Fujifilm X-T1 (X-Trans II) Kodachrome II Film Simulation Recipe


Rural Grass – Farmington Bay, UT – Fujifilm X-T1

One of my favorite film simulation recipes, and one of the most popular, if not the most popular, on Fuji X Weekly, is my Kodachrome II recipe. This version of that recipe is adapted for Fujifilm X-Trans II cameras, such as my X-T1. It will work on all cameras with an X-Trans II sensor, plus Bayer sensor cameras, such as the XF10, X-T100 and X-A7. Because it requires the Classic Chrome film simulation, it is not compatible with X-Trans I cameras, or the original X100.

Classic Chrome
Dynamic Range: DR200
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: -1 (Medium-Low)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: Auto, +1 Red & -2 Blue
ISO: Auto up to ISO 3200

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this Kodachrome II film simulation recipe:


The Wetlands of Farmington Bay – Farmington Bay, UT – Fujifilm X-T1


Pallet Dump – Farmington, UT – Fujifilm X-T1


Old Wood – Farmington Bay, UT – Fujifilm X-T1


February Thistles – Farmington Bay, UT – Fujifilm X-T1


Francis Peak in February – Farmington, UT – Fujifilm X-T1


Succulents – Farmington, UT – Fujifilm X-T1


Bright Apple – Farmington, UT – Fujifilm X-T1


Kodak Film Canisters – Farmington, UT – Fujifilm X-T1


Bolsey on the Camera Shelf – Farmington, UT – Fujifilm X-T1


Longing For Another World – Farmington, UT – Fujifilm X-T1

See also:
Fujifilm X-T1 Kodachrome 64 Film Simulation Recipe
Fujifilm X-T1 Kodacolor Film Simulation Recipe
Fujifilm X-T1 Ektachrome 100SW Film Simulation Recipe
First Fujifilm X-T1 Film Simulation Recipes

Fujifilm X100F Review Blog

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  1. heyartze · February 12

    excellent work! thank you. would you recommend using auto dynamic range in a XF10?


  2. walker · February 14

    Just out of curiosity are you still shooting film? Every once in awhile I see some roll here and there in your pics.
    I stopped shooting it last year and I miss it a lot, nothing can beat that vibe.


    • Ritchie Roesch · February 16

      I haven’t shot a roll in a year, but every now and then I like to shoot film. Wish it wasn’t so expensive, and or that I had my own lab….


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  4. Long · March 8

    Can u explain whats different between this recipe and The Kodachrome 64 recipe for X-T1? Tks so much!


    • Ritchie Roesch · March 8

      The difference between the X-Pro2 Kodachrome II recipe and the X-T1 Kodachrome II recipe is that the X-Pro2 recipe can be used on all X-Trans III & IV cameras, while the X-T1 recipe can be used on X-Trans II cameras. Fujifilm changed some of the settings and features between sensors, which means that recipes aren’t compatible with every sensor.


      • Long · March 9

        Tks for your reply.
        But my question is what’s different between Kodachrome II recipe and Kodachrome 64 recipe, all for Fujifilm X-T1. Thank you!

        Liked by 1 person

      • Ritchie Roesch · March 9

        I’m sorry, I misunderstood. The Kodachrome II recipe is supposed to mimic Kodachrome-X, which was the version of the film in the 1960’s and ‘70’s. The Kodachrome 64 recipe is meant to mimic the last version of the film, think 1980’s and ‘90’s. The settings are similar, but a little different.


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  8. Alonso Henríquez · July 12

    Hello again Ritchie, I did not realize that there was already a recipe for you from Kodachrome II for those of us who own cameras with the X-Trans II sensor. Everything is very clear to me, except with exposure compensation. In what value do you recommend leaving it in the case of my X100T? A million thanks for your patience!

    Liked by 1 person

    • Ritchie Roesch · July 15

      I always look at each picture individually, but generally speaking +1/3 to +2/3 works well.


  9. Michael Farrow · July 26

    Hi Ritchie,
    Do you normally shoot in auto ISO as it adds to the look, or is that just a guideline to shoot within even in full manual?
    Thanks for these can’t wait to try them on a used x100T I just bought.


    • Ritchie Roesch · July 26

      I typically shoot in auto ISO because I’m lazy. For manual ISO, think of it as more the parameters to stay within. In other words, I wouldn’t go any higher than ISO 3200.


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