Fuji Features: Kodachrome on Fujifilm

The last Fuji Features article was about Monochrome, so this one is about color—more specifically, Kodachrome. For those who don’t know, Fuji Features is a weekly series where I Google some topic related to Fujifilm and post what I find. Each week has a different theme, and this week it’s Kodachrome.

I’ve published a ton of different film simulation recipes named Kodachrome: Vintage Kodachrome, Kodachrome I, Kodachrome II, X-Trans IV Kodachrome II, X-Trans II Kodachrome II, Kodachrome 64, X-Trans II Kodachrome 64, new Kodachrome 64, Kodachrome without Classic Chrome, and even Monochrome Kodachrome. These are popular recipes because Kodachrome was such an iconic film with a special aesthetic. It’s impossible to 100% recreate the film with Fujifilm JPEGs, but it is possible to get pretty close to recreating the feel and magic of it with Fujifilm cameras, something that’s really just incredible when you think about it.

Below you’ll find a bunch of articles and videos that are about using one (or more) of these recipes. I’m sure that I missed a few, so if you know of something that I failed to include, please post a link in the comments.

Enjoy!

Jamie Chance Travels

Island in the Net

Alik Griffen

Lee Jones

Travelling Lens

Senri Blog

Two Fujifilm X-Trans IV Film Simulation Recipes: Kodachrome II

Mountain Suburbs – Farmington, UT – Fujifilm X100V – “Kodachrome II”

One of the more popular film simulation recipes that I’ve created is Kodachrome II, which was made for X-Trans III sensor cameras. While you can use that recipe on X-Trans IV cameras, the newer models have some JPEG options that the older ones don’t, so it can be fun to utilize those options to produce a different and hopefully better version of an old recipe. In this case, I have two new versions of Kodachrome II for X-Trans IV cameras.

Kodak introduced Kodachrome in 1935, and in 1961 they replaced the original film with a new and improved version called Kodachrome II and a higher-ISO sibling called Kodachrome-X. These films had more accurate color, finer grain and faster ISOs (ISO 25 and 64, respectively, compared to ISO 10) than the previous version. It was a big leap forward for color photography, and so it is no surprise that the innovators of color photography in the 1960’s and 1970’s relied heavily on it. It’s also the version that Paul Simon sang, “They give us the greens of summer, makes you think all the world’s a sunny day.”

Kodachrome II and Kodachrome-X produced a very similar look to each other. The main differences were in grain, contrast and saturation, but overall the variations were quite minor. Kodachrome-X was slightly more bold while Kodachrome II was slightly more clean. Even so, comparing slides, it’s tough to distinguish one from the other (conveniently, I have my grandparents old slides at my home). Even though I have named these two film simulation recipes “Kodachrome II” I think they more closely resembles Kodachrome-X film, but I find them to be a reasonable facsimile for both.

Yellow Arrow – Farmington, UT – Fujifilm X-E4 – “Kodachrome II v2”

Because of the toxic chemicals used in the development of this era of Kodachrome, plus the complexity of the process, Kodak changed from K-12 development to K-14 development, which ushered in new Kodachrome in 1974, called Kodachrome 25 and Kodachrome 64. This version of the film is the one that I have personally used. Interestingly enough, even though this version wasn’t all that much aesthetically different than the previous, there was a big outcry among photographers, and a large group who used Kodachrome II and Kodachrome-X did not appreciate the change.

While I created the X-Trans III Kodachrome II recipe, it was Thomas Schwab who modified it for X-Trans IV. His version, entitled Kodachrome II, is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10 and X-E4. In some of my example pictures below I used a Tiffen 1/4 Black Pro-Mist diffusion filter with my X100V. Why? Because I haven’t used this filter in awhile and wanted to. I don’t think it adds anything essential to the recipe. In fact, you might prefer the results without the filter. Thank you, Thomas, for creating and sharing this update to the original recipe!

I made a slightly modified version, entitled Kodachrome II v2, which is compatible with the X-T4, X-S10 and X-E4. I used this recipe on my X-E4 (without any diffusion filter). This isn’t intended to be a “better” recipe, just a slightly different version using the new JPEG options found in my X-E4. Both of these film simulation recipes can be found in the Fuji X Weekly app!

Kodachrome II

Classic Chrome
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: +1
Noise Reduction: -4
Sharpening: +1
Clarity: -2
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Auto, +3 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodachrome II film simulation recipe on my Fujifilm X100V:

Rooflines – Farmington, UT – Fujifilm X100V
Backyard Play Kitchen – Farmington, UT – Fujifilm X100V
Playing Backyard Kitchen – Farmington, UT – Fujifilm X100V
Hover Scooter – Farmington, UT – Fujifilm X100V
Chair by a Fence – Farmington, UT – Fujifilm X100V
Jo in Evening Light – Farmington, UT – Fujifilm X100V
Brothers – Farmington, UT – Fujifilm X100V
Easter Egg Basket – Farmington, UT – Fujifilm X100V
Jon with Walkie Talkie – Farmington, UT – Fujifilm X100V
Fake Plants on a Shelf – Farmington, UT – Fujifilm X100V

Kodachrome II v2

Classic Chrome
Dynamic Range: DR200
Highlight: +1
Shadow: +1.5
Color: +1
Noise Reduction: -4
Sharpening: +1
Clarity: -2
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Auto White Priority, +3 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodachrome II v2 film simulation recipe on my Fujifilm X-E4:

Table Between Chairs – Farmington, UT – Fujifilm X-E4
Brothers Playing Together – Farmington, UT – Fujifilm X-E4
Fenced Horse – Farmington, UT – Fujifilm X-E4
Bicycle Sky – Farmington, UT – Fujifilm X-E4
Stop the Storm – Farmington, UT – Fujifilm X-E4
Grabber – Farmington, UT – Fujifilm X-E4
Handle – Farmington, UT – Fujifilm X-E4
Hand Spade – Farmington, UT – Fujifilm X-E4
Jo Holding a Toy – Farmington, UT – Fujifilm X-E4
Jo & Josh Playing – Farmington, UT – Fujifilm X-E4

See also: X-Trans IV Film Simulation Recipes

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Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Kodachrome 1

Kodak Blossoms – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

Kodachrome
They give us those nice bright colors
They give us the greens of summer
Makes you think all the world’s a sunny day

Kodachrome is probably the most iconic photographic film ever made. It was legendary, and many people saw the world through its colors. Kodak produced Kodachrome film from 1935 through 2009, when it was suddenly discontinued.

The Kodachrome name has been used for many different films over the years. The first Kodachrome product was a two-glass-plate color negative that was introduced in 1915. Like all other color photography methods of its time, the results weren’t particularly good and the product not especially successful.

Forest Brooks – Fruit Heights, UT – Fujifilm X100V – “Kodachrome 1”

In 1935 Kodak released its next Kodachrome, which was a color transparency film with an ISO of 10. This Kodachrome was the first color film that produced reasonably accurate colors and was the first commercially successful color film. It became the standard film for color photography for a couple decades, and was even Ansel Adams’ preferred choice for color work. The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images.

Kodak made significant improvements to Kodachrome, and in 1961 released Kodachrome II. This film boasted more accurate colors, sharper images, finer grain, and a faster ISO of 25. While it was still similar to the previous Kodachrome, it was better in pretty much every way. A year later Kodachrome-X was introduced, which had an ISO of 64.

Another generation of Kodachrome, which came out in 1974, saw Kodachrome II replaced by Kodachrome 25 and Kodachrome-X replaced by Kodachrome 64. The differences between this version and the previous weren’t huge with nearly identical image quality. The biggest change was going from the K-12 to the K-14 development process (which was a little less complex, but still complex). This generation of Kodachrome is what most people think of when they picture (pun intended) the film, gracing the pages of magazines like National Geographic.

CPI – Farmington, UT – Fujifilm X100V – “Kodachrome 1”

I personally have shot plenty of Kodachrome, mostly Kodachrome 64. It was a good general use film that produced sharp images and pleasing colors. I haven’t used it in more than a decade. Its days are gone. Even if you can find an old roll of the film, there are no labs in the world that will develop it.

This Kodachrome 1 film simulation recipe is meant to mimic that first era of Kodachrome. This isn’t your parent’s or grandparent’s Kodachrome, it’s your great-grandparent’s. This Kodachrome 1 recipe is actually an updated version of my Vintage Kodachrome recipe. Since the new Fujifilm cameras have more JPEG options, such as Clarity, Color Chrome Effect and Color Chrome Effect Blue, it’s possible to get more accurate or at least different looks out-of-camera. This recipe is very similar to the original version, but I hope this one is just a tad better. It’s only compatible with the X100V, X-Pro3 and X-T4 cameras; if you don’t have one of those cameras, give the Vintage Kodachrome recipe a try. Both the old and this new version have a great vintage analog look that I’m sure many of you will appreciate. I want to give a big “thank you” to Fuji X Weekly reader Thomas Schwab for his help with updating this recipe.

Classic Chrome
Dynamic Range: DR400
Highlight: +4
Shadow: -2
Color: +4
Noise Reduction: -4
Sharpening: -2
Clarity: +1
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Auto, +2 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to -1 (typically)

Example photographs, all camera-made JPEGs using this Kodachrome 1 film simulation recipe on my Fujifilm X100V:

Reel 2 Reel – Farmington, UT – Fujifilm X100V
Behind the Grocery Store – Farmington, UT – Fujifilm X100V
American Neighborhood – Farmington, UT – Fujifilm X100V
Open Window Blinds – Farmington, UT – Fujifilm X100V
Playing Cards – Farmington, UT – Fujifilm X100V
Summer Bloom – Farmington, UT – Fujifilm X100V
Forest Edge – Fruit Heights, UT – Fujifilm X100V
Dead Tree Trunk – Fruit Heights, UT – Fujifilm X100V
Trees of Life & Death – Fruit Heights, UT – Fujifilm X100V
Sunlight & Leaves – Fruit Heights, UT – Fujifilm X100V

See also: Film Simulation Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Black    Amazon   B&H
Fujifilm X100V Silver   Amazon   B&H

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V + Kodachrome 64 Film Simulation Recipe + Rover Mini Cooper (Video)

My friend, James, has a 1994 Rover Mini Cooper. It’s such a cool classic car! He imported it from Japan, and the driver sits on the right side instead of the left, which is unusual in America. What I love about this car is its vintage features; it looks older than the year it was built. It has great retro styling, and you don’t see many of these older models on the road. I asked him if I could photograph it, and he graciously agreed.

The camera that I chose for this photo shoot is the Fujifilm X100V. It’s a fun camera to use, and it unsurprisingly handled this situation well—there’s not much that this camera isn’t a good choice for (wildlife photography, perhaps?). For automobile photography it did nothing but deliver beautiful picture after beautiful picture.

The film simulation recipe that I programmed into the X100V is Kodachrome 64, which is a film that was very popular in 1994 when this car was new. I thought it would be appropriate to give the pictures an aesthetic that matched its year built, as if these images could have been captured when the car was new. In 2010 Kodachrome was discontinued, including the chemicals to develop it, so it’s impossible to capture with Kodachrome today. My Kodachrome 64 film simulation recipe might be the closest you can get to the film straight-out-of-camera.

My wife, Amanda, who created the video at the top of this article, programmed my Kodachrome 64 recipe into the Fujifilm X-T30 and X-T20, two cameras that she used to record this photo shoot. Something that some of you might be unaware of is that my film simulation recipes can be used for video, too! No need for color grading. No need for LUT presets. I bet some of you just had your mind blown! She also used a GoPro Hero 8, and we tried to color match it to the Fujifilm clips, but that proved to be a difficult task. If you want Kodachrome-looking clips, you might be better off simply using the film simulation recipe on your Fujifilm camera instead of trying to recreate it in software.

When we started the photo shoot, it was evening light just before sunset. Smoke from the wildfires in California diffused the sun and gave a warm glow, which was quite nice; however, the sun quickly disappeared below the horizon and the light changed significantly. It was dusk by the time we stopped shooting. The great light was short lived, but we worked quickly to take advantage of it while it lasted.

One challenge with car photography is that there are often lots and lots of reflections, which can make it difficult to keep yourself (or other things you don’t want) from showing up in the images. You have to be very conscious of the entire frame. Yes, unwanted reflections can be removed in software, but the point of this exercise is to not use software, but get the desired results out-of-camera unedited. Reflections can also be used creatively, so it’s not just a challenge to avoid unwanted reflections, but to maximize good reflections.

I want to give a big “Thank You” to James for allowing us to photograph his Rover Mini. I enjoyed collaborating with him. If you like the video, be sure to give it a thumbs up and let us know with a comment! Please subscribe to the Fuji X Weekly YouTube channel if you don’t already. Thanks for watching!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Gear:
Fujifilm X100V Amazon B&H
Fujifilm X-T20   Amazon
Fujifilm X-T30  Amazon B&H
Fujinon 10-24mm   Amazon B&H
Rokinon 12mm   Amazon B&H
GoPro Hero 8 Black   Amazon B&H

Fuji X Weekly’s Kodachrome Recipes on YouTube

Popular Fujifilm YouTubers Andrew & Denae just posted a video that features Fuji X Weekly, specifically my three Kodachrome film simulation recipes! It’s an interesting video that’s worth 11 minutes of your time. I embedded it above, so take a look!

Kodachrome is one of the films that I liked to shoot with many years ago. Back then, everyone used Kodachrome it seemed. It was a very popular film, but because of the complex and toxic process required to develop it, and lower sales due to digital photography, Kodak discontinued it in 2009. Kodachrome is gone, but people still want the Kodachrome look. My recipes allow people to get a Kodachrome aesthetic straight out of their Fujifilm camera.

Of course, Kodachrome can look different depending on various variables. There were different eras of Kodachrome, and different film options, each with its own look. How you view the picture greatly effects the look: light table, projector, print, or scan, and how so. You can’t make a recipe that mimics all of these variables, but I do think my three options are good at recreating a Kodachrome look in-camera.

I want to give a special Thank You to Andrew & Denae for trying my Kodachrome recipes and for featuring this website on their video. They said a lot of kind things, and I really appreciate their encouragement. Check out their YouTube channel and subscribe if you don’t already! Also, as a reminder, Fuji X Weekly has a YouTube channel, and I invite you to take a look at it and subscribe.

See also:
Vintage Kodachrome Film Simulation Recipe
Kodachrome II Film Simulation Recipe
Kodachrome 64 Film Simulation Recipe

My Fujifilm X-T1 (X-Trans II) Kodachrome 64 Film Simulation Recipe


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Sun Roof – Farmington, UT – Fujifilm X-T1 – “Kodachrome 64”

One of my favorite film simulation recipes is Kodachrome 64. It’s also one of the most popular recipes on Fuji X Weekly. Those with X-Trans III and IV cameras, such as the Fujifilm X-T30 that I created it on, have been enjoying it since August, but those with X-Trans II cameras—X-T1, X-T10, X-E2, X-E2s, X100T, and X70—have been left out of the fun. Those with Bayer sensor cameras, such as the X-T100, XF10, X-A7, etc., have been out of luck, too. That all changes, starting now. I have cracked the code, and created a Kodachrome 64 recipe for my X-Trans II camera! Unfortunately, it won’t work on the X100, X100S, X-E1 or X-Pro1 because it requires the Classic Chrome film simulation, which those cameras don’t have. But those who own a Fujifilm X-Trans II or Bayer camera, which do have Classic Chrome, I’m sure will appreciate this Kodachrome 64 recipe.

Classic Chrome
Dynamic Range: DR400
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: 0 (Medium)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: Daylight, 0 Red & -3 Blue
ISO: Auto, up to ISO 3200

Example photographs, all camera-made JPEGs using this Kodachrome 64 recipe on my Fujifilm X-T1:

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Watered Tree – Farmington, UT – Fujifilm X-T1

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Reflection in the Grass – Farmington, UT – Fujifilm X-T1

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Reed Grass – Farmington, UT – Fujifilm X-T1

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Reeds In Water – Farmington, UT – Fujifilm X-T1

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Sisters on a Bridge – Farmington, UT – Fujifilm X-T1

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Red Mustang – Farmington, UT – Fujifilm X-T1

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Wrangler – Farmington, UT – Fujifilm X-T1

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Parking Lot Sunset – Farmington, UT – Fujifilm X-T1

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January Evening Hill – Farmington, UT – Fujifilm X-T1

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Rooftop Birds – Farmington, UT – Fujifilm X-T1

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Suburban Silver Lining – Farmington, UT – Fujifilm X-T1

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Coffee Cup – Farmington, UT – Fujifilm X-T1

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Prerequisite – Farmington, UT – Fujifilm X-T1

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Yellow Pillows – Farmington, UT – Fujifilm X-T1

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Smiling Jon – Farmington, UT – Fujifilm X-T1

See also: First three Fujifilm X-T1 Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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