My Fujifilm XF10 Film Simulation Recipes


I have created many wonderful film simulation recipes for X-Trans III cameras, but none of those can be used on my Fujifilm XF10. I had to create brand-new film simulation recipes for this camera. I used my experience with other Fujifilm cameras to create different straight-out-of-camera looks that I would appreciate.

You can only have one custom setting saved on the XF10. The default settings that I have programmed for the camera are my Classic Chrome recipe. If I want a look with more saturation I’ll adjust the settings to my Velvia recipe. If I want black-and-white I’ll adjust the settings to my Monochrome recipe. It’s a little bit of a pain to be constantly switching, so I try to not go back-and-forth any more than I need to.

While I use these recipes on my XF10, they’re compatible with the X-T100, X-A5, X-A3 and any X-Trans I or X-Trans II camera. The rendition might vary slightly from model-to-model, but the overall look should be fairly consistent. These settings won’t translate to X-Trans III or X-Trans IV.

Aside from some minor cropping, the photographs in this article are all straight-out-of-camera JPEGs. I like to keep my workflow as simple as possible, and Fujifilm’s different film simulation options allow me to rely on camera-made JPEGs. Using JPEGs instead of RAW saves me a ton of time. I appreciate being in front of a computer less and behind a camera more.

Below are my Fujifilm XF10 film simulation recipes!

Classic Chrome


Ghosts of the Past – Ogden, UT – Fujifilm XF10

This is my go-to film simulation option. I use it significantly more often than the other recipes. It has a classic Kodak film look, although not exactly like any one in particular. I think it most closely resembles 1960’s era Ektachrome, but it’s not an exact match. Even so, it looks great and is quite versatile. It has a lot of contrast, just vibrant enough colors and a warm tone.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1 (0 sometimes in high-contrast situations)
Shadow: +2
Color: +1
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +3 Red & -4 Blue


Kids At The Lake – East Canyon SP, UT – Fujifilm XF10


Bolsey 100 – South Weber, UT – Fujifilm XF10


Terminal Windows – SLC, UT – Fujifilm XF10


Flag On A Pole – Layton, UT – Fujifilm XF10


FED 5c Window – South Weber, UT – Fujifilm XF10



Vibrant Bloom – Riverdale, UT – Fujifilm XF10

Velvia was one of my favorite films. It produced incredibly vibrant colors. Apparently Fujifilm didn’t intend to make such a wild film, it was more of an accident than anything else, but it quickly become the standard film for color landscape photography. Something interesting that I recently learned is one of the people who helped develop Velvia for Fujifilm also helped develop the Velvia Film Simulation. The film simulation isn’t a 100% match to Velvia 50, but perhaps closer to Velvia 100F. My recipe is intended to produce a look that is closer to Velvia 50.

Dynamic Range: DR-Auto
Highlight: 0 (+1 in low-contrast situations, -1 in high-contrast situations)
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +1 Red & -3 Blue


Historic Dragon – Ogden, UT – Fujifilm XF10


Scattering of Red – Fruit Heights, UT – Fujifilm XF10


Sunlight Through The Forest – Bountiful, UT – Fujifilm XF10


Green Leaves – Layton, UT – Fujifilm XF10


Yellow Amid Red – Riverdale, UT – Fujifilm XF10



Shy Horse – South Weber, UT – Fujifilm XF10

The XF10 lacks Fujifilm’s greatest film simulation: Acros. Instead it has the old Monochrome option, which is alright but not nearly as good as Acros. Despite this, it is possible to get nice black-and-white camera-made JPEGs from the XF10. There are four different options, and to understand what each does one must understand what different colored filters do to black-and-white film, as +Y simulates using a yellow filter, +R simulates a red filter and +G simulates a green filter. If you know how to use color filters on black-and-white film then you know when to pick which option on the XF10.

Monochrome (Monochrome+Y, Monochrome+R, Monochrome+G)
Dynamic Range: DR-Auto
Highlight: +1 (+2 in low-contrast situations)
Shadow: +2 (+1 in high-contrast situations)
Noise Reduction: -2
Sharpening: -1


Wishes Waiting – Fruit Heights, UT – Fujifilm XF10


Plastic Fingers – Ogden, UT – Fujifilm XF10


Hat Abstract – South Weber, UT – Fujifilm XF10


Dream – Ogden, UT – Fujifilm XF10


Tilted Pier – East Canyon SP, UT – Fujifilm XF10


  1. Pingback: Review: Fujifilm XF10 – The Best Camera | Fuji X Weekly
  2. Aleksander Torset Eriksen · October 12

    Fantastic! I’ve bookmarked your page 🙂 Very detailed simulations and articles. Keep making..!

    Liked by 1 person

  3. Nan · November 22

    Thank you so much for sharing all the presets and photos. I’ve already read all of your recipes posts, and you are just amazing with color and tones. I regret a lot that I sold my X100 limited edition very cheaply on eBay, the X100T just doesn’t work for me due to the x-trans sensor. I am so happy to find the x-t100 has a Bayer sensor and it even has a dedicated film simulation wheel! So please release more recipes for the XF10!!! 😉

    Liked by 1 person

    • Ritchie Roesch · November 22

      Sure! I’ve been thinking about creating some new looks for the XF10. Thank you for your kind words!


  4. Théo Kyriacopoulos · November 24

    Thanks a lot ! Now it’s time for me to use it on my X-T10 !! Very nice article !

    Liked by 1 person

  5. Viktor · December 3

    Man, you are a photogenius 😉 I tryed, works well

    Liked by 1 person

    • Ritchie Roesch · December 3

      Thank you! I’m flattered. I would say, of the three, the Classic Chrome recipe is my favorite.


  6. Sam Banes · December 30

    Hello Ritchie, Thanks for some great insights. I am just starting with film simulations on GFX. However, would you think these recipes made specifically for x-trans give identical results on a GFX that has Bayer sensor?


    • Ritchie Roesch · December 30

      Congrats on your GFX! I would assume that the recipes are compatible with GFX cameras, but the results wouldn’t be 100% identical; however, I would suspect that it would be very close and that the differences in how the cameras render images wouldn’t be significant. I have never used a GFX camera so this is only speculation.


  7. Sam Banes · December 30

    Thank you, Ritchie. Looking forward to trying them.

    Liked by 1 person

    • Ritchie Roesch · December 30

      You will have to let me know how it goes.


      • Sam Banes · December 30

        I’ll keep you posted. Happy to send in some full-sized samples as well for you to examine.

        Liked by 1 person

      • Ritchie Roesch · December 30

        That sounds great! I’m afraid it might make me run out and get a GFX camera, though….


  8. Pingback: Fujifilm Classic Chrome Film Simulation Recipes | Fuji X Weekly
  9. Aaron Jones · January 6

    Love the settings Ritchie!

    I picked up the XF10 a couple of days ago as more of a carry everywhere camera to go with my other Fuji.
    But I’ve not been able to find the custom setting to save the recipes like I can with the X100F – can you point me in the right direction?



    Liked by 1 person

    • Ritchie Roesch · January 6

      Unfortunately you cannot. I was disappointed by this myself. That’s why I only created three different recipes, and there’s some similarities between them so that I wouldn’t have to adjust too much.


  10. Miguel · March 29

    Hi Ritchie,

    I was about to copy your simulations from X-Trans III and was suppose to /2 your settings but then found out it is different for Xtrans II/X-T1. 😦 Oh well, if you can replicate Acros, Eterna, Kodak Portra 400, both Kodachrome. That would be great!! Thanks alot!!

    Liked by 1 person

  11. Andreas · 5 Days Ago

    Hey Ritchie,

    So glad I found your blog. You got some great recipes here. I am waiting for my X100T to be shipped. Any chance you will post some more recipes for the X-Trans II Sensor?

    Liked by 1 person

    • Ritchie Roesch · 5 Days Ago

      I really should. I’ve been focused on X-Trans III and IV, but it would be fun to play around with the older cameras. Thank you for commenting!


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