My Fujifilm “Classic Negative” Film Simulation Recipe (For X-Trans III)


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November Morning – South Weber, UT – Fujifilm X-T20 – “Classic Negative”

The Fujifilm X-Pro3 has a new film simulation: Classic Negative. This film simulation is supposed to mimic the look of Superia film. The Classic Negative film simulation is expected to make its way to the X-T3 and X-T30 via a firmware update at some point in the near future, but for now the X-Pro3, which is still a couple weeks out from shipping, is the only camera with it. I’ve already had a number of requests for a film simulation recipe that resembles Classic Negative, despite it being so new.

To be clear, I have absolutely zero experience with the Classic Negative film simulation. There’s only a small sampling of examples that I could find online. I have used Superia film before, but sometimes the film simulations aren’t exact matches to the film they’re supposed to look like. From what I can tell, in this case Fujifilm did a decent job of creating a film simulation that resembles the film.

Classic Negative is actually a little different than other film simulations. Fujifilm has increased the color contrast in it compared to other film simulations. How it renders the picture depends on the lighting and exposure. The darker the light, the lower the saturation, while the brighter the light, the stronger the saturation. In addition, warm colors seem to be a little more vibrant, and cool colors appear a little less so. Highlights seem to have a creamy quality to them, while blacks look a tad faded. This is unlike any other option Fujifilm has given us, so you can imagine creating a film simulation recipe that mimics this is very difficult.

Fujifilm X-Pro3 Blog

According to Fujifilm, this new film simulation has the second-most contrast out of all of them, only behind Velvia, while the saturation is in the range of PRO Neg. Std. I found it difficult to create a high-contrast look that doesn’t blow out highlights or create blocked shadows. I also found it difficult to recreate the look of warm and slightly vibrant skin tones while also creating cool and dull shadows, as you can only get one right. I tried to find a happy middle ground that’s not very far off on anything and generally provides a similar aesthetic. I hope that I succeeded, although I’m not completely confident in that I did.

I didn’t initially intend to share this recipe until I had a chance to see Classic Negative for myself. When the Eterna film simulation came out, I created a recipe for it for my camera that didn’t have it. Some time later, once I had a chance to shoot with Eterna, I realized that my recipe wasn’t as close as I thought or hoped it would be. I’m guessing this one might turn out to be the same. However, a Fuji X Weekly reader urged me to share it, even if it might turn out to be wrong, as some people might like it anyway. I hope that you do like it, whether or not it is completely accurate to the real Classic Negative film simulation.

PRO Neg. Std
Dynamic Range: DR400
Highlight: +3
Shadow: +2
Color: -3
Noise Reduction: -4
Sharpening: +1
Grain Effect: Weak
Color Chrome Effect: Off or N/A
White Balance: 6700K, -2 Red & +7 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs made using this “Classic Negative” film simulation recipe:

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Smile of Joy – South Weber, UT – Fujifilm X-T30

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November Red Shed – South Weber, UT – Fujifilm X-T30

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Dormant Neighborhood Tree – South Weber, UT – Fujifilm X-T30

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Icy Leaf – South Weber, UT – Fujifilm X-T30

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Brown Cottonwood Leaf – South Weber, UT – Fujifilm X-T20

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Brown Eye Boy – South Weber, UT – Fujifilm X-T20

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Mixed Use Crate – South Weber, UT – Fujifilm X-T30

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Backyard Winter – South Weber, UT – Fujifilm X-T30

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Brown Leaf Pile – South Weber, UT – Fujifilm X-T30

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Suburban House – South Weber, UT – Fujifilm X-T30

See also: My Film Simulation Recipes

Fujifilm X100F Review Blog

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38 comments

  1. Cody · November 7

    Thanks for sharing! I was going to add since it was mentioned, Jonas Rask’s review of the xpro 3 includes tons of pics he claimed were only shot with classic-neg if you haven’t seen his examples…
    https://jonasraskphotography.com/2019/10/23/x-pro3-a-different-breed-first-look-extensive-preview/
    I haven’t felt any need to want to upgrade my XT2 body until this new color profile became offered 😦 hopefully someday it will trickle down beyond the X-3’s since I can’t afford any new gear till I win the lotto 😛

    Liked by 1 person

    • Ritchie Roesch · November 7

      I did look at his pictures as a reference, it was a great help. Thank you for sharing!

      Like

      • Marc Serafin · May 8

        Could you do a recipe for the Jonas Rask XPro3 look, especially the portraits from that review(for X Trans III)? He uses classic negative and fx blue and gets these insanely good skin tones. I think he also does some minor adjustments in post to the jpegs on that review.

        Liked by 1 person

      • Ritchie Roesch · May 9

        I’ll take a look at it, but it might be difficult without Classic Negative or Color Chrome Blue.

        Like

  2. Jackie · November 7

    How’s this one different from the other you posted last week? https://fujixweekly.com/2019/10/26/my-fujifilm-x-t30-color-negative-film-simulation-recipe/

    Like

    • Ritchie Roesch · November 7

      It’s not much different, but there are some differences. Color Negative is slightly more vibrant than Classic Negative. They’re pretty close to each other, though.

      Like

  3. Tom · November 8

    Is the white balance set at 6700K applicable for all, or most, situations? Or do you find yourself modifying it from time to time. I guess this question is appropriate for all your film simulations that use that white balance setting.

    Like

    • Ritchie Roesch · November 8

      Well, it works best for daylight or shade, but under artificial light it will have a weird color cast.

      Like

      • Jim Fisher · June 22

        Just as genuine film did. We either used daylight or tungsten balanced film.

        Liked by 1 person

  4. mohammed samsheer · November 10

    Can you help me out finding one of your film simulations? i searched it last night but was unable to find it.
    I remember that the pictures were very moody and blue.
    i believe you had taken couple of pictures inside a boat ,one of it was a portrait of a lady.
    Any help would be appreciated.
    thanks in advance

    Like

  5. Dia · November 10

    Nice work Ritchie,
    I’m using XT3 , and am dedicating the (K) white balance to be at 3200 for the CineStill recipe :(, is there any way use one of the custom 1-3 option WB instead of 6700K, -2 Red & +7 Blue? any tip for that?

    Like

    • Ritchie Roesch · November 10

      I tried some different things before settling on a Kelvin temperature. You could use Custom White Balance, but you’d have to figure out how to get it to record a white balance that’s the same as 6700K, and I don’t really know how to do that outside of trial and error. Best of luck!

      Like

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    • Ritchie Roesch · November 24

      Looks lovely! Can’t wait to try it myself someday. Thank you for sharing!

      Like

  10. Jun Park · November 25

    Hi Mr.Roesch 🙂
    I’m Korean XT2 Shooter.
    Your way of creating film simulations is very interesting. Last night I saw this post, and it’s weird in fluorescent lights, so I just wait for the morning to come. I previously only used Acros and Classic Chrome. But now I love that thanks to the ProNegStd based recipes you make. Eterna, Superria, Classic Neg. I’m always grateful for the fun, and thanks to that, I bought the XT2 two months ago, which is a vivid new technology for me.

    Liked by 1 person

    • Ritchie Roesch · November 25

      I’m so glad that you like the recipes! Thank you for letting me know, I appreciate the feedback. This recipe is indeed weird in artificial light (unless you use a color correction filter), but it looks good in natural light.

      Like

  11. Mario Salinas · November 27

    Hey Ritchie,

    Thanks for all the great recipes you’ve put out. I use many of them frequently in my XT-2 and X-100T.
    How would you adapt this recipe to an X100T, X-Trans II sensor?

    Like

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  19. Long Nguyen · March 14

    Hi Richie,
    Could you please create this recipe for the old X-T1?
    Thank you very much!

    Like

    • Ritchie Roesch · March 16

      I will look into that. I’m not sure how well it will translate into X-Trans II, but I’ll give it a try.

      Like

      • eon · June 2

        is there any solution for x-t1 to simulate classic neg. THX

        Like

      • Ritchie Roesch · June 2

        I don’t think it’s really possible. Classic Negative is it’s own thing, that’s quite unique. But maybe it’s possible to get somewhat close-ish.

        Like

  20. Rico Ireneo · June 23

    Hi Ritchie, can this be applied for X100F? Or will there be an update on the future on this recipe? Thank you!

    Like

    • Ritchie Roesch · June 23

      You can use this on the X100F. But it’s not really all that close to Classic Negative (I think it’s impossible to accurately simulate Classic Negative). My opinion is that my Analog Color recipe, my Fujicolor Industrial recipe (neither of which are fully compatible with the X100F, but feel free to try anyway), and my Superia 800 recipe are in the ballpark of Classic Negative, but perhaps in the nosebleeds.

      Like

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