Fujifilm X-T5 + Kodak Portra 800 v3 Film Simulation Recipe
This morning I headed out with my Fujifilm X-T5 to capture some images, so that I could do a side-by-side comparison of the new Kodak Portra 800 v3 Film Simulation Recipes with the other two Portra 800 options, plus Kodak Portra 400 v2. As I explained in the article for the new Recipe, Peter McKinnon’s Portra 800 photographs were the inspiration for it, and it is also reminiscent of some of Kyle McDougall’s An American Mile Portra 400 pictures. With all of these Recipe options, perhaps you are unsure which one you should use. Just because I published a new version, doesn’t mean that it is inherently the best one or the right one for you; it’s simply an alternative that you may or may not like. Hopefully, this article will help you with your decision. I do believe that many of you will appreciate the new Kodak Portra 800 v3 Recipe.
It’s important to understand that one film can produce many different looks based on a whole host of factors: how shot (film format, lens, exposure, filters, light, etc.), how developed (push/pull, brand of chemicals, freshness of chemicals, timing, temperature and pH of the water, etc.), how printed (paper, chemicals, timing, filters, etc.) and/or how scanned (brand of scanner, correction profiles, post-editing, etc.). Even within one photographer’s collection of one specific emulsion, there can be some noticeable variances. In the case of Peter McKinnon and his Kodak Portra 800, there is indeed significant divergences in the exact look of different pictures. My Kodak Portra 800 v3 Recipe does not accurately mimic all of his pictures captured with the film, but it is pretty close to some of them.
These three Kodak Portra 800 Recipes can all resemble the film; however, they’re much different from each other. Since one emulsion can produce divergent results, you can achieve various looks by choosing different Film Simulation Recipes. My original Kodak Portra 800 Film Simulation Recipe was a joint venture between myself and Thomas Schwab based on “memory color” (as Fujifilm likes to put it) of the film. The next version, Kodak Portra 800 v2, was created entirely by Thomas Schwab after he shot a roll of the film and his Fujifilm X-Pro3 camera side-by-side. The third version was created by me after carefully examining Peter McKinnon’s pictures of Kodak Portra 800 film. I included my Kodak Portra 400 v2 Recipe in this comparison because it is fairly similar to the Kodak Portra 800 v3 Recipe, and because there is an obvious resemblance with the new Recipe to some Portra 400 film photographs.
With all of that said, let’s jump right into the comparison! Because X-Trans V renders blue more deeply on some film sims, I adjusted Color Chrome FX Blue down one notch on Kodak Portra 800 and Kodak Portra 800 v2 to make them compatible with my X-T5.
For me, personally, it’s really hard to beat Kodak Portra 400 v2. It’s one of my all-time personal favorite Film Simulation Recipes, and it’s also one of the most popular. In each of these five sets, it’s the Recipe that I’m most drawn to. Kodak Portra 800 v3 is the most warm of these four options; a comparison of warmer Recipes—1970’s Summer, 1971 Kodak, Vibrant Arizona, Kodak Vericolor Warm, Kodak Portra 400 Warm, Bright Summer, Bright Kodak, and the new Kodak Portra 800 v3—would be interesting. The original Kodak Portra 800 Recipe is the punchiest, Kodak Portra 800 v2 is the softest, and v3 is the warmest. Ignoring the Kodak Portra 400 v2 pictures, I like Kodak Portra 800 v3 the best in the first set (with the truck), the third set (broken window, wide), and the fourth set (gas station); I like the original Kodak Portra 800 Recipe the best in the second set (broken window, tall) and the last set (Motor Hotel); while I do like Kodak Portra 800 v2 in each set, it wasn’t my top choice in any.
Now it’s your turn! From this test, which of these four Film Simulation Recipes did you like best? Which was your favorite for each set? Let me know in the comments!
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South Rim Sunrise – Grand Canyon NP, AZ – Fujifilm X-T5 – Kodak Portra 800 v3
My wife recently challenged me to create a Film Simulation Recipe that mimics the aesthetic of Kodak Portra 800 film that Peter McKinnon has been sharing on Instagram and YouTube. I’m really drawn to his analog photography—I think they’re some of his best photographs. While there were plenty of examples of his Portra 800 to examine, I found it to be a difficult endeavor to replicate on my Fujifilm cameras.
As I’ve said many times, one film can produce many different looks based on a whole host of factors: how shot (film format, lens, exposure, filters, light, etc.), how developed (push/pull, brand of chemicals, freshness of chemicals, timing, temperature and pH of the water, etc.), how printed (paper, chemicals, timing, filters, etc.) and/or how scanned (brand of scanner, correction profiles, post-editing, etc.). Even within one photographer’s collection of one specific emulsion, there can be some noticeable variances. In the specific case of Peter McKinnon and his Kodak Portra 800, there is indeed significant divergences in the exact look of different pictures.
Mineral Stains on a Dry Fountain – Buckeye, AZ – Fujifilm X-E4 – Kodak Portra 800 v3
Before I get any deeper into this, let me give a brief history of Kodak Portra 800 and my Film Simulation Recipes that mimic this film. Kodak introduced Portra 800 in 1998 at the same time as Portra 160 and Portra 400. Portra 160 and Portra 400 both originally came in a “VC” (vivid color) and “NC” (neutral color) versions, which were later merged into in-between emulsions that still exists today; however, Portra 800 only ever came in one variety. I don’t know if it is true, but I read that Portra 800 was based on the older Vericolor/Vision2 technology, while Portra 160 and Portra 400 were based on T-Grain/Vision3 advancements. In any event, all of these films have been tweaked and updated by Kodak several times over the years. While it has become increasingly expensive, all three ISO versions of Portra are still being manufactured today by Kodak. In fact, the current version of Lomography 800 is supposedly repacked Portra 800 (although it might be a run that didn’t pass quality control).
My original Kodak Portra 800 Film Simulation Recipe was a joint venture between myself and Thomas Schwab based on “memory color” (as Fujifilm likes to put it) of the film. The next version, Kodak Portra 800 v2, was created entirely by Thomas Schwab after he shot a roll of the film and his Fujifilm X-Pro3 camera side-by-side. This new third version was created by me after carefully examining Peter McKinnon’s pictures of Kodak Portra 800 film.
Pink Girl on a Green Slide – Buckeye, AZ – Fujifilm X-T5 – Kodak Portra 800 v3
I divided Peter’s Portra 800 pictures into seven groups. Each group contained photos that seemed similar in overall aesthetics to each other. The commonality within each group tended to be (for the most part) the lighting condition that the film was shot in (although it was not universally so). I picked one group, and tried to replicate the look of it as closely as possible using the options available on my Fujifilm X-T5 (or should I say my Kodak Retina camera?), choosing similar light and colors for my pictures. Once I was satisfied that I was close, I used those settings to create images similar to the photographs in the other groups; however, this is where it fell apart. One Recipe was not able to replicate multiple aesthetics from the same film, which is not surprising. I made a bunch of small modifications until I had one Film Simulation Recipe that was a fairly faithful facsimile to multiple groups of Peter’s Portra 800 pictures. I say “fairly faithful” because compromises had to be made in order to match multiple groups. These settings are in the ballpark of four of the seven groups (and most similar to just two), and not especially close to the other three, unfortunately. This is not a 100% faithful recreation of any of his picture aesthetics, but in being less faithful to one specific look, I was better able to replicate the film examples overall.
This new Kodak Portra 800 v3 Film Simulation Recipe is intended for fifth-generation Fujifilm X-Trans cameras, which (as of this writing) are the X-H2s, X-H2, X-T5, X-S20 (yes, the X-S20), and the upcoming X100VI. To make this Recipe compatible with some X-Trans IV models—specifically, the X-T4, X-S10, X-E4, and X-T30 II—I simply set Color Chrome FX Blue to Weak instead of Off, since X-Trans V cameras render blue more deeply on some film simulations. For those with the X-Pro3 or X100V, consider setting Shadow to 0 instead of 0.5. I do think that the original Kodak Portra 800 Recipe, as well as Kodak Portra 400 v2, are not very far off from Peter’s pictures, and could be good alternatives.
The Kodak Portra 800 v3 Film Simulation Recipe is great for both golden-hour and midday light. While it is intended for sunny daylight conditions, it does pretty well in shade, too. It’s alright for overcast days, depending on the specific cloud cover conditions. It’s great for natural-light indoors, and surprisingly decent for nighttime photography, but I’d avoid it for artificial light scenarios with warm bulbs. This Recipe is fairly versatile, despite it’s warm Kodak-like colors. In the right light, it can look pretty darn close to some of the Kodak Portra 800 scans that Peter McKinnon has been sharing on his social media channels. Interestingly, there’s also similarities to some of the Kodak Portra 400 images in Kyle McDougall’s An American Mile series. I have a feeling that this will quickly become a favorite option for many of you—personally, I really love this one!
Film Simulation: Classic Chrome Dynamic Range: DR400 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome FX Blue: Off (X-Trans V); Weak (X-Trans IV) White Balance: 6600K, -1 Red & -3 Blue Highlight: -2 Shadow: -0.5 Color: +3 Sharpness: -2 High ISO NR: -4 Clarity: -3 ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 1/3 (typically)
Example photographs, all camera-made JPEGs captured using this Kodak Portra 800 v3 Film Simulation Recipe on my Fujifilm X-E4:
Morning Lightbulbs – Buckeye, AZ – Fujifilm X-E4
Read Leaves on a Block Wall – Buckeye, AZ – Fujifilm X-E4
Rounded Light on an Circular Table – Buckeye, AZ – Fujifilm X-E4
Orange Tables and Leaf – Buckeye, AZ – Fujifilm X-E4
Main Street Market – Buckeye, AZ – Fujifilm X-E4
Sunny Suburbia – Buckeye, AZ – Fujifilm X-E4
Ready for an Adventure – Buckeye, AZ – Fujifilm X-E4
Rainy Day Rose Blossom – Buckeye, AZ – Fujifilm X-E4
Example photographs, all camera-made JPEGs captured using this Kodak Portra 800 v3 Film Simulation Recipe on my Fujifilm X-T5:
Sunrise Beyond Grandeur Point – Grand Canyon NP, AZ – Fujifilm X-T5
Dead Tree at the Rim’s Edge – Grand Canyon NP, AZ – Fujifilm X-T5
Golden Sunset inside the Grand Canyon – Grand Canyon NP, AZ – Fujifilm X-T5
Morning at the Rim – Grand Canyon NP, AZ – Fujifilm X-T5
Maricopa Point at Midday – Grand Canyon NP, AZ – Fujifilm X-T5
Canyon Ridge in Golden Light – Grand Canyon NP, AZ – Fujifilm X-T5
Sunrise over icy South Rim Trail – Grand Canyon NP, AZ – Fujifilm X-T5
Bright Angel Trail from Above – Grand Canyon NP, AZ – Fujifilm X-T5
Too Close to the Icy Ledge – Grand Canyon NP, AZ – Fujifilm X-T5
Lookout Studio – Grand Canyon NP, AZ – Fujifilm X-T5
Grand Canyon Railway 237 – Grand Canyon NP, AZ – Fujifilm X-T5
Williams Flyer – Grand Canyon NP, AZ – Fujifilm X-T5
American Painted Horse – Litchfield Park, AZ – Fujifilm X-T5
Swift Trailer – Litchfield Park, AZ – Fujifilm X-T5
Blue Barrel, Red Bricks – Litchfield Park, AZ – Fujifilm X-T5
Raindrop on a Lightbulb – Buckeye, AZ – Fujifilm X-T5
Raindrops of Fall Leaves – Buckeye, AZ – Fujifilm X-T5
Hanging Lightbulbs – Buckeye, AZ – Fujifilm X-T5
Fingers as Carrots – Litchfield Park, AZ – Fujifilm X-T5
Sitting Siblings – Buckeye, AZ – Fujifilm X-T5
Minolta & Film Book – Buckeye, AZ – Fujifilm X-T5
Camera, Books – Buckeye, AZ – Fujifilm X-T5
Busy Parking Lot – Goodyear, AZ – Fujifilm X-T5
Window Paperclip – Buckeye, AZ – Fujifilm X-T5
Window Light – Buckeye, AZ – Fujifilm X-T5
Hanging Plastic Golfballs – Buckeye, AZ – Fujifilm X-T5
Blossoming Trumpet Flower – Buckeye, AZ – Fujifilm X-T5
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At the very moment that I was finishing up my Kodak Portra 160 Film Simulation Recipe for X-Trans IV cameras, Thomas Schwab, who has created or co-created a number of Recipes on this website, sent me a modification that he made of the “old” Kodak Portra 160 Recipe (for X-Trans III plus the X-T3 & X-T30 cameras) to make it compatible with X-Trans V models. Clear as mud? Let me retry. This new Kodak Portra 160 v2 Recipe was modified by Thomas from the Kodak Portra 160 Recipe published in 2020 so as to be compatible with X-Trans V cameras. Plus he gave it a tune-up. Excitedly, I programmed this new version into my Fujifilm X-T5; however, I had several other projects going on, so it took a little time to get this one out. Thomas Schwab did a great job of updating the old version, and the results speak for themselves. I want to give Thomas a special “thank you” for his work and willingness to share!
Kodak introduced the Portra line in 1998, with two ISO 160 versions, two ISO 400 versions, and an ISO 800 emulsion (plus a short-lived ISO 100 Tungsten film, for those keeping score). Portra saw a couple of updates by Kodak, and in late-2010 the two ISO 160 versions were merged into one, as well as the two ISO 400 versions. Originally, Kodak Portra 160 came in “NC” (neutral color) and “VC” (vivid color) versions; Portra 160 NC was more popular for portraits and Portra 160 VC was more popular for landscapes. When Kodak merged the two, it fell kind of in-between the two emulsions—more vibrant than NC but less than VC. This Film Simulation Recipe is more similar to the merged Portra 160 that Kodak introduced in 2010. The film has become iconic, with its warm yet natural colors. As the name implies, it was meant for portrait photography, but is popular for many genres.
Shell Gas Station – Phoenix, AZ – Fujifilm X-T5 – Kodak Portra 160 v2 Recipe
This Kodak Portra 160 v2 Film Simulation Recipe is compatible with fifth-generation X-Trans cameras, which (as of this writing) are the X-H2, X-H2s, X-T5, and X-S20 (yes, the X-S20). With one modification—setting Color Chrome FX Blue to Strong instead of Weak—this Recipe is also compatible with most fourth-generation X-Trans cameras: X-Pro3, X100V, X-T4, X-S10, X-E4 & X-T30 II. This can also be used on newer GFX models, but it will render slightly different (try it anyway).
Film Simulation: Classic Chrome Grain Effect: Weak, Small Color Chrome Effect: Weak Color Chrome FX Blue: Weak White Balance: Daylight, +4 Red & -5 Blue Dynamic Range: D-Range Priority (DR-P) Auto Color: 0 Sharpness: -1 High ISO NR: -4 Clarity: -2 ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this Kodak Portra 160 v2 Film Simulation Recipe on my Fujifilm X-T5:
Smokey Sunset – Flagstaff, AZ – Fujifilm X-T5
Mountainous Contemplations – Flagstaff, AZ – Fujifilm X-T5
Siblings – Flagstaff, AZ – Fujifilm X-T5
Backlit Boy in Autumn – Flagstaff, AZ – Fujifilm X-T5
Jonathan Using RitchieCam – Flagstaff, AZ – Fujifilm X-T5
Golden Hour, Golden Trees – Flagstaff, AZ – Fujifilm X-T5
Deer in the Meadow – Flagstaff, AZ – Fujifilm X-T5
Yellow Aspen Tree Tops – Flagstaff, AZ – Fujifilm X-T5
Yellow Aspens behind Green Pine – Flagstaff, AZ – Fujifilm X-T5
Leaves & Needles – Flagstaff, AZ – Fujifilm X-T5
Autumn Joy – Flagstaff, AZ – Fujifilm X-T5
Bougainvillea Pink – Buckeye, AZ – Fujifilm X-T5
Endless Blue & Palms – Buckeye, AZ – Fujifilm X-T5
Dusk in the Suburbs – Buckeye, AZ – Fujifilm X-T5
Frisbee Golf – Buckeye, AZ – Fujifilm X-T5
Yard Palm – Buckeye, AZ – Fujifilm X-T5
Palm Behind Bougainvillea – Buckeye, AZ – Fujifilm X-T5
Two-Trunked Saguaro – Buckeye, AZ – Fujifilm X-T5
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Coastal Blossoms at Sunset – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 160 Recipe
Kodak introduced the Portra line in 1998, with two ISO 160 versions, two ISO 400 versions, and an ISO 800 emulsion (plus a short-lived ISO 100 Tungsten film, for those keeping score). Portra saw a couple of updates by Kodak, and in late-2010 the two ISO 160 versions were merged into one, as well as the two ISO 400 versions. The film has become iconic, with its warm yet natural colors. As the name implies, it was meant for portrait photography, but is popular for many genres.
Originally, Kodak Portra 160 came in “NC” (neutral color) and “VC” (vivid color) versions; Portra 160 NC was more popular for portraits and Portra 160 VC was more popular for landscapes. When Kodak merged the two, it fell kind of in-between the two emulsions—more vibrant than NC but less than VC. This Film Simulation Recipe is intended to mimic the merged Portra 160 that Kodak introduced in 2010.
I already have a Kodak Portra 160 Recipe that is compatible with X-Trans III cameras plus the X-T3 and X-T30, but not one for newer models. This update is long overdue, and I’m thrilled to finally publish it. Instead of simply making a quick adjustment to the “old” Recipe, I started from scratch. While the results are still very similar, it’s a significant redesign, and (hopefully) it’s just a tad better. This Recipe pairs really well with diffusion filters; for the California pictures in this article I used a 10% CineBloom filter, and for the Arizona pictures I used a mix of a 5% CineBloom and no diffusion filter at all. I did not adjust Clarity when using the diffusion filters.
Glass View – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 160 Recipe
This Kodak Portra 160 Film Simulation Recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. For fifth generation X-Trans models, which are the X-H2s, X-H2, X-T5, and X-S20, set Color Chrome FX Blue to Weak instead of Strong. This Recipe will also work on newer GFX cameras, but the results will likely be slightly different.
Film Simulation: Classic Chrome Dynamic Range: DR400 Grain Effect: Weak, Small Color Chrome Effect: Strong Color Chrome FX Blue: Strong White Balance: 4900K, +4 Red & -6 Blue Highlight: -1 Shadow: -2 Color: 0 Sharpness: -2 High ISO NR: -4 Clarity: -3 ISO: Auto, up to ISO 6400 Exposure Compensation: 0 to +1 (typically)
Example photographs, all camera-made JPEGs captured using this Kodak Portra 160 Film Simulation Recipe on my Fujifilm X100V:
Golden Coast – Laguna Beach, CA – Fujifilm X100V
Pacific Gold – Laguna Beach, CA – Fujifilm X100V
Bluff Above the Golden Coast – Laguna Beach, CA – Fujifilm X100V
Blooms Above the Pacific Ocean – Laguna Beach, CA – Fujifilm X100V
Gold Coast Blooms – Laguna Beach, CA – Fujifilm X100V
Sunset Selfie – Laguna Beach, CA – Fujifilm X100V
Blooming Bush on Pacific Bluff – Laguna Beach, CA – Fujifilm X100V
Pacific Overlook – Laguna Beach, CA – Fujifilm X100V
Red Coastal Flowers – Laguna Beach, CA – Fujifilm X100V
Aliso Beach – Laguna Beach, CA – Fujifilm X100V
Hotel – Laguna Beach, CA – Fujifilm X100V
Floral Arch – Laguna Beach, CA – Fujifilm X100V
Flowers & Palms – Laguna Beach, CA – Fujifilm X100V
Bunch of Blossomed Flowers – Laguna Beach, CA – Fujifilm X100V
Flowers & Water – Laguna Beach, CA – Fujifilm X100V
Coastal Peek – Laguna Beach, CA – Fujifilm X100V
Wedding Guests – Laguna Beach, CA – Fujifilm X100V
Flower Petals – Laguna Beach, CA – Fujifilm X100V
Book & Mirror – Laguna Beach, CA – Fujifilm X100V
Gifts & Snacks – Laguna Beach, CA – Fujifilm X100V
Mirror – Laguna Beach, CA – Fujifilm X100V
You Like Jazz? – Laguna Beach, CA – Fujifilm X100V
Twin Palms & Concrete – Surprise, AZ – Fujifilm X100V
Empty Cage – Buckeye, AZ – Fujifilm X100V
Trumpet Haze – Buckeye, AZ – Fujifilm X100V
Streaking Light over Tree Leaves – Buckeye, AZ – Fujifilm X100V
Spiderweb in the Shrub – Buckeye, AZ – Fujifilm X100V
LavAzza Cactus – Scottsdale, AZ – Fujifilm X100V
Trash Moon – Buckeye, AZ – Fujifilm X100V
Orange Leaf – Buckeye, AZ – Fujifilm X100V
Apartment – Buckeye, AZ – Fujifilm X100V
Top of the Playground – Buckeye, AZ – Fujifilm X100V
Playground Canopy – Buckeye, AZ – Fujifilm X100V
Palmin the Sky – Buckeye, AZ – Fujifilm X100V
Tree-Lined Path – Buckeye, AZ – Fujifilm X100V
Bougainvillea Warm – Buckeye, AZ – Fujifilm X100V
Arizona Jon – Buckeye, AZ – Fujifilm X100V
Waterless Lions – Buckeye, AZ – Fujifilm X100V
Evening Light Bougainvillea – Buckeye, AZ – Fujifilm X100V
Oleander Wall – Buckeye, AZ – Fujifilm X100V
Bougainvillea Blossom – Buckeye, AZ – Fujifilm X100V
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Nobody pays me to write the content found on the Fuji X Weekly blog. There’s a real cost to running this website. I also put a lot of my own time into writing the posts. If you’ve found something on Fuji X Weekly helpful to you and you’d like to give back, this is a good place to do it. You can donate to this blog using PayPal by clicking below. I appreciate it! Thank you for your support! Please do not feel obligated to give, but do so only if you want to.
Sunset Photography – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 400 v2
Some of the absolute most popular Film Simulation Recipes for Fujifilm cameras are those that mimic Kodak Portra film. I have a number of Recipes that are modeled after Portra, and with so many choices it can be difficult to know which ones to program into your camera. I thought I’d take this opportunity to compare six of them, with the hopes that it will help you decide. There are actually several more Portra-inspired Recipes than the six here, but I chose to compare these because they’re all X-Trans IV Recipes compatible with my Fujifilm X100V, the camera I used to capture them on a recent trip to the California coast.
Kodak introduced the Portra line in 1998, with two ISO 160 versions, two ISO 400 versions, and an ISO 800 emulsion (plus a short-lived ISO 100 Tungsten film, for those keeping score). Portra saw a couple of updates by Kodak, and in 2010 the two ISO 160 versions were merged into one, as well as the two ISO 400 versions. The film has become iconic, with its warm yet natural colors. As the name implies, it was meant for portrait photography, but is popular for many genres.
Laguna Coast – Laguna Beach, CA – Fujifilm X100V – Kodak Portra 400 v2
One film can produce all sorts of various looks, depending on a host of factors, including how it was shot, developed, printed and/or scanned. The Kodak Portra 400 and the Kodak Portra 400 v2 Recipes are very similar, but they were modeled after two different photographer’s Portra film pictures, and so their rendering varies just a little. Kodak Portra 400 leans a little more towards red-orange, while Kodak Portra 400 v2 leans a little more towards yellow-green. Kodak Portra 400 Warm, which is a modification of both Kodak Portra 400 Recipes, is intended to better replicate the results of Alex MacDougall’s Portra-Style presets. To create Reggie’s Portra, Reggie Ballesteros modified my Kodak Portra 400 Recipe to better suit his style. Because it uses Auto White Balance and a slightly more neutral WB Shift, it is much better than the others in artificial light situations; also, because it has Clarity set to 0, it is the best option for fast photography (Clarity set to anything other than 0 causes a short “storing” pause). Kodak Portra 800 is the grainiest of these Recipes. To create Kodak Portra 800 v2, which is the least vivid of these six, Thomas Schwab captured side-by-side images with a Fujifilm X-Pro3 and an analog camera loaded with Portra 800 film.
While each of these Portra-inspired Film Simulations Recipes are different—some only slightly so, others more significantly so—they all produce a distinct Portra-like aesthetic. Looking at the results, it’s easy to understand why these are popular options! Because they are a little different from each other, you can find the one that most closely matches your style. Or you can choose different ones for various scenarios. Perhaps you prefer something like Kodak Portra 400 for sunsets, Kodak Portra 400 Warm for midday light, Kodak Portra 800 v2 for soft portraits, and Reggie’s Portra for indoor pictures. If you’ve never tried any of these Recipes, be sure to pick at least one to program into your camera today!
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Swath of Red – Buckeye, AZ – Fujifilm X-T5 – “Kodak Portra 400 v2”
This is a simple update to the Kodak Portra 400 v2 Film Simulation Recipe, which was originally made for X-Trans IV cameras. I discovered that a slight tweak is needed for X-Trans V models, because the new sensor renders blues just a little deeper on some film simulations, including Classic Chrome. For this recipe, simply setting Color Chrome FX Blue from Weak to Off makes it compatible with (as of this writing) the Fujifilm X-T5, X-H2, and X-H2S.
Kodak Portra 400 is a popular professional-grade color negative film introduced in 1998. There’s been a number of revisions and improvements to the emulsion over the years, so the Portra that’s available today is slightly different than the original Portra from roughly 25 years ago. As the name suggests, it’s intended for portraitures, but is also a popular option for many other genres of photography. One film can have several different aesthetics depending on many factors, and this particular Film Simulation Recipe is modeled after the Kodak Portra 400 pictures from a specific photographer. It’s one of my absolute favorite recipes for daylight and especially golden hour photography, and it does pretty well in several other light conditions; however, it’s probably not the best option for indoor artificial light, unless you want especially warm pictures.
This Kodak Portra 400 v2 Film Simulation Recipe is intended for Fujifilm X-Trans V models. It’s compatible with newer GFX cameras too, but will likely render slightly different. If you have an X-Pro3, X100V, X-T4, X-S10, X-E4, or X-T30 II, try the Kodak Portra 400 v2 recipe for those models (click here). If you have an X-T3 or X-T30, try the version for those cameras (click here).
Film Simulation: Classic Chrome Grain Effect: Strong, Small Color Chrome Effect: Strong Color Chrome FX Blue: Off White Balance: 5200K, +1 Red & -6 Blue Dynamic Range: DR400 Highlight: 0 Shadow: -2 Color: +2 Sharpness: -2 High ISO NR: -4 Clarity: -2 ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this “Kodak Portra 400 v2” Film Simulation Recipe on my Fujifilm X-T5:
Christmas Angel – Buckeye, AZ – Fujifilm X-T5
Nativity – Buckeye, AZ – Fujifilm X-T5
Happy Holidays – Buckeye, AZ – Fujifilm X-T5
Lemons – Buckeye, AZ – Fujifilm X-T5
Changing Seasons – Buckeye, AZ – Fujifilm X-T5
Leaves on the Concrete – Buckeye, AZ – Fujifilm X-T5
GCR – Williams, AZ – Fujifilm X-T5
Lighted Cupola – Williams, AZ – Fujifilm X-T5
Sisters – Williams, AZ – Fujifilm X-T5
Brothers – Buckeye, AZ – Fujifilm X-T5
December Fog – Buckeye, AZ – Fujifilm X-T5
Multi-Arm Saguaro – Buckeye, AZ – Fujifilm X-T5
Saguaro Mist – Buckeye, AZ – Fujifilm X-T5
Wall Cage – Buckeye, AZ – Fujifilm X-T5
Super Star – Glendale. AZ – Fujifilm X-T5
I Believe – Avondale, AZ – Fujifilm X-T5
Standing in the Sun – Avondale, AZ – Fujifilm X-T5
Untidy Palm – Palo Verde, AZ – Fujifilm X-T5
Misty Desert Hills – Buckeye, AZ – Fujifilm X-T5
It Was All Yellow – Buckeye, AZ – Fujifilm X-T5
Small Pop of Color – Buckeye, AZ – Fujifilm X-T5
Clouds & Brown Trees – Buckeye, AZ – Fujifilm X-T5
Golden Neighborhood – Buckeye, AZ – Fujifilm X-T5
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Fujifilm X100V – “Kodak Portra 400” (X-Trans III version)
Six months ago I turned my Fujifilm X100V into a monochrome-only camera, and just shot black-and-white Film Simulation Recipes with it, which was a lot of fun! I hope that someday Fujifilm makes a B&W-only model. Recently I started shooting color pictures on my X100V again, and the first three color recipes I programmed into the camera were Kodak Portra 400—three different versions of it!
My very first Kodak Portra 400 recipe is for Fujifilm X-Trans III cameras, which I published in May of 2018. It requires a hard-to-explain-and-get-right custom white balance measurement. I have had some luck in the past getting it “right” and at times not-so-much luck. I think this time I was able to get it pretty close but not exactly correct. I made three different attempts (using the three custom white balance slots), and went with the best of the three; however, I think the white balance should be slightly warmer than it is. It’s a tricky thing, and I wish it was more easily repeatable. To use this recipe on my X100V I set Grain size to Small, Color Chrome Effect to Off, Color Chrome FX Blue to Off, and Clarity to 0.
The next Kodak Portra 400 recipe is for the Fiujifilm X-T3 and X-T30, which I published in May of 2020. This one is easier to program (and probably more accurate to the film) than the X-Trans III version. To use it on my X100V I set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.
The third Kodak Portra 400 recipe is for the “newer” X-Trans IV cameras, including the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras, which I published in June of 2020. Of the three versions, this one is probably the most “accurate” to actual Portra 400 film, but it is extremely similar to the X-T3/X-T30 recipe—only very subtly different.
One film can produce a variety of looks depending on a whole host of factors, including (among other things) how it was shot, developed, and scanned—even the pH balance and temperature of the water can affect it. It’s not possible for one recipe replicate all possible aesthetics. Also, different Fujifilm cameras have different JPEG options, and different sensor generations have slight variances in rendering; even though one recipe might be more “accurate” to the film, it’s certainly not always so—the variables are pretty significant. What’s more important than accuracy is finding the recipe that works best for you and your photography.
I hope that seeing these three Kodak Portra 400 Film Simulation Recipes together helps you decide which to try. Maybe one stands out more to you than the others. Perhaps the camera you own is more of a determining factor than the recipe itself. I personally like all three of them, and have enjoyed shooting with them on my (no-longer-B&W-only) X100V.
Also, as a reminder, these three Kodak Portra 400 recipes are the current SOOC recipes-of-the-month. Fujifilm X-Photographer Nathalie Boucry and I will conclude our discussion of these recipes in the next broadcast (be sure to watch the last episode if you missed it!), which will be live on October 20th. Upload your images (click here) captured with one (or more) of these Kodak Portra 400 recipes by October 18th to be included in the next show. I hope to see you then!
Kodak introduced Portra 800 in 1998. The Portra line has seen a number of revisions and updates over the years, but I couldn’t find any information if the current Portra 800 film is the exact same emulsion from 1998, or if it’s gone through some changes over the years like the ISO 400 and 160 versions. Portra 800 is one of the best options for high-ISO color photography, but I’ve never shot it myself.
Thomas compared images side-by-side captured with actual Kodak Portra 800 film with images captured with his Fujifilm X-Pro3, making numerous adjustments in X RAW Studio, to achieve this nearly-identical picture aesthetic. He put in a lot of work, and it shows! Thank you, Thomas, for creating this great recipe and for your willingness to share! You’ll find some of Thomas Schwab’s pictures below. This Kodak Portra 800 film simulation recipe is currently compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, and X-E4 cameras.
Classic Chrome Dynamic Range: DR400 Highlight: 0 Shadow: -2 Color: -4 Noise Reduction: -4 Sharpening: -2 Clarity: -5 Grain Effect: Strong, Small Color Chrome Effect: Strong Color Chrome Effect Blue: Strong White Balance: Daylight, +3 Red & -6 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: -2/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this new Kodak Portra 800 v2 film simulation recipe:
Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Photograph by Thomas Schwab
Ritchie Roesch
Treetop Sky – Farmington, UT – Fujifilm X-E4
Colorful Trees – Farmington, UT – Fujifilm X-E4
Tree Over Creek – Farmington, UT – Fujifilm X-E4
Log & Flowers – Farmington, UT – Fujifilm X-E4
Log & Trail – Farmington, UT – Fujifilm X-E4
Urban Landscape – Farmington, UT – Fujifilm X-E4
McTrash – Farmington, UT – Fujifilm X-E4
Lobby – Farmington, UT – Fujifilm X-E4
Buckle – Farmington, UT – Fujifilm X-E4
Urban Flower Pot – Farmington, UT – Fujifilm X-E4
Blooms in the City – Farmington, UT – Fujifilm X-E4
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Joshua & Joy at a Creek – Layton, UT – Fujifilm X-T1 – “Portra v2” – Photo by Jon Roesch
I’ve been wanting to create a Kodak Portra 400 film simulation recipe for Fujifilm X-Trans II cameras for a long time now. I’ve had a Portra 160 recipe on this website for awhile, but I’ve never created a Portra 400 recipe for this sensor. I’ve actually created five different Portra 400 recipes for X-Trans III and IV cameras, but those don’t work on X-Trans II. I made a guess on my Fujifilm X-T1 on what might be a good Portra 400 recipe, handed the camera to my son, Jon, and let him capture some pictures with it. You might remember that Jon created his own Classic Chrome recipe; this time I made the recipe, but I let him capture the pictures.
You might be wondering why I didn’t call this recipe “Portra 400” but named it “Portra v2” instead. While I believe that this recipe is similar to Portra 400, I do plan to create a more accurate recipe. Actually, that was my intentions with these pictures: reprocess the RAW files in-camera to refine the Portra look; however, as I reviewed the pictures, I liked the aesthetic created by these settings, so I decided to keep this as its own recipe. I will still work on a different Portra 400 recipe for X-Trans II.
Trees – Layton, UT – Fujifilm X-T1 – “Portra v2” – Photo by Jon Roesch
One film can have many different aesthetics, depending on how it’s shot, developed, scanned or printed, and this is especially true with Kodak Portra 400. Portra can have many different looks. This recipe does resemble one of those aesthetics, but it definitely doesn’t resemble all of the aesthetics, or even the most common. If you do like Portra, I’m confident that you’ll appreciate these settings, which is compatible with all X-Trans II cameras that have the Classic Chrome film simulation.
Classic Chrome Dynamic Range: DR200 Highlight: -1 (Medium-Low) Shadow: -1 (Medium-Low) Color: +2 (High) Sharpness: -1 (Medium-Low) Noise Reduction: -2 (Low) White Balance: Daylight/Fine, +4 Red & -4 Blue ISO: Auto up to ISO 3200 Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs captured by Jon on my Fujifilm X-T1 using this Portra v2 film simulation recipe:
Water – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Fence Tree – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Trees & Lake – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Creek in the Woods – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Trees & Leaves – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Moss on a Log – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Grass – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Bridge – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
My Friend – Layton, UT – Fujifilm X-T1 – Photo by Jon Roesch
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
The film simulation recipes that Ryan used are Portra 160, Portra 400, Portra 400 v2 (currently available to Fuji X Weekly Patrons on the Fuji X Weekly iOS app), and Portra 800. The two Kyle McDougall presets are Kodak Portra Style Neutral and Kodak Portra Style Warm. Kyle mentions that his presets aren’t intended to strictly mimic Portra film, but are his preference to how he likes his Fujifilm photographs to look based on his experience shooting the film. Portra can have many different looks, not only because there are different stocks that share the name, but also because how it’s shot, developed, and printed or scanned can greatly affect the exact aesthetic.
Let’s look at some pictures!
“Kodak Portra 160”
“Kodak Portra 400”
“Kodak Portra 400 v2”
“Kodak Portra 800”
“Kodak Portra Style Neutral”
“Kodak Portra Style Warm”
“Kodak Portra 160”
“Kodak Portra 400”
“Kodak Portra 400 v2”
“Kodak Portra 800”
“Kodak Portra Style Neutral”
“Kodak Portra Style Warm”
“Kodak Portra 160”
“Kodak Portra 400”
“Kodak Portra 400 v2”
“Kodak Portra 800”
“Kodak Portra Style Neutral”
“Kodak Portra Style Warm”
As you can see, there are some pretty significant differences between each recipe and Kyle McDougall’s Lightroom presets. Kyle’s presets create a bright picture with a strong yellow color cast. Portra can certainly be that way, particularly if overexposed. My first thought is that my Bright Summer (a.k.a. “Preetra 400”) recipe is probably the closest to Kyle’s Portra Style. My second thought is that I need to create a recipe that’s a closer match to Kyle’s presets!
Ryan explained, “At the beginning of this project I got kind of discouraged as the weather was transitioning into fall and was gray and dismal here on the west side of the Cascade’s. Sunlit scenes are what I had in mind. But I did my best to work with what I had, which helped my creativity, and one of those creative positives would be the fall colors that I tried to utilize. I loaded the recipes into my X100V, and when I saw an opportunity to take some images, I would take a pic, change to the next recipe, snap, load the next recipe, etc. In my camera, C2 is Portra 400 v2, C4 is Portra 400, C5 is Portra 160, and C6 is Portra 800. I found that when composing the shot, that exposing +2/3 is what I liked, so I tried exposing that way for all the images, though I can’t remember if I hit it the same every time, but did my best to keep the exposure the same between and for each image taken in a session, trying to keep things uniform. It was neat to see the differences between the different recipes. From what I understand, the different Portra films are unique in their own way. I’d say that the Portra 400 v2 was closest to Kyle’s preset. By the way, that recipe and Portra 160 are my favorites!”
Below are a couple comparisons of the Kodak Portra 400 v2 recipe and Kyle McDougall’s Kodak Portra Style Neutral preset.
“Kodak Portra 400 v2”
“Kodak Portra Style Neutral”
“Kodak Portra 400 v2”
“Kodak Portra Style Neutral”
Here are a couple comparisons of the Portra 160 and Portra 400 v2 recipes:
“Kodak Portra 160”
“Kodak Portra 400 v2”
“Kodak Portra 160”
“Kodak Portra 400 v2”
Thank you again, Ryan, for doing this project and sharing the results! It’s very fascinating, and I’m sure helpful to the Fuji X Weekly community. It’s helpful to me personally!
If you appreciated this article, let myself and Ryan know by leaving a comment!
November Cherries – Farmington, UT – Fujifilm X100V – “Kodak Portra 800”
Kodak introduced Portra 800 in 1998. The Portra line has seen a number of revisions and updates over the years, but I couldn’t find any information if the current Portra 800 film is the exact same emulsion from 1998, or if it’s gone through some changes over the years like the ISO 400 and 160 versions. Portra 800 is one of the best options for high-ISO color photography, but I’ve never shot it myself.
There are some good online resources that are helpful when creating film simulation recipes for films that I’ve never used, which I did consult, but that’s not how these settings came about. You see, there’s a new version of my Portra 400 recipe (which I know you’ll love) that’s coming soon, and this recipe is a variant of that. Thomas Schwab, who I’ve collaborated with on a number of different recipes (including Portra 400), and who has actually shot Portra 800, helped me out with this one. Thanks, Thomas!
Cabela’s Boy – Farmington, UT – Fujifilm X100V – “Kodak Portra 800”
I know that many of will love this Kodak Portra 800 film simulation recipe! It’s really nice, and has a good film-like aesthetic. Does it faithfully resemble real Portra 800? I think it does, but film can look different depending on how it’s shot, developed, scanned or printed, and this recipe won’t mimic every aspect of the film. Even so, I think this one will be quite popular, and many of you will use it regularly. It’s only compatible (as of this writing) with the Fujifilm X100V, X-Pro3, X-T4 and X-S10 cameras.
Classic Chrome Dynamic Range: DR400 Highlight: +1 Shadow: 0 Color: +3 Noise Reduction: -4 Sharpening: -2 Clarity: -4 Grain Effect: Strong, Large Color Chrome Effect: Strong Color Chrome Effect Blue: Weak White Balance: 5200K, +1 Red & -5 Blue ISO: Auto, up to ISO 6400 Exposure Compensation: +1/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this new Kodak Portra 800 film simulation recipe on my Fujifilm X100V:
Brown Tree Leaves – Farmington, UT – Fujifilm X100V
Small Shrub – Farmington, UT – Fujifilm X100V
Backyard Tree Leaves – Farmington, UT – Fujifilm X100V
Yellow House – Farmington, UT – Fujifilm X100V
Suburban Mailboxes – Farmington, UT – Fujifilm X100V
Red Fire Hydrant – Farmington, UT – Fujifilm X100V
Suburban Peek – Farmington, UT – Fujifilm X100V
Evening Commute – Farmington, UT – Fujifilm X100V
Smith’s – Farmington, UT – Fujifilm X100V
Drug – Farmington, UT – Fujifilm X100V
Suburban Dusk – Farmington, UT – Fujifilm X100V
Parked Car in the Dark – Salt Lake City, UT – Fujifilm X100V
Tunnel Bench – Farmington, UT – Fujifilm X100V
Night Mall Architecture – Farmington, UT – Fujifilm X100V
Empty Sidewalk at Night – Farmington, UT – Fujifilm X100V
Christmas Decor Display – Farmington, UT – Fujifilm X100V
Succulent & Globe – Farmington, UT – Fujifilm X100V
Jon Wearing Cabela’s Hat – Farmington, UT – Fujifilm X100V
Potted Plant on End Table – Farmington, UT – Fujifilm X100V
Accidental Exposure – Farmington, UT – Fujifilm X100V
Sunlight Through a Tree – Farmington, UT – Fujifilm X100V
Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
I have two different Kodak Portra 400 film simulation recipes. I created the original Portra 400 recipe two years ago on my old Fujifilm X100F. I created the new Portra 400 recipe just recently on my Fujifilm X-T30. Which one is better? Which should you use? How do they compare?
The original recipe requires a hard-to-achieve custom white balance measurement, and for that reason I never really liked it. Yes, it looks good, but to get the recipe right requires a vague setting. Some people, in lieu of the custom white balance measurement, use auto-white-balance, which is a fair way to deal with the issue. On my X-T30 I don’t think I have the custom white balance quite right, but it was as close as I could get at the time that I took the measurement. The original Portra 400 recipe is one of the most frustrating recipes I’ve created, but it also produces great results sometimes.
The new Portra 400 recipe is a little more accurate to the film, in my opinion. Of course, with film, depending on how it’s shot, developed, printed or scanned, results can vary greatly. While I think the new version is more accurate, that’s not to say that the original version isn’t accurate. It’s just a little different look. In this post are examples of pictures captured with both recipes side-by-side.
Which one is the better Kodak Portra 400 recipe? The new version is easier to program, overall a little more accurate to the film, and in many situations I like it better; however, sometimes I prefer the original Portra 400 recipe. I can’t tell you which one is better for you, but I can tell you for me, I like the new recipe better, yet I see that the original version has its place and shouldn’t be discarded. That’s just my tastes, and yours might be different. Hopefully seeing the two recipes next to each other provides you with some clarity on which to choose.
Around The Bend – Layton, UT – Fujifilm X-T30 “Kodak Portra 400”
Portra 400, which is a color negative film, was introduced by Kodak in 1998. It was redesign in 2006 and again in 2010. As the name implies, it’s intended for portrait photography, but can be used for many other types of photography. It’s similar to Portra 160, but with more contrast, saturation and grain. Believe it or not, ISO 400 was considered “high ISO” by many photographers back in the film days, and Portra 400 was one of the absolute best “high ISO” color films ever made. Like all films, results can vary greatly depending on how it’s shot, developed and printed or scanned, and even which version of the film you’re talking about. Interestingly, Kodak briefly made a black-and-white version of Portra 400!
I’ve been meaning to revisit Kodak Portra 400 for some time now. As you may know, I already have a Kodak Portra 400 recipe, which I created two years ago, but it requires a difficult-to-achieve custom white balance measurement. I was never really satisfied with that recipe, even though it can produce interesting results. I have been eager to create a new Portra 400 recipe, and, In fact, I’ve tried a couple of times, but without success.
Blue Sky Day – Syracuse, UT – Fujifilm X-T30 “Kodak Portra 400”
A Fuji X Weekly reader suggested to me that if I use my Kodak Portra 160 recipe, except increase Shadow, Highlight and Color by one, that should be pretty close to Portra 400. Indeed it is! I liked what I saw, but I played around with the settings more to see if I could improve on it. Turns out not much needed to be tweaked. I liked the results better with Color Chrome Effect set to Strong, but if you have an X-Trans III camera, which doesn’t have that feature, you can still use this recipe, but it will look slightly different. The only other change that I made was I set Grain to Strong.
Classic Chrome
Dynamic Range: DR-Auto
Highlight: -1
Shadow: -1
Color: +2
Noise Reduction: -4
Sharpening: -2
Grain Effect: Strong
Color Chrome Effect: Strong
White Balance: Daylight, +4 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +2/3 to +1 (typically)
Example photographs, all camera-made JPEGs using this Kodak Portra 400 film simulation recipe on my Fujifilm X-T30:
Mountain in the Evening Light – Farmington, UT – Fujifilm X-T30
Reeds To The Sky – Farmington, UT – Fujifilm X-T30
Jensen Pond – Syracuse, UT – Fujifilm X-T30
Water Beyond The Trees – Layton, UT – Fujifilm X-T30
Paved Trail – Layton, UT – Fujifilm X-T30
Spring Green & White – Layton, UT – Fujifilm X-T30
Fries in the Sky – Syracuse, UT – Fujifilm X-T30
Royal Lunch – Layton, UT – Fujifilm X-T30
Evening Suburban Home – Farmington, UT – Fujifilm X-T30
Boy in the Striped Light – Farmington, UT – Fujifilm X-T30
Boy Sitting – Farmington, UT – Fujifilm X-T30
Sunlight Through The Pink Blooms – Farmington, UT – Fujifilm X-T30
Nobody pays me to write the content found on fujixweekly.com. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!
