Fujifilm X-T2 Vertical Power Grip Bundle Deal

 

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I pointed out last week that Fujifilm has some great deals when you bundle one of three f/2 prime lenses with the upcoming Fujifilm X-T30. There is a great deal being offered on the Fujifilm X-T2 that’s worth pointing out.

You can already get the X-T2 for an incredible price ($1,100 for the body or $1,500 with an 18-55mm lens), but if you bundle the X-T2 body with a vertical power grip, it’s only $1,100, and if you bundle the X-T2 with an 18-55mm lens with a vertical power grip, it’s only $1,500, which is about a $300 savings on top of what’s already a great deal. In other words, if you bundle the X-T2, body only or with the the 18-55mm lens, with the vertical power grip, you get the power grip for free! That’s incredible!

The Fujifilm X-H1 (body only) with a vertical power grip is also a great deal right now, coming in at just $1,300.

Fujifilm X-T30 Now Available For Pre-Order

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Fujifilm announced the upcoming X-T30 yesterday, and today it’s officially available for pre-order. It won’t ship until March 20 (and not until June 30 for the charcoal grey version), but, if you don’t pre-order, it might be out of stock until sometime in April or even May if it sells really well. If you aren’t sure whether to buy the X-T30 or X-T20, I wrote an article that might help, explaining some reasons to choose one over the other.

If you want to pre-order the X-T30 through Amazon, here are the links:

Fujifilm X-T30 Body-Only Black $900
Fujifilm X-T30 Body-Only Silver $900
Fujifilm X-T30 Black with 15-45mm lens $1,000
Fujifilm X-T30 Silver with 15-45mm lens $1,000
Fujifilm X-T30 Charcoal with 15-45mm lens $1,000
Fujifilm X-T30 Black with 18-55mm lens $1,300
Fujifilm X-T30 Silver with 18-55mm lens $1,300
Fujifilm X-T30 Charcoal with 18-55mm lens $1,300
Fujifilm X-T30 Black with 15-45mm + 50mm f/2 $1,150 (save $300)
Fujifilm X-T30 Silver with 15-45mm + 50mm f/2 $1,450 (save $300)
Fujifilm X-T30 Charcoal with 18-55mm + 50mm f/2 $1,150 (save $600)
Fujifilm X-T30 Black with 50mm f/2 $1,050
Fujifilm X-T30 Silver with 50mm f/2 $1,050
Fujifilm X-T30 Charcoal with 50mm f/2 $1,050
Fujifilm X-T30 Black with 35mm f/2 $1,000
Fujifilm X-T30 Silver with 35mm f/2 $1,000
Fujifilm X-T30 Charcoal with 35mm f/2 $1,000
Fujifilm X-T30 Black with 23mm f/2 $1,050
Fujifilm X-T30 Silver with 23mm f/2 $1,050
Fujifilm X-T30 Charcoal with 23mm f/2 $1,050

Also, Fujifilm announced the XF 16mm f/2.8 R WR lens, which will also be released on March 20, for $400.

I am an Amazon Affiliate partner, and I receive a small payment if you use my links to order an item. Nobody pays me to write the articles that you find on this blog. One way to help support this website is to use my Amazon links to order things. If you were already planning to order this camera through Amazon, it would be much appreciated if you used the links above to do so. If not, please feel zero pressure from me to order anything. Thanks so much!

Fujifilm Provia Film Simulation Settings – Or, My Agfa Optima 200 Recipe


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Colorful Chalk – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

With the start of the new year I decided that I wanted to rethink my Fujifilm film simulation settings and make new recipes with each option. I wanted to start with Provia, not only because it’s the “standard” option on Fujifilm X cameras, but also because I’ve been asked many times to create a film simulation recipe that uses Provia as the base. I do have a film simulation recipe that uses Provia, but it’s definitely not for everyone. This one could actually be someone’s standard recipe on their camera.

I’ve never been a fan of the Provia film simulation on Fujifilm X cameras, partly because the film simulation looks very little like the film that it derives its name from. Curiously, Provia film actually more closely resembles the Astia film simulation and Astia film more closely resembles the Provia film simulation (although neither are close to being an exact match). I don’t think Fujifilm ever considered making the Provia film simulation resemble the film that it was named after or really any film, they just wanted to use the trademark name for their standard setting. The Provia film simulation is designed to give generally pleasing results to the masses. Some people love it, but I personally find it to be the least interesting of the color options available.

While I never intended to mimic the look of any specific film with this recipe, I think that it fairly closely resembles Agfa Optima 200. If you are looking for an Agfa Optima recipe, look no further! Agfa made many different films over the years. They were never as big as Kodak or Fujifilm, but they weren’t that far behind, either. Agfa Optima 200 was a color negative film that was introduced in 1996, replacing AgfaColor XRS 200, and was discontinued in 2005. I never used this film myself, but I have seen it in person and on the internet plenty of times, so I have a good idea of what it looks like. Even though I didn’t intend to recreate the look of a film with this recipe, the fact that it happens to resembles one is a very happy accident. Sometimes it’s better to be lucky than good.

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Morning Egg Bowl – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

I’ve found that this particular film simulation recipe looks best when using an ISO between 1600 and 3200. That’s not to say that you shouldn’t use a lower or higher ISO, because I certainly do, but for some reason that ISO range seems to produce the most pleasing result. I have flirted with the idea setting the ISO range to be between 1600 and 3200, but I have yet to do that. This recipe says to set ISO to Auto up to ISO 6400, but please don’t feel like you have to set it to that just because that’s what settings I typed out. As always, choose what works best for you and your photography.

Provia
Dynamic Range: DR100
Highlight: -2
Shadow: +2
Color: -2
Noise Reduction: -3
Sharpening: 0
Grain Effect: Weak
White Balance: Auto, -1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)

Example photographs, all straight-out-of-camera JPEGs made using this Provia film simulation recipe:

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Coca-Cola Cans – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Bolsey 35 Model B – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Mercantile Coffee Cup – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Durable Nonstick Pot – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Oil Pastels – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Table Curve – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Window Grass – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Indoor Decor – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Blinded – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Shrub In The Snow – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Waiting For Warmer Weather – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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For Everything There Is A Season – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Fading Light On The Ridge – South Weber, UT – Fujifilm X-T20 “Agfa Optima”

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Fujifilm X-T30 Will Have Joystick

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The upcoming Fujifilm X-T30, which will be officially announced next week, will have a joystick instead of a d-pad, according to some leaked photos by nokishita-camera.com. This is no surprise to me. In fact, I predicted it in my vlog episode #008.

There are advantages and disadvantages to a joystick instead of a d-pad. There will be more touch controls on the rear screen that will accomplish some of the functionality of the d-pad. It will be similar to the X-E3, or even the XF10. Some people will appreciate the change, while others won’t. I personally would have liked both the d-pad and joystick, like on the X100F, but I didn’t really expect it since this isn’t Fujifilm’s flagship model.

For better or worse, a joystick and touch-screen functions will replace the d-pad on the X-T30. It’s not a huge deal, but it is a change, and with any change there will be those who like it and those who don’t. If you end up buying this camera when it comes out, you’ll get used to it after awhile. It’s not a big deal. But at least now you know, and if you don’t like it, there’s still the X-T20, which is basically the same camera with a d-pad and without a joystick.

Great Fujifilm Deals

There are currently some great deals on Fujifilm cameras and Fujinon lenses at Amazon right now. If you’ve been thinking about buying one of these items, now is a good time because of the great discounts being offered. If you use the links below, you’ll be supporting this site. Nobody pays me to write the articles you find here, so using my affiliate links is one way that you can support what’s happening at Fuji X Weekly.

As far as Fujifilm cameras go, the Fujifilm X-T2 is still $500 off and the Fujifilm X-H1 with grip is an incredible deal at just $1,300! There are some other promotions currently being offered, but these two are the good ones that you should be aware of.

For Fujinon lenses, the Fujinon XF 200mm f/2 is $1,000 off, Fujinon XF 8-16mm f/2.8 is $500 offFujinon XF 50-140mm f/2.8 is $400 off, Fujinon XF 56mm f/1.2 APD is $350 offFujinon XF 80mm f/2.8 is $300 off, and Fujinon XF 16-55mm f/2.8 is $300 off. Those are the best discounts currently being offered on lenses.

Vintage Lenses on Modern Cameras: Using M42 on Fujifilm X

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Asahi Auto-Takumar 55mm f/2.2 on a Fujifilm X-T20

Lenses can be quite expensive. Most new lenses cost anywhere from a few hundred dollars to a couple thousand. Many people want to expand their glass collection but simply cannot afford it. A good solution is to use vintage lenses from the film era on your modern camera. An inexpensive adapter will allow you to attach lenses from another mount to your Fujifilm X camera. This is a cost-effective way to add more glass to your current camera kit.

One lens mount that’s common to find is M42 screw mount, which was originally designed by Carl Zeiss in the late-1930’s. Several different camera brands used M42 at one time or another, including Pentax, Contax, Praktica, Fujica, Yashica, Cosina, Ricoh, Zenit, Olympus and others. Most camera manufacturers who used M42 had moved on to other mounts by the late-1970s, but some M42 screw mount lenses are manufactured to this day. Thankfully, your options for this mount are plentiful!

What I love about many of these vintage lenses is that they have exceptional image quality, yet they also seem to have their own unique character. Many modern lenses are precision engineered, which is great, but they lack character. What sets one apart from another is just how precisely it was designed and tooled. Vintage lenses often have flaws, which might seem like a negative attribute, but these flaws sometimes produce unique effects that you’d never find on a brand-new lens. It might be a certain bokeh, soft corners, lens flare–whatever the flaw is, it makes your pictures less perfect, which is the character that is often missing in modern photography. Actor Willie Garson famously stated, “Perfection is the antithesis of authenticity.”

The challenge with using older lenses is that auto-focus and auto-aperture are out the window. You will need to manual focus, which is made easier thanks to focus peaking and focus confirmation, but it is still a skill to learn for those who aren’t used to it. You will have to set the aperture yourself, which isn’t a difficult skill, but if you always use auto-aperture this might take some practice. For some people there will be a learning curve, but I believe that the manual features are actually a help and not a hindrance, since it slows you down and forces you to consider things a little bit more deeply. You also must ensure that “Shoot Without Lens” is selected on your Fujifilm camera, or else it won’t work.

These old lenses are often easy to find for a reasonable price. Some can be expensive, but most are not. In fact, if you shop around, you can get two or three different lenses for less than $100! If money is tight, this is probably your best bet for purchasing additional glass for your camera. Look at thrift stores, antique shops, yard sales, flea markets, Facebook Marketplace and eBay for good bargains. Below are three different M42 screw mount lenses that I have used on Fujifilm X cameras.

Helios 44-2 58mm f/2

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The Helios 44-2 58mm f/2 is a Soviet Union lens renown for its swirly bokeh. It’s a knockoff of the Zeiss Jena Biotar 58mm f/2 that was made in the 1940’s and 1950’s. This lens was mass-produced in Russia for many, many years and can be found for very little money. In fact, mine came attached to a Zenit-E camera that was less than $50. If there is one lens that epitomizes character, this is it, as it has fantastic image quality, yet it can be quirky, often in the best ways possible.

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Tricycle In The Woods – South Weber, UT – Fujifilm X-E1 & Helios 44-2

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Snake River Fog – Grand Teton NP, WY – Fujifilm X-E1 & Helios 44-2

Asahi Auto-Takumar 55mm f/2.2

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The Asahi Auto-Takumar 55mm f/2.2 was made by Pentax in the late-1950’s and early 1960’s, and there was a nearly identical lens but with a slightly larger aperture (f/2) that was manufactured into the 1970’s. This is a great prime lens that produces beautiful pictures. It doesn’t have as much character as the Helios, but it makes up for it by how lovely it renders pictures. It’s definitely a favorite of mine! Oh, and I paid $35 dollars for it and the camera that it was attached to.

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Welcome To Ogden – Ogden, UT – Fujifilm X-T20 & Asahi 55mm

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Super Moon Illumination – South Weber, UT – Fujifilm X-T20 & Asahi 55mm

Jupiter 21M 200mm f/4

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The Jupiter 21M 200mm f/4 is Soviet Union lens that was manufactured from the early 1970’s through the late 1990’s, and a nearly identical earlier version of this lens was introduced in the late 1950’s. The image quality is nothing short of fantastic, but it’s super heavy and feels like a tank. It’s not something that you want to carry around all day. The Jupiter 21M can sometimes be found for less than $100, so it’s a really great bargain for what you get. It’s a solid long-telephoto option for those on a tight budget.

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Layers of Grey – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Endless Canyons – Dead Horse SP, UT – Fujifilm X-A3 & Jupiter 21M

Introducing the Fuji X Weekly Vlog!

My wife has been telling me for awhile now that I should be on YouTube. She’s completely right about that! Almost two billion people worldwide watch YouTube videos regularly, and about one billion hours of YouTube video content is watched daily. YouTube is the #2 search engine, only behind Google. More than half of YouTube views are on a phone, tablet or other mobile device. There are a ton of statistics which demonstrate that those under the age of 50 are spending a lot of time watching YouTube videos, and about half of those videos are uploaded by people and not companies. There’s a massive audience I’m missing by avoiding YouTube!

I like to joke that I have a face for radio and a voice for print. That’s all in fun, but the truth is that I don’t have the eccentric personality to be a video star. I’m just a regular Joe. I don’t look or sound the part, and so I prefer not to be a video guy. I like to write and I’m pretty good at it. Even though I hunt-and-peck, I’m comfortable and happy typing out paragraphs. I like that I can lay out my thoughts in a clear and organized manor, and it’s easy to change the words if I didn’t communicate something well. I will continue to write the Fuji X Weekly blog because I love doing this!

When it comes to photography, there’s a lot of long-winded content on YouTube. Most videos exceed five minutes, many exceed 10 minutes and some seem to go on forever! That’s good sometimes, but what I often prefer, and I figures others might feel the same way, is content that’s short and to the point. I often don’t have time for ramblings. I feel that there is a need for quality photography-related videos that are under two minutes long, that get right to the point and concisely explain things. That’s my vision for the Fuji X Weekly vlog. I want to produce short videos that are mobile device friendly, that are interesting yet informative, and, perhaps most importantly, don’t feature me rambling on.

I just started the Fuji X Weekly vlog a couple of days ago. I think it will be a good companion to the Fuji X Weekly blog. I hope that it will reach some new people, perhaps some folks who wouldn’t normally go to an “old-fashioned” blog, but would definitely look at a video. I hope that it’s a fresh way to view my content, pictures and ideas. I’ve made three videos so far, which I’ve included below. Feel free to like and share them. Please subscribe so that you don’t miss anything! I appreciate any feedback that you have. Hopefully it just gets better and better as time goes on, because I’m very new to this whole video-making stuff. I hope that you enjoy!

Fujifilm Acros Film Simulation Recipes

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Taos Tourist – Taos, NM – Fujifilm X100F “Agfa Scala”

Acros is one of the most popular film simulations available on Fujifilm X-Trans cameras. It looks incredibly similar to the black-and-white film that it was named after. In fact, in my opinion, it produces the most film-like results of any settings on any camera! It’s easy to see the draw to the analog-esque results produced by the Acros film simulation.

I love Acros and I have used it as the base for a bunch of different film simulation recipes. It’s possible to achieve a number of different interesting looks straight out of camera by adjusting the settings. I plan to create even more film simulation recipes using Acros in the coming months. As I do, I will add them to this article.

Below you will find all of my different film simulation recipes that I have created that use Acros. If you haven’t tried them all, I personally invite you to do so and see which are your favorites! My personal favorite is Tri-X Push-Process, but they each have their own usefulness and charm. Let me know in the comments which recipe you like most!

Even though the different recipes say X100F and X-Pro2, they are completely compatible with any Fujifilm X-Trans III or IV camera. For example, you don’t have to use the X100F recipes exclusively on the X100F. You can use any of my recipes on any X-Trans III camera.

Original Acros

Acros Push-Process

Agfa Scala

Ilford HP5 Plus

Tri-X Push Process

My Fujifilm X Camera Lens Recommendations, Part 2: Third Party

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Part 1: Fujinon

I listed my recommended Fujinon lenses for Fujifilm X cameras in Part 1. In this second segment I will give my recommendations for third party lenses. Like in the previous article, I will be focusing on what I’ve actually used, because I prefer to talk about what I have experience with. My opinions are based off of my own use of these different lenses.

Let’s jump right in!

Rokinon/Samyang 12mm f/2 NCS CS

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Salt & Stars – Bonneville Salt Flats, UT – Fujifilm X-E1 & Rokinon 12mm

The 12mm f/2 NCS CS ultra-wide-angle lens, which is sold under both the Rokinon and Samyang brands (it’s the exact same lens), is a great manual focus lens. It’s sharp with surprisingly little distortion and few flaws. Since it is so cheap, it’s a great budget-friendly alternative to the Fujinon 16mm f/1.4, or even a companion to it. Not everyone needs a lens as wide-angle as this one, but it’s a fantastic option for those who do. If you need something ultra-wide for astrophotography or dramatic landscapes, this is a must-have lens!

Meike 35mm f/1.7

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Securely In Father’s Arms – Mount Rushmore, SD – Fujifilm X-Pro2 & Meike 35mm

The Meike 35mm f/1.7 is a “nifty-fifty” standard prime lens on Fujifilm X cameras, and if you don’t mind an all-manual lens, this is a great budget-friendly option. In fact, it’s probably the best $80 you’ll ever spend on new camera gear! It’s not without flaws, though. You can read my review of the lens here. For the cheap price, I wouldn’t be afraid to try the Meike 28mm f/2.8 or the Meike 50mm f/2, either. In fact, you could buy all three for less than the cost of one Fujinon lens! The 7Artisans 25mm f/1.8 is a good alternative, which I reviewed here. I’ve never tried the 7artisans 35mm f/1.2, which is an intriguing option but a little more expensive.

There are, of course, plenty of other third-party lenses, of which I’ve tried zero. I know that the Mitakon 35mm f/0.95 II is highly regarded, yet it’s also on the expensive side of things. The Rokinon 50mm f/1.2 and Rokinon 100mm f/2.8 are two lenses that I’ve seen highly recommended by others, and, based on my experience with their 12mm lens, I’d definitely believe it. However, I don’t want to spend much time on lenses that I have no experience with. Instead, let me offer one other alternative: vintage lenses.

You can typically buy old film lenses for very little money. Since most people don’t shoot film any longer, these lenses are cheap, yet many of them are exceptionally good in quality. You will need an adapter to mount them to your Fujifilm X camera, since they’ll have a different mount. Just make sure you know which mount the lens is so that you buy the right adapter. Thankfully most adapters are pretty inexpensive. Below is a video that I made on this topic.

Current Fujifilm X Camera Deals

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There are a number of great Fujifilm camera deals currently on Amazon. I wanted to pass these along in case anyone is interested in these cameras. As always, if you use my links to purchase something it helps to support this website.

Fujifilm X-H1 with grip is only $1,300!

Fujifilm X-E3 is $700.

Fujifilm X-T3 is $1,400.

Fujifilm X-T2 is $1,100.

Fujifilm X-T20 with 18-55mm lens is $1,000.

All of these are good deals, but the X-H1 and X-T2 stand out as the two best bargains, and I think it’s because of how well the X-T3 has been selling. The X-T20 is my top recommended camera, and it’s a good price with the 18-55mm lens. The X-E3 is pretty inexpensive, and it’s a very tempting option.

My Fujifilm Camera Recommendations

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I’ve been asked several times lately which Fujifilm camera one should buy. People are looking for camera recommendations, and they’re interested in my advice. Since it’s December and Christmas is right around the corner this is something that’s on many people’s minds. I don’t necessarily like giving my opinion on this because everyone’s wants and needs are different, so what would be great for one person might not be for another, but I will do my best since it is a topic of interest for some of you out there.

Fujifilm makes many different cameras with many different features because the wants, needs and budgets of photographers can vary greatly. There is, however, one camera that’s easy to recommend, and that’s the Fujifilm X-T20. This is a great all-around middle-road offering that’s rich on features, not too expensive and a great choice no matter your skill or budget. The X-T20 is a camera that’s easy to suggest to anyone.

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Stark Salt – Wendover, UT

If you’re thinking that the X-T20 is not high-end enough for you, there are four great alternatives: the X-T2, the X-Pro2, the X-H1 and the X-T3. The X-T2 is the best bargain of the four, the X-Pro2 is my personal favorite of the four, the X-H1 is the only one with in-body-image-stabilization, and the X-T3 is the latest and greatest. If video capabilities are important, the X-H1 and the X-T3 are your best bets. If you want the very best, that’s probably the X-T3, although I’d argue that any of the four could be “best” for different reasons.

If you’re thinking that the X-T20 is too expensive, you have three good options: the X-T100, the X-A5 and the X-A3. These three cameras have a traditional Bayer sensor instead of an X-Trans sensor and have a more basic processor, but they are still good cameras that are capable of excellent image quality. The X-T100 is the best of the bunch, but even the X-A3, which is a couple of years old now, is a great low-budget option and perhaps the best choice for someone’s very first interchangeable-lens camera.

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Snake River Fog – Grand Teton NP, WY

There are a few alternatives to the X-T20 that I haven’t mentioned yet. The first is the X-E3, which is very similar to the X-T20 but with a different design and slightly different features. The X-E3 would be my second-place recommendation and is definitely worth taking a look at. Next is the X100F, which is a fixed-lens camera that is quite excellent and easy to love, but it might not be for everyone. Perhaps it is a good gift option for the photographer who has everything. Finally, there is the XF10, which is also a fixed-lens camera but is on the bargain end of things. It’s the smallest camera mentioned in this article (and one of the cheapest, too), yet it is capable of capturing beautiful pictures.

There, you have it! If you are camera shopping, look first at the X-T20, then decide from there if you need to move up to the more expensive models, move down to the cheaper models, or look at one of the other alternatives. You really can’t go wrong with any of the cameras, because they could all serve a purpose no matter who you are, but I think the middle is a good place to begin a search.

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Keyhole Monochrome – Salt Lake City, UT

Alternatively, buying an older model second-hand isn’t a bad idea at all. My first Fujifilm camera was a used X-E1, which I captured many great pictures with. It’s very much a capable camera today. There are a lot of great Fujifilm models that are a little older, but are still good quality cameras, such as the X-T1, X-T10, X-E2 (with or without the “s”), X-Pro1, X70, X100T, etc. You can get a used model that’s not quite as good as what’s brand new but not all that far from it either, for significantly less money.

You might be wondering about the photographs above. I purposefully didn’t label what camera they were captured with because I wanted it to be a surprise at the end. The picture Stark Salt towards the top was shot with a Fujifilm X-A3, which is an incredibly cheap camera right now because it’s not the latest model. The next image, Snake River Fog, which is one of my all-time favorites that I have hung on my wall at home, was captured using a Fujifilm X-E1. The last picture, Keyhole Monochrome, was shot using a Fujifilm XF10. These three cameras can be found for $500 or less, which demonstrates that even the cheapest options are still good options. It’s never about how expensive your camera is, it’s always about how you use what you have.