The October issue of FXW Zine is out now! Creative Collective subscribers can download it today. Not a Creative Collective subscriber? Join to gain access to this issue plus all pervious issues of FXW Zine and the many bonus articles.
Issue 23 explores the unexpected diversity of Arizona’s landscapes. There are 31 pictures (including the cover) over 24 pages. Enjoy!
The 11th issue of FXW Zine is out, and if you are a Fuji X Weekly Creative Collective subscriber, you can download it now!
What’s in the October issue? The cover story is an ode to the Classic Chrome film simulation, perhaps the most beloved film simulation created by Fujifilm. There are 20 pictures, including the cover, across 16 page.
If you haven’t joined the Creative Collective, consider subscribing today to get access to bonus articles and the FXW Zine—not just this issue, but the first ten issues, too!
The eighth issue of FXW Zine is out, and if you are a Fuji X Weekly Creative Collective subscriber, you can download it now!
What’s in the July issue? The cover story is A Whale of a Tale, which is a photoessay of a recent whale-watching boat excursion, as captured with a Fujifilm X100V using the Kodak Tri-X 400 Film Simulation Recipe. There are a total of 28 photographs this month, including the cover image (above). I hope that you find it enlightening, entertaining, and inspiring!
Note: This was a Creative Collective article, but now it’s available to everyone.
There’s a new online magazine called SOOC that’s dedicated to Fujifilm straight-out-of-camera JPEGs. I encourage you to take a look at issue one and to support James Posilero‘s efforts, and not just because yours truly is in the magazine. There’s been an unfair sentiment within the photography community for some time that you are a second-rate photographer if you rely on camera-made JPEGs. The argument is not true, but unfortunately you will find this attitude spread throughout the internet, and you might even encounter it in person. This magazine turns that preconception on its head and debunks the fallacy, simply by the photographs found within. I personally look forward to seeing more of SOOC, and I wish much success to James.