Selling and Trading my Unwanted Gear

Over the years I have accumulated quite a collection of photography gear. I have cameras and lenses that I rarely—if ever—use. They’re on my shelf collecting dust, or packed away in a box. I’ve been meaning to get rid of some of these items, but I just never seem to get around to it.

The number one reason why I hold onto my old, unused gear is not because I want to keep it, but because I dislike the process of selling. Over the years I have used sites like Craigslist, eBay, Facebook Marketplace, and even Instagram Stories to sell my stuff, but it has rarely been an easy and smooth process. I’ve been ghosted more times than I can count, and even scammed a couple of times. It’s such a headache!

I want to be transparent upfront: MPB is the sponsor of this article. If you don’t know it yet, they are the largest global platform to buy, sell and trade used photo and video gear—each piece checked by hand before being MPB Approved. MPB asked me to create a series of articles sharing my honest opinion about using gear loaned from their platform (you can find the links at the bottom of this article). 

A couple of weeks back, they asked me about testing the selling and trading process for myself—and since I’d been putting off selling my old gear to raise funds for a camera I had my eye on, I jumped at the suggestion to try (fingers crossed) an easier way. It is important to note that they didn’t give me any special treatment or pricing. So while I have purchased from MPB a couple of times in the past, this article is about my experience going through the sell and trade process as a normal customer for the first time. Free, fast, and fair is how they describe their instant quote process, so let’s put that to the test.

I had three items that I no longer needed: My Fujifilm X-M1, Fujinon 100-400mm lens, and Canon EOS 5DS R. For the X-M1, I wanted to trade for a Fujinon TCL-X100 II Conversion Lens, which MPB had loaned to me back in October. For the zoom lens and Canon DSLR, I wanted cash. I did this in two separate transactions—one trade, and one sell.

How to sell with MPB

When you visit the MPB platform, you are presented with a path choice: “Shop” or “Sell/Trade”. When you click “Sell/Trade”, you are prompted to provide information about the gear you’re looking to sell—what exactly is it, and what is the condition it’s in (there’s even a quick guide if you’re not sure how). After that, you just select “Get Instant Quote”, provide some basic information (name, email, and optionally your phone number), and MPB presents you with a tentative offer. All quick, easy, and painless.

For my Fujifilm X-M1, since I was planning to trade, I added the TCL-X100 II lens to the Buying category, selected my desired cosmetic condition, and chose the specific one that I wanted to trade for. When I clicked “Get Instant Quote”, I was presented with a price for the X-M1 that was well above what I had anticipated being offered—I didn’t expect so much! I added some batteries and accessories to the trade, and still had ample cash leftover. The next step was to box up the camera, and ship it for free via FedEx. I should note that trading gear doesn’t increase or decrease the price of whatever you are buying or selling.

A few days later I received an email from MPB that my item was received. The next day another email came stating that my item had been inspected, and my quote updated. They reduced the amount they wanted to pay for it by a little and I could either accept or reject it. I had the option to reject the offer and get my gear returned for free if I wasn’t happy, but I accepted. It was still more than I had anticipated, and there was still cash leftover after the trade. I provided MPB with banking info, and two days later I was paid. Just yesterday, the TCL-X100 II, batteries, and accessories arrived in the mail, and I couldn’t be happier with the whole process.

Next, I went through the same process to sell my Fujinon 100-400mm lens and Canon 5DS R camera; however, the quote for these two items were both less than I had hoped for. I needed them gone fast, so I decided to send them in anyway. When MPB reviewed the lens and camera, they once again adjusted the quote, this time significantly increasing the value of the Canon DSLR. It was still less than I would have liked to have sold them for, but the overall increase made me feel a little better about it. I later learned they use MPB Re.Value—the world’s leading proprietary dynamic pricing engine for used camera gear with millions of data points—to provide real-time prices for buyers and sellers.

I was curious how much of a markup MPB would give my items (after all, they’ve got to earn a profit), so I found them on their website. The X-M1 has a markup of $149, which seems quite reasonable. The Fujinon 100-400mm has a markup of $339, and the Canon EOS 5DS R has a markup of $333, which leans in their favor. You could say that I left money on the table, had I sold these items myself instead of using MPB, but that’s assuming I would have been able to sell them for that price, and that I wouldn’t have had to pay shipping and other fees. Add to that the time and hassle of doing it, plus the risk of being scammed or worse, and I would say that selling to MPB was undoubtedly preferable.

After selling gear through MPB for the first time, I’ve learned that it’s a quick, easy, and painless process. While I would have liked to have received a little more for two of the three items that I sold, overall I am pleased with the outcome, and I will certainly use MPB again in the future.

See also:
Fujifilm X-Pro2 — The camera that got away (again)
Fujifilm X-T50 + Fujinon 23mm F/2 = Interchangeable-Lens Fujifilm X100VI??
Leica Q2 from the perspective of a Fujifilm photographer
Fujifilm X30 — Fujifilm’s Forgotten Retro Compact Zoom
Close Up with the Fujinon XF 30mm F/2.8 R LM WR Macro
Traveling Light with the Fujifilm X100VI + WCL-X100 II & TCL-X100 II Conversion Lenses
Your Gift Guide for Affordable Fujifilm Gear

The Current Fujifilm X-Series Cameras

Not everyone is aware of which cameras are currently available in the Fujifilm X-series lineup, or who each one might be for. I did this last year, and thought it would be good to update it for 2024. These are my opinions, and not everyone is likely to agree with them, but I hope that some of you will find this helpful.

If you are looking for the too-long-didn’t-read version, it’s simply this: the X-H2/X-H2s is the premium flagship, the X-T5 is the top-notch retro-styled option, the X-T50 is nearly as good as the X-T5 but with a few notable differences, the X100VI is impossible to get, the X-S20 is the smaller sibling of the X-H line, the X-T30 II is the oldest option but is the best value for stills, and the X-M5 is the newest camera and is pretty good for a base-level model. Oh, and there’s a bonus at the end.

Fujifilm X-H2 / X-H2s

The X-H2 and X-H2s are Fujifilm’s flagship X-series models. These are top-of-the-line hybrid cameras with the greatest features. The X-H2s has a stacked 26mp X-Trans V sensor for maximum speed—think sports and wildlife—while the X-H2 has a high-resolution 40mp X-Trans V sensor. I’ve met a number of talented and successful photographers and videographers who use these models for their professional work, and they speak quite highly of them.

Fujifilm intended the X-H2 and X-H2s to compete against the Canikony brands. Fujifilm wanted those unhappy with their Canon, Nikon, or Sony models—particularly the lower-to-mid-tier full-frame bodies (the GFX line competes more against higher-end full-frame)—to take a close look at these cameras. It seems to be a successful strategy; my rough guestimate from my own experiences within the community is that more than half of those who purchased an X-H2/X-H2s did so as their first Fujifilm model.

If you are coming from another brand and want the easiest transition and also the top-of-the-line model, the X-H2/X-H2s is my best recommendation. For a pro (or aspiring pro) photographer or videographer, this definitely should be strongly considered. Personally, I don’t like the PASM dial philosophy, and so these models are not for me. For those who appreciate Fujifilm’s traditional tactile controls and vintage styling, the X-H2 and X-H2s might not be for you, either; however, no camera is for everyone, and just because this camera “isn’t for me” doesn’t mean that it shouldn’t exist, because there definitely is a need for it, and some people really love this line.

Fujifilm X-H2:
AmazonB&HMoment, WEX, Nuzira
Fujifilm X-H2s:
AmazonB&HMoment, WEX, Nuzira

Fujifilm X-T5

The Fujifilm X-T5 is nearly as capable as the Fujifilm X-H2, but smaller, lighter, and cheaper, and with traditional tactile controls and vintage styling. This camera is no video slouch, but it is a bit more stills-orientated than the flagship line. It has the 40mp X-Trans V sensor, and competes well against some full-frame models. If you want the full Fujifilm experience, this is my top recommended camera. I know some who use the X-T5 for both professional stills and video work, so it is more than capable for whatever it is you need to capture.

From what I can tell, the majority of people who own an X-T5 have previously owned other Fujifilm models. It’s not typically one’s introduction to the X-series. I purchased the X-T5 immediately after it was released, and I have no regrets—it’s a great camera! If you have an older Fujifilm model that you’d like to upgrade from—or a lower-tier body that you want to step-up from—the X-T5 is one to strongly consider.

Fujifilm X-T5 in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T5 in silver:
AmazonB&HMomentWexNuzira

Fujifilm X-T50

The Fujifilm X-T50 is the X-T5’s little brother—the technical specs are pretty much identical, and it is essentially equally as capable. The X-T50 is smaller, lighter, and cheaper. It is not weather-sealed (although I’ve taken it out in the rain a few times with no issues), has only one SD-Card slot, and a lower-quality EVF. Also, instead of an ISO Dial (something that the X-T00 series has never had, but the X-T0 series does have), the X-T50 has a Film Dial, which I personally like, but not everyone does.

Between the X-T5 and X-T50, I think if you are new to Fujifilm, I would steer you towards the X-T50; however, if you’ve been in the system awhile, the X-T5 is better and not all that much more expensive. Since the X-T50 is smaller and more lightweight, it might be the better option for travel or walk-around photography. You cannot go wrong with either, but the X-T5 is the more premium option of the two, if you are simply after the best. I like both models, and appreciate them for different reasons.

Fujifilm X-T50 in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T50 in silver:
AmazonB&HMomentWexNuzira
Fujifilm X-T50 in charcoal:
AmazonB&HMomentWex

Fujifilm X100VI

This is the camera that everyone wants but few can get. The X100VI is by far the most pre-ordered camera in the history of photography, with unprecedented demand. Some who ordered one on the first day that it was available for purchase are still waiting. If you want to buy one, you’ll have to get in a really long line. I was quick to get my preorder in, but I still had to wait a little while; those who weren’t quite as fast have been waiting a lot longer, unfortunately.

The Fujifilm X100VI is my desert-island camera. If I could only ever have one model for the rest of my life, it would be this one. I almost always have it with me. I love the 23mm f/2 fixed lens, the leaf shutter, built-in ND filter, hybrid EVF/OVF, etc., etc.. This camera is extremely difficult to get right now, but hopefully it will be a little easier in 2025. Fujifilm has been manufacturing them at about 4 times the rate that they did the X100V, and eventually they’ll get caught up.

Fujifilm X100VI in black:
AmazonB&HMomentWexNuzira
Fujifilm X100VI in silver:
AmazonB&HMomentWexNuzira

Fujifilm X-S20

The X-S20 is the little brother of the X-H line. It has a 26mp X-Trans IV sensor paired with the X-Trans V processor. While it is a very capable stills camera, it is more video-centric, and is especially appealing for video content creators. I talked with several professional videographers who own both this and an X-H model, and they like using this camera over the flagship model for more casual work, such as social media videos and shorter-length YouTube videos. A couple even told me that the X-S20 is their top favorite Fujifilm X-series model.

This is another Fujifilm camera that has PASM and is intended to attract Canikony brand photographers. It competes well against Canikony brand APS-C and even some low-tier full frame offerings. From my experience, the majority of people who purchased it did so as their first Fujifilm model. It’s a great option for someone just getting into the system—especially if they’re more interested in video than stills—or as a smaller and lighter companion to their X-H2/X-H2s.

Fujifilm X-S20:
AmazonB&HMoment, WEX, Nuzira

Fujifilm X-T30 II

The Fujifilm X-T30 II is the oldest X-series camera that Fujifilm is currently selling. It is quickly approaching the three-years-old mark, but it was an extremely minor refresh (mostly, just a firmware update) over the nearly identical X-T30, which was released in 2019. It uses the same X-Trans IV sensor as the X-S20, but with the X-Trans IV processor (not X-Trans V).

While the X-T30 II is quite similar to the X-T50, Fujifilm has stated that the X-T50 is not its successor. Aside from the newer sensor and processor, as well as a Film Dial instead of a Drive Dial, the X-T50 has IBIS, is marginally larger and heavier, and is significantly more expensive. While I have seen some amazing video work created with an X-T30 II, the camera is definitely more stills-centric. If you’re not especially interested in video, and simply want the best value camera that will do well for photography, the X-T30 II is my top recommendation, and is an excellent introduction to Fujifilm or a good upgrade from an older model. If video is important, or if you just want the more premium option, the X-T50 is a great alternative.

Fujifilm X-T30 II in black:
AmazonB&HMomentWexNuzira
Fujifilm X-T30 II in silver:
AmazonB&HMomentWexNuzira

Fujifilm X-M5

The X-M5 is the newest camera from Fujifilm. It is both their smallest and most affordable model, and is very well equipped for its price point. One notable feature that its missing is an EVF. Like the X-S20, it has a 26mp X-Trans IV sensor paired with the X-Trans V processor. I think it could be an excellent first camera for someone, a solid upgrade from an old X-A model, or a good travel option due to its diminutive size.

For stills photography, if you can spend a little more, the X-T30 II is a step up despite being much older. For video, the X-M5 is better than the X-T30 II, but not quite as good as the X-S20 or X-T50; however, those cameras are a lot more money.

Fujifilm X-M5 in black:
B&HMomentWexNuzira
Fujifilm X-M5 in silver:
B&HMomentWexNuzira

Fujifilm X-T4 ES

This is kind of a bonus. The Fujifilm X-T4 ES (Extended Spectrum) infrared camera is a unique model that’s not necessarily easy to get. It’s an “ordinary” X-T4, but without the IR filter that is normally over the sensor, which means it is sensitive to the invisible light spectrum—both IR and UV (a.k.a. “full spectrum”). As far as I’m aware, you can only buy it from B&H right now, and only as a special item, which means that you either have to call them or go in-person to their store. I’ve been having a blast with it, the X-T4 ES is so much fun!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Introducing the Evergreen + Fuji X Weekly Protective Case for Fujifilm X100VI / X100V / X100F

I’m very proud to introduce the Evergreen + Fuji X Weekly Protective Case for Fujifilm X100 series cameras! It’s available in both clear and black for $50.00 USD.

This new camera case is dust-proof, watertight, and shock-resistant. It is intended for the outdoor adventurer who needs to keep their camera safe while backpacking or camping or exploring or other similar activites. If you’re the outdoors type who takes a camera along on your adventures, but are concerned about keeping your gear safe, this case is for you.

The Evergreen + Fuji X Weekly Protective Case is specifically designed for the X100VI, X100V, and X100F cameras. It will also fit older X100-series models. While not specifically intended for it, my Fujifilm X70 with a leather half-case fits well. My Fujifilm X-E4 with the Fujinon 27mm f/2.8 pancake will also work, but only without the lens cap. I found that a Fujifilm X-M1 with a 7Artisans 18mm f/6.3 pancake lens fits. Optimally, this case is for the latest X100-series models, so if you have an X100VI, X100V, or X100F, the Evergreen + Fuji X Weekly Protective Case will keep your camera safe as you explore.

Within the case there is space for one spare battery and one SD-Card. There’s also one slot on each side for filters. I fit both a 49mm Moment CineBloom filter and 49mm Fotasy Ultra Slim UV filter in one slot; in the other I put a Hoagle filter adapter. I can also fit a Hoagle Ultra Thin Lens Hood into the case, but not in the filter slots. It’s important to note that most lens hoods will not fit, nor will the wide or tele conversion lenses. You will most likely find that your camera strap is too big and won’t fit (it all depends on what you have); however, one strategy could be to use a quick-release strap from Peak Design and keep the strap elsewhere. Personally, I use a wrist strap, which does fit into the case.

This Evergreen + Fuji X Weekly Protective Case was a collaborative endeavor. I providing design ideas and input, and then feedback after testing various concepts. It was a team effort, so I can only take a small amount of credit. The folks at Evergreen Cases are truly professional, and they did the heavy lifting. I’m thrilled that they invited me to be a part of it, and have a hand in the design. Also, we co-created a Portra-inspired Film Simulation Recipe, called Fuji X EG400, which is included in each case.

Available now at:

Amazon
Evergreen Cases

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm Autofocus — An Uncomfortable Conversation We Need to Have

Skates & Hoop – Tempe, AZ – Fujifilm X-E4 – Astia Azure Recipe

In this article we’re going to discuss Fujifilm’s X-series Autofocus, which is a hot topic right now. A lot of things are being said about it on YouTube and social media and especially in the comments section of photography websites. I’m a little afraid to give my two cents, because I know it will not be well received by some of you reading this. I think most regular visitors of this website will not have any qualms about it, but no doubt this will be shared on Reddit or DPReview or a Facebook group or someplace like that, and I will receive some aggressive disagreements by some of those folks.

I cannot tell you how many times I’ve seen people online call Fujifilm’s Autofocus “garbage” or “bad” or some other negative term. Every once in awhile a person will comment on Fuji X Weekly with a similar sentiment; however, it’s vocalized a lot less here than elsewhere, it seems. This is a controversy that I’ve tried to steer clear of—people have strong opinions about this topic, and my opinions are different than many. I did write about it two months ago, but I think it needs to be addressed again.

As I’ve pondered this topic, I think there are a number of issues that are often lumped together, but need to be discussed individually. They are related in that it affects Autofocus, but otherwise they are unrelated, and lumping them together doesn’t help bring about any solutions. We’ll get to it all, but it will take some time to navigate through it. Be patient, as this will be a journey.

First and foremost, I believe that much of the negativity is a type of hysteria. Someone points out a “problem” and now everyone (it seems) is experiencing it. Echo chambers and groupthink on the internet can make people especially susceptible to this. I’m not a psychologist and offer no professional medical advice, but I did listen to a podcast recently on a flight that made me consider this as a strong possibility.

Thunderbird & Canopies – Glendale, AZ – Fujifilm X100VI – PRO Negative 160C Recipe

The podcast was Cautionary Tales with Tim Harford and the episode was entitled Sonic Poison? The Genesis of Havana Syndrome. It explains how hysteria can have a real affect on people, such as causing nuns to meow, or children to experience sickness that they don’t really have, or millions of dollars of perfectly good Coca-Cola dumped down the drain for no good reason, or spies “poisoned” by loud cicadas in Cuba. While these things were in their heads, they manifested in real physical ways.

What clued me in to the potential that this phenomena might also be happening to those who own Fujifilm cameras is when someone told me that they were really upset at Fujifilm because their Autofocus was not working as it should be and that Fujifilm needed to fix the problem right now; this person admitted that they had never experienced the issue personally, but they knew it was a problem because they had seen it in a YouTube video. Later, another person stated to me something very similar: while the “problem” had had no affect on their photography, they were aware of its existence because they had seen it on the internet—and they were demanding that Fujifilm fix it ASAP or else they would quit the brand.

I’m not suggesting that Fujifilm’s Autofocus woes are “all in your head” and that it is just psychological, but I do believe it explains a good deal of it. I think if some certain YouTube videos had never been published (and it’s fine that they were, I’m not condemning them, I’m just observing), there would not be nearly so much discussion and outrage right now. A lot of people “became aware” of a problem that they likely would not have noticed on their own otherwise, and it wouldn’t have affected them in any real way (in other words, it wouldn’t have been an issue at all). When you spend a lot of money on something, and especially if your livelihood (or hopes of a future livelihood) depends on that thing, and you believe that it is not working right, it’s easy to understand why there would be some hysteria. Nuns meowing, Coke getting dumped, and Fujifilm’s “sucky” Autofocus are related, if you ask me, and it’s something that we can all be susceptible to. But, again, I’m not a psychologist and offer no professional advice on this.

While I believe a significant amount of the outrage can be attributed to that hysteria, there are real issues that should be discussed rationally. Something that I find interesting is that for the first five or six years of this blog, Fujifilm’s Autofocus was not a big issue whatsoever. It wasn’t a hot topic. What changed? I think it was Fujifilm’s enticement of Canikony brand photographers. I think many of the complaints are by people who used to shoot Canikony brand cameras—particularly Canon and Sony—and when they switched to Fujifilm over the last couple of years, they were disappointed by Fujifilm’s Autofocus system. It’s not as good as those found on Canikony models, especially Canon and Sony.

Hit – South Weber, UT – Fujifilm X-T30 – Fujichrome Sensia 100 Recipe

There are three reasons why Canikony cameras have better Autofocus than Fujifilm. First, they’ve been doing it for much longer. Sony (through Konica and Minolta) have been making Autofocus cameras since the 1970’s, and had what was considered the first “good” AF system (not good compared to what we have today, but good for back then) with the Minolta Maxxum in the mid-1980’s; Canon and Nikon both introduced their first Autofocus cameras in the 1980’s. Second, Canikony brands have had significantly more R&D money to invest in their Autofocus systems. Finally, as PetaPixel pointed out, the Canikony brands over the last handful of years have spent very little effort on image quality improvements, while placing much of their efforts on Autofocus improvements, and in some specific cases, actually to the detriment of image quality (a path that I do not want Fujifilm to pursue, personally). Most of the Canikony cameras that Fujifilm models are often compared to are also significantly more expensive, and usually larger and heavier.

Anyone who expects Fujifilm’s Autofocus to be at the same level as the Canikony brands have not put much thought into it. Still, it’s surprising to me, considering the disadvantages that Fujifilm has faced, that they’re not very far behind, either. Fujifilm’s Autofocus is by far more than good enough for most people and situations, including for the many professional photographers who use these cameras each day even under difficult circumstances. In preparation for this article, I reached out to five highly talented and successful photographers/videographers who use Fujifilm—people I met in person this year while traveling across America—and asked if they find Fujifilm’s Autofocus “lacking” or “detrimental” to their work. All five answered no; one added a caveat that for a specific use-case this person prefers their Sony model—they could do it with their Fujifilm, but it’s a little easier on their Sony, so for that particular situation this person doesn’t use Fujifilm.

Photography has been around for a very long time. It didn’t begin two, five, or ten years ago. People have been capturing amazing photographs for well over 100 years. If you were to grab a Fujifilm X-T5, jump into a DeLorean, and travel back in time just 20 years, you’d blow away the photographers of that era with what would seem like to them impossible camera technology. Yet the photographs captured today are no more impressive than than they were then. Camera gear has advanced tremendously over the last two decades, but the great photographs from today are no more great than they were 30, 40, 50, etc., etc., years ago. I love finding vintage photography magazines and admiring the incredible photographs captured on significantly inferior gear than what we have readily available today—we’re so spoiled!

In other words, if they could do it on their lesser gear, you can do it on your greater gear. No excuses. Fujifilm’s Autofocus is really good, especially compared to what existed over the last handful of decades. No, not quite as good as the Canikony brands are right now, but really good nonetheless. The negativity just never made sense to me. It’s like complaining that a Corvette isn’t a Maserati, and calling the Corvette garbage because it isn’t more like a Maserati. If you want a Maserati, buy a Maserati! Otherwise, appreciate that you have a Corvette.

Midair – Los Angeles, CA – Fujifilm X100VI – Appalachian Negative Recipe

Many years ago I was given this advice: Either you are controlling your camera, or your camera is controlling you. I think that a lot of people allow their cameras to control them, which might typically work out fine because the current tech is so advanced, but, when it doesn’t work out, it’s an easy scapegoat to blame the gear instead of looking inward. Without self reflection, you are robbing yourself of the opportunity to learn and grow. Your gear is only a limitation if you allow it to be, and if you don’t allow it, then it’s no issue whatsoever. That might require learning some new skills or sharpening some skills that you already have but could be improved upon.

A lot of people don’t like that advice, but it is completely true. You have it within you to not allow any limitations on any gear get in the way of creating whatever it is that you want to create. The difference between those that are having a ton of success with their Fujifilm gear and those complaining about it saying they can’t is the person holding the camera, and not the camera itself. I get it: it’s much easier to blame the gear. But, if you blame the gear instead of yourself, your camera is controlling you, and you will not improve—that success will be elusive.

All that I just said is the most important part of this article. You might disagree, and that’s ok. Sometimes the truth hurts. It might be a bitter pill that you were not ready to swallow. I didn’t say anything that’s not true; perhaps it is deserving of a second read-through, and with an open mind. With all that said, there are some other things that are important to address.

I think a good deal of the negative attention regarding Fujifilm’s Autofocus issues came after Fujifilm released a firmware update earlier this year with an Autofocus bug. I didn’t experience the issue caused by that firmware personally because I always wait awhile to update the firmware. This is a good idea regardless of camera brand. Sometimes there are bugs, and sometimes the bugs are significant. If you wait a week or two, if there is some major bug, it should be well known by then—if so, just skip that firmware and wait for the next one. Fujifilm did fix that Autofocus bug; however, to a much smaller degree there is still some AF problem that seems to only affect certain use cases. It’s my understanding that Fujifilm is aware of it and working on a solution. It will get resolved, just give it a little time.

Horses on Allen Street – Tombstone, AZ – Fujifilm X-T5 – Nostalgic Americana Recipe

As Fujifilm has grown, I think one department that may not have upscaled enough is the one that is in charge of firmware. Perhaps Fujifilm needs to add a couple more to the team, or maybe they have already and are experiencing some growing pains as new folks are brought in (or combination of the two). From my perspective, it just seems that this team is stretched a little too thin and needs more resources to allow them to keep up. My advice to Fujifilm is simply to invest more in the team that is in charge of firmware, as I’m certain it will pay off in the long run. A lot of negative attention today could have been avoided had this team been given all of the necessary resources a couple years back.

The remaining Autofocus woes are related to hardware and settings. It could be that you are not using the best lenses, or don’t have your camera settings programmed optimally.

Fujifilm’s older lenses are slower. The newer options with a Linear Motor (designated with “LM” in the lens name) are often the fastest. The larger and heavier the glass elements, the slower the AF will likely be. In other words, there’s a pretty significant performance difference depending on the lens that you have on your camera. Use the right lenses and you’ll have more success; however, for most people and circumstances, all of the lenses are plenty good enough—this is more for those who demand peak performance for their situation. Also, ensure that the lens firmware is up-to-date, not just the camera—this might resolve it for you, so it is worth looking into.

Fujifilm cameras have a lot of customizable fine-tuning options for Autofocus (especially on the newer models); if those settings are optimized for your situation, you will have much success, but if not, you may have more “misses” than you’d like. There are resources online that can help you find the right AF settings for you—it’s a very individual type of thing, so what works for one person may not for another; I recommend that you look for advice from multiple sources, and experiment—try different settings and see what happens. Also, I have found that several complaints were resolved with one specific thing: Release/Focus Priority should be set to Focus and not Release. I have a feeling that this one setting is the root of many people’s AF woes.

Political Skateboarder – Nashville, TN – Fujifilm X-T50 – Kodak Film Recipes

In my opinion, Fujifilm’s Autofocus problems have been significantly overblown—Mount Everest has been made out of an ant hill. The internet has spread hysteria. Some people have unrealistic expectations. For others its user-error, and could be resolved with a little effort. Blaming the camera is easy to do, but it stifles your growth. Control your camera, don’t let it control you. Many people have the same exact gear as you do and they do not experience your issues. It’s not the camera—it has never been the camera, and it never will be the camera. Your gear is much more than capable. As Ansel Adams stated, “The single most important component of a camera is the twelve inches behind it.” You have it within you to not allow it to adversely affect you, but it might require some practice or learning new skills. That’s not a message that people usually want to hear, but it’s one that needs to be said. If you require optimized peak Autofocus performance, make sure that you are using the right lenses and have the best settings selected for your situation. For Fujifilm: provide more resources to the firmware team so that they can ensure they are not producing buggy updates (by the way, this is not an issue unique to Fujifilm by any stretch).

Please keep your comments civil. I know that chronic complainers, haters, and trolls will come out of the woodworks when an article like this is published. Unlike most websites, I don’t put up with that here. If you disagree, please be kind in your disagreement. I feel like this article needs to be published to counteract all the negativity that is much too prevalent across the internet. My hope is that—if you have experienced issues with Fujifilm’s Autofocus—you’ll be encouraged to create amazing content with the gear you own, because your camera is, in fact, more than capable just so long as the one using it is also capable (and you can be!). Excuses get in the way, but you don’t have to let them. That’s the message of this article.

Fujifilm X-T50 Firmware “Bug” Affecting a Limited Number of Cameras

***Update: Well, that was fast! Fujifilm has released firmware version 1.02 for the X-T50, which fixes the issue for those who couldn’t update to version 1.01. If you are on version 1.01, version 1.02 is identical for you, so no need to update (although there’s also no harm in doing so, either). If you are on version 1.00, updating to the latest firmware fixes some small and rare bugs that are unlikely to affect you, but possibly could.

Fujifilm just recently updated the firmware on the X-T50 to version 1.01, but there’s been a small and unusual “bug” identified, which only affects certain models. The 1.01 firmware fixes some minor and rare issues; however, the firmware update itself has one issue.

The problem is a weird one: on only certain X-T50 cameras, you cannot update the firmware. That’s the bug. On certain models, you’re “stuck” with version 1.00. That’s no big deal, because version 1.00 isn’t bad whatsoever; version 1.01 was basically only a minor-bug-fix type update. I think the issue must actually be with version 1.00 and not 1.01, but it will all get sorted out soon enough, I’m sure, so no worries.

Specifically, the cameras affected are the silver models (not the black or grey) that were sold with the new kit zoom lens (apparently not the ones sold with 15-45mm lens or body-only) that have these serial numbers: 4BA24662 to 4BA26561, 4BA30592 to 4BA30661, 4BA34838 to 4BA35137, 4BA35678 to 4BA35857, and 4BA37468 to 4BA37687. Fujifilm was quick to acknowledge and apologize for the issue, and they are working on a solution right now.

The Fujifilm X-T50 that’s sitting on my desk in front of me is black, so I’m not affected, personally. However, if I were affected, I wouldn’t worry much. Also, it’s always a good idea to wait at least a few days—if not a few weeks—to update the firmware, unless it is one that fixes a major bug. From my experience with apps, when you fix the coding for something, something else seemingly unrelated can be affected by it; that functionality (whatever it is) wasn’t thoroughly tested because there was no expectation that it would perform any differently than it had before. So waiting a few days or longer before updating is a good rule of thumb that can save you some heartache later.

See also:
Fujifilm X-T50 — The “Digital Film” Camera — But who is it for?
Fujifilm X-T50 Film Dial Settings + 14 New Film Simulation Recipes
Fujifilm X-T50 + Fujinon 23mm F/2 = Interchangeable-Lens Fujifilm X100VI??

Using my Fujifilm X-T30 for the first time in a long time

The last time that I used my Fujifilm X-T30 was in early December. Yesterday was the first instance I had made any pictures with it in over six months, the longest time in-between use. Once it was my most-used camera; there was a time when I really, really liked the X-T30.

I purchased my Fujifilm X-T30 brand-new in 2019, right when it was announced in February. I used it extensively for about 15 months, until my wife gave me an X100V for my birthday. I still regularly photographed with it for awhile (although not nearly as much as before the X100V), until I purchased a Fujifilm X-E4 in March of 2021. Ever since then, my X-T30 has mostly sat on the shelf collecting dust. Every now-and-then I still capture some images with it. At first it was once every few weeks, then once every couple of months—the time gap has been growing longer and longer. Finally, it surpassed six months.

You might think that it’s time to sell it. If I’m not using the camera, perhaps someone else could. I’m sure there are people contemplating a used X-T30 right now. But I kind of want to hold onto it awhile longer. I have a lot of memories with the camera. In fact, just today my wife was showing me some family pictures from 2019 and early 2020, and in a number of them I have an X-T30 in my hands or around my neck. Maybe I should consider parting ways with it, but I’m not ready to do so just yet.

Especially after yesterday. I dusted the camera off, attached a TTArtisan 27mm f/2.8 lens, loaded it with my Kodacolor Recipe, and captured a bunch of pictures—I’ve included four of those images above. It was so much fun! My kids enjoyed being photographed, too. I’m not a portrait photographer, but I sometimes pretend to be one. The X-T30 is a great little camera, and I particularly appreciate the diminutive size and weight of it. The Kodacolor Recipe is one of my favorites, especially for a 1980’s vibe.

While I’d prefer a Fujifilm X-T30 II or especially a Fujifilm X-T50, the X-T30—the original one from 2019—is still very good. Just because some new camera comes along that’s “better” doesn’t mean that the camera you own and use is somehow not good. The Fujifilm X-T30 is still worth owning and using in 2024, and will be for awhile to come. I definitely need to use it more often than I have recently, and not allow so much time to go by in-between picking it up.

Grams28 172 Camera Sling — My Camera Bag Odyssey, Part 1

The Grams28 172 Camera Sling is the most expensive and elegant camera bag that I’ve ever owned. I’m currently on a camera bag quest, and this is the first stop. If you are, too, perhaps you’ll find this article helpful. I don’t have any affiliate links for Grams28 or anything like that; this is simply my opinions and experiences as a photographer looking for a new camera bag.

For a few years now I’ve been happily using a National Geographic NG2344 Earth Explorer Shoulder Bag, which I discussed in The Ultimate Travel Compact Camera Kit article. I like that camera bag for several reasons: it’s very small yet somehow holds a shocking amount of gear, it’s highly affordable (generally speaking, I’m a cheapskate), and it fits in the middle console of my car, which makes it ideal for roadtrips. I have no intentions of replacing that bag; however, I have encountered some situations where it is not ideal.

Specifically, last summer I attended a wedding, and I wasn’t going to bring the Nat Geo bag with me. It would have been tacky, to put it mildly, since it was a black tie event. I wasn’t the photographer, I was a guest who happened to be a photographer. I carried my Fujifilm X100V because it was discrete and could slip into my pocket. In retrospect, the X100V was great for many circumstances but less-than-ideal for some others; I wish that I had had an interchangeable-lens option, like my X-E4 or X-T5, and maybe the Fujinon 90mm f/2. While the Nat Geo bag would have technically worked, I would have stood out like a sore thumb carrying it around. An elegant camera bag was needed, but I didn’t own one.

In the months that have followed, I have photographed a few different events, this time as the official photographer. I don’t necessarily consider myself an events photographer, but, nonetheless, under some sets of circumstances I’ve done it several times recently. I like the Nat Geo bag, but, once again, it wasn’t the right style for the situation. With these events occurring fairly regularly, I felt that a more appropriate camera bag was necessary for when I need to appear professional. I needed a bag that’s both functional and fashionable.

After much searching, I came across the Grams28 172 Camera Sling. It seemed to be the right size—neither too big nor too small—and it looked really nice. At $459, I was apprehensive about how expensive it was, because I’ve never owned a camera bag that costs this much. For the price, it should be my everyday carry, and not a once-in-a-while option; however, I was not looking for an everyday carry camera bag. Still, I thought that this could be the right one, so I went for it.

The 172 Camera Sling is a high-quality Italian leather camera bag that measures 12.5” wide, 8.6” tall, and 4.7″ deep. It has a padded interior, and comes with two velcro dividers. There’s space for spare batteries and SD Cards in a zippered pocket. Another compartment could fit a small iPad. The bag seems well designed and durable, and the adjustable strap is quite comfortable. Aside from all that, it’s especially stylish, which was essential.

Grams28 claims that it will fit a Fujifilm X-H1 and telephoto zoom. For myself, I wanted to carry two bodies, plus a couple of lenses. I was able to fit my X100V (or an X-E4 with the Fujinon 27mm f/2.8), an X-T5 with the Fujinon 18-55mm f/2.8-4 or the Fujinon 90mm f/2 (but without the lens hood… it can be placed on backwards and fit in the bag) attached to the body, plus a spare lens. As I have it configured, the 18-55mm lens won’t fit as a spare (only attached to the camera) unless the hood is removed, but the TTArtisan 35mm f/1.8 will, as well as similarly-sized or smaller glass. There’s a lot of different lens options that one could go with, and I tried several different arrangements. I’m still figuring out the best camera/lens combinations, but for my style of photography, the X100V and X-T5 with the 90mm are essential; it’s the spare lens I’m unsure about. The Fujinon 35mm f/2 is what I’m currently leaning towards, and what I most recently used; however, I’ve been considering trying something more wide-angle, perhaps the WCL-X100 II conversion lens (which I don’t currently own) for the X100V. It might be possible that the 27mm pancake will also fit, depending on what the main spare lens is—it does fit (snugly) with the 35mm f/2, but I felt it was redundant to have both since the focal lengths are similar. Interestingly, my wife’s X-T4 fits noticeably more snugly in the bag than the X-T5, so the larger Fujifilm bodies might not be the best choice for the 172 Camera Sling.

I’m very happy with my Grams28 172 Camera Sling. It is exactly what I was looking for. It’s not my everyday bag (although it could be if I didn’t typically dress very casual), but it serves a very specific purpose quite well. On top of that, Grams28 customer care has been top-notch. They reached out to me a few days after I received it to make sure that I was pleased with the bag, and to answer any questions that I might have. If you are a wedding or events photographer and are looking for a fashionable (yet still functional) camera bag so that you appear professional, or if you’re just a stylish person, I personally recommend the Grams28 172 Camera Sling.

Click here for the Grams28 website.
Click here for the 172 Camera Sling.

So You Got Some Amazon Gift Cards for Christmas… What Should You Buy?

I don’t know about you, but I received several Amazon gift cards for Christmas. You might want to use those gift cards to purchase some photography gear, but perhaps you are not sure what to buy. So—if you are stuck—let me offer you some ideas. Since this is a Fujifilm blog, these items are mostly geared towards Fujifilm photographers.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

$25

If your Amazon gift card is $25, here are some camera things you can buy:

SanDisk 128GB Extreme Pro — It’s normally $34, but right now it’s on sale.
Fujifilm X-E4 Thumb Grip (Black) — Fujifilm X-E4 Thumb Grip (Silver)
Haoge Ultra-Thin Lens Hood for X100V — Maybe good for travel?
Yullmu Soft Shutter Release Button — I just ordered this….
Fotasy M42-to-Fuji-X Adapter — So that you can use vintage M42 lenses.
Leather Half Case for X-T30 — Looks nice.
Xuan 30mm Body Cap Lens — It’s actually $26, but close enough….

$50

If your Amazon gift card is $50, here are some camera things you can buy:

National Geographic 2344 Shoulder Camera Bag — This is my travel camera bag. Love it!
1/4 Black Pro Mist — 20% CineBloom
NP-126 Batter Charger — I don’t travel without this.
Fujifilm EF-X8 Clip-On Flash — They’re decent enough, but even better they’re small.
Fotasy Manual 35mm f/1.6 — Probably not very good, but I haven’t tried it personally.
3.5X Telephoto Conversion for X100V — Might be lousy, but makes it 120mm-equivalent.
SmallRig X-T5 Grip — If you have large hands….
Kodak Ektar H35 Half Frame Camera — Not Fujifilm related, but would be fun to try.

$75

If your Amazon gift card is $75, here are some camera things you can buy:

Pergear 25mm f/1.8 — Probably decent for the price.
TTArtisan 25mm f/2 — No idea if this lens is good or not.
Meike 25mm f/1.8 — I’ve never used this one.
Meike 35mm f/1.7 — Excellent lens for the price.
AstrHori 27mm f/2.8 — I have no idea about this one.
Brighten Star 35mm f/1.7 — Never tried it.
7Artisans 18mm f/6.3 — Weird pancake….
7Artisans 25mm f/1.8 — Pretty decent and fun lens.
7Artisans 35mm f/1.4 — Might be good, I’m not sure.
7Artisans 50mm f/1.8 — Good lens for portraits.

$100

If your Amazon gift card is $100, here are some camera things you can buy:

TTArtisan 35mm f/1.4 — I’ve used this lens on a Nikon Zfc, and it’s pretty good.
TTArtisan 50mm f/2 – This is one that I want to get. Maybe I will….
Meike 35mm f/1.4 — I’ve heard good things about this lens, but I’ve never used it myself.
Meike 50mm f/1.7 — Never tried it, but it’s on sale right now….
Brighten Star 50mm f/1.4 — No idea if this is good or not.
Pergear 50mm f/1.8 — Has character.
Fujifilm Instax Mini 40 — Instant film is fun!
Instax Mini Link 2 Printer — More convenient than a camera.

I hope you all had a very merry Christmas!

See also: My Gear Reviews

My Fujifilm Christmas Wish List

A Fujifilm X100V captured with a Fujifilm X-T5 + Fujinon 90mm + Reala Ace Recipe

Fujifilm has never asked me what I’d like for Christmas, nor do I expect them to ever ask that question. I do believe there is a chance that they read this website occasionally, so I thought I would take a moment to share with them—on the off-chance that they find this article—some gear that they could “give” to me that would really make my holiday special. To be clear, I’m not suggesting that Fujifilm should send me free products (although, if they ever did, I wouldn’t say no…); instead, this is simply a list of gear that I’d love to see Fujifilm release, which would be the perfect Christmas gift for me, and probably a lot of you, too.

I don’t want to take up too much of your time, so let’s dive right into my Fujifilm Christmas Wish List! The order is least-to-most desired, but really I’d be happy with any of them.

#10 — Fujinon 135mm f/2.8

The longest prime lens that Fujifilm offers—aside from the really huge and extremely expensive 200mm f/2—is the Fujinon 90mm f/2, which is one of my absolute favorite lenses. I feel like there’s a massive gap that should be filled to some extent, and a 135mm option seems quite logical—after all, it used to be a very common focal length.

This theoretical 135mm Fujinon lens, which would be 202mm full-frame-equivalent, shouldn’t be too large or expensive. For example, I have a vintage Vivitar 135mm f/2.8 lens that is surprisingly compact. So the design team goals should be to keep it a similar size and weight to the Fujinon 90mm f/2, and with an MSRP no more than $1,200 (under $1,000 would be even better). Of course some compromises might be necessary, and one that I’m ok with is the maximum aperture; I’d prefer f/2.8, but f/3.5 would be fine if something’s got to give (the price should be a little less if it is f/3.5). I think such a lens would be appreciated by those who find the 90mm not-quite-long-enough sometimes, which would likely be a fairly sizable group. I could see it being used by some sports, wildlife, portrait and landscape photographers. Yes, there are several zooms that cover the longer focal lengths, but some of us (myself included) much prefer primes over zooms.

#9 — Fujifilm GFX100R

I’m not in the GFX system, but if Fujifilm ever made a GFX100R, I’d buy it. I cannot afford GFX gear, but I’d still buy it. Why? XPan. Such a camera would be the closest one could get to an XPan III, the digital version of the XPan II. The GFX100R would produce 50mp 65:24 aspect ratio images. A GFX50R II would be alright, too, but a GFX100R would be even more spectacular.

Yes, I know the GFX100 and the GFX100S and the GFX100 II (and even the upcoming GFX100S II) are capable of 50mp XPan-crop pictures, but none of them will provide an XPan-like experience. The only camera that’s close is the GFX50R, but that model is five years old now and missing the latest film sims and JPEG settings and such. Ideally, whether it is a GFX50R II or GFX100R, the body should be X-Pro like in design. One other option that Fujifilm could consider is a GFXPan, where the sensor is shaped in the 65:24 aspect ratio instead of 4:3 (basically, the current 100mp sensor, but half as tall). That would be incredible!

#8 — Fujifilm X-Pro4

This one is near the bottom of the list because 1) I suspect that it’s already well in the works and 2) I don’t know how they’ll make it better than the X-Pro3, aside from some things that could just be a firmware update. So what do I think Fujifilm could do to make the X-Pro4 different-enough from the X-Pro3 to justify it? One idea is an APS-H sized sensor with maybe 50-ish megapixels. That would not only garnish a lot of attention, but it would (more importantly) allow for an XPan crop with over 20mp, and perhaps as much as 25mp. Whether they do this or use the 40mp APS-C sensor of the X-H2 and X-T5, they should still include the XPan aspect ratio as an in-camera option. Another idea is IBIS. A lot of people would welcome that, and it’s probably expected from a camera of this price point, but Fujifilm needs to be careful with how it affects the size, weight, and cost. Most likely, aside from a bump in pixel-count, the biggest change will be a different rear screen. I don’t have any idea how they’ll change it, but I’m certain that they will do so in some way. I think the OVF should be made to be more like the one in the X-Pro2.

#7 — Fujifilm X-Pro3 Acros Edition

While we wait for the X-Pro4, Fujifilm could release a monochrome-only version of the X-Pro3. This camera would make some big headlines, and get a ton of attention. While such a model would surely be niche, Pentax proved that it could still be successful, and I think there’s been enough interest in the Fujifilm world for such a camera that it will sell out, however many copies Fujifilm decides to make. I’d certainly buy one if Fujifilm ever decided to produce it. Heck, I’d buy one almost no matter what body they decided to do it with, but the X-Pro makes the most sense to me, followed closely by the X100.

#6 — Fujifilm X100Z Variants

We’ve known for awhile now that the next Fujifilm camera will be the X100V successor. I don’t know what they’ll name it, but my guess is X100Z. The X100V successor is not in this list because we already know that it’s coming, and it will probably be announced next month, or early-February at the latest. What I would like to put on this wish-list are variants of the camera. For example, Sigma made three versions of the DP Merrill models, and four of the DP Quattro. They were all basically the same, except for the lens permanently attached to the front. I could see Fujifilm doing something similar, with maybe a 30mm-ish “standard” lens, another with a 50mm-ish portrait lens, and maybe a wide-angle version with a 14mm or 16mm lens, to go along with the main 23mm option. Fujifilm could sell multiple versions of the X100Z (or whatever they name it), just with different focal-length lenses. Not only would people be able to buy their preferred focal length option, but you’ll have some people buy all of them.

#5 — Another Fujinon Pancake Lens

A big advantage to APS-C over full-frame is the size and weight of the gear, so it is shocking to me that Fujifilm has only two pancake lenses: the 27mm f/2.8 and 18mm f/2. The 18mm model is only kind-of a pancake, and is in desperate need of an update. Fujifilm should have a series of pancake offerings. Maybe a 16mm f/3.5, the 18mm f/2 (but updated, please!), a 23mm f/2.8, the 27mm f/2.8, and maybe a 40mm-ish f/2.8. It would make my day if Fujifilm were to announce even one more pancake lens, and it would make so much sense if they did.

#4 — Fujifilm X-E5

I had to include this—and put it fairly high on this list—because Fujifilm has indicated that the X-E line might be finished. It would be a huge shame if that’s true. I love the X-E line, and the X-E4 is one of my favorite models. This line is especially great for travel, and is the perfect body to pair pancake lenses with. I don’t need a new X-E camera, but I don’t want this line to end, so I would consider buying an X-E5 just to show support for its continuation in the lineup. Hopefully this will encourage Fujifilm to produce an X-E5, perhaps in time for Christmas 2024.

#3 — Fujifilm Minimalist Model

I would love a rangefinder-styled camera without all the bells and whistles. Just the basic controls that you need. It should have a shutter knob with an ISO ring, a C1-C7 knob, and exposure compensation knob on the top. It must have an M/C/S switch somewhere. Otherwise, it should be kept clean and simple. No rear screen, only a box-top screen like on the X-Pro3, but it should have a hybrid viewfinder. No video mode or even the Advanced Filters and such. It should be a “pure photography” concept that delivers the most film-like experience of all the models. I don’t think Fujifilm would ever consider such a camera, but they absolutely should have a “digital-film” model. This concept would seem to fit Fujifilm’s profile perfectly! Maybe call it simply the X1.

#2 — Fujifilm X200

A lot of people have basically demanded that Fujifilm should jump into the full-frame market, but they’re not going to, and in my opinion it is a smart move. They’d go from being a big fish in a decent sized pond to a small fish in a large and overcrowded pond. One big problem is that they’d have to develop a whole new line of lenses, which, if they weren’t successful, could bankrupt the division. One way that Fujifilm could dip their toes into the full-frame market in a way that’s pretty much guaranteed to be successful and won’t require the new-lens-lineup investment—in other words, somewhat small risk and big reward—is to make a full-frame version of the X100-series. Call it the X200. Perhaps differentiate it from the X100 by giving it a 30mm (going slightly more wide-angle) or 40mm (slightly more telephoto) lens, and increase the maximum aperture to f/1.8. If full-frame is simply out of the question, perhaps go the fuller-than-full-frame route, and make a GFX200, which would be a GFX version of the X100. Personally, I would have a hard time saying no to such a camera.

#1 — Fujifilm X80

The Fujifilm X70 was such a great little camera! It had a much-too-short production run thanks to Sony’s sudden discontinuation of the sensor inside that model, and it’s a real shame that Fujifilm never made a successor. Especially considering how well the Ricoh GR III is selling right now, it would make a lot of sense for Fujifilm to produce a successor to the X70. From what I can tell, the demand for such a camera has been increasing. So many people have told me that they’d buy one. I know that I would be first in line! Come on, Fujifilm! Make an X80 already! Consider it your Christmas gift to me and all of your customers who have been dreaming of it for years.

Fujifilm Related Deals at Amazon

I guess it’s “Prime Day” at Amazon, and they have some deals on Fujifilm and Fujifilm related gear that I thought worth pointing out, just in case you needed an excuse to spend money. I don’t know how long these deals will last—they might be over quick. So let’s get right to it!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

TTArtisan 27mm f/2.8 AF  Amazon 20% off
TTartisan 50mm F1.4 Tilt Amazon 20% off
Samyang 75mm f/1.8 AF Amazon 24% off
Fujifilm Instax Square SQ6 Amazon 31% off
K&F Concept NP-W235 Battery and Charger Amazon 20% off
SmallRig X-T5 Retro Cage Amazon 20% off
SmallRig X-H2/X-H2S Cage Amazon 20% off
SmallRig X-S20 Cage Amazon 20% off

Not a lot to get excited about, but the lenses are pretty decent deals. I have the K&F Concept NP-W235 battery charger, and it works well; the batteries themselves I guess are good for spares.

My Current Camera Accessories

When people discuss their camera gear, they mostly talk about their camera bodies and lenses. Photography accessories are sometimes overlooked, but they can be just as important. While I’m most commonly asked about cameras and lenses, occasionally someone inquires about my “other” gear, wanting to know what I use and why, and what I recommend. In this article I’ll briefly discuss each camera accessory that I use and why I use it.

The way that I’m going to do this article is I’ll talk about which accessories I currently use with various camera bodies. I’ll begin with the Fujifilm X100V and continue on until I’ve covered all of the different accessories.

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X100V Accessories

I don’t have a lot of accessories for my Fujifilm X100V, but the ones I do have are very important. First, I have a Hoagle filter adapter (Amazon). Using a filter adapter on the X100V (in conjunction with a filter) makes the camera weather-sealed, as the only part that isn’t weather-sealed is the front lens element—simply screwing on a filter fixes this, but it requires an adapter. There are a number of brands who sell one, including Fujifilm themselves (Amazon), but I use Hoagle because it’s cheap and it works. I always use a filter, either a Fotasy 49mm UV filter (Amazon), or one of several diffusion filters: Tiffen 1/4 Black Pro Mist (Amazon), which I used in conjunction with the KodaNeg Film Simulation Recipes, 5% CineBloom (Amazon), 10% CineBloom (B&H), or 20% CineBloom (Amazon). Of these filters, the 5% CineBloom and Fotasy UV are the two most commonly used, and the 20% CineBloom is the least used. Shooting with diffusion filters is the third suggestion in my 7 Tips to Get the Film Look From Your Digital Photos article. You can also stack them to achieve a dreamy look.

What else? I found the camera strap used on eBay. I have a Monfrotto Compact Action Aluminum Tripod (B&H), which I do use occasionally with this camera (and my other cameras). Otherwise, that’s it.

Fujifilm X-E4 Accessories

I don’t really have any accessories for my Fujifilm X-E4, but I thought I’d take a moment to talk about lens adaptors. Fujifilm cameras are especially great when paired with vintage lenses, which typically have more character than modern glass. This is the fourth suggestion in my 7 Tips to Get the Film Look From Your Digital Photos article. To use vintage lenses, you’ll need an adapter, and I currently have three: M42-to-Fuji-X, M39-to-Fuji-X, and Pentax-110-to-Fuji-X. The M42 and M39 adapters are nondescript ones I purchased on eBay for cheap six years ago, but the Fotasy M42 (Amazon) and M39 (Amazon) would work just fine, and are inexpensive. My Pentax-110 adapter is made by Fotasy (Amazon).

Another thing worth noting is that, because of the compact size of the X-E4 and X100V, the National Geographic NG 2344 Earth Explorer Mall Shoulder Bag (Amazon) works really well for me, better than any other camera bag I’ve ever owned—I don’t travel without it.

Fujifilm X-T30 Accessories

I don’t have a lot to add with my Fujifilm X-T30, so I’ll take the opportunity to bring up SD cards and batteries. Because I’ve been shooting for awhile, I have tons of memory cards lying around, but the one I use the most is SanDisk Extreme Pro 128GB (Amazon), which I own several of. I have a number of spare Fujifilm NP-W126S batteries (Amazon); I do own a couple third-party batteries, but I don’t like using them, and only do so in a pinch, which is very infrequently. I love the Nitecore USB Camera Battery Charger (Amazon), which just so happens to fit really well in one of the pockets in my camera bag.

Fujifilm X70 Accessories

My Fujifilm X70 came with an official Fujifilm leather half-case (Amazon), which I absolutely love! If mine hadn’t come with this, I probably wouldn’t have purchased the case because I wouldn’t have realized what I was missing. Definitely “worth it” in my opinion; however, I’m sure some of the cheaper third-party options are nearly as good for a fraction of the cost.

Fujifilm X-H1 Accessories

The final accessory that I want to bring up for my Fujifilm gear is my studio lighting: Phottix Nuada R3 II two-light kit (Amazon). I don’t use artificial lights very often, but occasionally I do (like here and when I do the SOOC broadcasts), and the Phottix Nuada R3 II is absolutely great. Best lights I’ve ever owned—bright, versatile, compact, lightweight. I’m sure they’re not for everyone, but if you’re thinking about buying some studio lights and are unsure what to get, I do recommend this kit.

iPhone 11 Accessories

Since I created my very own iPhone camera app—RitchieCam—it should come as no surprise that I have a couple of iPhone accessories: Moment Tele 58mm lens (Amazon) and Moment MagSafe Tripod Mount (Amazon), which require a Moment cellphone case (Amazon). Completely worthwhile, in my opinion.


I own a shelf-full of different accessories that I’ve collected over the last nearly 25 years, but the ones mentioned in this article are the ones that I actually use. There are a number of items that I have used before, but have parted ways with or sit collecting dust, so I didn’t mention them. I’m sure I could list a number of accessories that I wish I had, but this article is about what I currently use. For some of you, this list might seem surprisingly short. For some of you, this list might appear to have unnecessary or redundant items. A lot of times I think that less is more, particularly with camera gear, but if there’s something you’ll actually use, it’s likely worth having around.