Photoessay: Suburban B&W

You might think that you live in a boring neighborhood. You might think that there’s nothing of interest to photograph where you live. You might think that you have to go somewhere to capture good photographs. This photoessay is intended to debunk that. I live in a boring suburban neighborhood, but I have still made an effort to walk the sidewalks with my camera in hand. This particular collection features some recent black-and-white images that I’ve captured in the neighborhood where I live. In the past I’ve shared many pictures captured in my neighborhood, so these are far from the only ones or even the best ones–they are simply ones that I have not posted on here before. I hope that this article inspires you to get out into your local area with your camera, even if “getting out” is just a short trip around the block.


Home Peek – South Weber, UT – Fujifilm X-T30 & Fujinon 35mm f/2


Shadow Maker – South Weber, UT – Fujifilm X-T30 & 35mm


Suburban Pathway – South Weber, UT – Fujifilm X-T30 & 35mm


Monochrome American Flag – South Weber, UT – Fujifilm X-T30 & Asahi Pentax Auto-Takumar 55mm f/2.2


Geo – South Weber, UT – Fujifilm X-T30 & Asahi Pentax Auto-Takumar 55mm f/2.2


House Work – South Weber, UT – Fujifilm X-T30 & 35mm


Alaskan Engineer – South Weber, UT – Fujifilm X-T30 & 35mm


Ray Above The Roof – South Weber, UT – Fujifilm X-T30 & Fujinon 90mm


Hill Behind The Homes – South Weber, UT – Fujifilm X-T30 & 35mm


Curious Cow – South Weber, UT – Fujifilm X-T30 & 35mm


Grey Fence – South Weber, UT – Fujifilm X-T30 & 35mm


Top 10 Most Popular Film Simulation Recipes

Film simulation recipes are the number one most popular type of article on Fuji X Weekly. These posts are what most people come to this blog to read. In fact, so far this year, the top twenty most read articles are all film simulation recipes. I thought it would be fun to share which are the most popular recipes, based on how many times they’ve been viewed so far this year. The newest ones haven’t been around long enough to make this list, so maybe I’ll periodically revisit this topic.

Top 10 Most Popular Film Simulation Recipes:

#10. X100F Acros


Walking Man – SLC, UT – Fujifilm X100F

I was surprised to learn that this recipe, which is my original Acros recipe and the second film simulation recipe that I created, is the only black-and-white settings to make this list. I guess B&W isn’t as popular as color.

#9. X100F Astia


Zions Bank Building – SLC, UT – Fujifilm X100F

This was one of the early film simulation recipes that I created. Honestly, it’s not my favorite, even though I liked it when I created it. I think it requires the right light to be effective, and it certainly can be effective, but it’s a little flat (lacking contrast) for many situations. Still, as I stated in the article, it’s a better option than keeping the camera on Provia with everything set to 0.

#8. X100F Ektar


Summer Boy – Layton, UT – Fujifilm X100F

This recipe uses Astia, as well, yet produces much different results. While the regular Astia recipe is rather flat and bland, this one is vibrant and bold–sometimes too vibrant and bold. It’s not for everyday photography, but it’s an especially good recipe for the right subject.

#7. X100F Velvia


Trees, Rocks & Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

This is another early film simulation recipe. It was one that I always had programmed into the Q menu, until I made a new Velvia recipe that I liked more. Still, these are good settings that I used regularly for many months.

#6. X100F Eterna


Expedition Lodge – Moab, UT – Fujifilm X100F

This was my attempt to create something that resembles the Eterna film simulation for those who have a Fujifilm camera without Eterna. More recently I created an alternative Eterna recipe that I much prefer.

#5. X100F Fujicolor Superia 800


Caramel Macchiato – Sandy, UT – Fujifilm X100F

What I appreciate about this recipe is that it produces a nice negative film aesthetic with a slightly green-ish color cast. Many of my recipes tend to lean warm, so this one is a reprieve from that. I think it delivers lovely results, and I can definitely understand why it’s a popular recipe.

#4. X100F Portra 400


Jump – South Weber, UT – Fujifilm X100F

What I don’t appreciate about this recipe is that it requires a tricky white balance setting that’s difficult to get right. If you can get the custom measurement correct, the results are great. I should revisit this recipe and attempt to create this look without requiring a vague custom white balance measurement.

#3. X100F Classic Chrome


Closed Drive Thru Window – South Ogden, UT – Fujifilm X100F

This was the very first film simulation recipe that I created. It produces a look in the Ektachrome neighborhood. It looks nice and I’m not surprised that it’s so popular, but I have created other recipes that use Classic Chrome that I prefer more.

#2. X100F Vintage Kodachrome


Old Log In Kolob Canyon – Zion NP, UT – Fujifilm X100F

Vintage Kodachrome is intended to mimic the look of the first generation of Kodachrome, which was used by photographers like Ansel Adams, Chuck Abbott, Barry Goldwater, and others. It’s a fun recipe, producing a vintage slide aesthetic.

#1. X-Pro2 Kodachrome II


Pueblo de Taos – Taos, NM – Fujifilm X-Pro2

Classic Chrome is a popular film simulation, so it shouldn’t be too surprising that the top four recipes are all based on it. Kodachrome II is the only recipe in this list not developed on the X100F, although it can (like all of these recipes) be used on any X-Trans III or IV camera. This recipe is intended to mimic the look of the second generation of Kodachrome, which was used by photographers like Ernst Haas, Luigi Ghirri, William Eggleston and others. It’s one of my absolute favorite recipes that I’ve created.

Now it’s your turn. Which of these 10 recipes do you like most? Which recipe not on this list is your favorite? Let me know in the comments!

My Fujifilm X-T30 Faded Monochrome Film Simulation Recipe


All Aboard Boy – Ogden, UT – Fujifilm X-T30 – “Faded Monochrome”

I love the results of my Faded Color recipe, so creating a Faded Monochrome recipe was a natural next step. This film simulation recipe requires the use of the double-exposure feature of the camera. The first exposure is a normal photo, and the second exposure is of something plain white. I’ve tried different things, but for me a 4″ x 6″ plain white index card works well. No need for the second exposure to be in focus. It’s a simple idea that I wish I had thought of earlier. I think I’ve just scratched the surface of what can be created using this technique.

In film photography, you could achieve a similar look by printing with a low-contrast filter. You could also develop the film for low contrast by adjusting any number of things in the lab. You might also get this look by accident if you reused the fixer one too many times. Sometimes underexposed pushed-processed film has a very similar aesthetic. It’s possible for negatives to fade over time, especially if not stored correctly, and that, too, might create a similar look. While “faded” is in the title of this recipe, the look isn’t so much faded as it is low-contrast with “milky” blacks. It works especially well for high-contrast scenes.


Morning Coffee – South Weber, UT – Fujifilm X-T30 – “Faded Monochrome”

To use this recipe, you will create two exposures using the double-exposure feature of your camera. The first exposure is the main image, and the second exposure is of something plain white, such as a 4″ x 6″ plain white index card. There is no need for the second exposure to be in focus. The exposure compensation for the second exposure can vary greatly depending on how bright the white is and how you want the picture to look. You will have to play around with it to figure out what works for you. The good news is that your camera will give you a preview of the finished image and will allow do-overs.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Noise Reduction: -4
Sharpening: +2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (Neutral)
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 to +1 (main exposure), 0 to -2 (second exposure)

Example photographs, all camera-made JPEGs using my Faded Monochrome recipe on a Fujifilm X-T30:


Grey Rose – SLC, UT – Fujifilm X-T30


Grey Lake – East Canyon SP, UT – Fujifilm X-T30


Lake Boat – Willard Bay SP, UT – Fujifilm X-T30


Tree Limbs – SLC, UT – Fujifilm X-T30


Well – SLC, UT – Fujifilm X-T30


Don’t Give – SLC, UT – Fujifilm X-T30


Urban Escape – SLC, UT – Fujifilm X-T30


Big Brick Buildings – SLC, UT – Fujifilm X-T30


Center Reflection – SLC, UT – Fujifilm X-T30


Urbanscape Monochrome – SLC, UT – Fujifilm X-T30


Less Is More – SLC, UT – Fujifilm X-T30


Urban Leaves – SLC, UT – Fujifilm X-T30


Small Flower In The Big City – SLC, UT – Fujifilm X-T30


Park Bench – Ogden, UT – Fujifilm X-T30


Joshua Monochrome – Ogden, UT – Fujifilm X-T30


Happy Girl – Ogden, UT – Fujifilm X-T30


Children On A Park Slide – Ogden, UT – Fujifilm X-T30


Instax Photographer – SLC, UT – Fujifilm X-T30


Joy In The City – SLC, UT – Fujifilm X-T30


Bank Time – SLC, UT – Fujifilm X-T30


Water On The Glass – SLC, UT – Fujifilm X-T30


Club – Ogden, UT – Fujifilm X-T30


Stepping By – Ogden, UT – Fujifilm X-T30


Vibes – Ogden, UT – Fujifilm X-T30


Quiet – SLC, UT – Fujifilm X-T30


Urban Cloud – SLC, UT – Fujifilm X-T30


Angles & Lines – SLC, UT – Fujifilm X-T30


Utah Artist – SLC, UT – Fujifilm X-T30


Treading Lightly – SLC, UT – Fujifilm X-T30


Marlboro Man – SLC, UT – Fujifilm X-T30


Come Inside – SLC, UT – Fujifilm X-T30


Mono Chrome – SLC, UT – Fujifilm X-T30


Stop In Ogden – Ogden, UT – Fujifilm X-T30


UTA Station – Layton, UT – Fujifilm X-T30


Train Ride Abstract – Kaysville, UT – Fujifilm X-T30


Empty Train Seats – Farmington, UT – Fujifilm X-T30


Train Passenger – Roy, UT – Fujifilm X-T30


Passenger Window – Layton, UT – Fujifilm X-T30


Train 19 – Farmington, UT – Fujifilm X-T30


UTA 19 – Ogden, UT – Fujifilm X-T30


Train Host – Ogden, UT – Fujifilm X-T30


Hungry Traveler – Ogden, UT – Fujifilm X-T30


Caboose Steps Monochrome – Ogden, UT – Fujifilm X-T30


Caboose Display – Ogden, UT – Fujifilm X-T30


Industrial Sunlight – Ogden, UT – Fujifilm X-T30


Ladder Climb – Ogden, UT – Fujifilm X-T30

My Fujifilm X-T30 Ilford HP5 Plus 400 Push-Process Film Simulation Recipe



It’s better to be lucky than good.

This film simulation recipe was a mistake. I discovered it when I accidentally chose ISO 51200 instead of Auto-3 ISO. In my hurry, I scrolled down one too far, which took me from the bottom to the top, and I didn’t notice that I had inadvertently selected the highest possible ISO. I wouldn’t normally, or really ever, use ISO 51200. Even on most full-frame cameras, that high of an ISO is pushing the capabilities of the camera. It’s beyond what most would ever think of using on an APS-C camera. I’ve often wondered why Fujifilm even made it an option. Yet on Memorial Day I made a few exposures with it, not even realizing it.


Memorials – South Ogden, UT – Fujifilm X-T30 – ISO 51200


Little Flags – South Ogden, UT – Fujifilm X-T30 – ISO 51200

When I reviewed the images that I had captured, I was reminded of some photographs I made four years ago when I pushed a roll of Ilford HP5 Plus 400 film by one stop. Push-processing is a technique where you underexpose film and increase the development time to make up for it. You are essentially increasing the exposure in the lab using chemicals. The result is a higher-contrast image with more pronounced grain. Sometimes you would do this because the ISO of the film wasn’t high enough to make a good exposure, and sometimes you’d do this just for the aesthetics of it. Different films respond differently to push-processing, and different films have different tolerances to how much they can be pushed. While HP5 Plus is a good film, it’s not typically considered one of the best for push-processing, but the results can still be good, especially if you don’t push it too much.

Here are some push-processed Ilford HP5 Plus 400 pictures that I captured several years back:


Whiskey Pete’s – Primm, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop


Grand View – Las Vegas, NV – FED 5c – Ilford HP5 Plus 400 Pushed 1 Stop


I-15 Travelers – Las Vegas, NV – Ilford HP5 Plus 400 Pushed 1 Stop

After seeing the ISO 51200 results from my Fujifilm X-T30, I decided to make some more ultra-high ISO black-and-white pictures. What I discovered is that for contrasty and grainy B&W pictures, ISO 51200 on the X-T30 is not only usable, but it can produce film-like results that are similar to push-processed Ilford HP5 Plus 400 film. A negative aspect of ISO 51200 is that it can sometimes produce “smudgy” results, especially in grass. It doesn’t always do that, but it sometimes does, so I would say that this maximum ISO should be used with care. Taking the ISO down one stop to 25600 seems to remedy this, and delivers similar results to the higher ISO images. ISO 12800 is almost not grainy or contrasty enough, but it’s very close and is also usable for this recipe should you need to drop the ISO.

You might notice that this recipe is quite similar to my Tri-X Push Process recipe, mostly just a higher ISO and added grain. I like that recipe a lot and I think it also delivers analog-like results. Even though it’s based on the same film, there are several differences between this recipe and my original Ilford HP5 Plus recipe. This one is much less “clean” and is fun to pair with vintage lenses. Also, this recipe can be used on X-Trans III cameras, except (obviously) you ignore Color Chrome Effect. I tried it on an X-T20 and it looked good, even at ISO 51200 (see the very top picture in this article).

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: N/A
Highlight: +3
Shadow: +4
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (off)
ISO: 25600 or 51200
Exposure Compensation: +1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Ilford HP5 Plus 400 Push-Process Film Simulation recipe:


Home Builder – South Weber, UT – Fujifilm X-T30


Crop from the above ISO 51200 image.


Exchanging Money – South Weber, UT – Fujifilm X-T30


Crop from the above ISO 51200 image.


Can Money Buy Happiness? – South Weber, UT – Fujifilm X-T30


Girl Playing A Game – South Weber, Utah


Chance Taker – South Weber, UT – Fujifilm X-T30


Thinker – South Weber, UT – Fujifilm X-T30


Birds In The Kitchen – South Weber, UT – Fujifilm X-T30


River Tree – Layton, UT – Fujifilm X-T30


Riverbank – Layton, UT – Fujifilm X-T30


Grey Flowers – South Weber, UT – Fujifilm X-T30


Hiding Grey Flowers – South Weber, UT – Fujifilm X-T30


White Bloom – Layton, UT – Fujifilm X-T30


Dark Cloud Over The Dark Mountain – South Weber, UT – Fujifilm X-T30


Bulldog – Uintah, UT – Fujifilm X-T30


Oil Change – Uintah, UT – Fujifilm X-T30

See also: My Film Simulation Recipes

My Fujifilm X-T30 Acros Film Simulation Recipe (Agfa APX 400)


Cloud Over The White Ridge – South Weber, UT – Fujifilm X-T30 – Acros

I made a new Acros recipe! I’ve been playing around lately with the Acros settings on my Fujifilm X-T30, trying to create a certain look (which I’m still working on), and I stumbled upon some interesting settings. I tried them out for a few days and wanted to share my findings with you. I think some of you might like this one!

This recipe is not intended to mimic the look of any particular film, but it’s in the neighborhood of a couple different black-and-white stocks. The closest might be Agfa APX 400 (the newer version), but it’s not an exact match for that film. I don’t think it really matters if it’s an exact match or not, it has an analog black-and-white look that’s easy to appreciate!


Shopping Carts – Farmington, UT – Fujifilm X-T30 – Acros

The idea behind this film simulation recipe is to have a lower-contrast option that doesn’t look flat. It seems to be especially well suited for high-contrast scenes, but there’s a certain beauty in low-contrast scenes where it produces almost a faded aesthetic. This Acros recipe is really great for certain situations, and it’s one of my favorite Acros recipes that I’ve created. If you don’t have an X-Trans IV camera, you can still use this recipe, except you can’t use Color Chrome Effect or Toning, so the results will be slightly different, but still very similar.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR400
Highlight: -2
Shadow: +4
Noise Reduction: -4
Sharpening: +4
Grain Effect: Weak
Color Chrome Effect: Strong
Toning: +1 (warm)
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 to +1-1/3 (typically)

Example photographs, all camera-made JPEGs using this recipe on the Fujifilm X-T30:


Frozen Reservoir – Causey Reservoir, UT – Fujifilm X-T30 – Acros


Mid Morning Mountain – South Weber, UT – Fujifilm X-T30 – Acros


Head In The Clouds – Ogden Canyon, UT – Fujifilm X-T30 – Acros


Mountain Obscured – South Weber, UT – Fujifilm X-T30 – Acros


Reaching For Grass – South Weber, UT – Fujifilm X-T30 – Acros


Jo by a Window – South Weber, UT – Fujifilm X-T30 – Acros


Girl Sitting – South Weber, UT – Fujifilm X-T30 – Acros


Bread Cutting – South Weber, UT – Fujifilm X-T30 – Acros


The Course Toward – Farmington, UT – Fujifilm X-T30 – Acros


Asleep – Farmington, UT – Fujifilm X-T30 – Acros


Couch – South Weber, UT – Fujifilm X-T30 – Acros


Three Vases By A Window – South Weber, UT – Fujifilm X-T30 – Acros


White Flower Bouquet – South Weber, UT – Fujifilm X-T30 – Acros


Dead Rose Leaves – South Weber, UT – Fujifilm X-T30 – Acros


Hiding Hydrant – Farmington, UT – Fujifilm X-T30 – Acros

Understanding Acros Film Simulation Options On Fujifilm X Cameras


B&W Film With Colored Filters – South Weber, UT – Fujifilm X-T20

Fujifilm has included on X-Trans III and IV cameras four Acros Film Simulation options: Acros, Acros+Y, Acros+R, and Acros+G. I’ve been asked a few times to explain the differences between these options. On my Acros Film Simulation recipes I never mention which one to use, I only say to use any or all of them, so that has left some confusion on what’s the best choice. Which Acros Film Simulation should you choose?

With real black-and-white film, you can use colored filters to manipulate the shades of grey. Since there are no colors, the film interprets colors between black and white. You can change how the film interprets the color, and what grey you get, by using different filters. Take a look at the graphic below to see an explanation of how different color filters change the grey on black-and-white film.

You cannot use colored filters on your X-Trans camera to achieve this same effect, so Fujifilm has given you three “filter” options for Acros: +Y, which simulates the use of a yellow filter, +R, which simulates the use of a red filter, and +G, which simulates the use of a green filter. You might notice that, in black-and-white film photography, there are more options than you are given on your X-Trans camera, but at least you have some choices.

While these different “filter” Acros options simulate the look of using filters, the actual results aren’t a 100% match. The manipulation of grey is not nearly as pronounced as using colored filters on film, and it’s not exactly the same shift, either. One thing that can help achieve desired results is using the white balance shift in conjunction with the different Acros options. It takes a little extra thought to figure out how adjusting the color balance will change the way the film simulation interprets the color in grey, but it can be worth the effort.

To help you understand what the different Acros Film Simulation options are doing to different colors, I made an image in color and re-processed it in-camera using all four Acros choices. Take a look!


Fujifilm X-T20 – Velvia









The differences between the different Acros Film Simulations might not seem immediately obvious, but take a closer look. Notice that the red paint is a little lighter and the blue paint is a little darker in the Acros+R image. However, in the Acros+G image the red paint is darker and the blue paint is lighter. These small manipulations in the shades of grey are what the different Acros options provide.

How do you use this information in a practical way? When should you consider using the different Acros Film Simulations? When would you want to change the shade of grey of a particular color? It’s really difficult to give generalized answers to those questions because what works for one person and one photograph may not work for another. You really must think in grey and consider how contrast will work in an image, and how to best achieve that using the different Acros options.


Monochrome Mountain Majesty – South Weber, UT – Fujifilm X-T20 – Acros+R

A common example of when Acros+R might work well is in landscape photography where the sky is a deep blue. You can turn the sky dark grey or even black, which will create dramatic contrast against clouds or a snow-capped peak. Acros+R will lighten reds, so sometimes in portraits it can lighten a face, but it can make lips blend in, which might be bad. Acros+G, which darkens reds, can sometimes work well for dramatic portraits.

There is a lot to consider when it comes to choosing the most appropriate Acros Film Simulation for a particular circumstance. You have to know what each one will do, and decide what shade of grey you want the different colors to be, in order to make the right selection. There’s no one-size-fits-all answer, but it’s not too hard to figure out with practice. My suggestion is to try them all in different situations, and study the differences closely to better understand what each one does.

Fujifilm Acros Film Simulation Recipes


Taos Tourist – Taos, NM – Fujifilm X100F “Agfa Scala”

Acros is one of the most popular film simulations available on Fujifilm X-Trans cameras. It looks incredibly similar to the black-and-white film that it was named after. In fact, in my opinion, it produces the most film-like results of any settings on any camera! It’s easy to see the draw to the analog-esque results produced by the Acros film simulation.

I love Acros and I have used it as the base for a bunch of different film simulation recipes. It’s possible to achieve a number of different interesting looks straight out of camera by adjusting the settings. I plan to create even more film simulation recipes using Acros in the coming months. As I do, I will add them to this article.

Below you will find all of my different film simulation recipes that I have created that use Acros. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorite is Tri-X Push-Process, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F and X-Pro2, they are completely compatible with any Fujifilm X-Trans III or IV camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

Original Acros

Acros Push-Process

Agfa Scala

Ilford HP5 Plus

Tri-X Push Process