Antelope Island State Park In B&W

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Brush Strokes Over The Great Salt Lake – Antelope Island SP, UT – Fujifilm X-T20

The Great Salt Lake is the largest natural lake west of the Mississippi River, the largest salt water lake in the western hemisphere and the 33rd largest lake in the world. It’s massive! It can seem almost ocean-like, or perhaps more like a large ocean bay, but it is located far from any ocean. One difference between the Great Salt Lake and an ocean is that the lake is much saltier, and brine shrimp are the only thing alive in it. It is one of Utah’s natural wonders!

The largest island in the Great Salt Lake is Antelope Island, which is 15 miles long and five miles wide. The highest point, Frary Peak, is 6,594′, and is often snow-capped in the winter. It’s accessible by road via a causeway. Antelope Island is managed by the Utah State Park system.

Kit Carson and John C. Fremont, who visited Antelope Island in 1845, gave it its name after hunting pronghorn antelope on the island. Daddy Stump and Fielding Garr would build homes on Antelope Island over the next few years. This is a place that people have been coming to for a long time. In fact, there is evidence that native people have spent time on the island since at least the time of Christ.

Antelope Island seems like a world away from the Salt Lake City metro area, even though it is located very close to the city. It looks remote, and it must have been very remote before the road was built and the city grew. Interestingly enough, the oldest non-Native American structure in Utah is located on the island: an adobe ranch house built in 1848. The Fielding Garr Ranch was a working ranch from 1848 to 1981, and now the old ranch is open to the public for self-guided tours.

Wildlife abounds on Antelope Island, including buffalo, mule deer, pronghorn antelope, big horn sheep and many other animals. At one time the bison herd on Antelope Island was the largest in America. There are a huge variety of birds that migrate across the area.

The water is often calm and the reflections can be incredible. There are sandy beaches. There are trails that curve across the rugged landscape. There is a unique beauty to Antelope Island that draws me back. It’s one of my favorite places to photograph. But it’s also disgusting! There’s a certain “rotten egg” smell that can be found near the shores. There are tons and tons of bugs, including biting no-see-ums, brine flies (that cover the shore like a thick cloud), mosquitoes, tons of spiders (venomous and non-venomous), among other things. It’s pretty common to see dead birds. There’s plenty to love and hate about this place. I try to look beyond the gross to see the beauty.

Something interesting that I’ve discovered since moving to the Salt Lake City area almost three years ago is that most people who grew up in Utah don’t visit Antelope Island. Maybe they went on a school field trip as a kid, but they haven’t been back since. The majority of people you find on the island are from out-of-town. The locals who do visit are often those that moved to the area from someplace else. It’s too bad for those who don’t make the short trip to the island, because they’re really missing out!

Antelope Island is incredibly beautiful and tranquil. It is indeed odd, and one has to purposefully look beyond the negative aspects of the place to truly appreciate it. I feel like it is a secret treasure that is easily overlooked, and I feel honored to have found it and photographed it.

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Frary Fence – Antelope Island SP, UT – Fujifilm X-T20

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Coming Storm – Antelope Island SP, UT – Fujifilm X-A3

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Island Beach View – Antelope Island SP, UT – Fujifilm X100F

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White Rock Bay Vista – Antelope Island SP, UT – Fujifilm X-A3

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Bush In The Crag – Antelope Island SP, UT – Fujifilm X-A3

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Clouds Over The Great Salt Lake – Antelope Island SP, UT – Fujifilm X100F

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White Rock Bay – Antelope Island SP, UT – Fujifilm X100F

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Land & Lake Layers – Antelope Island SP, UT – Fujifilm X-T20

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Promontory Peninsula – Antelope Island SP, UT – Fujifilm X-T20

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Sunlight Falling On The Salty Water – Antelope Island SP, UT – Fujifilm X-T20

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Light Streaming Over Antelope Island – Antelope Island SP, UT – Fujifilm X-E1

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Wasatch Mountains From The Causeway – Antelope Island SP, UT – Fujifilm X-E1

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Frary Peak Reflected – Antelope Island SP, UT – Fujifilm X-E1

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Deer Statue – Antelope Island SP, UT – Fujifilm X-E1

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Old Salty Stump – Antelope Island SP, UT – Fujifilm X-E1

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Frozen Stump – Antelope Island SP, UT – Fujifilm X-T20

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Ice, Lake & Mountains – Antelope Island SP, UT – Fujifilm X-E1

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Cracked Earth – Antelope Island SP, UT – Fujifilm X100F

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Buffalo Snow – Antelope Island SP, UT – Fujifilm X-T20

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Bison In The Road – Antelope Island SP, UT – Fujifilm X-E1

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Area Closed For Bison – Antelope Island SP, UT – Fujifilm X-E1

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One Buffalo – Antelope Island SP, UT – Fujifilm X-A3

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Pulling Hard – Antelope Island SP, UT – Fujifilm X100F

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Park Patrol – Antelope Island SP, UT – Fujifilm X100F

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On The Fence – Antelope Island SP, UT – Fujifilm X100F

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State Park Workday – Antelope Island SP, UT – Fujifilm X100F

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Waiting Game – Antelope Island SP, UT – Fujifilm X100F

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Leather Gloves – Antelope Island SP, UT – Fujifilm X100F

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Circle Hashtag – Antelope Island SP, UT – Fujifilm X-E1

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Fielding Garr Ranch Fence – Antelope Island SP, UT – Fujifilm X-E1

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Empty Marina – Antelope Island SP, UT – Fujifilm X-E1

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Boys Playing In The Great Salt Lake – Antelope Island SP, UT – Fujifilm X-E1

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Pollution – Antelope Island SP, UT – Fujifilm X-T20

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Photoessay: Antelope Island State Park Buffalo Corral

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Buffalo Corral – Antelope Island SP, UT – Fujifilm X100F

Antelope Island is the largest island in the Great Salt Lake. It’s home to about 700 wild buffalo. Every year Antelope Island State Park rounds up the buffalo herd so that they can be counted, examined, and vaccinated. This event, which is open to the public, happens every autumn and takes place over a seven day period.

I had the opportunity to photograph a portion of this year’s buffalo roundup, which I was very excited about. I missed the actual roundup, where a bunch of cowboys on horseback traverse the island to guide the bison to the corral, but I did get to witness the second phase, where the animals are seen one at a time by a veterinarian. This operation takes a team of about 40 people several days to complete. It’s fascinating to watch, but it’s also a slow process and there is a lot of downtime where very little is happening.

I used my Fujifilm X100F to capture these photographs, which are all unedited camera-made JPEGs. For the camera settings I used the [Not] My Fujifilm X-Pro2 Tri-X Cross Process Film Simulation Recipe, utilizing the X100F’s built-in neutral density filter so that I could use high ISOs even in bright midday light. I took a photojournalist approach, and I think these settings worked particularly well for it. I’m pleased with how this series turned out and I hope that you enjoy the pictures!

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White Rock Bay – Antelope Island SP, UT – Fujifilm X100F

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Park Patrol – Antelope Island SP, UT – Fujifilm X100F

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Time To Watch Buffalo – Antelope Island SP, UT – Fujifilm X100F

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Waiting For A Buffalo – Antelope Island SP, UT – Fujifilm X100F

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Buffalo Corral Workers – Antelope Island SP, UT – Fujifilm X100F

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Buffalo Head – Antelope Island SP, UT – Fujifilm X100F

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Cautious Buffalo – Antelope Island, UT – Fujifilm X100F

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Running Bison Calf – Antelope Island SP, UT – Fujifilm X100F

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Roundup Downtime – Antelope Island SP, UT – Fujifilm X100F

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Rope On The Gate – Antelope Island SP, UT – Fujifilm X100F

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Leather Gloves – Antelope Island SP, UT – Fujifilm X100F

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A Buffalo – Antelope Island SP, UT – Fujifilm X100F

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Workers Waiting – Antelope Island SP, UT – Fujifilm X100F

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Between Buffalo – Antelope Island SP, UT – Fujifilm X100F

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On The Fence – Antelope Island SP, UT – Fujifilm X100F

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Utah Cowboys – Antelope Island SP, UT – Fujifilm X100F

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Park Ranger – Antelope Island SP, UT – Fujifilm X100F

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Bison Barriers – Antelope Island SP, UT – Fujifilm X100F

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From The Holding Pen – Antelope Island SP, UT – Fujifilm X100F

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Mother & Calf – Antelope Island SP, UT – Fujifilm X100F

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Buffalo Track – Antelope Island SP, UT – Fujifilm X100F

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Three Bison – Antelope Island SP, UT – Fujifilm X100F

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Tractor Ride – Antelope Island SP, UT – Fujifilm X100F

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State Park Workday – Antelope Island SP, UT – Fujfilm X100F

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Circular Gate Operator – Antelope Island SP, UT – Fujifilm X100F

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Rope Preparation  – Antelope Island SP, UT – Fujifilm X100F

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Bison Spying – Antelope Island SP, UT – Fujifilm X100F

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Rope Pull – Antelope Island SP, UT – Fujifilm X100F

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Pulling Hard – Antelope Island SP, UT – Fujifilm X100F

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Rope Runner – Antelope Island SP, UT – Fujifilm X100F

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Waiting Games – Antelope Island SP, UT – Fujifilm X100F

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Waiting Buffalo – Antelope Island SP, UT – Fujifilm X100F

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Bison Skull – Antelope Island SP, UT – Fujifilm X100F

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Island Shore View – Antelope Island SP, UT – Fujifilm X100F

Tri-X Push Process On The Fujifilm X100F

I have been using the [Not] My Fujifilm X-Pro2 Tri-X Push Process Film Simulation Recipe on my Fujifilm X100F, and I realized that the X100F is actually a better camera to use these settings on. Why? I will explain that in just a moment.

The Tri-X Push Process recipe is my favorite black and white option. It creates stunning results that are so film-like that you could easily convince people that it is film you used and not digital capture. The “problem” with it is that it requires a high ISO, the higher the better, in fact. It looks best at ISO 12800, which is a practical setting for dark situations but not for anything else. The recipe can’t be used all of the time because often it’s just too bright to use an ultra-high ISO.

Bumble Bee – Kaysville, UT – Fujifilm X100F “Tri-X Push Process”

The Fujifilm X100F has a 3-stop neutral density filter built in. That means on the X100F the Tri-X Push Process recipe can be used anytime if you activate the neutral density filter in bright light situations. This is one reason, albeit an unexpected reason, why the X100F is such a great camera!

I do find it funny that I’m using the neutral density filter to increase the ISO. I doubt anyone at Fujifilm expected that to be a use of this feature. It was intended to allow a slower shutter speed or a wider aperture. I’m using it for an unorthodox reason. It’s a great feature on the camera that is often overlooked.

My Fujifilm XF10 Film Simulation Recipes

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I have created many wonderful film simulation recipes for X-Trans III cameras, but none of those can be used on my Fujifilm XF10. I had to create brand-new film simulation recipes for this camera. I used my experience with other Fujifilm cameras to create different straight-out-of-camera looks that I would appreciate.

You can only have one custom setting saved on the XF10. The default settings that I have programmed for the camera are my Classic Chrome recipe. If I want a look with more saturation I’ll adjust the settings to my Velvia recipe. If I want black-and-white I’ll adjust the settings to my Monochrome recipe. It’s a little bit of a pain to be constantly switching, so I try to not go back-and-forth any more than I need to.

While I use these recipes on my XF10, they’re compatible with the X-T100, X-A5, X-A3 and any X-Trans I or X-Trans II camera. The rendition might vary slightly from model-to-model, but the overall look should be fairly consistent. These settings won’t translate to X-Trans III or X-Trans IV.

Aside from some minor cropping, the photographs in this article are all straight-out-of-camera JPEGs. I like to keep my workflow as simple as possible, and Fujifilm’s different film simulation options allow me to rely on camera-made JPEGs. Using JPEGs instead of RAW saves me a ton of time. I appreciate being in front of a computer less and behind a camera more.

Below are my Fujifilm XF10 film simulation recipes!

Classic Chrome

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Ghosts of the Past – Ogden, UT – Fujifilm XF10

This is my go-to film simulation option. I use it significantly more often than the other recipes. It has a classic Kodak film look, although not exactly like any one in particular. I think it most closely resembles 1960’s era Ektachrome, but it’s not an exact match. Even so, it looks great and is quite versatile. It has a lot of contrast, just vibrant enough colors and a warm tone.

Classic Chrome
Dynamic Range: DR-Auto
Highlight: +1 (0 sometimes in high-contrast situations)
Shadow: +2
Color: +1
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +3 Red & -4 Blue

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Kids At The Lake – East Canyon SP, UT – Fujifilm XF10

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Bolsey 100 – South Weber, UT – Fujifilm XF10

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Terminal Windows – SLC, UT – Fujifilm XF10

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Flag On A Pole – Layton, UT – Fujifilm XF10

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FED 5c Window – South Weber, UT – Fujifilm XF10

Velvia

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Vibrant Bloom – Riverdale, UT – Fujifilm XF10

Velvia was one of my favorite films. It produced incredibly vibrant colors. Apparently Fujifilm didn’t intend to make such a wild film, it was more of an accident than anything else, but it quickly become the standard film for color landscape photography. Something interesting that I recently learned is one of the people who helped develop Velvia for Fujifilm also helped develop the Velvia Film Simulation. The film simulation isn’t a 100% match to Velvia 50, but perhaps closer to Velvia 100F. My recipe is intended to produce a look that is closer to Velvia 50.

Velvia
Dynamic Range: DR-Auto
Highlight: 0 (+1 in low-contrast situations, -1 in high-contrast situations)
Shadow: +1
Color: +2
Noise Reduction: -2
Sharpening: -1
White Balance: Auto, +1 Red & -3 Blue

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Historic Dragon – Ogden, UT – Fujifilm XF10

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Scattering of Red – Fruit Heights, UT – Fujifilm XF10

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Sunlight Through The Forest – Bountiful, UT – Fujifilm XF10

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Green Leaves – Layton, UT – Fujifilm XF10

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Yellow Amid Red – Riverdale, UT – Fujifilm XF10

Monochrome

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Shy Horse – South Weber, UT – Fujifilm XF10

The XF10 lacks Fujifilm’s greatest film simulation: Acros. Instead it has the old Monochrome option, which is alright but not nearly as good as Acros. Despite this, it is possible to get nice black-and-white camera-made JPEGs from the XF10. There are four different options, and to understand what each does one must understand what different colored filters do to black-and-white film, as +Y simulates using a yellow filter, +R simulates a red filter and +G simulates a green filter. If you know how to use color filters on black-and-white film then you know when to pick which option on the XF10.

Monochrome (Monochrome+Y, Monochrome+R, Monochrome+G)
Dynamic Range: DR-Auto
Highlight: +1 (+2 in low-contrast situations)
Shadow: +2 (+1 in high-contrast situations)
Noise Reduction: -2
Sharpening: -1

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Wishes Waiting – Fruit Heights, UT – Fujifilm XF10

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Plastic Fingers – Ogden, UT – Fujifilm XF10

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Hat Abstract – South Weber, UT – Fujifilm XF10

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Dream – Ogden, UT – Fujifilm XF10

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Tilted Pier – East Canyon SP, UT – Fujifilm XF10

Taos Pueblo, New Mexico – Part 2: Monochrome

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Storm Over Pueblo – Taos, NM – Fujifilm X-Pro2 & 60mm

Part 1 – Color

One thing I found particularly fascinating about the Taos Pueblo is that this historic site is still inhabited. This is a real home to many people. The doors and windows belong to someone. Inside there are living spaces, bedrooms and kitchens. Surrounding the two large pueblos are even more houses. There’s a church. This is a community.

Visiting Taos is like being invited into a stranger’s home. You have the opportunity to see a more intimate side of things, and perhaps come away with a different perspective. What I found in Taos was not what I had pictured in my mind prior to visiting, but something much more interesting. There’s a certain profoundness to this place that’s difficult to put into words.

I appreciate those in Taos for allowing me in, answering my questions and showing hospitality and kindness. Unfortunately, my stay was much too short. I had only a couple of hours to spend at the pueblo, and then it was time to continue down the highway to Santa Fe. I truly hope that the opportunity to return comes sooner than later.

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Taos Tourist – Taos, NM – Fujifilm X100F

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Jacob’s Ladder – Taos, NM – Fujifilm X-Pro2 & 60mm

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Dream Ladder – Taos, NM – Fujifilm X100F

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Tree & Shed – Taos, NM – Fujifilm X-Pro2 & 60mm

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Bells & Crosses – Taos, NM – Fujifilm X-Pro2 & 60mm

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Pueblo Sky – Taos, NM – Fujifilm X100F

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Taos & Sky – Taos, NM – Fujifilm X-Pro2 & 60mm

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Second Floor Pueblo – Taos, NM – Fujifilm X-Pro2 & 60mm

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Pueblo Roof – Taos, NM – Fujifilm X-Pro2 & 60mm

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Boxy – Taos, NM – Fujifilm X-Pro2 & 60mm

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Taos Pueblo Apartments – Taos, NM – Fujifilm X-Pro2 & 60mm

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Storm Approaching Taos – Taos, NM – Fujifilm X100F

Photoessay: Along The Highway, Part 6 – Oklahoma in Monochrome

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Stu – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

Colorado  New Mexico  West Texas  East Texas  Oklahoma (Color)  Wyoming

Pawhuska is a rural town in northeastern Oklahoma that once boomed. The 1920’s were especially roaring, but the 1930’s included an oil bust, the Great Depression and the Dust Bowl, scars of which are clearly evident to this day. The Boy Scouts of America began in Pawhuska over 100 years ago. The town is also home to Drummond Ranch, which is one of the largest ranches in the country. Ree Drummond has a popular television cooking show and has authored a number of books. She also has a store and restaurant in town, and that’s why my wife and I were there.

The town is quite small, but photographic opportunities were numerous. In fact, I made more exposures in Pawhuska than any other place we visited on our road trip. There’s a lot of history, character and hospitality packed into the little town in the middle of nowhere. Pawhuska proved to be a great experience! I felt as though I left many potential pictures unphotographed, so perhaps another visit will be in store in the future.

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Double Flag – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Kitchen Window – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Bakery – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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County Courthouse – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Broken Glass Through The Glass – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Industrial Brick – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Industrial Design – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Star – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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The Other Mother – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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The Merc – Pawhuska, OK – X-Pro2 & 60mm – US HWY 60

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Mercantile – Pawhuska, OK – Fujifilm X100F – US HWY 60

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Cafe Flowers – Pawhuska, OK – Fujifilm X100F – US HWY 60

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Wet Tables – Pawhuska, OK – Fujifilm X100F – US HWY 60

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Unlikely – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Pawhuska Rain – Pawhuska, OK – Fujifilm X100F – US HWY 60

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Osage County – Pawhuska, OK – Fujifilm X100F – OK HWY 99

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Thunder Sky – Pawhuska, OK – Fujifilm X100F – OK HWY 99

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Rural Cows – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Horse Gate – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Two Horses In The Grass – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

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Rural Mail – Pawhuska, OK – Fujifilm X-Pro2 & 60mm – US HWY 60

Great Sand Dunes National Park, Colorado – Part 1: Monochrome

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Great Sand Dunes Sign – Great Sand Dunes NP, CO

In July my family and I visited the Great Sand Dunes National Park and Preserve near Alamosa, Colorado. This national park features the tallest sand dunes in North America. The towering Sangre de Cristo Mountains loom in the background. It’s an impressive and unusual landscape!

During wetter months the Medano Creek flows beneath the sand dunes, and in order to get to the dunes one must get their feet wet. We were there during a dry month and there was no water in the wide creek bed. Unsurprisingly, a visit to the sand dunes requires a significant amount of walking on sand, which means that it takes more effort and more time to get from one point to another. It’s no walk in the park, and it’s best to come prepared with plenty of water and ready for the hike.

While we were there, once on the dunes, the wind was blustery and it kicked up the sand quite fiercely. It pelted our legs and would occasionally blow in our faces and get into our eyes. It was more of an issue for the kids since they’re shorter. It was not a fun experience, so we did not stay on the dunes for very long.

The place offers amazing photographic opportunities. If you like working with shadows and highlights and abstract shapes, this is the place for you! The Great Sand Dunes National Park is one of those special landscapes where it’s difficult to come away with bad pictures. I had with me a Fujifilm X-Pro2 with a Fujinon 60mm f/2.4 Macro lens attached to the front. The X-Pro2 is weather sealed, but the lens is not. Thankfully I did not get dust on the sensor. I would strongly recommend not changing lenses while at the dunes, as you’re just asking for trouble by doing so.

We were only at the sand dunes for a couple of hours. It would have been great if we could have stayed longer. I think that a sunrise hike to the top would have been epic, but time just didn’t allow for it. Even so, we were glad for the opportunity that we did have. I’m happy with the photographs and memories that I came away with.

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Great Sand Dunes – Great Sand Dunes NP, CO

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Mountains & Sand Across The Valley – Great Sand Dunes NP, CO

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Mountain of Sand – Great Sand Dunes NP, CO

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Stroller Alone – Great Sand Dunes NP, CO

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Sand & Sangre de Cristo – Great Sand Dunes NP, CO

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Running In The Sand – Great Sand Dunes NP, CO

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It’s A Long Ways To The Top – Great Sand Dunes NP, CO

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Mountain, Sand & Sky – Great Sand Dunes NP, CO

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Sand & Sierra Sky – Great Sand Dunes NP, CO

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Improbability – Great Sand Dunes National Park, CO

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Sand Walkers – Great Sand Dunes NP, CO

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Passerby – Great Sand Dunes NP, CO

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Silver Sand – Great Sand Dunes NP, CO

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Sandal In The Sand – Great Sand Dunes NP, CO

Part 2 – Color

Road Trip: Grand Canyon National Park, Part 2: Monochrome

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Canyon Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

Part 1 – Color

I’ve heard it said that at Grand Canyon National Park your widest lens isn’t wide enough and your longest lens isn’t long enough, no matter how wide-angle or telephoto those lenses might be. I’ve been to the Grand Canyon several times, and each time I’ve felt that way. The place is amazing, yet it seems difficult to do it justice with a camera.

The canyon is huge! The national park is almost 2,000 square miles. The Colorado River traverses 277 miles through it. At its deepest point (or, really, the highest part of the rim to the river) is 6,000′. The longest stretch across rim-to-rim is 18 miles. It’s hard to effectively portray this scale in a photograph.

The Grand Canyon is the most photographed landmark in Arizona and one of the most photographed places in America, with tens of thousands of images created within the park daily. The task of creating something that’s photographically unique is nearly impossible. I’m sure that there are hundreds of pictures that look almost identical to mine. One has to spend significant time within the park, as well as exercise the creative mind, in order to capture something different than what’s already been done before.

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Watchtower Sky – Grand Canyon NP, AZ – Fujifilm X100F

I was attempting art with some of the photographs that I captured at the Grand Canyon. Other images were family snapshots meant simply for memories. There’s a difference between interpreting and documenting. Both are valid and serve different purposes, and they each take a different approach to accomplish. In this article you’ll find both.

I used my Fujifilm X100F for most of these pictures, which are all straight-out-of-camera JPEGs. The Acros Film Simulation makes for exceptional monochrome images, and I used my Acros and Acros Push-Process film simulations for these X100F images. I used my Fujifilm X-A3 with a Jupiter 21M lens for three of these pictures, which are also camera-made JPEGs. I used the Monochrome film simulation, which isn’t as good as Acros, but the X-A3 doesn’t have Acros so I couldn’t use it.

I love black-and-white photography, and Grand Canyon National Park is a wonderful place to create monochrome images. I look forward to returning. Grand Canyon is a special place, and it’s been much too long between visits. Maybe next time I can stay a little longer.

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Kids Approaching The Rim – Grand Canyon NP, AZ – Fujifilm X100F

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Maricopa Point – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M 

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Canyon Juniper – Grand Canyon NP, AZ – Fujifilm X100F

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Boy Riding Backwards – Grand Canyon NP, AZ – Fujifilm X100F

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Strapped In Her Stroller – Grand Canyon NP, AZ – Fujifilm X100F

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Joy of Window Shopping – Grand Canyon NP, AZ – Fujifilm X100F

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From Behind Glass – Grand Canyon NP, AZ – Fujifilm X100F

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Two Young Explorers – Grand Canyon NP, AZ – Fujifilm X100F

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Tree Over Arch – Grand Canyon NP, AZ – Fujifilm X100F

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Of Light & Shadow – Grand Canyon NP, AZ – Fujifilm X100F

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Canyon Grand – Grand Canyon NP, AZ – Fujifilm X100F

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Scraggly Tree At Grand Canyon – Grand Canyon NP, AZ – Fujifilm X100F

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Looking West From Desert View – Grand Canyon NP, AZ – Fujifilm X100F

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The Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Mary’s Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Watchtower Sun – Grand Canyon NP, AZ – Fujifilm X100F

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Desert Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Telescoping – Grand Canyon NP, AZ – Fujifilm X100F

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Canyon River – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Sky Above The Canyon Below – Grand Canyon NP, AZ – Fujifilm X100F

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The Grand View – Grand Canyon NP, AZ – Fujifilm X100F

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Heavenly Sky – Valle, AZ – Fujifilm X-A3 & Jupiter 21M

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Passed By – Williams, AZ – Fujifilm X100F

Travel: Canyonlands National Park, Part 2: Monochrome

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Subtlety – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

Part 1

I surprised myself with how few images I captured in monochrome of Canyonlands National Park. During that visit I most often chose color, as the lighting made for wonderful color photographs, and I only went with black-and-white here and there. This is the opposite of what happened at Arches National Park earlier in the day, in which I chose monochrome more often because of the poor light. In general, I’m more drawn towards black-and-white photography, and so it was very unusual for me to focus so much on color.

Canyonlands was a  joy to photograph and I felt like I came away with some print-worthy exposures. The pictures in this post were mostly captured using my Fujifilm X-A3 with a Jupiter 21M lens attached, which is a good telephoto combination. I used the Monochrome+R film simulation, which isn’t as good as Acros, but the X-A3 doesn’t have Acros and so I couldn’t use it (the lone Fujifilm X100F image was captured using Acros). All of these photographs are straight-out-of-camera JPEGs, which I prefer because it saves me tons of time. A couple of them could have been slightly improved if I had edited the RAW exposure, but the JPEGs are certainly good enough in this case.

If I ever have the chance, I’d love to spend a week at Canyonlands National Park. I feel like I barely touched the surface of the potential photo opportunities there. It seems like a place that could provide plenty of portfolio material. It was just so breathtakingly beautiful and peaceful. I just can’t say enough about Canyonlands! If you ever have the chance to go, definitely go, you won’t be disappointed.

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La Sal Moon – Canyonlands NP, UT – Fuji X-A3 & Jupiter 21M

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La Sal From Island In The Sky – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Mountains Through Mesa Arch – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Tree at Grand View Overlook – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Oh, Deer – Canyonlands NP, UT – Fujifilm X100F

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Monochrome Mesas – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

See also: Dead Horse Point State Park

Travel: Arches National Park – Part 2: Monochrome

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Arch & La Sal – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

Part 1

As I mentioned in part one, the lighting for photography was pretty terrible during the few hours that I was at Arches National Park. Still, the place was nothing short of amazing! I wanted to capture it all, and found that black-and-white was often a better choice than color. I think if I had been there closer to sunrise or sunset, color would have been the way to go. Because I was up against the harsh midday sun, monochrome seemed to better express the abnormally stunning landscape.

On the X100F I used my Acros and Acros Push-Process film simulations, except that I had the dynamic range set to DR400. I often chose Acros+R to simulate the use of a red filter (making the blue sky darker), although the results are closer to what one would get with an orange filter in real black-and-white film photography and not a red filter. On the X-A3 I primarily used the B&W+R film simulation with the highlights and shadows set to +2, which seems to give the right amount of contrast in most situations.

All of the photographs in this article are camera-made JPEGs. If I had relied on RAW and used Lightroom or some other software on my computer, I’d probably still be editing the pictures. Instead, I saved a ton of time and relied on the camera’s great JPEG processor. I’m happy with the results. I didn’t capture any portfolio worthy pictures, but all things considered, I managed at least a few decent photographs that I’m proud to show here. I just hope for the opportunity to return and photograph Arches National Park in better light.

If you ever have the chance to go, I highly recommend this place. It’s so unusual, filled with seemingly impossible formations and brilliant colors. It’s a landscape photographer’s playground. Or just a great place to wander in the wonder of nature. I enjoyed my short visit to Arches National Park, and I cannot wait to return, hopefully sooner than later.

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Park Avenue – Arches NP, UT – Fujifilm X100F

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Queen Nefertiti – Arches NP, UT – Fuji X-A3 & Jupiter 21M

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Beanpole – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Mt. Peale In The Distance – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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La Sal Range – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Monochrome Rocks – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Gossip – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Balanced Rock – Arches NP, UT – Fujifilm X100F

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Balance – Arches NP, UT – Fujifilm X100F

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Graboid – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Monument – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Window Arch & La Sal – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Bird Flew – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Monochrome Arch – Arches NP, UT – Fujifilm X100F

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Rock Window – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Mt Peale – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Tree In Rocky Terrain – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Window Arch In Monochrome – Arches NP, UT – Fujifilm X100F

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Cairn & Arch – Arches NP, UT – Fujifilm X100F

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The Desert Is Unforgiving – Arches NP, UT – Fujifilm X100F

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Three Stone Peaks – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Monochrome Layers – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Over The Desert Ridge – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M

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Hidden Human Head – Arches NP, UT – Fujifilm X-A3 & Jupiter 21M