Best cameras | FUJI X WEEKLY

Fujifilm’s 7 Best Cameras

Posted on September 12, 2024 by Ritchie Roesch

I get asked occasionally which Fujifilm cameras are the very best. Sometimes people want to jump into the Fujifilm system, but are unaware of which camera to buy; however, they know that they want the “best” model, whichever one that is. Of course, best is highly subjective—what is “best” for one person may not be for another. My list might look a lot different from another’s. This is simply my opinion as a long-time experienced Fujifilm photographer, so take it for what it’s worth, which might only be two pennies.

My list of Fujifilm’s seven best cameras is limited to X-series models. I’m not including GFX, Instax, Fujica, or anything else. I’m only discussing the APS-C line that Fujifilm introduced with the fixed-lens X100 in 2011, and the interchangeable-lens X-Pro1 in 2012. Those cameras and the ones introduced afterwards are the models being considered for this list.

Without any further delay, let’s get started!

#7: Fujifilm X70

The Fujifilm X70 is a fixed-lens X-Trans II camera that was released in 2016. It had a short sales-life because Sony suddenly discontinued production of the 16mp APS-C sensor that the camera used, and by the end of that year the X70 was discontinued, and out-of-stock shortly thereafter. As a compact camera with an 18.5mm (28mm full-frame-equivalent) lens, it competed directly with the Ricoh GR II. I like the X70 better than the GR II because it has the traditional tactile controls that Fujifilm is known for, while the GR cameras utilize PASM.

Today, at eight-years-old, the camera often sells for more than when it was brand-new. It’s much beloved by many who own one. Some proclaim it to be their favorite Fujifilm camera of all time. Compared to the latest models, the X70 is less advanced and with fewer options, but it does what few Fujifilm cameras can: fit into your pocket. In my opinion, it’s the best carry-everywhere camera ever made by Fujifilm. A successor—an X80—should be a high priority for Fuji.

#6: Fujifilm X-Pro2

While all three of the X-Pro cameras are great, there’s something especially special about the Fujifilm X-Pro2. It’s the seemingly perfect balance of form and function. It’s one of those cameras that will be desired and used for many years to come. While other digital cameras of its era will be long forgotten, I’m convinced that the X-Pro2 will still be sought out even when it’s 20 years old or older.

Introduced at the same time as the X70, the Fujifilm X-Pro2 is an X-Trans III model, and as such it doesn’t seem quite as dated as the X70. It still holds up fairly well in ability and features compared to the latest models. I would be perfectly happy if it were my only camera; unfortunately, I let it get away from me twice.

#5: Fujifilm X-E4

The X-E4 is the smallest and most minimalistic of Fujifilm’s modern offerings. While it is not perfect (no camera is), it does offer a slightly unique experience for Fujifilm that some like and some don’t. Personally, I appreciate the camera—it is one of my favorite Fujifilm models—and I find it especially great for travel or just everyday walk-around photography, thanks to its compactness. I have more expensive cameras, but often choose the X-E4 instead.

While the Fujifilm X-E4 doesn’t have IBIS or 40mp or the newest couple of film simulations, it is one of the last X-Trans IV models, and as such is quite advanced and capable. Unfortunately, Fujifilm greatly underestimated the demand for the X-E4, and failed to secure enough parts to manufacture as many copies as they should have, inexplicably discontinuing it when there were lengthy backorder lists. Because of that, right now the X-E4 sells for several hundred dollars more used than when it was brand-new.

#4: Fujifilm X100V

The X100 is where the X-series began; the X100V is the model that unexpectedly wen’t viral when it was over two years old. This list could be filled with X100 cameras—in fact, I debated if the X100F should have been placed in the #6 or #7 positions (it was a tough cut). The X100V is the fifth iteration—the X-Trans IV version—and served as my “desert island” camera until the introduction of the X100VI earlier this year.

I love the X100V because it is small and lightweight, and has great features like a built-in ND filter and leaf shutter plus a fill-flash that just seems to work perfect. For a fixed-lens camera, it is surprisingly versatile. I don’t travel without an X100 model. It’s no wonder why the X100V was the camera to have in 2023 (although few could get it); in 2024, it’s still an excellent choice. And it might be easier to find than an X100VI.

#3: Fujifilm X-T5

The X-T5 is Fujifilm’s flagship SLR-styled traditional tactile control model. If you want the best, look no further—it’s the cream of the crop: IBIS, 40mp, weather-sealing, dual SD-card slots, etc., etc.. The X-T5 is notably smaller and lighter than the X-T4. It’s such a great camera, there’s not much negative that can be said about it. This camera could very easily be #1 on this list, and on paper it should be.

While the Fujifilm X-T5 is technically a great camera, and it did slim down compared to its predecessor, it’s more camera than I need much of the time. Because of this, I will often choose a different model, including technically inferior options like the X-E4. Sometimes data sheets and spec charts don’t tell the full story. You don’t always need a fully loaded Land Cruiser, sometimes a Camry will get you there more efficiently; still, sometimes you need the Land Cruiser.

#2: Fujifilm X-T50

The X-T50 is an X-T5, but without weather-sealing, with only one SD-card slot, with a Film Dial instead of an ISO Dial, a lower resolution-EVF, the old battery, in a smaller and lighter body, and a little cheaper. Technically speaking, the X-T5 is superior, but, over the summer, I used an X-T50 far more than an X-T5. Between the two, most of the time I chose the X-T50.

The X-T30 II is in the same series as the X-T50; however, Fujifilm says that the X-T50 is not the X-T30 II’s successor. The X-T50 is closely related and similar, but is not the X-T30 II’s replacement, as they are currently manufacturing both models. The X-T30 II is a better value (and I almost placed it at #7); overall, the X-T50 is the better camera of the two. For those wanting to get into the Fujifilm system, the X-T50 is my top recommendation, but the X-T30 II isn’t far behind.

#1: Fujifilm X100VI

I love the Fujifilm X100V, and the X100VI is even better! It is my “desert island” camera, which is to say that if I could choose only one model to use for the rest of my life, it would be this one. It is my absolute favorite photography tool, and it gets a lot of use. In my opinion, this is Fujifilm’s best camera.

The Fujifilm X100VI is by far the most preordered camera by any brand in history. We’re over six months since it was announced, and some people who preordered on Day 1 are still waiting for their camera to arrive, and some have been told that it might be closer to Christmas. There were more preorders for the X100VI than there were X100V’s manufactured over its four-year production life. Fujifilm is assembling far more X100VI’s each month than they did the X100V, yet they still can’t even make enough to fulfill the orders that were placed back in February. This is the most viral camera ever, and if the hype continues (and it might), the X100VI could potentially end up as the most-sold model of all time by any brand. If you didn’t order one right away when it was announced, you may have to wait a long time to get one.

Some of you may have noticed that both the X-H2 and X-H2s, which are Fujifilm’s top-tier flagship models, did not make this list. Nor did the very capable X-S20. The reason is very simple: those are PASM models, and I don’t care much for PASM, personally. Those cameras are intended to give the most Canikony-like experience of any Fujifilm models; if you are coming from a Canikony brand, those models are going to feel more familiar to you. I never appreciated the (modern) Canikony approach, so I’m very much drawn to the traditional tactile controls that Fujifilm is known for. Fujifilm offers a unique experience in the camera world, which is one of the big reasons why I love Fujifilm, and that unique experience is found on each of the seven models in my list. While some might see it as merely “retro” (which it is), to me its preferable. It’s better—much better, in fact. You may or may not agree with that, and that’s fine—different strokes for different folks—I’m just explaining why those particular models didn’t crack my list.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T50 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T50 in silver:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T50 in charcoal:
Amazon, B&H, Moment, Wex
Fujifilm X-T5 in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X-T5 in silver:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in black:
Amazon, B&H, Moment, Wex, Nuzira
Fujifilm X100VI in silver:
Amazon, B&H, Moment, Wex, Nuzira

I’m a Fujifilm Fanboy (…but my opinions should still be valid)

Posted on December 16, 2023 by Ritchie Roesch

I enrolled in Photography 101 in college 12 years before Fujifilm introduced the original X100. I say this because I’m often accused of being a Fujifilm fanboy, which is meant to be a put-down to insinuate that my opinions are too biased to be trusted. But should I be so easily dismissed just because I really like Fujifilm cameras?

First, I am a proud Fujifilm fanboy, but that should not automatically invalidate my opinions; instead, it should only point towards my perspective. My photography journey began with full-manual film cameras by Canon and Pentax. Two years prior to the release of the X100, I first dabbled in digital photography. I owned cameras by Pentax, Samsung (remember when they made APS-C mirrorless cameras?), Sigma, Nikon, and Sony. Then, in 2016, I purchased a four-year-old Fujifilm X-E1, and my world changed. I found what I had been looking for ever since first trying digital. In an instant I became a Fujifilm fanboy, and my appreciation of Fujifilm brand cameras has only grown stronger since.

But, that doesn’t mean I’m not interested in other brands. I have two Ricoh GR cameras, for example. I also own a Nikon Zfc, although I rarely use it. I tried out a Canon EOS 5DS R a couple of years ago. More recently, I had the opportunity to use a Sony A7 IV fairly extensively. I have nothing against Canikony brands, but the more I use them, the more I’m convinced that they’re not for me.

Vocalizing my displeasure with brands that don’t have “film” in the name, and simultaneously stating why I love one particular brand, has caused some to suggest that my opinions are invalid. To be clear: my opinions are nothing more than my opinions, and they stem from my perspective. I was a long-time film photographer who exclusively used full-manual cameras for over a decade, was constantly frustrated with the digital models I used until I found Fujifilm, and I discovered along the way that I dislike editing RAW files—I much prefer camera-made JPEGs, as long as the camera can make those look good. That’s my perspective, and it is something that you may or may not relate to. If you cannot relate to it, then take my opinions with a grain of salt because they’re likely to be different from yours; however, that doesn’t mean that they’re invalid opinions.

I got heavily criticized when I stated that Nikon’s venture into retro-styled cameras fell short. Nikon didn’t have the courage to do what they should have done, and made compromises instead. From my perspective that much is clear, but I understand that if your perspective is different from mine you might have divergent conclusions, which is great—the world would be a boring place if we all thought exactly alike. For someone like me, the Fujifilm X-T5 beats the Nikon Zf, no question about it; for someone else, the Zf might be declared the winner for one reason or another. With cameras like the Zf and Zfc, I think Nikon has the potential to be great in my eyes, but those models have some significant shortcomings that need to be overcome first.

I was pretty unimpressed by the Canon EOS 5DS R when I used it. Perhaps that’s because I’m spoiled by the advantages of mirrorless, and using a DSLR was like stepping back in time (and not in a good way). While the camera-made JPEGs had nice colors, they were prone to banding and issues like that, the dynamic range and high-ISO performance was kind of disappointing, and the adjustment options were somewhat limiting. Maybe I’d like the newest models better, but not much about the 5DS R made me curious to try.

Not a lot of people know that I used a Sony A7 IV camera somewhat extensively earlier this year. A number of friends and family members suggested that I should try it, plus all sorts of people complained to me that Fujifilm should be more like Sony (and, sadly, Fujifilm seems to be trying…). The opportunity presented itself, so I gave it an honest go. I even thought that if all went well, I might make Sony Recipes. But it didn’t go well. Using Sony cameras—or, at least the A7 IV—is such an uninspiring experience. Yeah, it will get the job done, but nothing about it is exciting to me. Technically great—yes; however, not in a form that makes me want to pick up the camera and shoot. Overall, the JPEG colors were disappointing, except for the “FL” (a.k.a. Film Look) creative look (their version of a film simulation), which actually is pretty darn good. I did like the ability to fade the blacks, and I did think that clipped highlights fall off nicely (as far as digital cameras go), but I did not like the proneness to banding. Sony’s JPEGs just aren’t at the same level as Fujifilm’s, but they definitely have some potential if Sony keeps working at it; however, the camera itself is boring.

But, but, but… autofocus! Fujifilm’s is awful, and Canikony is great! That’s what people say, but I don’t have any issues with Fujifilm’s autofocus, nor did I find any of the Canikony’s I used to be notably superior. Perhaps this is because I started photography with manual focus, and even though autofocus existed, it wasn’t very good back then. It’s improved by leaps and bounds over the years, and is quite reliable nowadays from every brand, including Fujifilm. If you take issue with this, ask yourself this question: why were photographers and cinematographers back then with inferior gear able to do so much more than you today with superior equipment? The answer, of course, is that the problem is not the gear, and has never been. But, you know, it’s easier to blame the gear than to learn new skills that don’t require the gear to be super amazingly great in order to get your desired results. And that’s how I would summarize this point: Fujifilm’s autofocus is amazingly great, and Canikony’s is, perhaps, super amazingly great. Those who put it down are ignoring the fact that it is still amazingly great.

This article concludes similarly to how it began: I love Fujifilm cameras! The X100V is my favorite, followed by the X-E4, then the X-T5, which I’ve been shooting with for a year now. Those three cameras are the ones that, by far, I use the most. I also enjoy shooting with my Ricoh GR III. And I use my iPhone often for casual shooting. That’s what works for me, which very well might be different from what works for you, and that’s perfectly ok. All of us have different experiences that give is divergent perspectives. If your perspective is similar to mine, you likely will appreciate my opinions, but if not, you probably will disagree. I’m a Fujifilm fanboy—perhaps one of the biggest that there is—but I’m not strictly a Fujifilm photographer, as I have a long history using all sorts of different brands, including the ones that I criticize sometimes. Heck, I’m even critical of Fujifilm occasionally—including in this very article—but Fujifilm is, by far, my favorite camera brand of them all.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V in black: Amazon   B&H  Moment
Fujifilm X100V in silver: Amazon B&H  Moment
Fujifilm X-T5 in black:  Amazon  B&H  Moment
Fujifilm X-T5 in silver:  Amazon  B&H  Moment
Fujifilm X-E4 in black: Amazon   B&H  Moment
Fujifilm X-E4 in silver:  Amazon B&H  Moment
Ricoh GR III:  Amazon  B&H  Moment
Ricoh GR IIIx:  Amazon  B&H  Moment
Nikon Zfc: Amazon   B&H
Nikon Zf: Amazon   B&H
Sony A7 IV: Amazon B&H

Ricoh GR III vs. Fujifilm X-E4 + Fujinon 18mm f/2

Posted on June 3, 2023 by Ritchie Roesch

What’s better, the Ricoh GR III or the Fujifilm X-E4 with a Fujinon 18mm f/2 lens? They’re both compact APS-C cameras that are reasonably affordable. They are both capable of producing excellent straight-out-of-camera JPEGs that don’t require editing. But which one is the best? If put head-to-head, which one will come out on top? Let’s find out!

First, I want to point out that I have Film Simulation Recipes for the Fujifilm X-E4 and Recipes for the Ricoh GR III. I have a Film Simulation Recipes App for Fujifilm, and I have a Film Simulation Recipes App for Ricoh. While there are significantly more Recipes for the Fujifilm X-E4, there are still quite a few for the Ricoh GR III; both camera are capable of producing analog-like results out-of-camera. With that said, let’s look at some pros and cons to each camera.

The biggest pro for the Ricoh GR—and let’s be honest, this is the reason to own it—is its super compact size—the smallest APS-C camera, in fact. The GR III easily fits into my pants pockets or nearly anywhere. It’s perfect for travel or for just carrying around. The inconspicuous design lends itself well for street photography. The GR III has IBIS, albeit a mediocre one that’s not particular necessary with an 18mm lens (but, still, it has it). Snap focus is a pretty useful feature. Ricoh just gave it a new Image Control Effect (their version of a Film Simulation) with a Kaizen firmware update, something Fujifilm hasn’t done in a long time. Perhaps the second biggest pro to the Ricoh GR III is that you can actually buy one without too much difficulty.

The biggest con for the Ricoh GR is that it has a fixed lens. That could be good or bad, depending on your perspective, but for certain it lacks versatility—the GR III is a one-trick pony, but of course it does that one trick very well. Another big con is that it lacks a viewfinder; because the LCD doesn’t move, the camera can be hard to use in harsh light conditions. I don’t like that it has a PASM dial, as I much prefer the manual tactile controls found on most Fujifilm cameras. While the camera-made JPEGs do look good, I prefer those from the Fujifilm X-E4, as I think Fujifilm’s JPEGs are a little better than Ricoh’s. Finally, the GR III is now over four years old, and it’s perhaps beginning to feel slightly dated.

For the Fujifilm X-E4, the biggest pro is Fujifilm’s renown JPEG output and the large number of Film Simulation Recipes available for it. For straight-out-of-camera photography, it’s very hard to beat this camera! The X-E4 has an electronic viewfinder, as well as a tilting LCD. You can attach any number of different lenses to it; the Fujinon 27mm f/2.8 is my favorite. The Fujinon 18mm f/2 is a full stop brighter than the f/2.8 lens on the Ricoh GR III, which can occasionally be a big deal, but most of the time isn’t. The X-E4 has the traditional camera controls that Fujifilm cameras are known for. Fujifilm released the X-E4 two years after Ricoh released the GR III, and to a small extent you can tell.

The biggest con for the Fujifilm X-E4 is that it’s difficult to find, and, if you do, it might be at an inflated price. Due to parts shortages, Fujifilm couldn’t keep up with demand, and then they (inexplicably) discontinued the camera. Good luck finding one. While the X-E4 is small and pocketable if your pockets are large enough, it’s significantly bigger than the Ricoh GR III. It doesn’t have IBIS, although with the 18mm lens it’s not really necessary. The Fujifilm X-E4 paired with the Fujinon 18mm f/2 has an MSRP of $1,450, while the Ricoh GR III has an MSRP of only $900.

*Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Tri-X 400 Recipe*

*Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe*

*Ricoh GR III + Classic Emulsion Recipe*

Comparing the Ricoh GR III to the Fujifilm X-E4 with the Fujinon 18mm f/2 lens isn’t really fair. They’re two different tools for two different purposes. But there are enough similarities and crossover that they do make some sense to test side-by-side. I like the Fujifilm X-E4 better—much better, in fact—than the Ricoh GR III, but that doesn’t mean it’s the best camera. Best is subjective, and it kind of depends on your goals and how you’ll use the cameras.

The Ricoh GR III is significantly cheaper and you can buy it right now without too much trouble. The Ricoh GR III is easier to carry around and is more inconspicuous. The Fujifilm X-E4 offers a more fun shooting experience and is much more versatile. I prefer the pictures from the X-E4, but those from the Ricoh GR III are still very good. Ultimately the winner is the one that makes the most sense to you. I own both cameras, and I use the Fujifilm X-E4 probably ten or maybe fifteen times more often than the Ricoh GR III, so it is my winner; however, you might prefer the GR III for various reasons, so it could be your winner. Even though I use the X-E4 much more often, there are times that the GR III is more practical to have with me, so I’m glad that I own it.

Below are some pictures that I recently captured with a Ricoh GR III and a Fujifilm X-E4 with a Fujinon 18mm f/2 lens.

Ricoh GR III

Fujifilm X-E4 + Fujinon 18mm f/2

*Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Portra 400 v2 Recipe*

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III:  Amazon  B&H  Moment
Fujifilm X-E4 in black: Amazon   B&H  Moment
Fujifilm X-E4 in silver:  Amazon B&H  Moment
Fujinon 18mm f/2: Amazon   B&H   Moment

10 Most Important Fujifilm X-Trans Cameras

Posted on February 12, 2022 by Ritchie Roesch

Fujifilm X-Trans is 10-years-old, and I thought it would be fun to list the 10 most important X-Trans models of all-time. The first X-series camera was the X100, but it had an EXR sensor, and not X-Trans. The first with the X-Trans sensor was the X-Pro1, which came out in 2012. I already wrote an article explaining the history of that camera, which you can read here. For this post, I’ll simply give my opinion on which X-Trans models were the most important.

Here we go!

10. Fujifilm X-E1

The Sexy One—I mean, X-E1—was the second X-Trans camera introduced by Fujifilm, and offered retro rangefinder styling in an affordable package. It had its problems (many that were fixed or improved by firmware updates), which hindered its commercial success, yet it is still a beloved camera 10 years later. Without the X-E1, there would be no X-E2, X-E2s, X-E3, or X-E4. While the X-E lineup isn’t usually a top-seller for Fujifilm, it is much loved by those who do own them. The Fujifilm X-E1 was my introduction into the X-series, so without it there would be no Fuji X Weekly.

9. Fujifilm X-Pro2

The X-Pro2 was not only the first X-Trans III camera, it was the first with a dual memory-card slot. For some, this was the first X-Trans camera that could be taken seriously—clearly aimed at professional photographers. It not only looked good, but had the specs and features to convince serious photographers to take a close look, and maybe even sell their full-frame gear in favor of Fujifilm.

8. Fujifilm X-T4

The X-T4 is the full-frame killer. Maybe that’s an exaggeration, but the it is an amazing tool for both professional photographers and videographers. To date, the X-T4 is the most “premium” X-series model made by Fujifilm, and is the camera that’s convinced countless people to choose Fujifilm over other brands.

7. Fujifilm X100V

The X100V is a solid update to the X100F, and is my “desert island” camera—if I could only have one, it would be this. For a lot of people who are unsure if they want to jump into the deep end of the Fujifilm pool, the X100-series allows them to get their feet wet without having to invest in the whole system. Once people do dip their toes, they discover that the water is fine. Although all of the five X100-series cameras are great, including the original X100, the X100V is definitely the best.

6. Fujifilm X-Pro3

The X-Pro3 is a controversial camera due to its unusual backwards-mounted rear screen. People seem to love or hate it. While it might be Fujifilm’s most polarizing camera, it has been a solid success, and a sought-after body since its introduction. Also, this was the first camera with Classic Negative, Clarity, and Color Chrome FX Blue, among other things.

5. Fujifilm X-H1

While it was initially considered a flop, the X-H1 now has a cult-like following. The X-H1 was even more top-of-the-line than the X-T2. It was the first X-Trans camera with the Eterna film simulation and IBIS, and had the best video specs when it was released. In a lot of ways, it was the X-T4 of the X-Trans III generation models (although in a body more reminiscent of the GFX50S), and was supposed to convince full-frame shooters to consider Fujifilm instead. Due to its high MSRP, sales were super sluggish, and Fujifilm had to steeply slash the price tag to get people to buy it. Those who did buy it were rewarded with an amazing camera! It’s a workhorse for many professional photographers, even if they own newer models, they often choose the X-H1 to do the heavy lifting.

4. Fujifilm X100F

The Fujifilm X100F is the camera that I first started making Film Simulation Recipes with. Fuji X Weekly was originally a long-term review (or journal, really) of this camera. The impact the X100F has had on the Fujifilm community and even the photography continuum cannot be quantified, but know that’s it’s massive. For me, the X100F changed my life, and that’s not hyperbole—it took a lot of self-control to not put it at the number one spot on this list.

3. Fujifilm X-T3

Have you ever wondered why Fujifilm hasn’t discontinued the X-T3 even though the X-T4 has been out for almost two years? It’s because the X-T3 is the top-selling X-series camera of all time, and continues to sell really well even today. Yes, it’s about three-and-a-half years old, but as long as people continue to buy it in droves, it will continue to be manufactured by Fujifilm. I wouldn’t be surprised if the X-T4 is discontinued before the X-T3. This is the only camera on this list that I haven’t personally used, but I know for certain that it’s a great model.

2. Fujifilm X-T1

A lot of people might be surprised that the X-T1 made it so high on this list, not because the camera isn’t great (because it is great), but because the reason might not seem obvious. What was so special about this model to make it all the way to number two? The X-T1 was Fujifilm’s first real commercially successful camera. Yes, the X-Trans models that came before this—X-Pro1, X-E1, X-E2, X-M1, X20, XQ1, and X100S—did well enough (more or less, depending on the camera), but the X-T1 sold significantly better than them all. It really brought Fujifilm into the forefront, and made a lot of people take notice. For a large number of photographers, the X-T1 was the first model that made them seriously consider buying X-Trans.

1. Fujifilm X-Pro1

The Fujifilm X-Pro1 was where X-Trans began. All of the current Fujifilm cameras are here today because the X-Pro1 made a big splash with its retro rangefinder design and hybrid viewfinder 10 years ago. If it had not sold well, the X-series might have ended there, or not long after. But it did sell well, and is even in-demand to this day. That’s why the X-Pro1 is the number one most important Fujifilm X-Trans camera of all time.

Conclusion

What about the other cameras that deserve to be on this list? The original X100 is not here because it is not X-Trans (a requirement for this list), but I could have included the X100S, which the first X100-series model with an X-Trans sensor. The X100T was the first camera with Classic Chrome—except that a lot of people forget that one month earlier the X30 was released with Classic Chrome, and the X100T was actually a close second. The X-T10 was Fujifilm’s first real successful mid-range model—the X-T20 and X-T30 were pretty darn successful, too, and the X-T30 II is off to a solid start. The X-S10 has also done well, and is the cheapest model with IBIS. I think there are a number of cameras that could have made this list. What do you think? Do you agree with my Top 10? Would you replace any? I’d love to hear your thoughts on this!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T4 Amazon B&H
Fujifilm X100V Amazon B&H
Fujifilm X-Pro3 Amazon B&H
Fujifilm X-T3 Amazon B&H

Best Fujifilm Cameras For Beginners

Posted on November 10, 2021 by Ritchie Roesch

If you are looking for your first Fujifilm camera, it can be difficult to know which one to buy. Perhaps this will be your first “serious” camera. Or maybe you’ve had a different brand of camera for awhile, but you don’t use it all of the time, and you’re not all that experienced with it. It could be that you’re interested in a Fujifilm camera because you want to try my film simulation recipes. This article is intended to help you with your buying decision.

I’m making a few assumptions with this post: you’re in the market for a new camera, you want a camera that’s easy-to-use yet you can grow with, and you’re on a limited budget. Maybe those assumptions are incorrect for you, but I bet they’re true for many of the people who this article was intended for. My hope is that this post will give you some clarity.

So let’s look at a few Fujifilm cameras!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-S10

The X-S10 is a mid-range mirrorless offering from Fujifilm that’s great for both still photography and video. It doesn’t have all the typical retro stylings and controls that most Fujifilm cameras are known for, but if you have some experience (even if just a little) shooting DSLRs or mirrorless cameras from other brands, this camera will likely feel more natural to you, and the learning curve will be just a little easier. It’s an extraordinarily capable model, and will keep up with you as you become a better photographer. If you are looking for the best budget Fujifilm camera for video, look no further, as the video-centric X-S10 is well-regarded for it’s cinematic capabilities. The camera retails body-only for $1,000, or $1,500 bundled with the Fujinon 16-80mm lens.

I recommendation the Fujifilm X-S10 camera if:
– You have some experience with a different brand and want the easiest transition to Fujifilm.
– You will be doing a lot of videography.

I don’t recommend the Fujifilm X-S10 camera if:
– You want the full Fujifilm retro experience.
– You are on a tight budget.

Buy the Fujifilm X-S10 here:
B&H Amazon

Fujifilm X-T30

The Fujifilm X-T30 is a great retro-styled mid-range mirrorless camera, but it is a couple years old now. Despite having the same X-Trans IV sensor and processor as all of the other models in this list, it is more like a previous generation camera. Don’t get me wrong: the X-T30 is an excellent option. I have this camera and use it frequently (you can read my review of the X-T30 here). Of all the cameras in this list, the X-T30 is the one I recommend the least, but I do still recommend it. It’s a solid option for both stills and video, but it is beginning to feel slightly dated. The camera retails body-only for $900, or $1,300 bundled with the Fujinon 35mm f/2 lens or Fujinon 18-55mm lens; however, it might be possible to find it discounted.

I recommendation the Fujifilm X-T30 camera if:
– You like the retro-styling.
– You can find it on sale.

I don’t recommend the Fujifilm X-T30 camera if:
– Having the latest and greatest is important to you.
– You’ll be primarily using it for video.

Buy the Fujifilm X-T30 here:
B&H Amazon

Fujifilm X-T30 II

The Fujifilm X-T30 II is a minor update to the X-T30, but if you plan to use film simulation recipes and/or use the camera for video, the new model has some important features that make it worth choosing. The X-T30 and X-T30 II share the same sensor and processor, but are basically two different camera generations. Not surprising, the new version is better. The camera retails body-only for $900, or $1,000 bundled with the Fujinon 15-45mm lens, and $1,300 bundled with the Fujinon 18-55mm lens; however, the X-T30 II isn’t out just yet, but it is available for preorder.

I recommendation the Fujifilm X-T30 II camera if:
– You want the best mid-range retro-styled Fujifilm model.
– You will be doing both still photography and videography.

I don’t recommend the Fujifilm X-T30 II camera if:
– You need a camera right away.
– You can find the original X-T30 on sale for significantly cheaper.

Buy the Fujifilm X-T30 II here:
B&H Amazon

Fujifilm X-E4

Fujifilm doesn’t currently have any low-budget entry-level models—the Bayer-sensor cameras, which serve this purpose, have all been discontinued, at least for now—so the X-E4 currently sits at the bottom of the roster, but, make no mistake, this is a mid-tier camera, similar to the ones above, and not low-end. While the X-E4 sits at the bottom, it is actually my top recommendation, with one exceptions: If you will be doing a lot of video, the X-E4 has some limitations that the X-T30 II and (especially) the X-S10 do not. Otherwise, my best suggestion for those in the market for their first Fujifilm camera is the X-E4. The camera isn’t perfect (you can read my review of the X-E4 here), and perhaps Fujifilm went slightly too minimalistic with it, but it is a pretty darn good option, and an excellent choice for someone wanting an uncomplicated camera that will grow with them as they become better and more experienced. The X-E4 retails body-only for $850, or $1,050 when bundled with the Fujinon 27mm lens.

I recommendation the Fujifilm X-E4 camera if:
– You want the cheapest mid-range retro-styled Fujifilm model.
– You want an uncomplicated option.

I don’t recommend the Fujifilm X-E4 camera if:
– You will be primarily using it for video.
– You think you’ll want a lot of programable buttons and dials.

Buy the Fujifilm X-E4 here:
B&H Amazon

Additional Thoughts

Obviously, if this will be your first Fujifilm camera and you are on a tight budget, you are going to need a lens—a body-only option won’t likely be your best bet, as you will want a lens bundle. Unfortunately, the X-T30 II bundled with the 15-45mm is the only option if you don’t want to spend more than $1,000. The 15-45mm lens is decent enough for a cheap zoom, but there’s a reason it only costs $100 (when bundled). Also, the X-T30 II isn’t out yet, although you can preorder it if you don’t mind waiting. Your next best bet is the X-E4 bundled with the (excellent) 27mm f/2.8, which is $1,050. The rest of the bundles are $1,300-$1,500, which very well might be above your budget.

If these prices are outside of what you can afford, you might consider a used camera, perhaps an X-Trans II or X-Trans III model. Something like the X-T1, X100F, X-E3, X-T20, or a number of other older cameras are good options. The used route is a good way to get into the system without breaking the bank.

If, by chance, you can afford a $1,400 camera, I have one more recommendation for you.

Fujifilm X100V

The Fujifilm X100V is my “desert island” model—if I could only have one camera, it would be this! I love mine (you can read my review of the X100V here), as it’s such an excellent camera. The X100V has a fixed lens, so you don’t need to go out and buy one, although the lack of interchangeable capability is a limitation you’ll have to consider carefully. Of all of the cameras in this list, the X100V would be considered the most “premium” of the group. The camera retails for $1,400.

I recommendation the Fujifilm X100V camera if:
– You want the most enjoyable Fujifilm experience.
– You want a compact option.

I don’t recommend the Fujifilm X100V camera if:
– You have a limited budget.
– You don’t think you’d like the limitation of a fixed lens.

Buy the Fujifilm X100V here:
B&H Amazon