My Fujifilm X-T30 Lomography Color 100 Film Simulation Setting


Misty Mountain Sunset – Layton, UT – Fujifilm X-T30 – “Color 100”

Several different Fuji X Weekly readers have asked me to create a film simulation recipe based on Lomography Color 100 film. Lomography is essentially low-fi film photography, and it’s also the name of a company that sells cameras and film. One of their negative films is Color 100. It’s a popular film among lomographers, but even those who wouldn’t consider themselves a part of the lomography movement have taken notice of it. I’ve never used this particular film myself, as it didn’t exist when I shot a lot of film, so I only had the internet to assist me with creating this recipe.

Besides the fact that I don’t have any first-hand experience with this film, another big hurdle for creating these settings was the film itself. As I researched it, I discovered that Lomography Color 100 film isn’t one single emulsion. In fact, at least two, possibly three, and maybe even four different emulsions have been sold under the name Lomography Color 100! At least two of those, and maybe all of them, are Kodak films. Lomography bought these emulsions at a discount, either because too much was manufactured and the film was approaching its expiration, or because it didn’t pass quality control, and Kodak sold their unwanted film cheaply to Lomography. Which films, you ask? Gold 100 and Pro Image 100, for sure. Ektar 100 possibly. The fourth, if there is a fourth, would be a non-Kodak film, possibly Fujifilm Fujicolor 100, but there’s a good chance that a fourth emulsion for Color 100 never happened.


Curious – South Weber, UT – Fujifilm X-T30 – “Color 100” 

Another hurdle with this film simulation recipe is that a lot of people use alternative techniques with Color 100, such as push-process. There’s a big variety with how it’s typically handled by photographers, which makes creating a look that resembles Color 100 quite difficult. Results may vary would be the best description of the film. Despite that, I do believe that this recipe is in the neighborhood of the film, and those looking for an aesthetic that’s close to Color 100 film will appreciate this facsimile of it.

Dynamic Range: DR400
Highlight: +1
Shadow: +1
Color: -3
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Weak
White Balance: Cloudy/Shade, -3 Red & +7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3

Example photographs, all camera-made JPEGs using this Color 100 film simulation recipe on my Fujifilm X-T30:


Yellow Cottonwood – South Weber, UT – Fujifilm X-T30


Morning Yellow – South Weber, UT – Fujifilm X-T30


Cold Backyard Autumn – South Weber, UT – Fujifilm X-T30


Red Tree Snowfall – South Weber, UT – Fujifilm X-T30


Ball Hitter – South Weber, UT – Fujifilm X-T30


Girl In Bright Sunlight – South Weber, UT – Fujifilm X-T30


Red Autumn Leaves – Riverdale, UT – Fujifilm X-T30


Backyard October Winter – South Weber, UT


October Snow – South Weber, UT – Fujifilm X-T30


Ice Cold Leaf – South Weber, UT – Fujifilm X-T30


Camera Shelf – South Weber, UT – Fujifilm X-T30


R Decor – South Weber, UT – Fujifilm X-T30

See also: My Film Simulation Recipes


Comparing Film Simulation Recipes


I shoot JPEGs, but it’s not uncommon for me to shoot RAW+JPEG, since it gives me the opportunity to reprocess the picture in-camera, which is helpful when developing different film simulation recipes. Because of this, I was able to process a single picture I captured recently on my Fujifilm X-T30 using many of my different recipes to compare the differences. I thought that this might be helpful to some of you. Perhaps there’s one recipe that stands out to you in the pictures below that you’ve never used. Obviously different settings look better in different situations, and in this article there’s just one picture to compare, so even though you might not like how one recipe looks in this article doesn’t mean that you wouldn’t like it with different subject and in a different light. The scope of this article is quite limited, but I hope that seeing the various film simulation recipes applied to a single exposure is helpful to someone.

Not every recipe was used for this post. Some of them require a specific parameter that was not available. For example, the picture at the top was made using my HP5 Plus Push-Process recipe, which requires an ultra-high ISO, so it wasn’t possible to apply it to the exposure below. Other recipes, such as my faded color and faded monochrome, require double exposures. There are other film simulation recipes that you could try not represented below, and I invite you to investigate the different options to see if there’s one or more that work well for your photography. Let me know in the comments which film simulation recipe is your favorite and which in your opinion fits the exposure below best.



My Fujifilm X-T30 Velvia Film Simulation Recipe


Mesa Trail – Castle Valley, UT – Fujifilm X-T30 – Velvia

I already have a Velvia film simulation recipe. I’ve been using it for about a year-and-a-half now and I like the recipe. It’s designed for X-Trans III cameras. With the Fujifilm X-T30, which has the new sensor and processor, including the new Color Chrome Effect, I decided to revisit Velvia. Can I make Velvia better on an X-Trans IV camera?

I don’t know if this recipe is better than the old one. It’s a little bolder with slightly more contrast and color saturation. It’s probably a little more accurate to Velvia 100 than the old recipe, and a tad closer to Velvia 50, too. I do like this recipe more than the original, but the old one has its place, too. I don’t think this replaces the old recipe, but more supplements it when the situation calls for something punchier.


Red Mesa – Castle Valley, UT – Fujifilm X-T30 – Velvia

I have grain effect set to weak on this recipe, but I only like to have grain on when using ISO 1600 or below. Above that the digital noise acts as a grain effect, so I like to turn the grain effect off when working with higher ISOs. Depending on the image, +4 color can sometimes look better, so don’t be afraid to bump that up when needed, but I think +3 works best as the standard setting. This recipe has a stronger shadow setting than the old one, and if you find that there’s too much contrast, simply set Shadow to 0. The original Velvia recipe called for DR200, but I went with DR-Auto on this one. If you’d prefer to use DR200 instead of auto, feel free to do so.

Dynamic Range: DR-Auto
Highlight: 0
Shadow: +1
Color: +3
Noise Reduction: -4
Sharpening: +2
Grain Effect: Weak
Color Chrome Effect: Strong
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs, captured using a Fujifilm X-T30 with this film simulation recipe:


Rock Balanced – Arches NP, UT – Fujifilm X-T30 – Velvia


North Window Arch – Arches NP, UT – Fujifilm X-T30 – Velvia


Red Hill – Castle Valley, UT – Fujifilm X-T30 – Velvia


Castles To The Sky – Castle Valley, UT – Fujifilm X-T30 – Velvia


Water & Stone – Moab, UT – Fujifilm X-T30 – Velvia


Cactus Noon – Moab, UT – Fujifilm X-T30 – Velvia


Dead Tree Point – Dead Horse Point, SP, UT – Fujifilm X-T30 – Velvia


Desert River – Dead Horse Point SP, UT – Fujifilm X-T30 – Velvia


Peak Through The Thin Clouds – South Weber, UT – Fujifilm X-T30 – Velvia


Sunset Red Mountain – South Weber, UT – Fujifilm X-T30 – Velvia

My Fujifilm XF10 Film Simulation Recipes


I have created many wonderful film simulation recipes for X-Trans III cameras, but none of those can be used on my Fujifilm XF10. I had to create brand-new film simulation recipes for this camera. I used my experience with other Fujifilm cameras to create different straight-out-of-camera looks that I would appreciate.

You can only have one custom setting saved on the XF10. The default settings that I have programmed for the camera are my Classic Chrome recipe. If I want a look with more saturation I’ll adjust the settings to my Velvia recipe. If I want black-and-white I’ll adjust the settings to my Monochrome recipe. It’s a little bit of a pain to be constantly switching, so I try to not go back-and-forth any more than I need to.

While I use these recipes on my XF10, they’re compatible with the X-T100, X-A5, X-A3 and any X-Trans I or X-Trans II camera. The rendition might vary slightly from model-to-model, but the overall look should be fairly consistent. These settings won’t translate to X-Trans III or X-Trans IV.

Aside from some minor cropping, the photographs in this article are all straight-out-of-camera JPEGs. I like to keep my workflow as simple as possible, and Fujifilm’s different film simulation options allow me to rely on camera-made JPEGs. Using JPEGs instead of RAW saves me a ton of time. I appreciate being in front of a computer less and behind a camera more.

Below are my Fujifilm XF10 film simulation recipes!

Classic Chrome


Ghosts of the Past – Ogden, UT – Fujifilm XF10

This is my go-to film simulation option. I use it significantly more often than the other recipes. It has a classic Kodak film look, although not exactly like any one in particular. I think it most closely resembles 1960’s era Ektachrome, but it’s not an exact match. Even so, it looks great and is quite versatile. It has a lot of contrast, just vibrant enough colors and a warm tone.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1 (0 sometimes in high-contrast situations)
Shadow: +2
Color: +1
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +3 Red & -4 Blue


Kids At The Lake – East Canyon SP, UT – Fujifilm XF10


Bolsey 100 – South Weber, UT – Fujifilm XF10


Terminal Windows – SLC, UT – Fujifilm XF10


Flag On A Pole – Layton, UT – Fujifilm XF10


FED 5c Window – South Weber, UT – Fujifilm XF10



Vibrant Bloom – Riverdale, UT – Fujifilm XF10

Velvia was one of my favorite films. It produced incredibly vibrant colors. Apparently Fujifilm didn’t intend to make such a wild film, it was more of an accident than anything else, but it quickly become the standard film for color landscape photography. Something interesting that I recently learned is one of the people who helped develop Velvia for Fujifilm also helped develop the Velvia Film Simulation. The film simulation isn’t a 100% match to Velvia 50, but perhaps closer to Velvia 100F. My recipe is intended to produce a look that is closer to Velvia 50.

Dynamic Range: DR-Auto
Highlight: 0 (+1 in low-contrast situations, -1 in high-contrast situations)
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +1 Red & -3 Blue


Historic Dragon – Ogden, UT – Fujifilm XF10


Scattering of Red – Fruit Heights, UT – Fujifilm XF10


Sunlight Through The Forest – Bountiful, UT – Fujifilm XF10


Green Leaves – Layton, UT – Fujifilm XF10


Yellow Amid Red – Riverdale, UT – Fujifilm XF10



Shy Horse – South Weber, UT – Fujifilm XF10

The XF10 lacks Fujifilm’s greatest film simulation: Acros. Instead it has the old Monochrome option, which is alright but not nearly as good as Acros. Despite this, it is possible to get nice black-and-white camera-made JPEGs from the XF10. There are four different options, and to understand what each does one must understand what different colored filters do to black-and-white film, as +Y simulates using a yellow filter, +R simulates a red filter and +G simulates a green filter. If you know how to use color filters on black-and-white film then you know when to pick which option on the XF10.

Monochrome (Monochrome+Y, Monochrome+R, Monochrome+G)
Dynamic Range: DR-Auto
Highlight: +1 (+2 in low-contrast situations)
Shadow: +2 (+1 in high-contrast situations)
Noise Reduction: -2
Sharpening: -1


Wishes Waiting – Fruit Heights, UT – Fujifilm XF10


Plastic Fingers – Ogden, UT – Fujifilm XF10


Hat Abstract – South Weber, UT – Fujifilm XF10


Dream – Ogden, UT – Fujifilm XF10


Tilted Pier – East Canyon SP, UT – Fujifilm XF10

My Fujifilm X100F Velvia Film Simulation Recipe


Fujifilm has what they call Film Simulations on their cameras instead of traditional JPEG settings, which are designed to mimic the look of different films. One of these Film Simulations is called Velvia, named after Fujifilm’s most popular color transparency (slide) film.

I’ve shot a lot of Velvia film over the years. Velvia 50 was one of my absolute favorites for color landscape photography. It was originally just called Velvia with no “50” in the name, and was rated at ISO 50; however, it is now called Velvia 50 and there are two other versions of the film. I have a couple rolls of Velvia 50 sitting around right now. It’s a great film!

The Velvia Film Simulation on Fujifilm cameras is not quite right. It doesn’t really match the film. But I have noticed that they’ve improved it (over the X-E1, which is where I first experienced it), and it is a closer match than it used to be. It’s more similar to Velvia 100F than Velvia 50. I suppose Fujifilm never specified which version of the film that they are trying to simulate.


If you want vibrant colors, then the Velvia Film Simulation is what you want to go with. My favorite choice for color photography on my Fujifilm X100F is Classic Chrome, but sometimes something more bold and punchy is needed.

Velvia 50 film has exaggerated colors and high contrast and a slight green cast with warm yellows. Velvia 100 is very similar to Velvia 50 but with a slight purple cast. Velvia 100F has less contrast, less saturation and is slightly cooler than Velvia 50.

My Velvia Film Simulation recipe isn’t meant to make the settings more accurate to actual Velvia film. I don’t think you can get a 100% match. It just makes it more in line with what I personally like. Feel free to adjust it however you wish. It all can be customized to taste. Also, for high-contrast scenes I find that -1 Shadow is typically better and for low-contrast scenes +1 Shadow is better.

Dynamic Range: DR200
Highlight: -1
Shadow: 0
Color: +2
Noise Reduction: -2
Sharpening: +2
Grain Effect: Weak
White Balance: Auto, +1 Red & -1 Blue
ISO: Auto up to ISO 12800
Exposure Compensation: +2/3 (typically)

Example photos, all camera-made JPEGs captured using my Velvia Film Simulation recipe:


Excelsior Geyser Crater – Yellowstone NP, WY – Fujifilm X100F Velvia


Alpine Autumn – American Fork Canyon, UT – Fujifilm X100F Velvia


Wasatch Dressed In Fall Colors – American Fork Canyon, UT – Fujifilm X100F Vevia


Timpanogos September – American Fork Canyon, UT – Fujifilm X100F Velvia


Road To Timpanogos – American Fork Canyon, UT – Fujifilm X100F Velvia


Autumn In Utah Mountains – American Fork Canyon, UT – Fujifilm X100F Velvia


Wasatch Fall – Midway, UT – Fujifilm X100F Velvia


Koi Pond – Lehi, UT – Fujifilm X100F Velvia


Caladium Leaves – Lehi, UT – Fujifilm X100F Velvia


Delicate Pink – Lehi, UT – Fujifilm X100F Velvia

See also: My Fujifilm X100F Acros Film Simulation Recipe