House Underwater – Thistle, Utah

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House in a Frozen Pond – Thistle, UT – Fujifilm XF10

Thistle, Utah, is a strange place. It’s a little ghost town in Spanish Fork Canyon in the Wasatch Mountains. It was established in 1878 and was a railroad town, situated along the Rio Grande mainline. U.S. Route 6 and U.S. Route 89 intersected in Thistle. A lot of people and cargo passed through there, but the town never really became much of anything. At it’s peak in the 1920’s, the town had a population of just over 400 people.

I had heard of Thistle many years ago, because photographer Richard Steinheimer had captured two of his most well known pictures there. I had never visited it, nor did I have any idea of what it looked like, outside of a couple black-and-white prints captured in the 1950’s. It was a recent adventure that led me to stumble upon Thistle quite by accident. I passed through it not knowing what I was passing through, and stopped because I saw something interesting.

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Photo by Richard Steinheimer

Steinheimer, if he were still alive, would not recognize Thistle. Both highways have been rerouted and the tracks have been realigned. Even the Spanish Fork River isn’t entirely in the same place. The town is almost entirely gone, with the exception of a half-submerged house and some crumbling ruins that are barely hanging on. In 1983 there was a massive mudslide that demolished the little town of Thistle. It completely destroyed the area. At the time it was the costliest landslide in U.S. history.

The ruins of Thistle are easy to miss. On the west side of Route 89 are a couple crumbled buildings that almost blend into the landscape. On the east side of the highway is an old house that’s halfway deep in water, hidden behind some tall brush. I’m sure many people drive right through Thistle and don’t even realize it. There’s not much to see. There wasn’t much to see when the town was still a town, but there’s really not much left today.

I visited Thistle on a cold winter day, much like Steinheimer did back before my parents were even born. The location is beautiful, and the snow hides the tragic remains. I’m glad that fate took me to this cold and lonely place as I appreciate the adventure. Thistle will soon be completely gone and I’m thankful that I got to see it before then. Still, I don’t think I’ll be returning anytime soon.

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Ice Cold Home – Thistle, UT – Fujifilm XF10

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Defaced & Decaying – Thistle, UT – Fujifilm X-T20

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Hidden Hiemal Haggard Home – Thistle, UT – Fujifilm X-T20

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Old Frozen Home – Thistle, UT – Fujifilm X-T20

Travel: Snow Canyon State Park – St. George, Utah

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Crevasse Tree – Snow Canyon SP, UT – Fujifilm X-T20

Earlier this week my family and I traveled to southern Utah. One place that we visited was Snow Canyon State Park, which sits just outside of St. George. This place was new to us. I saw it on a map and thought it might be interesting, so we went. I knew nothing about Snow Canyon State Park other than how to get there. I didn’t have any expectations, but if I did they would have been blown away. This is a really neat state park!

Despite the name, Snow Canyon doesn’t receive much snow. It was named after the Snow family, who were early settlers to the area. The park features beautiful red sandstone, petrified sand dunes, a couple of small arches and different lava formations. It’s a place that begs to be explored. It’s a great location for hiking, camping and rock climbing–oh, and definitely photography!

We arrived about 30 minutes before sunset and stayed for about 15 minutes after. We didn’t have a long visit, which is a shame because it seems like an awesome park! In the short time that we were there we had a lot of fun. The kids ran around and explored as much as they could. From what I can tell the park has a lot to offer, including some large lava tubes that would have been fun to find. I didn’t know about the lava tubes until after we left, so we’ll have to find them the next time that we visit.

There are most certainly some great photographic opportunities in Snow Canyon. The place has something worthy of your camera’s attention at every turn! The quintessential red rocks of the region and the unusual land formations create the potential for great images. I was there for less than an hour and created the pictures in this article, which were captured using a Fujifilm X-T20. Zion National Park, which isn’t far away, get’s a lot of attention, but Snow Canyon State Park shouldn’t be overlooked! It is definitely worth your time to see.

Color

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Last Light On The Cliffs – Snow Canyon SP, UT – Fujifilm X-T20

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Cliff Hanger – Snow Canyon SP, UT – Fujifilm X-T20

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Petrified Sand Dune – Snow Canyon, UT – Fujifilm X-T20

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Overcoming Adversity – Snow Canyon SP, UT – Fujifilm X-T20

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Crevasse Tree in Color – Snow Canyon SP, UT – Fuji X-T20

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Autumn Tree – Snow Canyon SP, UT – Fujifilm X-T20

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Autumn Tree In Snow Canyon – Snow Canyon SP, UT – Fujifilm X-T20

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Exploring Kids – Snow Canyon SP, UT – Fujifilm X-T20

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Moon Over The Rocky Ridge – Snow Canyon SP, UT – Fujifilm X-T20

B&W:

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Rock Hills – Snow Canyon SP, UT – Fujifilm X-T20

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Monochrome Moon, Snow Canyon – Snow Canyon, UT – Fujifilm X-T20

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Using A Phone Because I Had Her Camera – Snow Canyon SP, UT – Fujifilm X-T20

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Small Arch In Monochrome – Snow Canyon SP, UT – Fujifilm X-T20

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Wood In The Sand – Snow Canyon SP, UT – Fujifilm X-T20

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Window Rock Joy – Snow Canyon SP, UT – Fujifilm X-T20

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Alone At The Top – Snow Canyon SP, UT – Fujifilm X-T20

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Monochrome Moonrise – Snow Canyon SP, UT – Fuji X-T20

Great Sand Dunes National Park, Colorado – Part 2: Color

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Sangre de Cristo & Sand Dunes – Great Sand Dunes NP, CO

Part 1 – Monochrome

The Great Sand Dunes National Park lends itself well to black-and-white photography because of the highlight-and-shadow play that is so prevalent, but that doesn’t mean it’s not a good place for color pictures. While I definitely came away with more monochrome images, a couple of my favorite pictures are in color. I imagine that autumn would be especially nice for color photography at this location, and perhaps late-spring or early summer when there is an abundance of fresh green. Late summer features a lot of brown, tan, and yellow, which can still be alright.

All of the photographs in this article are straight-out-of-camera JPEGs captured using my Fujifilm X-Pro2 with a Fujinon 60mm f/2.4 Macro lens attached to the front. I used my Kodachrome II film simulation recipe for most of them. Enjoy!

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Sand Beneath The Peak – Great Sand Dunes NP, CO

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Adversity Alone – Great Sand Dunes NP, CO

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Long Walk Back – Great Sand Dunes NP, CO

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Sand In My Boot – Great Sand Dunes NP, CO

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Approaching The Dunes – Great Sand Dunes NP, CO

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From Dust To Dust – Great Sand Dunes NP, CO

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Sandal – Great Sand Dunes NP, CO

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Torrid Terrain – Great Sand Dunes NP, CO

Road Trip: Black Hills, South Dakota – Days 5 & 6

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East North East – Lusk, WY – Fujifilm X-Pro2 & Meike 35mm

Days 1 & 2  Day 3 – Part 1  Day 3 – Part 2  Day 4 – Part 1  Day 4 – Part 2

The final two days of the road trip to South Dakota involved packing up the trailer and driving home. It was stormy and at times the wind was blowing hard, which meant a lot of white knuckles as I tried to stay on the road. Needles to say, I didn’t capture a whole lot of photographs! I did manage to get a little photography in here and there, which are the pictures you see here.

The Black Hills turned out to be more beautiful and interesting than I had imagined. I felt like I could have stayed several days longer to really experience the place. While Mount Rushmore was a slight let-down, the rest exceeded all expectations. If you’ve never been you’ll have to be sure to someday go.

You might have noticed that I didn’t capture a single photograph using my Fujifilm X100F. All of the photographs in this series were captured using my X-Pro2 (unedited camera-made JPEGs, by the way). The reason for this is that my wife was using the X100F on this trip. Now she has her own camera, an X-T20, so I have my X100F back.

You may have also noticed that I used the Meike 35mm f/1.7 lens a lot on this trip. I learned photography with a nifty-fifty, and for a long time that’s all I had. So having a 50mm (equivalent) focal length lens was a nice change of pace, and I thoroughly enjoyed the experience. The Meike lens, while far from perfect, is well worth the small price it goes for.

I hope that you’ve enjoyed this series. I know that viewing other people’s photographs of someplace is never the same as going yourself and creating your own images. But I hope that this inspires you to get out on your own road trip, camera in hand, to see the wonderful world that’s around you.

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Wyoming Thunderstorm – Orin, WY – Fujifilm X-Pro2 & Meike 35mm

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On Track To Rain – Orin, WY – Fujifilm X-Pro2 & Meike 35mm

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Storm Over Orin – Orin, WY – Fujifilm X-Pro2 & Meike 35mm

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Unleaded Sky – Orin, WY – Fujifilm X-Pro2 & Meike 35mm

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Fingernail Moon – Alcova, WY – Fujifilm X-Pro2 & Meike 35mm

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Always Moving Ahead – Rawlins, WY – Fujifilm X-Pro2 & Meike 35mm

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Trucks, Stopped – Rawlins, WY – Fujifilm X-Pro2 & Meike 35mm

 

 

Road Trip: Black Hills, South Dakota – Day 4, Part 2

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Paddling Sylvan Lake – Custer SP, SD – Fujifilm X-Pro2 & 16mm

Days 1 & 2  Day 3 – Part 1  Day 3 – Part 2  Day 4 – Part 1

After my adventurous morning in Custer State Park, I returned back to the campsite as everyone else was waking up. Once breakfast was finished we drove a short distance to Hill City to visit the small railroad museum and watch the steam train arrive (which we almost missed because we were in the museum). Afterwards we had lunch and then returned to camp.

The afternoon was kept low-key. In the early evening we returned to Sylvan Lake to catch some fish. My eight-year-old son, Jonathan, was eager to attempt fishing in South Dakota. Unfortunately, the kids didn’t catch anything, although we could see the fish jumping all over the place. Still, we had a great time and Sylvan Lake is incredibly beautiful.

That night, after everyone was asleep, my wife and I did some astrophotography (my mother-in-law and sister-in-law were camping with us and stayed behind with the kids). We drove up the Needles Highway to Needles Eye, set the camera up on a tripod, and did some long exposures. It was extremely dark and a little creepy, as we heard plenty of noises around us–that area is full of wildlife. The night sky was full of stars and simply breathtaking. Unfortunately, the cloud-like Milky Way wasn’t visible, and I knew it wasn’t going to be because I had done some research before the trip, but I still wanted to get some nighttime photography in.

I used a Fujifilm X-Pro2 for these photographs, which are all camera-made JPEGs using the different film simulations. I attached a Meike 35mm f/1.7 lens and a Fujinon 16mm f/1.4 lens to the camera. Enjoy!

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Semaphore – Hill City, SD – Fujifilm X-Pro2 & 16mm

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1880 – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

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Telegraph Office – Hill City, SD – Fujifilm X-Pro2 & 16mm

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Tall Train Tales – Hill City, SD – Fujifilm X-Pro2 & 16mm

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Hartmann – Hill City, SD – Fujifilm X-Pro2 & 16mm

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Wood Cart – Hill City, SD – Fujifilm X-Pro2 & 16mm

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Save Money – Hill City, SD – Fujifilm X-Pro2 & 16mm

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Caboose Roof – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

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Amanda, Looking Through The Lens – Hill City, SD – Fujifilm X-Pro2 & Meike 35mm

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Boy With A Fishing Pole – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Preparing To Cast – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Fishing With A Worm – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Fishing Can Be Gross – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Line In The Water – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Joshua Fishing At Sylvan Lake – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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The Cast – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Impatiently Waiting – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Casting The Line – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Johanna Watching From Her Stroller – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Rocks & Trees, Sylvan Lake – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Sylvan Lake In May – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Wood & Stone – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Sylvan Lake Reflection – Custer SP, SD – Fujifilm X-Pro2 & Meike 35mm

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Stars & Stones – Custer SP, SD – Fujifilm X-Pro2 & 16mm

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Stars Over Stones – Custer SP, SD – Fujifilm X-Pro2 & 16mm

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Needles Eye Night – Custer SP, SD – Fujifilm X-Pro2 & 16mm

Days 5 & 6

Road Trip: Grand Canyon National Park, Part 2: Monochrome

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Canyon Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

Part 1 – Color

I’ve heard it said that at Grand Canyon National Park your widest lens isn’t wide enough and your longest lens isn’t long enough, no matter how wide-angle or telephoto those lenses might be. I’ve been to the Grand Canyon several times, and each time I’ve felt that way. The place is amazing, yet it seems difficult to do it justice with a camera.

The canyon is huge! The national park is almost 2,000 square miles. The Colorado River traverses 277 miles through it. At its deepest point (or, really, the highest part of the rim to the river) is 6,000′. The longest stretch across rim-to-rim is 18 miles. It’s hard to effectively portray this scale in a photograph.

The Grand Canyon is the most photographed landmark in Arizona and one of the most photographed places in America, with tens of thousands of images created within the park daily. The task of creating something that’s photographically unique is nearly impossible. I’m sure that there are hundreds of pictures that look almost identical to mine. One has to spend significant time within the park, as well as exercise the creative mind, in order to capture something different than what’s already been done before.

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Watchtower Sky – Grand Canyon NP, AZ – Fujifilm X100F

I was attempting art with some of the photographs that I captured at the Grand Canyon. Other images were family snapshots meant simply for memories. There’s a difference between interpreting and documenting. Both are valid and serve different purposes, and they each take a different approach to accomplish. In this article you’ll find both.

I used my Fujifilm X100F for most of these pictures, which are all straight-out-of-camera JPEGs. The Acros Film Simulation makes for exceptional monochrome images, and I used my Acros and Acros Push-Process film simulations for these X100F images. I used my Fujifilm X-A3 with a Jupiter 21M lens for three of these pictures, which are also camera-made JPEGs. I used the Monochrome film simulation, which isn’t as good as Acros, but the X-A3 doesn’t have Acros so I couldn’t use it.

I love black-and-white photography, and Grand Canyon National Park is a wonderful place to create monochrome images. I look forward to returning. Grand Canyon is a special place, and it’s been much too long between visits. Maybe next time I can stay a little longer.

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Kids Approaching The Rim – Grand Canyon NP, AZ – Fujifilm X100F

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Maricopa Point – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M 

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Canyon Juniper – Grand Canyon NP, AZ – Fujifilm X100F

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Boy Riding Backwards – Grand Canyon NP, AZ – Fujifilm X100F

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Strapped In Her Stroller – Grand Canyon NP, AZ – Fujifilm X100F

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Joy of Window Shopping – Grand Canyon NP, AZ – Fujifilm X100F

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From Behind Glass – Grand Canyon NP, AZ – Fujifilm X100F

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Two Young Explorers – Grand Canyon NP, AZ – Fujifilm X100F

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Tree Over Arch – Grand Canyon NP, AZ – Fujifilm X100F

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Of Light & Shadow – Grand Canyon NP, AZ – Fujifilm X100F

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Canyon Grand – Grand Canyon NP, AZ – Fujifilm X100F

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Scraggly Tree At Grand Canyon – Grand Canyon NP, AZ – Fujifilm X100F

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Looking West From Desert View – Grand Canyon NP, AZ – Fujifilm X100F

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The Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Mary’s Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Watchtower Sun – Grand Canyon NP, AZ – Fujifilm X100F

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Desert Watchtower – Grand Canyon NP, AZ – Fujifilm X100F

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Telescoping – Grand Canyon NP, AZ – Fujifilm X100F

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Canyon River – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Sky Above The Canyon Below – Grand Canyon NP, AZ – Fujifilm X100F

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The Grand View – Grand Canyon NP, AZ – Fujifilm X100F

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Heavenly Sky – Valle, AZ – Fujifilm X-A3 & Jupiter 21M

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Passed By – Williams, AZ – Fujifilm X100F

Road Trip: Grand Canyon National Park, Part 1: Color

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Grand Canyon From Desert View – Grand Canyon NP, AZ – Fujifilm X100F

A couple of weeks ago my family and I jumped in the car and made the long drive to Grand Canyon National Park. From my house to the hotel we booked in Williams, Arizona, was nine hours of driving, not including stops. We left early and arrived late, weary from the road. Really, it was too many hours in the car for one day, but we only had a short time for this adventure, so we pushed through to our destination.

The next day we got back in the car and drove 45 minutes to Tusayan, the tiny town right outside the entrance of the national park, and had some breakfast. After our bellies were full, and with cups of hot coffee, we continued the short trek to Grand Canyon Village and to the south rim of Grand Canyon National Park.

I’ve been to the Grand Canyon several times before, and the reaction for first-time visitors, as well as those who haven’t been in awhile, is the same: “Whoa!” That first look is always awe-inspiring and breathtaking. It just appears so impossibly grand! Everything seems so small and insignificant in comparison. It really is the magic of this incredible place.

We walked along the Rim Trail for awhile, stepping into some of the historic lodges and buildings along the way. We encountered the Bright Angel Trail and headed down, but only to the tunnel, which is probably about a mile trek round-trip. Someday I’d like to hike all the way to the bottom, but this wasn’t the trip for that.

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Grand Sight – Grand Canyon NP, AZ – Fujifilm X100F

Lunch was at the Harvey House Cafe. Then we headed to the car to drive around and see more sights. Heading east on Highway 64, we made it to Desert View and saw the Watchtower, which is at the eastern end of the park. On the way back towards the village we stopped at a few overlooks. It was approaching dinner, so we said goodbye to Grand Canyon National Park and traveled back to Williams.

I cannot say enough how amazingly beautiful Grand Canyon National Park is! If I had more time I would have made sure to be there for sunrise and sunset. This was just a quick visit, so I missed both golden hours. Early the next morning we left for home, which is near Salt Lake City, Utah. We encountered some winter weather, so the drive back ended up being longer than the drive out. To say that we were happy to be home when we arrived close to midnight would be a huge understatement. It was two full days of being crammed in the car just to be at the Grand Canyon for one day, but it was completely worth it!

For these photographs I used a Fujifilm X100F and a Fujifilm X-A3 with a Jupiter 21M lens. The X100F was great because it fit into my jacket pocket and captured wonderful pictures with ease. The X-A3 with the Jupiter lens was bulky and heavy and became tiresome carrying around my neck, but it allowed me to capture some images that I simply couldn’t with the other camera. When you travel, smaller and lighter is almost always better, but sometimes something more is needed.

These are all straight-out-of-camera JPEGs, and I used Velvia, Classic Chrome, PRO Neg. Std, and PRO Neg. Hi film simulations. Not editing the pictures saved me tons of time, and both cameras did an excellent job thanks to Fujifilm’s fine JPEG engine, which I rely heavily on. If I had post-processed RAW files instead, the results wouldn’t be much different to what you see here, except that I’d still be sitting in front of the computer editing them. Instead, they were finished before I even got home, and you’re able to enjoy them today.

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Kids At The Canyon – Grand Canyon NP, AZ – Fujifilm X100F

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Amanda, Johanna & I – Grand Canyon NP, AZ – Fujifilm X100F – captured by Joy Roesch

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Kids On Bright Angel Trail – Grand Canyon NP, AZ – Fujifilm X100F

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Evergreen Tree & Red Canyon – Grand Canyon NP, AZ – Fujifilm X100F

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Canyon Behind The Pines – Grand Canyon NP, AZ – Fujifilm X100F

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Grand Canyon Railway – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Lamp In The Lodge – Grand Canyon NP, AZ – Fujifilm X100F

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Hopi Art – Grand Canyon NP, AZ – Fujifilm X100F

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Unforgiving Environment – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Colorado River of Green – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Red Canyon Walls – Grand Canyon NP, AZ – Fujifilm X-A3 & Jupiter 21M

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Trees, Rocks & Cliffs – Grand Canyon NP, AZ – Fujifilm X100F

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Light Over A Barren Landscape – Valle, AZ – Fujifilm X100F

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Get Your Gifts On Route 66 – Williams, AZ – Fujifilm X100F

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Neon Gifts – Williams, AZ – Fujifilm X100F

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Cheap Room – Williams, AZ – Fujifilm X100F

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Neon Bistro – Williams, AZ – Fujifilm X100F

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Drink Coke – Williams, AZ – Fujifilm X100F

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Steaks & BBQ – Williams, AZ – Fujifilm X100F

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BBQ & Coke – Williams, AZ – X100F

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Fire In The Sky – Flagstaff, AZ – Fujifilm X-A3 & Jupiter 21M

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Spiked Cactus – Kanab, UT – Fujifilm X100F

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Kids At Moqui Cave – Kanab, UT – Fujifilm X100F

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Anderson Mountain – Paragonah, UT – Fujifilm X-A3 & Jupiter 21M

Part 2 – B&W

Travel: Dead Horse Point State Park, Utah

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Endless Canyons – Dead Horse Point SP, UT – Fujifilm X-A3 & Jupiter 21M

The day after visiting Arches National Park and Canyonlands National Park in southern Utah, I checked out Dead Horse Point State Park. It is located very close to the Island In The Sky district of Canyonlands and offers stunning views of the national park. It’s essentially a smaller Island In The Sky with some good views of the Colorado River.

The story behind the name is tragic. Early settlers used these “sky islands” as natural pens for livestock and other animals. Even the local Native Americans did this to an extent. Some early American settlers trapped a group of wild horses on the mesa that’s now the state park. They picked the mustangs that they wanted to tame, then left the others on the mesa to die of thirst. That’s why it’s called Dead Horse Point. My 10-year-old daughter loves horses, and she was particularly appalled at the story. That, of course, is just a brief dark period for this land, but the name stuck, even though it is a little grim.

Dead Horse Point State Park is breathtakingly beautiful! The views are stunning. For the most part, what you see is Canyonlands National Park, just from a little different angle. You actually get better views of the Colorado River here than on Island In The Sky. It’s surprising to me that this section isn’t included in the national park system.

If you have the choice between the two, definitely go for Canyonlands. If you have time for a little more, visit Dead Horse Point. On the way out from Moab on the way home, my family and I detoured to see the state park. It took us, from the time we left U.S. 191 to the time we returned, a total of three hours. We could have stayed much longer, but we were a little strapped for time.

Lighting was terrible for photography when I was at the state park. There was a thin high overcast layer of clouds that did just enough to make the light ugly. Also, I was there mid-morning, well past the golden hour. I used a Fujifilm X100F and Fujifilm X-A3 with a Jupiter 21M lens attached to capture these images. I edited the camera-made JPEGs using Nik Color Efex and Nik Silver Efex software, with the exception of two, which are straight-out-of-camera JPEGs. I would have preferred to rely just on the JPEGs unedited, but the light was just so ugly for photography while I was there that they needed some work to make them look decent.

I didn’t capture any great photographs while at Dead Horse Point State Park, but I definitely saw the potential. At the right time under the right light, the opportunity to capture some portfolio worthy images certainly exists at this place. I hope to return sometime in the near future to capture better photographs.

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The Dead Tree – Dead Horse Point SP, UT – Fujifilm X100F

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Erode Down – Dead Horse Point State Park, UT – Fujifilm X-A3 & Jupiter 21M

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La Sal From Dead Horse Point – Dead Horse Point SP, UT – Fujifilm X100F

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South Vista – Dead Horse Point SP, UT – Fujifilm X100F

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The River Bend – Dead Horse SP, UT – Fujifilm X100F

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Rock Temple – Dead Horse Point SP, UT – Fujifilm X-A3 & Jupiter 21M

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A River Runs Through It – Dead Horse Point SP, UT – Fujifilm X-A3 & Jupiter 21M

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River Island – Dead Horse Point SP, UT – Fujifilm X-A3 & Jupiter 21M

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Cliff Above The Canyon – Dead Horse Point SP, UT – Fujifilm X100F

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Hanging On – Dead Horse Point SP, UT – Fujifilm X100F

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Long Ways – Dead Horse Point SP, UT – Fujifilm X100F

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It’s Not Easy Being Green – Dead Horse Point SP, UT – Fujifilm X100F

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Desert West – Dead Horse Point SP, UT – Fujifilm X100F

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Red Desert Cliffs – Dead Horse Point SP, UT – Fujifilm X-A3 & Jupiter 21M

Travel: Canyonlands National Park, Part 2: Monochrome

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Subtlety – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

Part 1

I surprised myself with how few images I captured in monochrome of Canyonlands National Park. During that visit I most often chose color, as the lighting made for wonderful color photographs, and I only went with black-and-white here and there. This is the opposite of what happened at Arches National Park earlier in the day, in which I chose monochrome more often because of the poor light. In general, I’m more drawn towards black-and-white photography, and so it was very unusual for me to focus so much on color.

Canyonlands was a  joy to photograph and I felt like I came away with some print-worthy exposures. The pictures in this post were mostly captured using my Fujifilm X-A3 with a Jupiter 21M lens attached, which is a good telephoto combination. I used the Monochrome+R film simulation, which isn’t as good as Acros, but the X-A3 doesn’t have Acros and so I couldn’t use it (the lone Fujifilm X100F image was captured using Acros). All of these photographs are straight-out-of-camera JPEGs, which I prefer because it saves me tons of time. A couple of them could have been slightly improved if I had edited the RAW exposure, but the JPEGs are certainly good enough in this case.

If I ever have the chance, I’d love to spend a week at Canyonlands National Park. I feel like I barely touched the surface of the potential photo opportunities there. It seems like a place that could provide plenty of portfolio material. It was just so breathtakingly beautiful and peaceful. I just can’t say enough about Canyonlands! If you ever have the chance to go, definitely go, you won’t be disappointed.

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La Sal Moon – Canyonlands NP, UT – Fuji X-A3 & Jupiter 21M

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La Sal From Island In The Sky – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Mountains Through Mesa Arch – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Tree at Grand View Overlook – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Oh, Deer – Canyonlands NP, UT – Fujifilm X100F

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Monochrome Mesas – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

See also: Dead Horse Point State Park

Travel: Canyonlands National Park, Part 1: Color

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Canyon Pinion – Canyonlands NP, UT – Fujifilm X100F

On the same day that I visited Arches National Park in Utah, I also made it to Canyonlands National Park, which is right around the corner. Even though these two national parks are quite close, they are very much different places. Arches is known for unusual and seemingly impossible rock formations, while Canyonlands, which also has some unusual rock formations, is more known for amazing vistas and seemingly endless canyons.

My visit to Arches was marked by poor midday light. On the other hand, since I arrived at the park entrance about 90 minutes before sunset, I managed to catch Canyonlands under much better late-evening light. Even though I spent twice as much time at Arches National Park, I felt that my best pictures on this trip were captured inside Canyonlands National Park.

Another difference between Arches and Canyonlands is that one park had many tourists and the other had only a few. Canyonlands seemed more open and peaceful, and I felt a deeper connection with this place. I enjoyed Canyonlands immensely, and my biggest regret was not spending more time there.

Canyonlands National Park is huge, and I only did the Island In The Sky tour, which is a small portion of the park. Because my time was limited, I missed out on some great locations within the Island In The Sky quadrant. I imagine that one could spend a few weeks at Canyonlands and not see and experience everything.

My gear was a Fujifilm X100F and Fujifilm X-A3 with a Jupiter 21M lens attached. I used many different film simulations, including Velvia, PRO Neg. StdPRO Neg. Hi, Astia, and Classic Chrome, but mostly Velvia. All of these are camera-made JPEGs. I think a few of them are worth printing.

I love America’s national parks, and one of my favorites is Canyonlands National Park. It has a peaceful yet draw-dropping beauty that begs you to explore and experience. I’ve never been to the north rim of the Grand Canyon, but I image it to be a similar experience. It’s a place where you can relax, reflect and restore. It’s a great place to photograph. I will return, camera in hand.

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Rural Fork – Canyonlands NP, UT – Fuji X-A3 & Jupiter 21M

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No – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Young Explorers – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Feeling Blue – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Green Tree – Canyonlands NP, UT – Fujifilm X100F

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Mesa Arch – Canyonlands NP, UT – Fujifilm X100F

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Family At Mesa Arch – Canyonlands NP, UT – Fujifilm X100F

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La Sal Through Mesa Arch – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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La Sal Behind Mesa Arch – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Mesa Arch View – Canyonlands NP, UT – Fujifilm X100F

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Plateau & Mesa – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Canyonlands View – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Hoodoos – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Canyons – Canyonlands NP, UT – Fujifilm X100F

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Full Moon Over Grand View – Canyonlands NP, UT – Fujifilm X100F

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Juniper – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Orange Canyons – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Canyonlands Evening – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

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Canyonlands Sunset – Canyonlands NP, UT – Fujifilm X-A3 & Jupiter 21M

Part 2 – Monochrome