Eterna Settings | FUJI X WEEKLY

Fujifilm X-T3, X-T30 & X-H1 Film Simulation Recipe: Negative Print

*Last Warm Light on Wasatch Front* – Farmington, UT – Fujifilm X-H1 – “Negative Print”

This film simulation recipe was inspired by various pictures I found while browsing old issues of Arizona Highways magazine. I have a small collection of old issues of this publication, which I enjoy flipping through from time-to-time for inspiration. Arizona Highways has a long history of publishing great photographs—even Ansel Adams was a regular contributor back in the day. As I was browsing old issues published over several decades, there was a certain aesthetic that seemed to reappear over and over. It caught my attention because of how lovely it looks. I don’t know the specifics of the film used—most likely Kodak of some sort, and probably multiple emulsion. My suspicion is that the printing process played a significant part in the aesthetic, and that’s why I call this recipe Negative Print.

After some experimenting, I decided that the Eterna film simulation was the best base. Because of that, this recipe is only compatible with the Fujifilm X-H1, X-T3, and X-T30 cameras (as well as older GFX models, although the results will be slightly different). For newer X-Trans IV cameras (plus newer GFX), you’ll have to decide on Grain size (either Small or Large—I recommend Large), Color Chrome FX Blue (I recommend Off), and Clarity (I suggest either 0 or -2). I really like how this recipe renders pictures, and at times it really is reminiscent of those pictures printed in the magazine!

*White & Red Rose* – Ogden, UT – Fujifilm X-T30 – “Negative Print”

If you are looking for a classic analog aesthetic, this recipe is a great one to try. The way it renders shadows and colors definitely gives it a film-like look, and I know that this recipe will quickly become a favorite for some of you. I think it might just have a permanent place in my X-H1.

Eterna
Dynamic Range: DR200
Highlight: +2
Shadow: +4
Color: +4
Noise Reduction: -4
Sharpness: -1
Grain Effect: Weak
Color Chrome Effect: Off/NA
White Balance: Fluorescent 3, -2 Red & -7 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3

Below are example pictures, all camera-made JPEGs captured using this “Negative Print” Film Simulation Recipe:

*Fire & Pine* – Farmington, UT – Fujifilm X-H1

*Trail in the Trees* – Farmington, UT – Fujifilm X-H1

*Tree by a Creek* – Farmington, UT – Fujifilm X-H1

*Old Blooms* – Farmington, UT – Fujifilm X-H1

*Snow on the Creek Bank* – Farmington, UT – Fujifilm X-H1

*Small Waterfall* – Ogden, UT – Fujifilm X-T30

*Rural Pipe* – Farmington, UT – Fujifilm X-H1

*Suburban Snowman* – Farmington, UT – Fujifilm X-H1

*Love Yourself* – Salt Lake City, UT – Fujifilm X-H1

*Stairs to Foot Bridge* – Farmington, UT – Fujifilm X-H1

*Adult Arlo* – Ogden, UT – Fujifilm X-H1

Find this film simulation recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-T30 Film Simulation Recipe: Eterna v3

Posted on October 31 by Ritchie Roesch

*Red Mountain* – Farmington, UT – Fujifilm X-T30 – “Eterna v3”

This film simulation recipe began as an attempt to recreate a certain look. It wasn’t successful, and I didn’t like the look of it, but it sat as a C3 preset on my Fujifilm X-T30 for many months. Recently I decided to revisit this preset, and, after a couple of quick adjustments, I had something that I liked. Unfortunately, it doesn’t mimic the aesthetic that I was asked to recreate. Fortunately, it looks pretty good nonetheless, so I’m making it an official recipe.

What does this film simulation recipe resemble? There are some similarities to Eterna 250D developed using the ECN-2 process, but it’s not an exact match. Maybe push-processed Eterna 250D? I’m still not sure, as I didn’t find very many examples to compare it to. Since I wasn’t sure what to call this recipe, I named it Eterna v3. The original Eterna recipe can be found here and the Eterna v2 recipe can be found here.

*Yellow Path* – Fruit Heights, UT – Fujifilm X-T30 – “Eterna v3”

While I think this recipe does well enough in many circumstances, it seems to be best suited for sunny days, including “golden hour” photography. This recipe isn’t directly compatible with the Fujifilm X-H1 because it uses Color Chrome Effect; however, if you want to use it on the X-H1, simply ignore CCE and try it anyway—it will look slightly different, but you might like it anyway. For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select—either Small or Large—but otherwise this recipe is compatible with your camera.

Eterna
Dynamic Range: DR400
Highlight: +2
Shadow: +3
Color: +4
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
White Balance: Auto, -1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3

Below are all camera-made JPEGs captured using this Eterna v3 Film Simulation recipe on my Fujifilm X-T30 camera:

*Girl on Playground Swing* – Farmington, UT – Fujifilm X-T30

*Red Playground Structure* – Farmington, UT – Fujifilm X-T30

*Caution for Falling Bicycles* – Farmington, UT – Fujifilm X-T30

*Yellow Leaves at a Park* – Farmington, UT – Fujifilm X-T30

*Yellow Leaves on the Ground* – Fruit Heights, UT – Fujifilm X-T30

*Bee Boxes & Pumpkin Patch* – Farmington, UT – Fujifilm X-T30

*Caution Cone* – Farmington, UT – Fujifilm X-T30

*Bush with Red Berries* – Farmington, UT – Fujifilm X-T30

*Autumn Tree Leaves* – Farmington, UT – Fujifilm X-T30

*October Tree* – Farmington, UT – Fujifilm X-T30

*Creek Through Yellow Forest* – Fruit Heights, UT – Fujifilm X-T30

Find this film simulation recipe and many more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Trans IV Film Simulation Recipe: Eterna v2

Posted on April 27, 2021 by Ritchie Roesch

*Rural Thistle* – Farmington, UT – Fujifilm X-E4 – “Eterna v2”

One of my favorite film simulations is Eterna. There’s a special quality to it that’s different than the other film simulations, with its low contrast and muted colors. Yes, you can get pretty close to Eterna using PRO Neg. Std, but you cannot completely match the lovely subtle tonality of it. I think the Eterna film simulation is a little underrated, as it’s a great base for crafting recipes, and I was eager to create a new look with it—so I did!

Real Eterna is a motion picture film. Actually, there have been a number of different film stocks that Fujifilm has given the name Eterna to. The film simulation of the same name doesn’t exactly match any specific Eterna film, yet it has a great general Eterna cinematic feel. In my opinion, the Eterna film simulation is good for achieving an analog color negative film aesthetic.

The first recipe that I created that uses the Eterna film simulation is simply called Eterna, and I really like how that one turned out. I wanted to make something similar, but not identical, using the additional JPEG options that Fujifilm has added to their newer X-Trans IV cameras. I wanted a warm vintage film look—something that could possibly be confused as being actual analog—without being based on any specific film. I think it looks pretty good, and I hope that you do, too.

*El Capitan* – Yosemite NP, CA – Fujifilm X-E4 – “Eterna v2”

Because this film simulation recipe requires the new Auto White Priority white balance, it is only compatible with the X-T4, X-S10 and X-E4; however, for outdoor natural light photography, using Auto white balance will produce identical results, which means that you can use this Eterna v2 recipe with the X100V and X-Pro3! For indoor artificial light photography, using Auto white balance will produce overly warm images, so Auto White Priority works better, but right now only the three newest Fujifilm X cameras have that option. For the X-T3 and X-T30, in addition to using Auto white balance, you’ll have to disregard Color Chrome Effect Blue and Clarity, and consider setting Highlight to +2 and Shadow to +1 plus Sharpness to -2 to compensate, as well as disregard Grain size (simply use Strong). It won’t be identical, but it will be very similar—I tested it out on my X-T30 and it works.

Eterna
Dynamic Range: DR400
Highlight: +3
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto White Priority (X100V + X-Pro3: Auto), +4 Red & -7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Eterna v2” film simulation recipe on my Fujifilm X-E4:

*Faux Plant on a Table* – Farmington, UT – Fujifilm X-E4

*J.C. Higgins* – Farmington, UT – Fujifilm X-E4

*Empty Grapefruit Box* – Bountiful, UT – Fujifilm X-E4

*Duerden’s Will Call* – Bountiful, UT – Fujifilm X-E4

*Reaching Tree Branches* – Bountiful, UT – Fujifilm X-E4

*Flower Tree* – Farmington, UT – Fujifilm X-E4

*Sevenhundred Sixty* – Farmington, UT – Fujifilm X-E4

*Cold Country* – Farmington, UT – Fujifilm X-E4

*Chief of Rocks* – Yosemite NP, CA – Fujifilm X-E4

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Fujifilm X100V Film Simulation Recipe: CineStill 800T

Posted on October 6, 2020 by Ritchie Roesch

*Suburban Night* – Farmington, UT – Fujifilm X100V

I created my original CineStill 800T film simulation recipe about two-and-a-half years ago. That recipe has remained quite popular. It’s received a lot of positive feedback and I remain quite proud of it. That recipe was created for X-Trans III cameras, but newer models have more JPEG options. I’ve been asked a few times if that recipe can be improved using the new features that weren’t around when I created it.

This new version is something that I’ve been working on for months and months. My CineTeal recipe is actually one of the failed attempts. I’ve been trying to achieve either an accurate CineStill 800T or Kodak Vision3 500T look straight-out-of-camera. These two films are actually the same film, but the CineStill version has the RemJet layer removed, which means that it is more prone to halation and can be processed in C-41 chemistry. Vision3 500T is meant to be developed using the ECN-2 process. With either CineStill 800T or Vision3 500T, how the film is shot, developed, and scanned and/or printed can significantly effect the aesthetic.

*Lone Light* – Farmington, UT – Fujifilm X100V – “CineStill 800T”

I’m not 100% satisfied with this recipe. I think in some situations and in certain lighting, it looks pretty darn accurate to the film. In other situations and in other lighting, it’s a little off. There’s a lot of variation in how the film can look, and it’s just not possible to encapsulate it all in one recipe. In any event, if you are looking for a recipe that produces results similar to Tungsten film, this is one to consider. It is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4.

Eterna
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: +4
Noise Reduction: -4
Sharpening: -3
Clarity: -5
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Fluorescent 3 (Cool White Fluorescent), -6 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new CineStill 800T film simulation recipe on my Fujifilm X100V:

*Garage Door Light* – Farmington, UT – Fujifilm X100V

*Inside Looking Out* – Farmington, UT – Fujifilm X100V

*Fuel Stop* – Farmington, UT – Fujifilm X100V

*Quick Quack* – Centerville, UT – Fujifilm X100V

*Old Navy* – Farmington, UT – Fujifilm X100V

*Brick at Night* – Farmington, UT – Fujifilm X100V

*Empty Bench* – Farmington, UT – Fujifilm X100V

*40% Off* – Centerville, UT – Fujifilm X100V

*Navy Surplus Baskets* – Farmington, UT – Fujifilm X100V

*Ghost Shoppers* – Farmington, UT – Fujifilm X100V

*Remodel* – Farmington, UT – Fujifilm X100V

*Red Cotton* – Farmington, UT – Fujifilm X100V

*Lit Corner* – Centerville, UT – Fujifilm X100V

*Chillin’ in the Drive Thru* – Centerville, UT – Fujifilm X100V

*Tree Leaves at Night* – Farmington, UT – Fujifilm X100V

*Night Rose* – Farmington, UT – Fujifilm X100V

*Hot Beans* – Farmington, UT – Fujifilm X100V

*Kitchen Ornament* – Farmington, UT – Fujifilm X100V

*Book Table* – Farmington, UT – Fujifilm X100V

*End Table* – Farmington, UT – Fujifilm X100V

*Girl in Window Light* – Farmington, UT – Fujifilm X100V

*Home Umbrella* – Farmington, UT – Fujifilm X100V

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My Fujifilm X100V Cine Teal Film Simulation Recipe

Posted on June 8, 2020 by Ritchie Roesch

Red Lights & Raindrops – Farmington, UT – Fujifilm X100V – “Cine Teal”

Baseball legend Lefty Gomez said, “I’d rather be lucky than good.” This particular film simulation recipe was a failure, but it was a lucky failure. I’ve been trying to create a Kodak Vision3 500T recipe, but I can’t get it right. I’ve tried a number of different combinations of settings, but I haven’t cracked the code (yet). This was one attempt. Under the right light, it does resemble Vision3 500T, but under most conditions it does not. Even though it was a failure, I like the look of this recipe, so I thought I’d share it with you.

I call this new film simulation recipe “Cine Teal” because it looks a bit cinematic thanks to the Eterna film simulation, and has a teal, green or yellow cast, depending on the light. This recipe looks best when used in the “blue hour” of dusk or dawn, and does well in shade and on overcast days. It can be used in other situations, but the results tend to be so-so, although you can still get interesting pictures sometimes. This recipe is a little limited in where it works best, but in the right situations it can look very nice. It’s not for everyone, but some of you will really appreciate it.

Sunlit Tree Leaves – Farmington, UT – Fujifilm X100V – “Cine Teal”

Because this film simulation recipe requires the use of Clarity, it will slow your camera down considerably. Fujifilm suggests, if you shoot RAW+JPEG, to add Clarity later by reprocessing the RAW file in-camera or with X RAW Studio. I just use the pause to slow myself down. This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4.

Eterna
Dynamic Range: DR200
Highlight: -2
Shadow: +4
Color: -1
Noise Reduction: -4
Sharpening: -2
Clarity: -5
Grain Effect: Weak, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Strong
White Balance: 4550K, +1 Red & -9 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Cine Teal” film simulation recipe on my Fujifilm X100V: