My Fujifilm X-T30 Cross Process Film Simulation Recipe

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Pot in the Sky – Farmington, UT – Fujifilm X-T30 “Cross Process”

My last film simulation recipe was modeled after a look by photographer Jeff Davenport. Jeff has several different aesthetics, depending on his project. His Venice Beach Canals series has an interesting look that I wanted to attempt. I recognized right away the “look” that he created: orange and teal. Early color photography used two color layers (instead of three), orange-red and blue-teal. Digital software can mimic this aesthetic, and the strength of it can be adjusted. Exposure X5 software has a one-click preset for it. Jeff has customized his images to where both orange and pink lean towards peach.

I had a few ideas of how to create this look in-camera on my Fujifilm X-T30. I tried out those ideas and did some experiments, but unfortunately none of them worked. What you see here is the closest that I came to recreating Jeff’s Venice Beach Canals aesthetic. It’s not especially close, but I like it nonetheless. What this recipe actually reminds me of is Provia or Sensia cross processed. Cross processing color reversal film in C-41 chemicals isn’t uncommon. I’ve done it several times myself. I’ve already created a cross process film simulation recipe, but that recipe and this one produce somewhat different looks, despite both emulating cross processed film.

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Riding Around the Cones – Farmington, UT – Fujifilm X-T30 “Cross Process”

When I created this film simulation recipe, I didn’t intend for it to look cross processed. It was after the fact that I decided it resembled that analog effect. If I wanted it to more resemble cross processed film, I’d probably set Grain to Strong, and consider setting Shadows to 0; however, I do like the results from the recipe as-is. Feel free to adjust it to your own personal preferences. This recipe is compatible with X-Trans III & IV cameras.

Classic Chrome
Dynamic Range: DR400
Highlight: +4
Shadow: -1
Color: +3
Noise Reduction: -4
Sharpness: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: 7700K, -8 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to -2/3 (typically)

Example photographs, all camera-made JPEGs using this Cross Process film simulation recipe on my Fujifilm X-T30:

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Cloud over Apex – Farmington, UT – Fujifilm X-T30

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Four Garages – Farmington, UT – Fujifilm X-T30

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Bike & Cones – Farmington, UT – Fujifilm X-T30

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Roofline & Siding – Farmington, UT – Fujifilm X-T30

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Bike Park Bench – Farmington, UT – Fujifilm X-T30

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Tennis Racket – Farmington, UT – Fujifilm X-T30

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Razor – Farmington, UT – Fujifilm X-T30

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Self Shadow – Farmington, UT – Fujifilm X-T30

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Pedaling Around – Farmington, UT – Fujifilm X-T30

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Reeds Cross Process – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Fujicolor Pro 400H Overexposed Film Simulation Recipe


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I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”

Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. Photographers often overexpose this film by as many as four stops. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. Colors become vibrant and pastel. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. The effect can range from subtle to pronounced. I have been trying for some time now to create a film simulation recipe that mimics the aesthetic of overexposed Pro 400H, and, despite creating a Fujicolor Pro 400H film simulation recipe already, achieving an overexposed look has eluded me.

I had read that one of the films that was the inspiration for the PRO Neg. Hi film simulation was Pro 400H. I tried and tried using that film simulation, and even PRO Neg. Std and Astia, to get the look that I was after, but I just couldn’t get it right. Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. It was close! A few adjustments here and there, and this Fujicolor Pro 400H Overexposed film simulation recipe was born, and I spent the afternoon shooting a bunch of exposures with it. I just couldn’t believe that I finally did it!

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Green Sky – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”

Something that I went back and forth on with this recipe is the shadows. I feel like +4 is too much sometimes, and +3 is too little sometimes. I ended up choosing +4, but I think +3 would be just as acceptable. You might try some shots with +4 and some with +3 and decide which you like better. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. I also debated on Color, settling on +1, which might be too high. You might consider setting Color to 0 if you think it’s too saturated. Even though I created this on my Fujifilm X-T30, it’s fully compatible with all X-Trans III and IV cameras.

Provia
Dynamic Range: DR400
Highlight: -2
Shadow: +4
Color: +1
Color Chrome Effect: Off
Grain: Weak
Noise Reduction: -4
Sharpening: 1
White Balance: Auto, +2 Red & +2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1 2/3 to +2 1/3 (typically)

Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe:

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Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”

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Happy – Farmington, UT – Fujifilm X-T30

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Reading – Farmington, UT – Fujifilm X-T30

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Markers – Farmington, UT – Fujifilm X-T30

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Lego Car – Farmington, UT – Fujifilm X-T30

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Ocean of Books – Farmington, UT – Fujifilm X-T30

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Suburban Sky – Farmington, UT – Fujifilm X-T30

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Neighborhood – Farmington, UT – Fujifilm X-T30

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Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30

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Liquid Obscurity – Farmington, UT – Fujifilm X-T30

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Evening Windows – Farmington, UT – Fujifilm X-T30

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Closed Umbrella – Farmington, UT – Fujifilm X-T30

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Raining In The Pool – Farmington, UT – Fujifilm X-T30

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Observing – Farmington, UT – Fujifilm X-T30

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Outdoor Mall – Farmington, UT – Fujifilm X-T30

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String of Lights – Farmington, UT – Fujifilm X-T30

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Disconnected – Farmington, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Provia Film Simulation Recipe (Fujichrome Sensia 100)


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Evening Flag – Layton, UT – Fujifilm X-T30 – Provia

The film simulation that Fujifilm calls “standard” is Provia, but of all the color options, Provia is my least favorite. For the most part, I prefer the other film simulations instead. In fact, the only recipes that I’ve created that use Provia are Agfa Optima 200 and Cross Process, both of which are great in their own way. The problem with Provia is that it’s somewhat boring. And it doesn’t resemble the film that it’s named after. The Astia film simulation looks more like real Provia film, and the Provia film simulation more resembles Astia film. Weird, huh? Well, I decided that Provia needed a little more of my love, so I created a new recipe for it.

This Provia recipe reminds me of Fujifilm Fujichrome Sensia 100, although that is strictly coincidental, as I wasn’t attempting any specific film look, just a general analog aesthetic. Fujichrome Sensia 100 was a general-purpose slide film that was discontinued about 10 years ago. It was a popular choice for cross-processing, although that’s not the look you find here. There were three different generations of the film, and each looked very slightly different. I shot a little of the second version of Sensia back in the day, but I usually preferred Velvia or Provia film. This recipe’s accidental resemblance is a happy accident.

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Autumn Tree Branches – Riverdale, UT – Fujifilm X-T30 – Provia

The white balance required for this recipe is Warm-White Fluorescent, which is also known as Fluorescent Light 2 or Neon 2. It’s the second fluorescent white balance option underneath cloudy/shade. It’s a bit unusually to select this in daylight, but it works in this case.

Provia
Dynamic Range: DR400
Highlight: 0
Shadow: +2
Color: 0
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off
White Balance: Warm-White Fluorescent (2), -1 Red & -3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Provia film simulation recipe on my Fujifilm X-T30:

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Lost In Thought – South Weber, UT – Fujifilm X-T30

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Summer Is Over – South Weber, UT – Fujifilm X-T30

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The Last Yellow Leaf – South Weber, UT – Fujifilm X-T30

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Abscission – South Weber, UT – Fujifilm X-T30

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Leaves of Autumn – South Weber, UT – Fujifilm X-T30

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Autumn Sun – South Weber, UT – Fujifilm X-T30

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Autumn Tree Trunk – Riverdale, UT – Fujifilm X-T30

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Neighborhood Snowfall – South Weber, UT – Fujifilm X-T30

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Baseball Boy – South Weber, UT – Fujifilm X-T30

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Cottonwood Fall – South Weber, UT – Fujifilm X-T30

See also: Film Simulation Recipes

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Kodak Elite Chrome 200 Color Fade Film Simulation Recipe


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JTPX 1204 – North Salt Lake, UT – Fujifilm X-T30 “Elite Chrome 200 Color Fade”

I recently ran across some old slides that I had forgotten about, and one of those color transparencies was a frame of Kodak Elite Chrome 200 that was beginning to fade and change color. The picture wasn’t especially good, but it looked interesting because of how the image was transforming. Elite Chrome was a version of Ektachrome, which has been dubbed Fade-a-chrome, as it’s very prone to fading and discoloration, especially if not stored correctly, which this particular picture wasn’t. You can see the fading Elite Chrome 200 photograph below.

I wondered if I could create a film simulation recipe that mimics the look of fading Elite Chrome 200. I experimented with the settings a bunch, but couldn’t get it to look right. After showing my wife, Amanda, she suggested that the digital picture looked too crisp, too detailed. I made some more modifications, and found myself much closer. Not perfect, but very close. I made more changes and adjustments, but unfortunately I couldn’t get it to look better, so I went back to those settings that were very close to being right, which is the recipe here.

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DGNO Locomotive – Dallas, TX – Canon AE-1 & Kodak Elite Chrome 200 35mm film

One addition to this film simulation recipe that you’ve never seen in any of my other recipes is Image Quality. I have always used Fine, because it’s the highest quality setting, but in this case Fine was, well, too fine. I set it to Normal instead so as to better mimic the transparency. While I’m sure this particular recipe is not for everyone, those looking for something that resembles film from decades ago might appreciate it, as it has an analog aesthetic, and a look that’s a bit unusual, perhaps a bit lomographic (did I just make up a word?).

Classic Chrome
Dynamic Range: DR200
Highlight: 0
Shadow: +2
Color: -2
Noise Reduction: +2
Sharpening: -4
Grain Effect: Strong
Color Chrome Effect: Strong
Image Quality: Normal
White Balance: 8300K, +4 Red & +8 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to -2/3 (typically)

Example photographs, all camera-made JPEGs using this Kodak Elite Chrome 200 Color Fade recipe on my Fujifilm X-T30:

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Green Locomotive – North Salt Lake, UT – Fujifilm X-T30

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Tank Rider – North Salt Lake, UT – Fujifilm X-T30

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Tracks By The Refinery – North Salt Lake, UT – Fujifilm X-T30

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American Joe – Layton, UT – Fujifilm X-T30

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Neighborhood Patriotism – South Weber, UT – Fujifilm X-T30

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Sidewalk Tricycle – South Weber, UT – Fujifilm X-T30

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Red Flag – South Weber, UT – Fujifilm X-T30

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Peek – South Weber, UT – Fujifilm X-T30

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One Eye Open – South Weber, UT – Fujifilm X-T30

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Evening Bike – South Weber, UT – Fujifilm X-T30

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Fence & Path – South Weber, UT – Fujifilm X-T30

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Out Flowing – North Salt Lake, UT – Fujifilm X-T30

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Mountain Sky – South Weber, UT – Fujifilm X-T30

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Wet Red Rose – Layton, UT – Fujifilm X-T30

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Rose Blossom Fence – South Weber, UT – Fujifilm X-T30

Help Fuji X Weekly

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My Fujifilm X-T30 Kodacolor Film Simulation Recipe


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Summit Merc – Coalville, UT – Fujifilm X-T30 – Kodacolor

This is the film simulation recipe that you’ve been waiting for! Well, maybe that’s an exaggeration, but if you like my Kodachrome II or Portra 400 recipes, which are both very popular, you’ll likely also appreciate this one. It’s in the same neighborhood as those, producing a classic Kodak analog aesthetic. I think many of you will like this film simulation recipe.

Last week I was contacted by a Fuji X Weekly reader who wanted help creating an in-camera look that was similar to the pictures from this other photographer. It didn’t take me long to realize that the photographer in question was using a digital camera (Nikon D750) and applying a plugin preset (most likely VSCO) to achieve the desired look. If I had to take a guess, I would say that the preset is supposed to resemble Kodak Portra 400, although probably one of the alternative versions and not the straight Portra 400 preset. Anytime that I get one of these requests I always make an attempt to create it, although oftentimes my efforts are not successful and no recipe is made. This time, my first stab at it was pretty close, and a little refining made it even closer. I was able to quickly create a film simulation recipe that produces similar results in-camera to what that other photographer is getting with software.

The reason that I named this recipe Kodacolor and not Portra is that, to me, it looks more like Kodacolor VR than Portra, although the aesthetics of these two films are quite similar. Portra is the better film with improved grain, more tolerance to under and over exposure, and slightly more accurate skin tones, but overall the films produce very similar looks. Kodak originally developed Kodacolor VR film in the early 1980’s for their Disc cameras, which used a film cartridge resembling a computer floppy disc (or the “save icon”), allowing the camera to be small and easy to use. It made tiny exposures on the disc of film, and the film prior to Kodacolor VR, which was called Kodacolor II, was too grainy and not sharp enough for the small exposure to produce good results. Kodak’s solution was to create a sharper film with finer grain, which they originally named Kodacolor HR, and quickly renamed Kodacolor VR after making a small improvement. Kodacolor VR was available in ISO 100, 200, 400 and 1000 film speeds. This film simulation recipe most closely resembles Kodacolor VR 200, in my opinion. Kodacolor VR was replaced by Kodacolor VR-G in the mid 1980’s, which was later renamed Kodak Gold. Kodacolor VR was technically discontinued in 1986, but the ISO 200 version was renamed Kodacolor 200 and later ColorPlus 200, which is surprisingly still available today.

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Kodak Flying Disc – South Weber, UT – Fujifilm X-T30 – Kodacolor

One characteristic of Kodacolor VR is that it’s not particularly tolerant to underexposure (for color negative film), so a common technique was to overexpose the film (to prevent accidental underexposure). The side-effect of this, which is a common side-effect of most Kodak color negative films, but it’s especially pronounced on this particular film, is cyan sky. Blues tend to become an unnatural lighter color. That’s what this film simulation recipe looks like: Kodacolor VR 200 that’s been overexposed. It’s also a close proximity to Portra 400 that’s been overexposed, although it’s not quite as strong of a match for that as Kodacolor VR.

Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +2
Color: -2
Sharpening: +2
Noise Reduction: -4
Grain: Strong
Color Chrome Effect: Off
White Balance: 6300K, -1 Red & -4 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +2/3 to + 1-1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Kodacolor film simulation recipe on my Fujifilm X-T30:

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Echo Canyon Morning – Echo, UT – Fujifilm X-T30 – Kodacolor

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Morning Light In Echo Canyon – Echo, UT – Fujifilm X-T30 – Kodacolor

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Tree On The Rocky Ledge – Echo, UT – Fujifilm X-T30 – Kodacolor

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Western Cliff – Echo, UT – Fujifilm X-T30 – Kodacolor

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Rock Bowl – Echo, UT – Fujifilm X-T30 – Kodacolor

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Echo Mesa – Echo, UT – Fujifilm X-T30 – Kodacolor

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Summer Witches – Echo, UT – Fujifilm X-T30 – Kodacolor

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Trees Dotting The Rock – Echo, UT – Fujifilm X-T30 – Kodacolor

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Blue Sky Rocks – Echo, UT – Fujifilm X-T30 – Kodacolor

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Weber River Thistle Blooms – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Yucca Blossoms – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Sky Tree – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Sycamore Seeds – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Green Cottonwood Leaf – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Cottonwood Sun – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Vintage Sunset – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Blue Hole – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Summer Clouds Behind The Green Hill – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Summer Blue & Green – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Big Cloud Behind The Mountain – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Grey Sky Hill – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Car Wash – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Burger Umbrellas – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Renew or Replace – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Red Curve – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Red Corner – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Moore Motor – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Better Days Behind – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Building For Sale – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Brick Angles – Coalville, UT – Fujifilm X-T30 – Kodacolor

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Suburban Garage – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Gas – Echo, UT – Fujifilm X-T30 – Kodacolor

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Gas Cafe – Echo, UT – Fujifilm X-T30 – Kodacolor

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Neighborhood Fence – South Weber, UT – Fujifilm X-T30 – Kodacolor

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The Joy of Driving Rain – Layton, UT – Fujifilm X-T30 – Kodacolor

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Man of Steel – Coalville, UT – Fujifilm X-T30  – Kodacolor

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Bicycle Back Tire – South Weber, Utah – Fujifilm X-T30 – Kodacolor

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Chaos Wheel – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Hat On A Bed – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Couch Pillows – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Wall Curtain – Layton, UT – Fujifilm X-T30 – Kodacolor

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Intelligence Game – Layton, UT – Fujifilm X-T30 – Kodacolor

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The Trouble With Age – Layton, UT – Fujifilm X-T30 – Kodacolor

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Ketchup – Riverdale, UT – Fujifilm X-T30 – Kodacolor

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Orange – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Playing With Fire – South Ogden, UT – Fujifilm X-T30 – Kodacolor

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Mastrena – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Be The Light – Ogden, UT – Fujifilm X-T30 – Kodacolor

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Adidas – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Balloon Maker – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Standing In The Water Balloon Pool – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Water Balloon Fight – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Recording Summer Fun – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Wearing Grandpa’s Hat – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Johanna – South Weber, UT – Fujifilm X-T30 – Kodacolor

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Echo Canyon Morning Freight – Echo, UT – Fujifilm X-T30 – Kodacolor

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Freight Train At Echo – Echo, UT – Fujifilm X-T30 – Kodacolor

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Eastbound Freight Through Echo Canyon – Echo, UT – Fujifilm X-T30 – Kodacolor

See also:
Kodacolor, Part 2
Kodacolor for X-Trans II

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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My Fujifilm X-T30 Redscale Film Simulation Recipe


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Red Hill – South Weber, UT – Fujifilm X-T30 – “Redscale”

Redscale is a photographic technique where you shoot film backwards. Instead of shooting the film through the front, you shoot it through the backside. In order to do this, one must load the film into the canister backwards, or buy film that’s already been purposefully loaded backwards. Normally, in color negative film, the red layer is exposed last, for the light has passed through other layers and filters before it reaches it. When you shoot from the wrong side, light hits the red layer first. The results can be quite unique!

What’s interesting about Redscale photography is that the results can vary greatly, depending on the film, exposure and development. Most commonly, Redscale images have a strong maroon, red, orange or yellow color cast. Sometimes the color cast can be extraordinarily bold and sometimes it can be quite subtle. Even one roll of film can produce different looks depending on the light and how it was shot. Generally speaking, darker images tend to be more red and brighter images tend to be more yellow, but there are certainly exceptions to that. A Redscale image is easy to spot when you see one, but it can be difficult to strictly define the aesthetic.

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Peach Morning – South Weber, UT – Fujifilm X-T30 – “Redscale”

I was asked by Fuji X Weekly reader Aycan Gonenc to create a Redscale film simulation. He had developed one already and shared his settings with me, but was hoping that I might make some improvements. I made some changes and adjustments and the results are this recipe, so it is a collaborative effort. What I will say is that the settings can be adjusted considerably, and one can still achieve a Redscale look. Simply change the film simulation from Astia to something else and you will create a different Redscale look. The white balance can be dropped to as low as 7700K, and the shift can have blue added or subtracted. Any of the settings can be adjusted to taste. These settings are only what I felt would produce a good Redscale facsimile, and I believe it does that.

Astia
Dynamic Range: DR200
Highlight: +1
Shadow: +2
Color: -2
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
White Balance: 10000K, +9 Red & 0 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured using my Redscale film simulation recipe on a Fujifilm X-T30:

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Building Sky – South Weber, UT – Fujifilm X-T30

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Cloud Around The Ridge – South Weber, UT – Fujifilm X-T30

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Red Mountain – South Weber, UT – Fujifilm X-T30

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Overcast Ridge – South Weber, UT – Fujifilm X-T30

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Clouds Floating Above The Mountain – South Weber, UT – Fujifilm X-T30

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Orange Hill Under Red Sky – South Weber, UT – Fujifilm X-T30

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Westbound I-84 – Peterson, UT – Fujifilm X-T30

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Evening Freight – Henefer, UT – Fujifilm X-T30

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Wood Fence Roses – South Weber, Utah – Fujifilm X-T30

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Red Rose Fence – South Weber, UT – Fujifilm X-T30

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Really Red Rose – South Weber, UT – Fujifilm X-T30

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Pink Bud – South Weber, UT – Fujifilm X-T30

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Floral Red – Ogden, UT – Fujifilm X-T30

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Yellow Rose Gold – Ogden, UT – Fujifilm X-T30

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Daisy Red – South Weber, UT – Fujifilm X-T30

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Small Wild Blossoms – South Weber, UT – Fujifilm X-T30

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Corner Trunk – South Weber, UT – Fujifilm X-T30

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T is for Tree – Ogden, UT – Fujifilm X-T30

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An American Home – South Weber, UT – Fujifilm X-T30

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299 – Coalville, UT – Fujifilm X-T30

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Red Engineer – South Weber, UT – Fujifilm X-T30

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Continental Bike Tire – Ogden, UT – Fujifilm X-T30

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Red Window – South Weber, Utah – Fujifilm X-T30

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Night Window – South Weber, UT – Fujifilm X-T30

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Red Cross – Layton, UT – Fujifilm X-T30

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Tree Top – South Weber, UT – Fujifilm X-T30

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Sunlit Leaf – South Weber, UT – Fujifilm X-T30

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Russian Red – South Weber, UT – Fujifilm X-T30

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Bolsey Orange – South Weber, UT – Fujifilm X-T30

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Red Birds – South Weber, UT – Fujifilm X-T30

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Red Eye Horse – South Weber, UT – Fujifilm X-T30

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Girl & Hungry Horse – South Weber, UT – Fujifilm X-T30

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Cat Cone – South Weber, UT – Fujifilm X-T30

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Tractor Mirror – South Weber, UT – Fujifilm X-T30

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Stucco Lamp – South Ogden, UT – Fujifilm X-T30

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Iced Coffee Cups – South Weber, UT – Fujifilm X-T30

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My Fujifilm X-T30 Faded Monochrome Film Simulation Recipe


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All Aboard Boy – Ogden, UT – Fujifilm X-T30 – “Faded Monochrome”

I love the results of my Faded Color recipe, so creating a Faded Monochrome recipe was a natural next step. This film simulation recipe requires the use of the double-exposure feature of the camera. The first exposure is a normal photo, and the second exposure is of something plain white. I’ve tried different things, but for me a 4″ x 6″ plain white index card works well. No need for the second exposure to be in focus. It’s a simple idea that I wish I had thought of earlier. I think I’ve just scratched the surface of what can be created using this technique.

In film photography, you could achieve a similar look by printing with a low-contrast filter. You could also develop the film for low contrast by adjusting any number of things in the lab. You might also get this look by accident if you reused the fixer one too many times. Sometimes underexposed pushed-processed film has a very similar aesthetic. It’s possible for negatives to fade over time, especially if not stored correctly, and that, too, might create a similar look. While “faded” is in the title of this recipe, the look isn’t so much faded as it is low-contrast with “milky” blacks. It works especially well for high-contrast scenes.

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Morning Coffee – South Weber, UT – Fujifilm X-T30 – “Faded Monochrome”

To use this recipe, you will create two exposures using the double-exposure feature of your camera. The first exposure is the main image, and the second exposure is of something plain white, such as a 4″ x 6″ plain white index card. There is no need for the second exposure to be in focus. The exposure compensation for the second exposure can vary greatly depending on how bright the white is and how you want the picture to look. You will have to play around with it to figure out what works for you. The good news is that your camera will give you a preview of the finished image and will allow do-overs.

Acros (Acros+Y, Acros+R, Acros+G)
Dynamic Range: DR100
Highlight: +4
Shadow: +4
Noise Reduction: -4
Sharpening: +2
Grain Effect: Strong
Color Chrome Effect: Strong
Toning: 0 (Neutral)
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 to +1 (main exposure), 0 to -2 (second exposure)

Example photographs, all camera-made JPEGs using my Faded Monochrome recipe on a Fujifilm X-T30:

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Grey Rose – SLC, UT – Fujifilm X-T30

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Grey Lake – East Canyon SP, UT – Fujifilm X-T30

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Lake Boat – Willard Bay SP, UT – Fujifilm X-T30

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Tree Limbs – SLC, UT – Fujifilm X-T30

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Well – SLC, UT – Fujifilm X-T30

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Don’t Give – SLC, UT – Fujifilm X-T30

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Urban Escape – SLC, UT – Fujifilm X-T30

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Big Brick Buildings – SLC, UT – Fujifilm X-T30

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Center Reflection – SLC, UT – Fujifilm X-T30

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Urbanscape Monochrome – SLC, UT – Fujifilm X-T30

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Less Is More – SLC, UT – Fujifilm X-T30

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Urban Leaves – SLC, UT – Fujifilm X-T30

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Small Flower In The Big City – SLC, UT – Fujifilm X-T30

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Park Bench – Ogden, UT – Fujifilm X-T30

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Joshua Monochrome – Ogden, UT – Fujifilm X-T30

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Happy Girl – Ogden, UT – Fujifilm X-T30

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Children On A Park Slide – Ogden, UT – Fujifilm X-T30

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Instax Photographer – SLC, UT – Fujifilm X-T30

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Joy In The City – SLC, UT – Fujifilm X-T30

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Bank Time – SLC, UT – Fujifilm X-T30

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Water On The Glass – SLC, UT – Fujifilm X-T30

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Club – Ogden, UT – Fujifilm X-T30

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Stepping By – Ogden, UT – Fujifilm X-T30

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Vibes – Ogden, UT – Fujifilm X-T30

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Quiet – SLC, UT – Fujifilm X-T30

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Urban Cloud – SLC, UT – Fujifilm X-T30

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Angles & Lines – SLC, UT – Fujifilm X-T30

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Utah Artist – SLC, UT – Fujifilm X-T30

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Treading Lightly – SLC, UT – Fujifilm X-T30

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Marlboro Man – SLC, UT – Fujifilm X-T30

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Come Inside – SLC, UT – Fujifilm X-T30

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Mono Chrome – SLC, UT – Fujifilm X-T30

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Stop In Ogden – Ogden, UT – Fujifilm X-T30

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UTA Station – Layton, UT – Fujifilm X-T30

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Train Ride Abstract – Kaysville, UT – Fujifilm X-T30

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Empty Train Seats – Farmington, UT – Fujifilm X-T30

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Train Passenger – Roy, UT – Fujifilm X-T30

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Passenger Window – Layton, UT – Fujifilm X-T30

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Train 19 – Farmington, UT – Fujifilm X-T30

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UTA 19 – Ogden, UT – Fujifilm X-T30

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Train Host – Ogden, UT – Fujifilm X-T30

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Hungry Traveler – Ogden, UT – Fujifilm X-T30

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Caboose Steps Monochrome – Ogden, UT – Fujifilm X-T30

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Caboose Display – Ogden, UT – Fujifilm X-T30

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Industrial Sunlight – Ogden, UT – Fujifilm X-T30

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Ladder Climb – Ogden, UT – Fujifilm X-T30

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My Fujifilm X-T30 Fujicolor 100 Industrial Film Simulation Recipe


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Urban Binding – SLC, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

I get asked frequently to create different film simulation recipes, and I always put some consideration into those requests. I don’t get around to attempting all of them, although I do attempt many, but I at least think about how I might create a certain look. Even if I do attempt it, I’m not usually successful, as it just doesn’t look right quite often, so I go back to the drawing board when time and inspiration allows. On rare occasions I’m able to create a certain aesthetic quickly and easily. This recipe falls into the latter category.

I have to be honest, when I was asked to create a recipe to mimic the look of Fujicolor 100 Industrial film, I had never heard of it and knew absolutely nothing about it. I had to do some research on this film, and I found lots of good and helpful information. As it turns out, Fujicolor 100 Industrial is a negative film only sold in bulk in Japan, although you can purchase it from some camera stores who sell it individually. It’s actually re-branded Fujicolor 100, well, the Japanese version of Fujicolor 100, which is not the same film as Fujicolor 100 in America, although they’re similar to each other. Something interesting about Fujicolor 100 Industrial (and Fujicolor 100 Japan, which is the same film) is that it has a Tungsten emulsion (with a Kelvin temperature of 3200), but it is daylight balanced because the dye colors have been shifted to account for the cooler temperature. Weird, huh? Well, it turns out that you can do the same thing in your Fujifilm camera using white balance shift, and it creates a similar aesthetic.

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Backyard Daisy – South Weber, UT – Fujifilm X-T30 – “Fujicolor 100 Industrial”

I find that this recipe is especially good in higher-contrast scenes, although it can still deliver interesting results in lower-contrast scenes. It’s a milder recipe that doesn’t have a lot of saturation, although sometimes just the right amount, and it handles shadows and highlights well. It creates lovely pictures that are soft and not bold. It needs the right subject and light to stand out, but it can look really great in the right situations. It definitely has a low-ISO print-film quality to it, and resembles Fujicolor 100 Industrial film surprisingly well.

PRO Neg. Std
Dynamic Range: DR400
Highlight: +1
Shadow: +2
Color: +1
Color Chrome Effect: Weak
Sharpening: +2
Noise Reduction: -4
Grain Effect: Weak
White Balance: 3200K, +8 Red & -8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Sample photographs, all camera-made JPEGs, captured with a Fujifilm X-T30 using this Fujicolor 100 Industrial recipe:

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US Bike Lane – SLC, UT – Fujifilm X-T30

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Twilight Temple – SLC, UT – Fujifilm X-T30

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Broadway Me – SLC, UT – Fujifilm X-T30

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Three Stories – SLC, UT – Fujifilm X-T30

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Boston Building Reflection – SLC, UT – Fujifilm X-T30

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The Corporate Ladder – SLC, UT – Fujifilm X-T30

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Their Bank – SLC, UT – Fujifilm X-T30

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Urban Sunset – SLC, UT – Fujifilm X-T30

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Partial Loaf – SLC, UT – Fujifilm X-T30

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Purple Zebra – SLC, UT – Fujifilm X-T30

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Leaves In The Sky – South Weber, UT – Fujifilm X-T30

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Partly Cloudy – South Weber, UT – Fujifilm X-T30

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Rosebud Sky – South Weber, UT – Fujifilm X-T30

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In Case of Fire – South Weber, UT – Fujifilm X-T30

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Watching Television – South Weber, UT – Fujifilm X-T30

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Little Feet – South Weber, UT – Fujifilm X-T30

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Donut Eater – South Weber, UT – Fujifilm X-T30

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Plastic Hand – SLC, UT – Fujifilm X-T30

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My Fujifilm X-T30 Velvia Film Simulation Recipe


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Mesa Trail – Castle Valley, UT – Fujifilm X-T30 – Velvia

I already have a Velvia film simulation recipe. I’ve been using it for about a year-and-a-half now and I like the recipe. It’s designed for X-Trans III cameras. With the Fujifilm X-T30, which has the new sensor and processor, including the new Color Chrome Effect, I decided to revisit Velvia. Can I make Velvia better on an X-Trans IV camera?

I don’t know if this recipe is better than the old one. It’s a little bolder with slightly more contrast and color saturation. It’s probably a little more accurate to Velvia 100 than the old recipe, and a tad closer to Velvia 50, too. I do like this recipe more than the original, but the old one has its place, too. I don’t think this replaces the old recipe, but more supplements it when the situation calls for something punchier.

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Red Mesa – Castle Valley, UT – Fujifilm X-T30 – Velvia

I have grain effect set to weak on this recipe, but I only like to have grain on when using ISO 1600 or below. Above that the digital noise acts as a grain effect, so I like to turn the grain effect off when working with higher ISOs. Depending on the image, +4 color can sometimes look better, so don’t be afraid to bump that up when needed, but I think +3 works best as the standard setting. This recipe has a stronger shadow setting than the old one, and if you find that there’s too much contrast, simply set Shadow to 0. The original Velvia recipe called for DR200, but I went with DR-Auto on this one. If you’d prefer to use DR200 instead of auto, feel free to do so.

Velvia
Dynamic Range: DR-Auto
Highlight: 0
Shadow: +1
Color: +3
Noise Reduction: -4
Sharpening: +2
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs, captured using a Fujifilm X-T30 with this film simulation recipe:

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Rock Balanced – Arches NP, UT – Fujifilm X-T30 – Velvia

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North Window Arch – Arches NP, UT – Fujifilm X-T30 – Velvia

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Red Hill – Castle Valley, UT – Fujifilm X-T30 – Velvia

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Castles To The Sky – Castle Valley, UT – Fujifilm X-T30 – Velvia

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Water & Stone – Moab, UT – Fujifilm X-T30 – Velvia

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Cactus Noon – Moab, UT – Fujifilm X-T30 – Velvia

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Dead Tree Point – Dead Horse Point, SP, UT – Fujifilm X-T30 – Velvia

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Desert River – Dead Horse Point SP, UT – Fujifilm X-T30 – Velvia

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Peak Through The Thin Clouds – South Weber, UT – Fujifilm X-T30 – Velvia

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Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 – Velvia

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