captured with the App on this short trip to the mountains.
This year I’ve had the opportunity to visit five different National Parks! I love going to National Parks to experience the wonder of nature. They’re great for photography, and they’re great for the soul. Anytime the opportunity arrises to visit a National Park, I jump at it. In winter, I traveled to Arches National Park in southern Utah, Canyonlands National Park in southern Utah, and Grand Teton National Park in western Wyoming. In spring, I visited Bryce Canyon National Park in southern Utah and Hot Springs National Park in central Arkansas. These are wonderful locations that are worth the effort to experience!
While my main cameras are Fujifilm—such as the X100V and X-E4—I also use my iPhone for photography. Chase Jarvis famously coined, “The best camera is the one that’s with you.” He was specifically stating that if your cellphone is your only option, then it’s the best option; however, I would go a step further and say that your cellphone can be used in conjunction with your main cameras. Why? Your phone might have a different focal length than the lens on your camera (versatility). It’s quicker and easier to share the pictures from your phone (convenience). You don’t have to think about the settings (simplicity). Your phone is more easily portable—you can have it with you when your camera isn’t as practical to bring along (compactness). It doesn’t have to be either your camera or your phone—it can be both, and I used both on my visits to these five National Parks.
Of course, when I photograph with my iPhone, I use my very own RitchieCam App, which is a streamlined camera app with no-edit filters. RitchieCam is intended to help you capture everyday moments—including those that happen while visiting National Parks—more beautifully while maintaining simplicity (anyone can use it, not just photographers). The app is free to download and use—becoming a RitchieCam Patron unlocks the app’s full capabilities. If you have an iPhone, be sure to download RitchieCam today (click here)!
I utilized RitchieCam on my iPhone to photograph these National Parks, and so did others in my family: my wife (Amanda), my daughter (Joy), and my son (Jonathan)—they used RitchieCam, too! While most of the pictures in this article were captured by me, there are a few that they took. After our visits, it’s a lot of fun sharing our photos with each other. We all love going to National Parks, and being able to share the photographic experiences—thanks to RitchieCam—makes it even better.
Arches National Park — Utah
If you love unusual rock formations, Arches National Park in southeastern Utah is the place for you! Protruding from the high-desert sand are massive red rocks, which form bluffs, pinnacles, balancing acts, and (of course) arches. There are over 2,000 arches within the National Park, which is the highest concentration of stone arches in the world! Several movies have had scenes filmed in this National Park, including Indiana Jones and the Last Crusade, Thelma and Louise, and Hulk, among others.
Arches National Park is a great place to visit anytime of the year; however, it can be extremely crowded in the summer (not to mention hot), so the winter is my favorite season. It snowed while we were there—a somewhat rare occurrence, although it does happen at least a few days each winter. I loved photographing the park blanketed in white snow, but it melted quickly, and was mostly gone by the end of the day. While we only spent one day in Arches National Park, we made a lifetime of memories there.
Canyonlands National Park — Utah
The day after our Arches visit, we went to the nearby Canyonlands National Park. While Arches can get packed with people, I’ve never seen a crowd at Canyonlands—I’m sure it happens, but I’ve always found plenty of solitude. The Colorado River goes through both Canyonlands and the Grand Canyon, and they’re both on the Colorado Plateau—both are indeed natural wonders, and there are certainly some similarities between them, yet each offers a unique experience for visitors. Picking a favorite National Park is a difficult and unfair endeavor, but Canyonlands is without a doubt one of my top picks—maybe not number one, but definitely top five.
The reason why Canyonlands was on Day 2 and not Day 1 of our National Parks adventure is because it was closed the day prior due to the snowfall. A dusting of snow in Arches was a blizzard in the Island in the Sky district of Canyonlands, which sits about 6,000′ above sea level, and about 1,000′ higher than the terrain below. Thankfully, by the time we arrived, most of the snow had melted, and we had a fun day hiking, taking in the incredible canyon views that this park offers.
Bryce Canyon National Park — Utah
In southwestern Utah is Bryce Canyon National Park, which is known for its vibrant red hoodoos. While I’ve visited the nearby Zion National Park a couple of times, I had never made it to Bryce Canyon until this last spring. Wow! I was really missing out—Bryce Canyon is absolutely incredible! It’s a National Park that everyone should experience at least once, if they can. While Zion is quite nice, too, if you only have time for one or the other, I would go to Bryce Canyon.
The elevation of the park varies between 6,600′ and 9,100′ depending on where you’re at. Despite “canyon” in its name, Bryce Canyon is technically not a canyon, but a series of natural amphitheaters. To really experience the park you’ll want to put on your hiking shoes; however, don’t expect an easy trail, as the paths are often steep and full of switchbacks. It’s completely worthwhile, though, and, if you are physically able to do it, I highly recommend going down a trail or two while you’re there.
Grand Teton National Park — Wyoming
The Grand Teton National Park in western Wyoming is an amazing sight to behold! I had been once before—in late-spring several years ago—and this was my first winter visit. Unfortunately, the park was much less accessible this time, due to snow. Jackson Hole is a ski destination, so there were lots of tourists, but most of my favorite photography spots (that I was hoping to return to) were closed. I would say that it was disappointing, but when you view the towering range, despite the conditions, it’s impossible to be disappointed—it just made me eager to come again in a different season.
Within Grand Teton National Park are eight peaks that are over 12,000′ above sea level. The location of Ansel Adams’ famous Snake River Overlook picture is well marked and (normally) easily accessible—I had to hike through some knee-deep snow to get to it on this trip. Definitely worth seeing, but perhaps winter isn’t the best time.
Hot Springs National Park — Arkansas
Perhaps the strangest National Park I’ve ever experienced is Hot Springs National Park. Located in downtown Hot Springs, Arkansas, this park is free to visit (although the observation tower has a fee to access), but there’s not much to see. You can self-tour one of the bathhouses (which is now the visitors center). There are a couple of rather-ordinary springs that you can view—unfortunately, most of the springs are oddly capped with metal encasements. There are some trails that twist up a hill (along with a road), and at the top is a tower, which offers breathtaking views of the southern Ozarks. None of it comes close to the grandness that I have come to expect from National Parks, or even many state parks.
I was surprised by the beauty of this region. I liked Hot Springs. The National Park was a good place to spend a few hours. But I left wondering why in the world this was a National Park, because it doesn’t seem like it should be. It’s worth visiting if you’re in the area (and the area is worth visiting), but I wouldn’t make a special trip just to see Hot Springs National Park. Still, we had a good time, and made some family memories, and that’s what really matters.
There are 63 National Parks in America, and someday I hope to visit them all. It will take years—probably a lifetime! Five in one year is a good lot, and maybe the opportunity will arise to visit even more before January rolls around. I hope so. And if I do, not only will I bring my Fujifilm cameras, but my iPhone, too.
As Chase Jarvis coined, the best camera is the one that’s with you—sometimes that’s your cellphone. Whenever I use my iPhone for photography, I always use my very own camera app: RitchieCam. Designed with a one-step philosophy, RitchieCam produces photos that are ready to be shared or printed the instant that they’re captured.
I partnered with Sahand Nayebaziz to develop RitchieCam. I worked with Sahand on the Fuji X Weekly and Ricoh Recipes Apps, so we already had established a great working relationship even before beginning work on this camera app. Sahand uses Fujifilm cameras, and sometimes his iPhone, for his photography.
Sahand and I were talking recently when he mentioned that his favorite RitchieCam filter is Instant Color 3 set to about 30% intensity. I have always used 100% intensity. Even though I put this feature into the app, I had never used it personally, other than testing it out when it was being developed. I thought that some would appreciate it, so it was important to include it.
The three-slider icon (between the star and gear) opens the Filter Intensity slider. All the way right is 100% and all the way left is 0%. I like to use 100% on all of the filters, but that’s to be expected because I created the filters. You might prefer something different, so you can customize the intensity to fit your tastes.
I thought that there’s some potential for creativity with this feature, so I began to experiment with it. First I tried Sahand’s suggestion of Instant Color 3 at 30%, which did in fact produce good results (see the picture at the top of this article). Then I played around with the other filters at various intensities.
I found the three black-and-white filters in particular can produce interesting results, because they become muted-color filters when set to about 70% intensity. Of the three monochrome options, my favorite filter to adjust the intensity of in order to create color pictures is Dramatic B&W. Set to about 70%, the Dramatic B&W filter makes for wonderful muted-color photography. I was actually very impressed with this, and spent a couple of days shooting the Dramatic B&W filter set to about 70% intensity.
Here are some examples:
The RitchieCam App has 18 filters (15 color and 3 B&W), but the potential aesthetics that can be achieved using RitchieCam is much greater because you can adjust the intensity of each filter, and that adjustment changes the look—at least a little, and sometimes a lot—which gives you even greater creative control over your pictures.
If you have an iPhone and you haven’t downloaded the RitchieCam App, go to the Apple App Store right now and do so! Then play around with the Filter Intensity slider and see what fun things you come up with. Let me know which filter is your favorite, and what intensity you use. If you find something especially interesting, I’d love to try it myself.
This review of the Moment Tele 58mm cellphone lens is long overdue. When I started developing the RitchieCam iPhone camera app about a year ago, I figured it would be a good idea to get some external lenses for my iPhone 11, which would come in handy when needing to capture the example pictures. While there are a number of companies that offer lenses that can be attached to your cellphone, the Moment offerings stood out to me as the “better” option, so that’s what I chose.
To use Moment’s lenses, you must also use their phone case, because that’s how the lenses mount to your phone. They have a case for many phone makes and models, so there’s a good chance there’s one available for your device. The case is good quality, and has survived nearly a year of heavy use and abuse. I cannot tell you how many times that I’ve dropped my phone and thought it was done for, yet it survived unscathed, without even a scratch! While I’m sure there are cases that offer more protection, I’m pretty darn impressed with how good the Moment case has been.
One cool thing about the Moment case is that it has the “MagSafe” stuff built-in. I have this tripod-mount accessory that attaches to the case (via magnetism), which has come in handy a number of times. It’s a really good method to mount your cellphone to a tripod, if that’s something you do. There are a number of other accessories that you can buy that also use magnets to attach to your case, but the only one that I personally have used is that tripod accessory.
I had never used an external lens before with a cellphone, so I was definitely a novice when I started—I didn’t really realize how it all worked. On my iPhone 11 case, the lens mounts only over the main camera. The iPhone 11 has two rear facing cameras: 1x (26mm full-frame-equivalent) and 0.5x (13mm full-frame-equivalent). The Moment lenses cannot mount over the 13mm lens, only over the 26mm lens.
I have two Moment lenses: 18mm and 58mm. The Moment lenses are actually “conversion” lenses, and the millimeter numbers don’t actually mean anything. The 18mm is a 0.5x wide conversion lens, and the 58mm is a 2x tele conversion lens. Using the 18mm lens on the 26mm camera actually makes it 13mm, which is the same focal length of the second camera. In other words, the 18mm lens is pointless for the iPhone 11; however, I’m sure it makes sense for other cellphones. The 58mm lens makes the main camera 52mm, which is a very useful focal-length. The focal-length that these lenses will be on your cellphone depends on the focal-length of the cameras on your cellphone (either times by .5 for the 18mm lens or times by 2 for the 58mm lens). Clear as mud? I think if Moment had simply called the one lens 2x teleconverter and the other .5x wide-converter (instead of using millimeter numbers) it would save a lot of confusion. As you can imagine, the Moment Tele 58mm lens is the one that I used by far the most.
Initially I was disappointed by these lenses. I think my expectations were significantly askew. I figured that I’d be impressed by the image quality when using these lenses vs. not using them; however, the image quality will never be greater than that of the lens permanently attached to your cellphone. These lenses won’t improve on what the manufacturer installed on your device. Instead, what you get is either a longer or more wide-angle focal length without a loss in image quality. It’s much better to use the 58mm lens than “zoom by cropping” (a.k.a. digital zoom). The image quality produced by these lenses is determined mostly by the image quality produced by your phone.
The reason to use the Moment Tele 58mm lens is to double the reach of your built-in cellphone lens without degrading the image quality (or, if it does degrade the image quality, it’s extraordinarily minimal and not really noticeable). That’s what this lens does, and it does it well. It doesn’t do much else, so keep your expectations in check.
When I carry the 58mm lens with me, I get three focal-length options on my iPhone 11: 13mm (using the 0.5x camera), 26mm (using the 1x camera without the Moment lens), and 52mm (using the 1x camera with the 58mm lens). Those are all excellent focal-lengths to have available. While I prefer to use my Fujifilm cameras over my cellphone, as Chase Jarvis coined, the best camera is the one you have with you, which is sometimes my cellphone. When I do use my cellphone for photography, I appreciate having the Moment Tele 58mm lens, because it affords me additional flexibility.
I said two paragraphs ago that this lens “doesn’t do much else” which isn’t completely true. There’s a small amount of pincushion distortion, which, when combined with the distortion in the iPhone 11 camera, can do some weird things to straight lines when photographing brick walls. The solution: don’t photograph brick walls. There’s also some interesting lens flare that shows up sometimes (see picture below), which I personally like, but maybe you won’t, depending on how you feel about lens flare. The Moment lens is also softer in the corners than the 1x iPhone camera.
The build quality of the Moment Tele 58mm lens is excellent, made of metal and glass. It has six elements in four groups, and the glass has multi-layered anti-reflective coating. It comes with a lens cap and carrying bag. The lens is small enough that you can easily take it with you, although when attached to the phone, it’s unlikely that the phone will fit into your pocket (unless you have particularly large pockets).
I have used the Moment Tele 58mm lens for nearly a year now. It’s not an essential cellphone accessory, but it’s certainly nice to have around. I found the lens and the Moment case (that you are required to have in order to use the lens)—plus the tripod-mount accessory—to be useful to me. If you do a lot of cellphone photography, you might want to take a closer look at these Moment products, and consider if they might be useful to you, too. Like a lot of things in the photography world, these products are not cheap, but if you think you’ll use them regularly, they might very well be worth the cost. The best place to find these products is on Moment’s website.
This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.
Moment Tele 58mm lens B&H Moment MagSafe Tripod Mount B&H
What is RitchieCam? It’s an easy-to-use streamlined camera app intended to bring one-step photography to the iPhone. You’ll find 18 analog-inspired filters so that you don’t have to edit your mobile pictures if you don’t want to. I think you will appreciate the app, yet it is designed for anyone and everyone with an iPhone, and not just photographers. You can read all about it at RitchieCam.com. The app is intended to be a useful free tool, yet for $9.99 (USD +Tax annually) you can unlock all of the filters and features for the best app experience.
I just released the first “major” RitchieCam app update. For those who don’t know, I created an iOS camera app to simplify and streamline your iPhone photography. The app is free, and is intended to be a useful free tool, yet becoming a RitchieCam Patron unlocks all of the filters and the best app experience.
There are a lot of features that I want to incorporate into the app, but it takes time and work to implement them all, so they will roll out over time. In other words, RitchieCam is just going to get better and better! I just released the first significant update—if you have RitchieCam on your phone and it didn’t automatically update, be sure to manually do it in the App Store now.
One new feature is the volume button—either up or down—as a shutter release. Depending on how you hold your phone, this is a more convenient way to take pictures. Instead of tapping the circle shutter at the bottom, you can press either volume up or volume down to accomplish the same thing. The ability to use the volume buttons to capture photographs was highly requested, so I’m pleased to be able to include it in this update.
Another new feature is additional aspect ratios. Originally, all RitchieCam photos were in iPhone’s standard 4:3 aspect ratio, which is necessary if you want to use the full resolution of the sensor. But if you prefer a different shape, there are now five aspect ratios to choose from: 4:3, 3:2, 5:4, 1:1, & 16:9.
Here are some photos, all captured using the Standard Film filter on RitchieCam, illustrating the different aspect ratios:
4:3 / 3:4
3:2 / 2:3
5:4 / 4:5
16:9 / 9:16
RitchieCam saves the pictures in Apple’s High Efficiency Image Container (HEIC, also called HEIF) format, which maximizes image quality while simultaneously taking less space on your phone. It’s also necessary for implementing some new features down the road. The downside to HEIC is that it is less universally compatible with non-Apple programs. For those who prefer JPEG over HEIC, you now have that option—tap the Gear icon, and you’ll find the Format toggle about halfway down.
The other improvements are less obvious. RitchieCam will now remember the last Flash and EV settings used (as well as the aspect ratio), which will hopefully improve the user experience for some of you. There are several behind-the-scenes optimizations to improve speed, stability, and quality, which you’re not likely to notice, but micro improvements add up over time, so they’re important to continuously work on.
And that’s the update! Already work has begun on the next one. If the feature you were hoping for isn’t in this one, with any luck you won’t have to wait too long for it, but I do ask for your patience, because these things do take awhile. In the meantime, I hope there’s something in this update that you find helpful to you.
Multnomah Falls is an iconic scenic stop along the historic Columbia River Highway in Oregon. Found within the Columbia River Gorge, it is the tallest year-round waterfall in Oregon, and the most visited natural site in the Pacific Northwest of the United States. The famous footbridge was constructed in 1915, while the gift-shop at the bottom—originally a lodge—was built in 1925, and both are on the National Register of Historic Places. It is an incredible location to experience, with beauty that rivals what one might find within National Parks.
I recently visited Multnomah Falls, and used my Fujifilm X100V and iPhone 11 to photograph this amazing spot. Unsurprisingly, I had several of my Film Simulation Recipes programmed into my X100V, and I used my RitchieCam camera app on my iPhone. Because there is a lot of mist from the falls, and it was a rainy day (as is common there), having weather-sealed cameras was important—both the X100V (as long as a filter is on the front) and the iPhone can handle getting wet, and both did get wet. Really wet.
While it might seem unnecessary to carry both an X100V and an iPhone, that turned out not to be the case for two reasons: focal-length, and ease of sharing. The X100V has a very useful 34.5mm (equivalent) focal-length lens, while the iPhone 11 has a 26mm (equivalent) camera and 13mm (equivalent) camera (if I had the “Pro” version, it would also include a 52mm camera, but alas I don’t have that model). The X100V was wide-angle enough to capture some good photographs of the falls, but the wider-angle lenses on the iPhone 11 were often better options, and I used it more than the Fujifilm camera at this location. To the second point, I was able to text pictures of the falls to some family and friends immediately—before even getting back to the car—and share with you via social media pictures of the falls within minutes. The X100V pictures were pretty quick and easy to share, too—thanks to the wonderful JPEG output of the camera—but not quite as immediate as the iPhone images.
What’s better, X100V or iPhone? For pure image quality, the Fujifilm camera is hands down better, but that only really matters if you are viewing the pictures large. Looking at them on this website or on social media, the quality difference is hard to spot, and even if you can see it, the quality difference is pretty insignificant. If you were viewing 11″ x 14″ prints of the pictures, the quality difference would still be fairly small, although if you compared them side-by-side you could tell without much trouble that the X100V is superior. But if you are viewing 16″ x 20″ prints or larger, the iPhone images just don’t hold up nearly as well as the Fujifilm. So the X100V is definitely the better tool if you might print the pictures large, but the iPhone is a capable tool if you don’t think you’ll be printing large—let’s face it, most pictures don’t get printed large, or even printed at all.
There’s no reason why both the X100V and the iPhone (or other cellphone camera) can’t both live together in peace and harmony. They’re different photographic tools that have different advantages and disadvantages, and they can both serve purposes within your photography. Film Simulation Recipes make the Fujifilm workflow more streamlined and the process more enjoyable. RitchieCam does the same thing for your iPhone photography. One tool might be better in a certain circumstance, and the other might be better in another circumstance, and perhaps both might be useful in a circumstance like Multnomah Falls.
Do you like the Fujifilm X100V pictures better, the iPhone pictures better, some of each, or none at all? Which Film Simulation Recipe that I used do you prefer? Which RitchieCam filter did the best? Let me know what you think in the comments!
I recently visited the Grand Teton National Park in Wyoming. This iconic mountain range sits just north of the tourist town of Jackson Hole. If you’ve never been, this is a “bucket list” kind of place that you should absolutely try to see in person if you can. My visit was a quick weekend getaway, and not surprisingly the weather didn’t really cooperate. Still, I wanted to get in some photography, and so I did.
What I don’t want to do is view massive crops side-by-side. The Fujifilm X100V and the iPhone are much different tools, so this will be a very general overview without pixel-peeping.
Technically speaking, the X100V is far superior, and it isn’t even close. For technical image quality, the X100V is the camera to grab, but the iPhone, with its tiny little sensor, is surprisingly good, all things considered. The advantage of the iPhone is that you have it with you all of the time, and you can quickly and easily share the pictures captured with it across the world (especially if you used the RitchieCam app). Convenience and speed are the reasons to choose the iPhone over the X100V, but the X100V is pretty compact and quick, too. For printing or viewing large, the X100V is the right tool. For quick sharing, the iPhone is the right tool. Here’s the great news: you don’t have to choose—use both, or use the one that you happen to have with you.
This is the first in a series of articles where I’ll compare photographs captured with the Fujifilm X100V using Film Simulation Recipes and the iPhone using the RitchieCam app. Below are photographs captured with these cameras at the Grand Tetons in Wyoming. Let me know in the comments which pictures you like best!
What is RitchieCam? It’s an easy-to-use streamlined camera intended to bring one-step photography to the iPhone. You’ll find 17 analog-inspired filters so that you don’t have to edit your mobile pictures if you don’t want to. I think you will appreciate the app, yet it is intended for anyone and everyone with an iPhone, and not just photographers. You can read all about it at ritchiecam.com.
This is a project I’ve been secretly working on for nearly a year. While I always thought it would be difficult and complicated, I had no idea just how much so! I’m extremely happy with how it turned out, yet I hope that this is just the beginning, as there are several new features and improvements already in the works, and even more on my wish-list. I’m very proud of RitchieCam, and I hope that you find it fun and useful. I personally have enjoyed using it over the last several weeks, including on a road trip to Moab, Utah.
RitchieCam is free! Or, really, it’s a “freemium” app, and for $9.99 (USD +Tax annually) you can unlock all of the filters and features.
Some pictures I captured with RitchieCam on that Moab road trip:
The Fuji X Weekly app is a mobile film simulation recipe library containing over 100 recipes for Fujifilm cameras! The film simulation recipes in the app are the same ones that you know and love from this website, but now take them with you on the go, and have them at your fingertips wherever you are!
The Fuji X Weekly app is free! No annoying ads. Get access to 100+ film simulation recipes, which can be sorted alphabetically or chronologically. Each recipe contains an assortment of sample images, as well as a list of compatible cameras. Within each recipe there’s a place where you can keep notes, a useful feature for many of you, no doubt. The app will work offline, so if you don’t have internet access but need to find a certain recipe, no problem! The Fuji X Weekly app is a handy tool for Fujifilm photographers, an essential app to accompany your X-series camera. This is my Christmas gift to you!
This app does have some advanced features that can be unlocked by becoming a Fuji X Weekly Patron! These advanced features include filtering by sensor or camera, as well as by film simulation or color/B&W, and the ability to favorite recipes for quick access. The best app experience is reserved for Patrons!
Fuji X Weekly Patrons also get early access to some new film simulation recipes. There are 7 brand-new film simulation recipes that only Patrons can view. These recipes will eventually be published on Fuji X Weekly—free to everyone—but right now they’re available only to Patrons. As new early-access recipes are cycled into the app for Patrons, the others will be made available on this website and on the app free to all, so no worries.
By becoming a Fuji X Weekly Patron, which is only $19.99 annually, you unlock the app’s full potential, you get early access to some new film simulation recipes, and you help support Fuji X Weekly! It’s a win-win!
So much time (and money) has gone into creating this app. I believe that it will be useful to many of you, and I also believe it can grow into so much more. I can’t do it without your support. I appreciate everyone who has helped in one way or another already. I appreciate everyone who becomes a Patron! The Fuji X Weekly audience (that’s you!) truly is the best!
The Fuji X Weekly app will be available in the iOS App Store on December 1st. Download it to your iPhone or iPad! If you have a Mac with an M1 chip, you’ll be able to download the app, too, which might be useful for those who use X RAW Studio (it should be available for all Mac computers in a future update). I hope that an Android version will come along sometime next year, but right now it’s only available for Apple (if you don’t have an iPhone and don’t want to miss out on the app, you can probably find a good deal on an iPad this holiday season). I know that you’ll love the Fuji X Weekly app, and I’m super excited for its release!
I want to give a shout-out to Sahand Nayebaziz, the app developer (and Fujifilm photographer) who turned this idea into a reality. Thank you for all your hard work, and for lending your skills to this project!
Look for the Fuji X Weekly app in the iOS App Store on 12/01/2020!
I’ve been working on some Fujifilm inspired products to make available for sale. The profits will be used to improve the Fuji X Weekly experience. It’s not yet ready to make public, but it’s getting closer, and it will definitely be up and running prior to the Christmas shopping season.
I ordered an item for myself: an iPhone 7 Plus cellphone case. I needed it, as my old case was falling apart. It arrived today in the mail, and it looks great! I’m really pleased with how it turned out. This is one of many items that will be available for purchase soon.
The camera on the case you might recognize as the Fujifilm X100F. It’s such a beautiful camera, one of the most beautiful cameras ever made, so obviously it looks great printed on other things, such as phone cases and shirts. This is just one of many designs that will be found in the Fuji X Weekly store.
As soon as everything is ready to go you will see a special announcement posted on this blog. I hope that you are excited as I am! I know that I will be purchasing several things for myself. This cellphone case is just the beginning.