Chasing Steam: U.P. “Big Boy” #4014 & U.P. #844 in Wyoming, Part 1 – Richardson Draw

33915062718_845fc80a14_c

Union Pacific 4014 & 844 – Richardson Draw, WY – Fujifilm X-T30 & 90mm

The sun had not yet risen when we left the house in the early morning hours of May 6, 2019. My family and I were on our way to witness a bit of history: the newly restored Union Pacific “Big Boy” steam locomotive #4014 on its way from Cheyenne, Wyoming, to Ogden, Utah, for the 150th anniversary of the completion of the first transcontinental railroad. This was a big deal because the restoration of the Big Boy, which was the largest steam locomotive ever built, had just finished a couple of days before. The locomotive had not run in 60 years! Up until five years ago it sat in a museum for decades in Los Angeles. Now it was finally operational and, along with the steam-powered Union Pacific #844, on the move westward. It had departed well before sunrise, and if we were going to witness the massive locomotive in action, we too had to depart before sunrise.

This was not going to be our first time witnessing the #4014 or the #844. My son, Jon, and I saw the Big Boy in Barstow, California, when they were moving it east for restoration. My whole family, minus the youngest who was not born yet, saw the #844 in Ogden when it was brought out for an excursion a couple of years ago. This was going to be our first time to witness both of these locomotives together, and also our first time to observe the #4014 under its own steam power. We were pretty excited for this adventure!

I did some research prior to the trip and had a good plan regarding where to catch the train in rural Wyoming. I noticed a place east of Evanston right off of I-80 where the tracks cross under the freeway, and a dirt road follows the rails for a little while. I figured this to be our best bet to set up and wait. This location, which is in the middle of nowhere, is called Richardson Draw. Despite its rural location, Richardson Draw had already drawn a large crowd when we arrived. In addition to all the cars, trucks and RVs, we spotted two buses. I picked what I felt would be the best spot at Richardson Draw to capture pictures and we waited for the train to arrive.

46875522195_6c380576a8_c

American Steam & Steel – Richardson Draw, WY – Fujifilm X-T20 & 35mm

When attempting to capture a well-photographed subject, the struggle is to make something that’s different from all of the other thousands of pictures of it. It doesn’t matter if it’s a person, place, thing or idea, if it has been heavily photographed, capturing something unique is a difficult task, yet that is exactly the task at hand. For this location, I decided find something interesting in the scene to set my pictures apart from all the other similar images. I noticed a small pond that had a tiny amount of water in it, which would reflect the train, and decided to use that element in my pictures. I also decided to begin documenting the large number of photographers and train enthusiasts who were there to see the steam locomotives.

Train watching requires patience. We waited and waited. A freight train passed by. We waited and waited more. The crowd continued to grow larger and larger. A couple of nearby people were listening to radio scanners and informed us that the train had been delayed. Finally, more than an hour after I expected it to arrive, the #4014 and #844 came quickly chugged along. First I saw the smoke in the distance. Pretty soon the Big Boy locomotive appeared. Click, click, click. I captured a bunch of frames, and, just as quickly as the commotion of the train came, it went. We waited awhile for what was a very short event. As soon as the train disappeared, we jumped into the car and began heading to the next location, along with a large group of other vehicles. The kids were particularly excited that they had just seen two big steam locomotives in action, and they hoped for a chance to see them again.

Richardson Draw Steam (Color):

33915060228_4bb56135b8_c

UP 4014 & UP 844 Racing West – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47002756084_929fbf282d_c

Two Union Pacific Steam Locomotives – Richardson Draw, WY – Fujifilm X-T20 & 35mm

33914952138_ee86e02260_c

Yellow Car Reflection – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47739650962_35a5351279_c

Idaho – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Richardson Draw Steam (B&W):

47860478541_221769b653_c

Chugging Up The Grade – Richardson Draw, WY – Fujifilm X-T30 & 90mm

47791955231_f7f0e5e61b_c

Westbound Big Boy 4014 – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47791950101_4a2e7f6021_c

Full Steam Ahead – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Richardson Draw Freight (Color)

46875723985_9901748efe_c

Three Flags Waving – Richardson Draw, WY – Fujifilm X-T20 & 35mm

46875711455_068719afb8_c

Eastbound Freight – Richardson Draw, WY – Fujifilm X-T30 & 90mm

47739794822_ed70673ec3_c

Helper Reflection – Richardson Draw, WY – Fujifilm X-T20 & 35mm

32848619647_b236b30b82_c

Orange Autorack – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Richardson Draw Freight (B&W)

32848669877_a82b602a00_c

Eastbound Engines – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47792097981_838df303e7_c

Tanks Among Hoppers – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47792098481_69d7edb649_c

Covered Hoppers – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Richardson Draw Onlookers (Color)

47739849702_2ab4c68262_c

Crowd On A Hill – Richardson Draw, WY – Fujifilm X-T30 & 50-230mm

47739760142_ff1758f3e8_c

Waiting Ford – Richardson Draw, WY – Fujifilm X-T20 & 35mm

32848394387_76406b7803_c

Onward Chase – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Richardson Draw Onlookers (B&W)

33915090128_e25bbab011_c

Beginning To Gather – Richardson Draw, WY – Fujifilm X-T20 & 35mm

32848608317_b7d777e13e_c

Rear View Ford – Richardson Draw, WY – Fujifilm X-T20 & 35mm

47739790442_19024dd36b_c

Goodyear – Richardson Draw, WY – Fujifilm X-T20 & 35mm

Part 2: Evanston

Weekly Photo Project, Week 39

I’m officially three-fourths done with this photo-a-day project. Yea! It’s very difficult to believe that in only 13 more weeks I will have completed a year of daily pictures. It’s been a good experience with ups and downs, but mostly ups. I do look forward to seeing this project’s completion, as I have some other tasks that I’m anxious to start. I’m holding off on those other personal projects until this one is complete, or else I might not make it to week 52.

Sunday, April 28, 2019

46821893615_45f16bb392_c

Forest Sunset – Layton, UT – Fujifilm X-T30 & 35mm f/2 – 1/450, f/13, ISO 640

Monday, April 29, 2019

47739045401_0e48bd95be_c

Vibrant Flowerbed – SLC, UT – Fujifilm X-T30 & 35mm f/2 – 1/4000, f/9, ISO 3200

Tuesday, April 30, 2019

40778719493_c4e2bfcfbd_c

Clearing Rainstorm – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/200, f/7.1, ISO 320

Wednesday, May 1, 2019

40810855353_94e64bb843_c

Clearing Storm – South Weber, UT – Fujifilm X-T30 & 50-230mm @162mm – 1/2700, f/10, ISO 640

Thursday, May 2, 2019

47777011211_3e921504b5_c

Morning Rooftop – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/8000, f/3.2, ISO 640

Friday, May 3, 2019

46860515875_5414ce7c78_c

Mountain Mornings – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/32000, f/4.5, ISO 640

Saturday, May 4, 2019

46987779644_b04c29aefa_c

Artificial Flower Stock – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/550, f/6.4, ISO 640

Week 38  Week 40

Salt Lake City Street Photography with a Fujifilm X-T30

40772524223_8a4e8b6db1_c

Antithesis – SLC, UT – Fujifilm X-T30

Last week I did a little photo walk in downtown Salt Lake City, Utah. I’ve been itching lately to do more street and urban photography. Salt Lake City is a very nice and relatively safe downtown, making it an excellent location for this type of picture adventure. It’s not all that far from where I live, so I really need to get there with a camera more frequently.

The particular day and time of my visit turned out to be quiet. Sometimes downtown Salt Lake City is bustling and busy, and sometimes it is nearly dead. This was definitely one of those nearly dead times. On one hand it feels like you can take things at a slower pace and just absorb the atmosphere, but on the other hand there seems to be fewer photographic opportunities for street pictures. There are pluses and minuses.

46983695194_d4472e4664_c

Nearly Scraping – SLC, UT – Fujifilm X-T30

The number one subject that I encountered was the homeless. Like any urban area, there are homeless all over. It seems like Salt Lake City has more homeless than it should, but I think the generosity and compassion of folks in this region might make it seem favorable for those in that situation. I don’t want to dive too deeply into what could be a long rabbit hole regarding the homeless. I’ve talked with several. Had coffee with a couple. Given a car ride to one. It’s a sad problem with few, if any, good solutions. The status quo isn’t effective. There are people trying to help, and there is help for those who really want it. Some just don’t want help, even though they are clearly at rock bottom. I know that photographing the homeless is taboo for some. I would say that ignoring the plight isn’t helpful.

I used a Fujifilm X-T30 camera with a Fujinon 35mm f/2 lens attached to the front for these pictures. I’ve heard many people say that the 50mm-equivalent focal length of the lens isn’t ideal for street photography, but it all depends on how you use it. I appreciate that this setup is fairly small and lightweight, which does make it useful for this genre of picture-taking.

33861818308_d6e831a86b_c

I Suppose It All Depends – SLC, UT – Fujifilm X-T30

46822359055_08efe9848f_c

Crossing Main – SLC, UT – Fujifilm X-T30

47739043121_26a56e1ff2_c

Flowers On Main – SLC, UT – Fujifilm X-T30

33868829638_249c483cb9_c

Dripping Fountain – SLC, UT – Fujifilm X-T30

33895837628_9a13284563_c

Co. – SLC, UT – Fujifilm X-T30

47745943471_46eabc7cfe_c

Urban Bicycling – SLC, UT – Fujifilm X-T30

33861819658_4754099036_c

Green – SLC, UT – Fujifilm X-T30

Salt Lake City: Temple Square Spring Splendor

47739045401_0e48bd95be_c

Vibrant Flowerbed – SLC, UT – Fujifilm X-T30

It’s spring, and of course that means spring blossoms. Flowers are in full bloom. Vibrant colors can be found everywhere. One of the more impressive places to see the spring splendor is Temple Square in downtown Salt Lake City. Temple Square is an icon of the city, and a tourist attraction, with visitors coming from across the globe. In the spring the grounds are covered with blossoming flowers.

At Temple Square you’ll find well-kept grounds and interesting architecture. It’s a religious site, and there’s a chance someone might approach you regarding that. I’ve had that happen a couple of times, but it was only slightly awkward and it only happened a small number of times compared to how often I have visited. In other words, most likely you’ll be left alone. This is the church’s property, so be respectful should someone speak with you. It’s usually somewhat crowded, so you’ll blend in with all the tourists snapping pictures.

When I captured these pictures last week, I used a Fujifilm X-T30 with a Fujinon 35mm f/2 lens attached to the front. This is a good lightweight combination that’s great for walk-around photography. I spent about forty five minutes strolling the grounds. Temple Square is a great location for flower photography in the spring. Being an urban environment, it’s a bit unexpected. If you find yourself in Salt Lake City, it’s worth visiting.

40772394163_1b2c449761_c

Singular Red Flower – SLC, UT – Fujifilm X-T30

40772480413_6c6a3aeed5_c

Bright Red Blooms – SLC, UT – Fujifilm X-T30

46822437325_0d0b429e22_c

Red & Yellow Blooms – SLC, UT – Fujifilm X-T30

32795520037_5b66e02cf8_c

The Color of Spring – SLC, UT – Fujifilm X-T30

46949665924_f278c1f4a5_c

Field of Flowers – SLC, UT – Fujifilm X-T30

46822362055_da98011d83_c

Touch of Purple – SLC, UT – Fujifilm X-T30

46949665974_5b27f64052_c

Church Grounds – SLC, UT – Fujifilm X-T30

32795519757_09f64d3151_c

Pink Bloom – SLC, UT – Fujifilm X-T30

Union Pacific Big Boy 4014 + U.P. 844

14063269936_df1fd526c6_c

4014 Flag – Barstow, CA – Sigma DP2 Merrill – April 2014

13899785817_c6bc3350c6_c

4014 Crowd – Barstow, CA – Sigma DP2 Merrill – April 2014

Have you heard? The Union Pacific Big Boy #4014 locomotive, along with the Union Pacific #844, are heading west out of Cheyenne, Wyoming, towards Ogden, Utah, for the 150th anniversary of the Golden Spike. The Big Boy locomotives were the largest steam locomotives ever built. Their service ended 60 years ago, and a few were kept in museums. None of them were operational, until now.

Five years ago my son and I drove across the Mojave desert to the dusty town of Barstow, California, to witness the U.P. Big Boy #4014 move from Los Angeles to Cheyenne where it was to be restored. People came out in droves to see the huge locomotive, even though it was being pulled by a diesel and could not move on its own. It was a neat event from a historical perspective. My son, Jon, who was only four-years-old at the time, still remembers it.

14178393556_5dacf038a3_c

Flare & Flag – Barstow, CA – FED 5C – Velvia X-Processed – April 2014

Three years after that, we saw the Union Pacific #844 at the Ogden Union Station. It’s not nearly as big as the Big Boy, but still large and impressive. A lot of people might be unaware that the Union Pacific still owns and operates steam locomotives. I knew this because many years ago I used to be a train dispatcher for the U.P. Railroad. They have three steam locomotives now: the Big Boy #4014, an almost-as-big Challenger #3985 (which currently doesn’t run because it is due for an overhaul), and the Northern #844, which was the very last steam locomotive delivered to the Union Pacific. The two that are currently in operation, the #4014 and the #844, left Cheyenne towards Ogden today.

Over the last five years the crew at the Cheyenne steam shops have been hard at work restoring the Big Boy to operation. And they completed it just barely in time for it to make the Golden Spike anniversary celebration, which marks 150 years since the completion of the first transcontinental railroad at Promontory, Utah. For those outside of Utah, this might not seem like a big event, but I can assure you there is a lot of buzz here! I look forward to seeing the two steam locomotives, and capturing a few pictures of the historic run. Most of all, I look forward to my kids witnessing the train, an event that will undoubtedly stick in their minds for many years to come.

13899836488_113a912dde_c

Joe Cool – Barstow, CA – Sigma DP2 Merrill – April 2014

14357608977_f4ec77f519_c

Tender Wheels – Barstow, CA – Sigma SP2 Merrill – April 2014

34144390401_ddf886f919_c

Alco Steam Locomotive Monochrome – Ogden, UT – Fujifilm X-E1 – April 2017

34144351331_5ef10ba928_c

U.P. Steam Engine No. 844 – Ogden, UT – Fujifilm X-E1 – April 2017

34144333181_901993ef09_c

X-844 – Ogden, UT – Fujifilm X-E1 – April 2017

34118026052_170160a83e_c

Union Pacific Steam – Ogden, UT – Fujifilm X-E1 – April 2017

34234746476_6ab7271253_c

No. 844 – Ogden, UT – Fujifilm X-E1 – April 2017

33433397544_dba293c997_c

Everybody Loves Trains – Ogden, UT – Fujifilm X-E1 – April 2017

Current Fujifilm Deals

31172731598_cd0378b644_c

There’s not a lot of blockbuster deals currently available for Fujifilm gear, but there are some items that are discounted. The biggest one that stands out to me is the X-T20, which can be had for only $600 for the body, making it an excellent option if you’re looking for a new camera. The lenses listed below are all $250 off, which is a pretty good discount. There are many GFX items that are $500 off for those who want to get started in medium-format.

The Fujifilm X-T100 with 15-45mm lens is $500, the Fujifilm X-T20 (body only) is $600, the Fujifilm X-T20 with 18-55mm lens is $1,000, the Fujifilm X100F is $1,200, the Fujifilm X-H1 (body only) with power grip is $1,300, the Fujifilm X-T3 (body only) is $1,400, the Fujifilm X-Pro2 (body only) is $1,500, and the Fujifilm X-T3 with 18-55mm lens is $1,700.

The Fujinon XF 60mm f/2.4 Macro is $400, the Fujinon XF 14mm f/2.8 is $650, the Fujinon XF 23mm f/1.4 is $650, and the Fujinon XF 80mm f/2.8 is $950.

Fujifilm GFX $500 Savings:
Fujinon GF 23mm f/4
Fujinon GF 63mm f/2.8
Fujinon GF 110mm f/2
Fujinon GF 120mm f/4 Macro
Fujinon GF 250mm f/4
Fujinon GF 32-64mm f/4
Fujinon GF 100-200mm f/5.6
Fujifilm GFX 50R (body only)

As always, nobody pays me to write the articles that you find on Fuji X Weekly, so using my affiliate links is pretty much the only way to financially support this website. I would never ask you to buy something that you didn’t want, but if you were already planning to purchase something, it’s greatly appreciated if you did so using my links. It definitely helps. I want to give a special thank you to those who have done this already. You have made several improvements to the Fuji X Weekly experience a reality, and more improvements are in the works. Thank you!

Weekly Photo Project, Week 38

Another week of black-and-white pictures! I captured a lot of color images this week, too, but I stuck with monochrome for this post. They’re mostly mountain pictures. The first five were captured from my yard. The last picture is the one that doesn’t match, but it was the best black-and-white image from that day, so that’s why it’s included with this set.

Sunday, April 21, 2019

46746832635_6475e3029d_c

The Disappearing Mountain – South Weber, UT – Fujifilm X-T30 & 50-230mm @230mm – 1/200, f/8, ISO 400

Monday, April 22, 2019

47620785422_96d6501197_c

Illuminated Snow Cap – South Weber, UT – Fujifilm X-T30 & 50-230mm @90mm – 1/750, f/8, ISO 160

Tuesday, April 23, 2019

32741276787_823f529f30_c

Black & White Mountain – South Weber, UT – Fujifilm X-T30 & 90mm – 1/3200, f/5.6, ISO 320

Wednesday, April 24, 2019

32765895707_9b17bc34d7_c

April Wasatch – South Weber, UT – Fujifilm X-T30 & 90mm – 1/4000, f/4.5, ISO 250

Thursday, April 25, 2019

47656206502_a5e0c93dda_c

Silver Cloud Behind The Ridge – South Weber, UT – Fujifilm X-T30 & 90mm – 1/4000, f/4.5, ISO 160

Friday, April 26, 2019

Processed with RNI Films. Preset 'Ilford Delta 100'

Oquirhh Rain – Salt Lake City, UT – Fujifilm X-T30 & 90mm – 1/4000, f/4.5, ISO 800

Saturday, April 27, 2019

40752168133_3b9a487569_c

Another Brick In The Wall – South Ogden, UT – Fujifilm X-T30 & 35mm – 1/450, f/6.4, ISO 160

Week 37  Week 39

Times Have Changed

28875865790_b13ea7baeb_c

Airport Lobby – McKinney, TX – I captured this picture about 20 years ago.

I was thinking about how things have changed significantly in photography over the last 20 years. I have been doing this picture-taking thing for 20 years, beginning when I enrolled in Photography 101 in college. I remember that it started because, in the summer of 1998, I took a trip to New England, and brought along my dad’s Sears 35mm SLR and a bunch of film. I didn’t really know how to use the camera, but how hard could it be? When I returned and had the film developed, the pictures were extraordinarily awful! There were only a few frames that were correctly exposed, and the ones that were exposed alright had other issues, such as improper focus or were poorly composed. My desire to learn photography came out of the frustration of not understanding how to capture a descent picture. That fall I enrolled in college and signed up for a photography class, and soon fell in love with the art of creating pictures.

While it’s easy to say that the biggest change in photography over the last 20 years is technology, I don’t know if that’s completely true. Gear has changed a whole lot. When I started, it was all about film and darkrooms. Now it’s about sensors and software. However, there’s some carryover between the two methods. Technology has made things easier for the most part. I think it’s possible nowadays to throw a camera into auto and get good results, and one-click software has made editing much simpler. The prerequisite knowledge of how stuff works and why is no longer required, although it can still be very useful. I guess what I’m trying to say is that the learning curve for digital isn’t necessarily less–it’s definitely different–but there are technologies that will allow you to appear to know what you’re doing even when you don’t. Because the camera and software will take care of many things for you, you don’t have to know what you’re doing to capture a decent picture. Today’s cellphone cameras are more capable than many DSLRs were 15 years ago, and are one-click wonders. Advancements in photography technology has opened up photographic possibilities that weren’t conceivable before. It’s incredible what the modern camera can do! Another aspect of all this gear change is that cameras have become throw-away. People often “upgrade” their gear every year or two, and many don’t keep a camera more than five years. A ten year old camera is ancient. It used to be, in the old film days, that people kept their gear much, much longer, and typically only replaced their camera if it broke.

Another big change is the number of photos being created. Over a trillion pictures are captured worldwide each year now. When I started out the number was around 85 billion, so that’s a pretty big increase–about 12 times, in fact! Not only are there a ton more pictures being captured, but the ability to share those pictures with an audience worldwide is much, much easier (that’s a gross understatement). Everyday, each of us are bombarded with pictures. It’s become overwhelming! It’s to the point that it is difficult to get noticed among all the noise. You have to be extraordinarily great, do something especially unusual, have great marketing skills, or have amazingly good luck to get noticed. Or cheat. A lot of people buy their way to success nowadays, using questionable or downright unethical methods. Despite the fact that it’s more difficult to get noticed or create an iconic image, the number of great pictures being captured now is significantly higher than it used to be. Since there’s a heck-of-a-lot of quality pictures available, it’s a great time to be a photography consumer.

40778719493_c4e2bfcfbd_c

Clearing Rainstorm – South Weber, UT – Fujifilm X-T30 – I captured this yesterday.

While way more photographs are being captured now than ever before, the number of pictures being printed is way down. Most photographs are only seen digitally via a computer monitor or cellphone or tablet. The physical print is significantly less common than 20 years ago. While the number of digital pictures is high, the number of physical pictures is low. However, with print-on-demand services, it’s very easy to obtain a print of almost any subject, if you should ever need a photographic print of something.

I bring this up because, in my opinion, the biggest change in photography over the last twenty years is the photographic market. It’s much harder to make good money as a photographer now than it used to be. Everybody with a camera–and everyone has a camera–is a photographer. It’s incredibly easy to start a photography business nowadays. Buy a camera, which will take decent pictures in full-auto mode, take a few snaps of family and friends, create a (free) website to look professional, then post a portrait or wedding photography business ad on Facebook Marketplace. I have seen a lot of people do this. And they make money, but not a lot. The photographers who are actually talented, which is a minority group, can do well for themselves, but many earn much less than they should for their efforts. The stock photo business is pretty much dead, replaced by micro-stock, which sells images for cheap and gives photographers peanuts at best for their work. They get away with this because a huge number of “photographers” willingly participate, trying to earn something from their pictures. The photojournalist has been replaced by onlookers with cellphones. The travel photographer has been replaced by the “influencer” who probably cheated his or her way to success. A lot of photography jobs that were good jobs have been replaced by things that don’t pay much, if anything at all.

I’m not saying this because I’m bitter. I’m just pointing out how the photographic industry in many genres has changed a whole bunch, which has made it more difficult for the photographer to make a decent living. There are still plenty of people who are making good money at photography. There are new opportunities that didn’t exist before. If you really want to become a successful photographer, I believe that if you keep trying really hard and are determined to do so, you’ll likely see your dream fulfilled. It won’t be easy and won’t likely happen overnight, but it can certainly happen. If you are doing photography for the love of the art and have no interest in the financial side of picture making, you’re doing it at an extraordinarily great time.

It’s an interesting era in photography. Gear has changed, becoming more impressive with each year. People across the globe are capturing pictures at an unprecedented rate. If you like viewing photographs or creating photographs, there’s never been a better time. If you want to earn money from making pictures, competition is extremely fierce, and you might find it as tough as it’s ever been to be successful. There are opportunities, so it’s far from impossible, but making good money from photography is not an easy task. It never was easy, but it’s more true today. You have to discover your niche and market the heck out of it. Those who don’t need to earn money from photography, but can create simply because they love to, are the lucky ones. They have it good. In fact, they’ve never had it better.

The Ultimate Fujifilm X Kit?

46744830714_ce08a93362_c

What would be my ultimate Fujifilm X camera and lens kit? What would I have in my camera bag if money was no issue? I have been asked these types of questions several times, and I don’t really like to answer them because, like many of you, my resources are limited and I’ll probably never own an “ultimate” kit. Some of you might have the money, so perhaps you’re trying to assemble such a thing and are seeking advice, so this will be my attempt to answer the question of the ultimate Fujifilm X kit. Hopefully my opinion will be useful to someone.

I’m going to limit this to APS-C Fujifilm X, and not the medium-format GFX system. In all honesty, if I were independently wealthy, I’d likely own a GFX camera. That would be amazing! My best hope for that, perhaps in five or six years, is to buy one that’s used and is being sold at a bargain basement price. I can always dream, right?

What cameras would be in my bag? Well, probably the Fujifilm X-T3, which is the ultimate X camera right now (I know, an argument could be made that the X-H1 is the top X camera). Later this year the X-Pro3 should be released, and I’d prefer that over the X-T3, but it’s a close call between the two, and since the X-T3 is available right now, that’s the camera that I would own. I would have a backup interchangeable-lens camera, one that’s smaller and lighter and better for walk-around and travel, and that would be the Fujifilm X-T30, which is a camera I already have, so I suppose that’s a start to my ultimate kit. I would also own a compact fixed-lens camera for travel and street photography, and that would be the Fujifilm X100F, which is an incredible camera for that purpose. The X100F is not essential, but it is an extraordinarily enjoyable camera, and so it would definitely be in my ultimate bag.

35191782074_2699a7ac0c_c

I would have a number of different lenses to go with those cameras. My choice for Fujifilm primes would be the Fujinon 16mm f/1.4, Fujinon 35mm f/2, Fujinon 56mm f/1.2, and Fujinon 90mm f/2. I would also own the Rokinon 12mm f/2. I would have a telephoto zoom, probably the Fujinon 55-200mm f/3.5-4.8, and maybe even a wide-angle zoom, perhaps the Fujinon 18-55mm f/2.8-4. I prefer primes over zooms, but occasionally zooms are preferred for their versatility, so having a couple of them would be important.

All of those cameras and lenses are going to add up to a lot of money. This would not be a cheap kit! Of course, that’s the point, as this would be a money-is-no-object situation. Most people, myself included, are on a tight budget with limited resources. So I will give alternative suggestions for a more budget-friendly ultimate kit. Maybe this will be helpful to some of you.

If you still want an “ultimate” Fujifilm X kit but the suggestions above are out of budget, I would choose instead the Fujifilm X-T2 and Fujifilm X-T20, which will save you several hundred dollars right off the bat, and will get you essentially the same exact thing. If that’s still too much, get the X-T20 and the Fujifilm X-T100, or skip having a second camera body altogether. You could skip the X100F and purchase the Fujinon 23mm f/2 lens and get similar results to that camera without actually owning it, which will save some money. Alternatively, if you really want the X100F, buy one used or get the X100T, or even choose the Fujifilm XF10 instead.

For lenses, you could save money by choosing the Fujinon 16mm f/2.8 lens over the 16mm f/1.4, and the Fujinon 60mm f/2.4 instead of the 56mm f/1.2. Or just skip those lenses altogether, and get the Fujinon 16-55mm f/2.8, which would cover those focal lengths pretty well. If you chose carefully, you could have an almost-as-good ultimate kit for probably half the price as my suggested ultimate kit. There are certainly options for those on a small budget. And don’t be afraid to buy a lens here-and-there when you can, slowly building your glass collection. Nobody says you have to buy everything all at once.

Weekly Photo Project, Week 37

The theme this week is black-and-white. While I did capture a number of color images, overall I felt more monochrome and so I captured a lot of monochrome images. Black-and-white is more abstract in nature and relies on contrast. It’s important to carefully consider highlights and shadow in order to create a successful monochrome image. You’ve likely seen several of these pictures in other articles, but a few of them are new. I hope that you enjoy!

Sunday, April 14, 2019

47557834522_a3bb78d448_c

Shopping Carts – Farmington, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, f/2, ISO 5000

Monday, April 15, 2019

46701664795_8016571973_c

Mountain Obscured – South Weber, UT – Fuji X-T30 & 50-230mm @230mm – 1/1600, f/7.1, ISO 640

Tuesday, April 16, 2019

46711313185_90e525ea40_c

Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 & 35mm f/2 – 1/300, f/8, ISO 640

Wednesday, April 17, 2019

47630904731_5754573aa2_c

Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/1900, f/10, ISO 640

Thursday, April 18, 2019

46721770255_cfefb41c59_c

Bud & Blossom – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/105, f/5, ISO 6400

Friday, April 19, 2019

40687858203_1f9cd4d0d2_c

Wasatch Ridge In April – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/750, f/5, ISO 160

Saturday, April 20, 2019

33777258878_3a4d74c45b_c

White Clouds Over Mountain – South Weber, UT – Fujifilm X-T30 & 90mm f/2 – 1/900, f/5.6, ISO 160

Week 36  Week 38

Kodak & Fujifilm Unite! Sort of….

46602118275_7c1a5c4978_c

When I first started out in photography, two big names in the industry were Kodak and Fujifilm. While they both made cameras, it was not their gear that they were famous for. Kodak and Fujifilm were known for their photographic films. Kodak was the long-standing big dog on campus, while Fujifilm was the distant runner up. Back then, almost everyone used film, as digital capture was new and not particularly good, and so there was a lot of business to be had. These two companies were rivals, and they both battled very hard for your business.

When the film industry collapsed, it was very abrupt. Within a couple of years, both companies went from record profits to full-fledged panic. Film sales dropped about 25% each year for many years in a row. Kodak, the giant in the industry, fell especially hard, eventually going bankrupt. What remained was divided and sold, and Kodak today, in its various forms, is mostly insignificant in the current photographic industry. Fujifilm, on the other hand, made some smart decisions, such as diversifying by applying their unique knowledge to other fields (such as cosmetics and pharmaceuticals), which allowed them to not only survive, but grow. Now photography is a small part of their overall business model, but nevertheless it is a successful and profitable arm of the company. While Kodak had the upper hand for a long, long time, Fujifilm won in the long run.

46502578075_c094641f1a_c

A Kodak Moment – Antelope Island SP, UT – Fujifilm X-T20

When I purchased my Fujifilm X-T30, I wanted to upgrade to a better camera neck strap than the one that came with the camera. I browsed the web for different ones, and I ended up going with a vintage Kodak strap. A cool feature is a built-in film canister holder (it can hold up to three), which is completely useless in today’s photographic world, but would have been handy 20 years ago. I’m not completely sure how old the neck strap is, but it was in great condition, like it was barely used, if used at all. It adds a retro touch that nicely compliments the retro-inspired design of the X-T30.

It might seem strange to put a Kodak strap on a Fujifilm camera. At one time these two companies were serious rivals. Back then I used film made by both of them, as well as other companies like Ilford and Agfa. I supported these companies with my hard-earned dollars. It’s sad that film has become a small niche market. It’s sad that the mighty Eastman Kodak Company experienced such a big fall. I’m happy to display their logo on my gear in honor of the pictures that I made with their products. I’m also happy to use a Fujifilm camera today, as it’s such a great photographic tool. While it may seem unusual to unite these two brands together in this way, I feel privileged to do so, since both have played an important role in my photography.

46602114515_d6e53b077e_c

46602123315_3ea23deaa9_c

My Fujifilm X-T30 Velvia Film Simulation Recipe


46603235325_c7387dd6ae_c

Mesa Trail – Castle Valley, UT – Fujifilm X-T30 – Velvia

I already have a Velvia film simulation recipe. I’ve been using it for about a year-and-a-half now and I like the recipe. It’s designed for X-Trans III cameras. With the Fujifilm X-T30, which has the new sensor and processor, including the new Color Chrome Effect, I decided to revisit Velvia. Can I make Velvia better on an X-Trans IV camera?

I don’t know if this recipe is better than the old one. It’s a little bolder with slightly more contrast and color saturation. It’s probably a little more accurate to Velvia 100 than the old recipe, and a tad closer to Velvia 50, too. I do like this recipe more than the original, but the old one has its place, too. I don’t think this replaces the old recipe, but more supplements it when the situation calls for something punchier.

32576328657_c7a1913363_c

Red Mesa – Castle Valley, UT – Fujifilm X-T30 – Velvia

I have grain effect set to weak on this recipe, but I only like to have grain on when using ISO 1600 or below. Above that the digital noise acts as a grain effect, so I like to turn the grain effect off when working with higher ISOs. Depending on the image, +4 color can sometimes look better, so don’t be afraid to bump that up when needed, but I think +3 works best as the standard setting. This recipe has a stronger shadow setting than the old one, and if you find that there’s too much contrast, simply set Shadow to 0. The original Velvia recipe called for DR200, but I went with DR-Auto on this one. If you’d prefer to use DR200 instead of auto, feel free to do so.

Velvia
Dynamic Range: DR-Auto
Highlight: 0
Shadow: +1
Color: +3
Noise Reduction: -4
Sharpening: +2
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs, captured using a Fujifilm X-T30 with this film simulation recipe:

47465419112_e0b9320125_c

Rock Balanced – Arches NP, UT – Fujifilm X-T30 – Velvia

40552526283_717d13564d_c

North Window Arch – Arches NP, UT – Fujifilm X-T30 – Velvia

32576457297_c86e95b3cf_c

Red Hill – Castle Valley, UT – Fujifilm X-T30 – Velvia

40552657763_b1f3b6aa4b_c

Castles To The Sky – Castle Valley, UT – Fujifilm X-T30 – Velvia

33642081158_e514108ea8_c

Water & Stone – Moab, UT – Fujifilm X-T30 – Velvia

33642330258_26b03a141c_c

Cactus Noon – Moab, UT – Fujifilm X-T30 – Velvia

47517672061_6b8326e0d9_c

Dead Tree Point – Dead Horse Point, SP, UT – Fujifilm X-T30 – Velvia

47518065821_6f11b2c722_c

Desert River – Dead Horse Point SP, UT – Fujifilm X-T30 – Velvia

40660339113_38c71dc567_c

Peak Through The Thin Clouds – South Weber, UT – Fujifilm X-T30 – Velvia

32661438597_6fc4b7f2c5_c

Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 – Velvia

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Weekly Photo Project, Week 36

Some feedback I have received is that some of you out there would appreciate knowing some of the technical information about my pictures. I thought that this weekly series would be a good place to try it out. You’ll notice that, in addition to the usual information, I have included the lens, aperture, shutter speed and ISO. Most of these pictures you’ve likely seen already in other articles (especially the Eterna film simulation post), but I hope you enjoy them anyway.

Sunday, April 7, 2019

46671551425_3891a06c29_c

Neon Reflection – Ogden, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, ISO 200, f/5.6

Monday, April 8, 2019

46652351595_aa4b2492ed_c

Kodak 35mm Film – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/170, ISO 6400, f/4

Tuesday, April 9, 2019

47574334951_ca3a9a1440_c

Spring or Autumn? – Layton, UT – Fujifilm X-T30 & 35mm f/2 – 1/200, ISO 2000, f/6.4

Wednesday, April 10, 2019

47583218161_d958fafd80_c

Evening Orange – South Weber, UT – Fujifilm X-T30 & 50-230mm @230mm – 1/200, ISO 1600, f/6.7

Thursday, April 11, 2019

47588798741_9315119963_c

Kitchenscape – South Weber, UT – Fujifilm X-T30 & 35mm f/2 – 1/120, ISO 6400, f/5

Friday, April 12, 2019

47596025601_c5d8d6ec11_c

100 North & Main Street – Kaysville, UT – Fujifilm X-T30 & 35mm f/2 – 1/1100, ISO 320, f/4.5

Saturday, April 13, 2019

32661438597_6fc4b7f2c5_c

Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 & 50-230mm @80mm – 1/120, ISO 320, f/5.2

Week 35  Week 37

Lens Review: Fujinon XF 35mm f/2 R WR


46744840774_98822b987e_c

When I purchased my Fujifilm X-T30, I took advantage of a bundle deal that was being offered, and added the Fujinon XF 35mm f/2 R WR prime lens to the camera for an additional $100. What an incredible bargain! This lens normally sells for $400. I didn’t do any research on the 35mm f/2 lens prior to the purchase–I just knew that I wanted it because of the focal length and price–so what arrived in the mail was a surprise. When I opened the box and saw the lens for the first time, I was disappointed by how ugly it was. I know that one shouldn’t judge a book by the cover, so I didn’t hesitate to attach it to the camera and put it to the test.

The Fujinon XF 35mm f/2 R WR lens is a “standard” prime lens on Fujifilm X cameras, giving a full-frame equivalent focal length of about 52mm. It’s neither wide-angle nor telephoto, but sees roughly the same as the human eye, which is why it’s known as the standard lens. This focal length is very common, and is often the first prime lens that one purchases. I’ve used standard prime lenses off and on for twenty years now, although this is my first Fujinon lens with this focal length.

46744755344_7dc239c3a0_c

40501873593_347612a6fa_c

Something that I’ve heard said many times over the last five or so years is that the 50mm focal length (or, in the case of this lens, the 50mm equivalent focal length) is the most boring of all focal lengths. There are people who will never purchase this lens because they believe that it’s not possible to create interesting photographs with it. I completely disagree with that sentiment! It’s only boring if you create boring pictures with it. If you think this focal length is boring, that should motivate you all the more to use it and prove the statement wrong. Many of the greatest photographs ever created were captured using a standard prime lens. The only limitation to creating interesting pictures is the photographer, and not the camera or lens.

I’m not going to talk a whole lot about the technical aspects of the Fujinon XF 35mm f/2 R WR lens, as that information is already plentiful on the internet. I want to spend most of my time discussing my experiences using this lens to create pictures. Is it a good lens in real world use? Is this lens worthwhile to own?

The first thing that I noticed is just how sharp this lens is. The quality of the glass is obvious. It’s corner-to-corner tack sharp, even at f/2. There’s a barely noticeable amount of vignetting wide-open, but that quickly goes away as you stop down. Bokeh (which is an overrated aspect of lens quality) is creamy and otherwise excellent. This is a nearly flawless lens from an image-quality point of view. The 35mm f/2 is a great example of why Fujinon lenses are renown.

47534359132_3d284397f7_c

Note how the bottom of the picture seems to curve up when in reality it is a straight line.

I did say “nearly flawless” in the last paragraph, and if there is one complaint, it’s some obvious pincushion distortion. Don’t expect straight lines to be perfectly straight. This would be most noticeable when shooting a brick wall. It’s not uncommon for lenses to have some barrel or pincushion distortion, so I wouldn’t get too worked up over this, but it’s good to know what to expect.

How this lens handles lens flare might be seen as positive or negative, depending on if you like flare in your pictures. It’s definitely prone to flare, but it has a lovely quality to it if you like that sort of thing. If you don’t like flare, I recommend getting an aftermarket hood to help prevent it.

46646181405_d65a18edb4_c

You might really love or hate all that lens flare.

The minimum focus distance is about 14 inches, which isn’t great or terrible. You can’t do any macro photography, but this isn’t a macro lens, either. Auto-focus is fast, quiet and accurate. It’s also a good lens for manual focus with a smooth focus ring. The 35mm f/2 is fairly small and lightweight, and so it’s good for walk-around and travel photography. It seems to be well built and durable. It’s weather sealed, which is great if you have a weather sealed camera to attach it to. The Fujinon XF 35mm f/2 R WR is a quality lens, and not much negative can be said about it.

While this isn’t the best looking lens ever made, once you get past that, it is high quality glass, and one of the best prime lenses that I’ve ever used. It’s not perfect, but it is very, very good. If you are looking for a quality prime lens to add to your camera bag, this is one you shouldn’t overlook. In real world use it excels and it is indeed worthwhile to own. You can purchase the Fujinon XF 35mm f/2 R WR lens by clicking here, which helps to support this website.

Example photographs, captured using the Fujinon XF 35mm f/2 R WR lens attached to a Fujifilm X-T30:

33641833178_f7b5807350_c

Monochrome Mesa – Castle Valley, UT – f/10

46711313185_90e525ea40_c

Frozen Reservoir – Causey Reservoir, UT – f/8

46795483634_107f308bf6_c

Dead Desert Tree – Moab, UT – f/8

47475361591_7611a539e5_c

Two Pots – Layton, UT – f/5.6

32604200677_a1987613b3_c

It’s Lit – Layton, UT – f/4

46615399365_fc806c4af1_c

Hand Held Phone – South Ogden, UT – f/2.8

46603956045_7119b04814_c

Microwave – Moab, UT – f/4.5

46646192595_3f01c58bb6_c

25th Street – Ogden, UT – f/4

40600506103_990aeba583_c

Joyful – South Weber, UT – f/2

47588798741_9315119963_c

Kitchenscape – South Weber, UT – f/5

46837978064_6938e4d91d_c

Trapped Inside – South Weber, UT – f/3.6

46646193825_0e771c777d_c

Gathering Raindrop – Layton, UT – f/9

40552657763_b1f3b6aa4b_c

Castles To The Sky – Castle Valley, UT – f/7.1

40552526283_717d13564d_c

North Window Arch – Arches NP, UT – f/9

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

My Fujifilm X-T30 Acros Film Simulation Recipe (Agfa APX 400)


47630904731_5754573aa2_c

Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 – Acros

I made a new Acros recipe! I’ve been playing around lately with the Acros settings on my Fujifilm X-T30, trying to create a certain look (which I’m still working on), and I stumbled upon some interesting settings. I tried them out for a few days and wanted to share my findings with you. I think some of you might like this one!

This recipe is not intended to mimic the look of any particular film, but it’s in the neighborhood of a couple different black-and-white stocks. The closest might be Agfa APX 400 (the newer version), but it’s not an exact match for that film. I don’t think it really matters if it’s an exact match or not, it has an analog black-and-white look that’s easy to appreciate!

47557834522_a3bb78d448_c

Shopping Carts – Farmington, UT – Fujifilm X-T30 – Acros

The idea behind this film simulation recipe is to have a lower-contrast option that doesn’t look flat. It seems to be especially well suited for high-contrast scenes, but there’s a certain beauty in low-contrast scenes where it produces almost a faded aesthetic. This Acros recipe is really great for certain situations, and it’s one of my favorite Acros recipes that I’ve created. If you don’t have an X-Trans IV camera, you can still use this recipe, except you can’t use Color Chrome Effect or Toning, so the results will be slightly different, but still very similar.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR400
Highlight: -2
Shadow: +4
Noise Reduction: -4
Sharpening: +4
Grain Effect: Weak
Color Chrome Effect: Strong
Toning: +1 (warm)
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 to +1-1/3 (typically)

Example photographs, all camera-made JPEGs using this recipe on the Fujifilm X-T30:

46711313185_90e525ea40_c

Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 – Acros

47630909841_b034d4c275_c

Mid Morning Mountain – South Weber, UT – Fujifilm X-T30 – Acros

32684212637_a8b59f9f8f_c

Head In The Clouds – Ogden Canyon, UT – Fujifilm X-T30 – Acros

46701664795_8016571973_c

Mountain Obscured – South Weber, UT – Fujifilm X-T30 – Acros

32688127747_08fbe0ba7c_c

Reaching For Grass – South Weber, UT – Fujifilm X-T30 – Acros

32684256027_4009080ac5_c

Jo by a Window – South Weber, UT – Fujifilm X-T30 – Acros

32674744347_b20e46d310_c

Girl Sitting – South Weber, UT – Fujifilm X-T30 – Acros

33733744818_104e4f552b_c

Bread Cutting – South Weber, UT – Fujifilm X-T30 – Acros

46695198325_73b81e7edb_c

The Course Toward – Farmington, UT – Fujifilm X-T30 – Acros

47557840692_edf7617f3a_c

Asleep – Farmington, UT – Fujifilm X-T30 – Acros

46702179015_a498b1c0b0_c

Couch – South Weber, UT – Fujifilm X-T30 – Acros

40643673753_252782234e_c

Three Vases By A Window – South Weber, UT – Fujifilm X-T30 – Acros

47626856951_6ffbc4a168_c

White Flower Bouquet – South Weber, UT – Fujifilm X-T30 – Acros

47610284661_7147125c2e_c

Dead Rose Leaves – South Weber, UT – Fujifilm X-T30 – Acros

33733604518_6aa197985f_c

Hiding Hydrant – Farmington, UT – Fujifilm X-T30 – Acros

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Weekly Photo Project, Week 35

I’m getting closer and closer to the end of this photo-a-day project. Still a little ways to go, though. This is the second week in a row using my new Fujifilm X-T30. It’s been a joy to use! I’ve captured so many images since the camera arrived, and I’ve only shared a small percentage of them with you. I have so many more to put on this blog and a bunch of articles that I’d like to write. If only there were more hours in each day.

Sunday, March 31, 2019

47517672061_6b8326e0d9_c-1

Dead Tree Point – Dead Horse Point SP, UT – Fujifilm X-T30

Monday, April 1, 2019

47522914011_375930e2e4_c

Grey & White – South Weber, Utah – Fujifilm X-T30

Tuesday, April 2, 2019

46646193825_0e771c777d_c

Gathering Raindrops – Layton, UT – Fujifilm X-T30

Wednesday, April 3, 2019

33654166778_56a6d922d3_c

If You Can’t Stand The Heat – South Ogden, UT – Fujifilm X-T30

Thursday, April 4, 2019

46631157175_460c55dd86_c

Clouds Beyond The Morning Mountain – South Weber, UT – Fujifilm X-T30

Friday, April 5, 2019

32604200677_a1987613b3_c

It’s Lit – Layton, UT – Fujifilm X-T30

Saturday, April 6, 2019

32611083557_0cc4142182_c

White Cap – South Weber, UT – Fujifilm X-T30

Week 34  Week 36

My X-T30 Eterna Recipe For X-Trans III

47588798741_9315119963_c

Kitchenscape – South Weber, UT – Fujifilm X-T30 – Eterna

A couple of days ago I published my Fujifilm X-T30 Eterna film simulation recipe, which I have received a lot of positive feedback for. I have also received several requests to invent a film simulation recipe that produces similar results without using Eterna, for those who have X-Trans III cameras and don’t have access to that film simulation. Well, I did it! I made an “Eterna” recipe that mimics my Eterna recipe. It’s not a 100% match, but it’s pretty close, and don’t think you’ll get much closer without using Eterna.

There are a few settings that could be adjusted, so you’ll have to decide what you like best. I think Shadow should be set to +1.5, but since that setting doesn’t exist, you’ll have to choose between +1 and +2. I went with the latter. It’s a similar situation with Color, and I went with +3 but you could choose +2 instead. I think that an argument could be made that a white balance shift of +6 Red and -6 Blue is more accurate, so there’s another decision. You can make whatever changes you’d like to customize this recipe to your own tastes.

PRO Neg. Std
Dynamic Range: DR200
Highlight: +2
Shadow: +2
Color: +3
Noise Reduction: -4
Sharpening:+2
Grain Effect: Strong
White Balance: Auto, +5 Red & -6 Blue
ISO: Auto up to ISO 6400

47596025601_c5d8d6ec11_c

100 North & Main Street – Kaysville, UT – Fujifilm X-T30 – Eterna

47596236461_a1d3d24734_c

“Eterna” using PRO Neg. Std.

46671551425_3891a06c29_c

Neon Reflection – Ogden, UT – Fujifilm X-T30 – Eterna

46874351434_d597393114_c

“Eterna” using PRO Neg. Std.

40620959603_df2b68fa28_c

Taste On Sale – Ogden, UT – Fujifilm X-T30 – Eterna

47545518112_0a4e1946b1_c

“Eterna” using PRO Neg. Std.

Current Fujifilm Deals at Amazon

46744830714_ce08a93362_c

There are some great deals on a few Fujifilm cameras currently at Amazon. As you may know, I’m an Amazon affiliate partner, which means that I get a small kickback from Amazon whenever you order something through my links. Nobody pays me to write the content you find on this blog, such as my film simulation recipes or my review of the Fujifilm X-T30. If you find these articles helpful and you want to support this website, ordering something that you were already intending to purchase using my links is a great way to be a part of this. I would never want to pressure anyone into buying anything, so please only order something if you were already planning to do it. I hope that making you aware of these sales is a service to some of you.

The X-T30 lens bundle deal is pretty nice. I ordered mine with the 35mm f/2 (review coming soon). The X-T2 body for only $900 and the X-T20 body for only $500 are just incredible bargains! If you were considering a new body, I’d go with one of those because you’re not going to find a better value. I have no idea how long these deals will last.

Fujifilm X-T30 Black with 15-45mm lens $1,000
Fujifilm X-T30 Silver with 15-45mm lens $1,000
Fujifilm X-T30 Charcoal with 15-45mm lens $1,000
Fujifilm X-T30 Black with 18-55mm lens $1,300
Fujifilm X-T30 Silver with 18-55mm lens $1,300
Fujifilm X-T30 Charcoal with 18-55mm lens $1,300
Fujifilm X-T30 Black with 15-45mm + 50mm f/2 $1,150
Fujifilm X-T30 Silver with 15-45mm + 50mm f/2 $1,150
Fujifilm X-T30 Charcoal with 18-55mm + 50mm f/2 $1,450
Fujifilm X-T30 Black with 35mm f/2 $1,000
Fujifilm X-T30 Silver with 35mm f/2 $1,000
Fujifilm X-T30 Charcoal with 35mm f/2 $1,000
Fujifilm X-T30 Black with 50mm f/2 $1,050
Fujifilm X-T30 Silver with 50mm f/2 $1,050
Fujifilm X-T30 Charcoal with 50mm f/2 $1,050
Fujifilm X-T30 Black with 23mm f/2 $1,050
Fujifilm X-T30 Silver with 23mm f/2 $1,050
Fujifilm X-T30 Charcoal with 23mm f/2 $1,050

Fujifilm X-T2 (body only) $900!!
Fujifilm X-T2 with 18-55mm lens $1,300

Fujifilm X-H1 (body only) with power grip $1,300

Fujifilm X-T20 (body only) $500!!
Fujifilm X-T20 with 18-55mm lens $800

Fujinon XF 16-55mm f/2.8 is $300 off

My Fujifilm X-T30 Eterna Film Simulation Recipe


46646192595_3f01c58bb6_c

25th Street – Ogden, UT – Fujifilm X-T30 – Eterna

Eterna is beautiful. Fujifilm’s most recent film simulation, Eterna, has a lot of potential for creating lovely color negative film aesthetics. Even though it has the lowest contrast and lowest color saturation of all the different film simulation options, I suspect that it has significant potential for mimicking many analog looks. It has a film-like feel to it.

Real Eterna was a motion picture film. You’ve likely seen movies and television shows captured on Eterna and didn’t even know it. While Fujifilm invented and intended the Eterna film simulation for video use, which it is quite good for, they made it available for still photographs on X-Trans IV cameras, such as the Fujifilm X-T30, as well as GFX cameras and the X-H1. Unfortunately, if you don’t have one of those cameras you can’t use this recipe. [Update: if your camera doesn’t have Eterna, you can use this alternative (click here)]

I wasn’t trying to mimic the look of any particular film when I invented this recipe. I was just playing around with the settings and really liked what I found. It has an analog feel to it. Initially the look reminded me of something from Nik Anolog Efex. As I used these settings, I found myself getting interesting results. Depending on the lighting and exposure, I was achieving different looks, despite using the exact same settings. Sometimes the results remind me of overexposed Fujifilm 400H, sometimes pushed-process Fujifilm Superia 400, sometimes underexposed expired Superia 800, and sometimes Superia 1600. Occasionally it doesn’t resemble any of those films. It’s not supposed to look like any specific film, yet it often does, but results vary.

46646193825_0e771c777d_c

Gathering Raindrops – Layton, UT – Fujifilm X-T30 – Eterna

I have always included a typical exposure compensation in my different film simulation recipes, but I didn’t do that this time because you get different results with different exposures. You can select -1 exposure compensation and you can select +1 exposure compensation, or anything in-between, and achieve various looks. You have to play around with it and decide what you like. Also, while I have Auto-ISO set to ISO 6400, I really feel that the best results are found at ISO 3200 or lower. You’ll have to decide how high you want to go with the ISO. For those using this on the X-H1, which doesn’t have Color Chrome Effect, you’ll get very similar results but it will be slightly different.

Eterna
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Color: +4
Noise Reduction: -4
Sharpening: +2
Grain Effect: Strong
Color Chrome Effect: Weak
White Balance: Auto, +5 Red & -6 Blue
ISO: Auto up to ISO 6400

Below are all camera-made JPEGs captured using this Eterna Film Simulation recipe on my Fujifilm X-T30 camera:

33705792428_80fe408114_c

Fake Plants For Sale – Riverdale, UT – Fujifilm X-T30 – Eterna

46646181405_d65a18edb4_c

Light Lens – South Weber, UT – Fujifilm X-T30 – Eterna

46837978064_6938e4d91d_c

Trapped Inside – South Weber, UT – Fujifilm X-T30 – Eterna

40600427313_f3b97257a4_c

Franklin – South Weber, UT – Fujifilm X-T30 – Eterna

32619232147_50eaebc64e_c

Wildcat Radial – Layton, Utah – Fujifilm X-T30 – Eterna

47583218161_d958fafd80_c

Evening Orange – South Weber, UT – Fujifilm X-T30 – Eterna

47567669321_19361ab046_c

Cleanup Tools – South Weber, UT – Fujifilm X-T30 – Eterna

46646200735_77febff9f5_c

Red Tile – Layton, UT – Fujifilm X-T30 – Eterna

47588798741_9315119963_c

Kitchenscape – South Weber, UT – Fujifilm X-T30 – Eterna

47587005181_ebc5f6874b_c

Tops – South Weber, UT – Fujifilm X-T30 – Eterna

46652351595_aa4b2492ed_c

Kodak 35mm Film – South Weber, UT – Fujifilm X-T30 – Eterna

47534359132_3d284397f7_c

Longing – South Weber, UT – Fujifilm X-T30 – Eterna

32638368777_171036bff2_c

Ball In The Grass – South Weber, UT – Fujifilm X-T30 – Eterna

33705362518_4975b9e7bb_c

Blooming Red Tulip – Farmington, UT – Fujifilm X-T30 – Eterna

47576699491_a63e526d37_c

Wee Wet White Flowers – Layton, UT – Fujifilm X-T30 – Eterna

47574333331_5158618526_c

Daffodil Drops – Layton, UT – Fujifilm X-T30 – Eterna

47574334951_ca3a9a1440_c

Spring or Autumn? – Layton, UT – Fujifilm X-T30 – Eterna

47574330941_d5bd701c4b_c

Love – Layton, UT – Fujifilm X-T30 – Eterna

47529906712_114d6a0de1_c

Siblings Playing On A Tablet – South Weber, UT – Fujifilm X-T30 – Eterna

40600506103_990aeba583_c

Joyful – South Weber, UT – Fujifilm X-T30 – Eterna

33684966408_6f3f529d32_c

Don, Walt & Mickey – Ogden, UT – Fujifilm X-T30 – Eterna

46646181265_213ed90174_c

Brick & Beer – Ogden, UT – Fujifilm X-T30 – Eterna

40620959603_df2b68fa28_c

Taste On Sale – Ogden, UT – Fujifilm X-T30 – Eterna

46646181615_8da179bb72_c

Jarred Pig – Ogden, UT – Fujifilm X-T30 – Eterna

46646193895_fb8902e24e_c

Neon Dragon – Ogden, UT – Fujifilm X-T30 – Eterna

46671551425_3891a06c29_c

Neon Reflection – Ogden, UT – Fujifilm X-T30 – Eterna

32619233077_52b1379050_c

25th Street & Lincoln Avenue – Ogden, UT – Fujifilm X-T30 – Eterna

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

$5.00

Weekly Photo Project, Week 34

This was my first full week using the new Fujifilm X-T30 camera. Any time that you have a new camera it’s pretty hard to put it down, so I had no trouble capturing images each day this week. I made a lot of exposures! Many of these photographs you’ve likely seen before in other articles, so there’s not a lot here that’s new, and for that I apologize. Hopefully you enjoy this set, anyway.

Sunday, March 24, 2019

33584751268_4d85640177_c

Snowfall in Downtown Park City – Park City, UT – Fujifilm X-T30

Monday, March 25, 2019

33590764128_ee62223ae3_c

Lunch With An Old Friend – South Ogden, UT – Fujifilm X-T30

Tuesday, March 26, 2019

47475361591_7611a539e5_c

Two Pots – Layton, UT – Fujifilm X-T30

Wednesday, March 27, 2019

47480715201_11c2f9893d_c

Eastman Kodak 8mm Brownie Projector – South Weber, UT – Fujifilm X-T30

Thursday, March 28, 2019

47434348222_4fe48aed93_c

Film In Black & White – South Weber, UT – Fujifilm X-T30

Friday, March 29, 2019

46581367605_0c9dcecf2a_c

Fresh Neighborhood Snow – South Weber, UT – Fujifilm X-T30

Saturday, March 30, 2019

33641726558_22503abcb0_c

Castle Spire – Castle Valley, UT – Fujifilm X-T30

Week 33  Week 35