Ricoh GR III vs. Fujifilm X-E4 + Fujinon 18mm f/2

What’s better, the Ricoh GR III or the Fujifilm X-E4 with a Fujinon 18mm f/2 lens? They’re both compact APS-C cameras that are reasonably affordable. They are both capable of producing excellent straight-out-of-camera JPEGs that don’t require editing. But which one is the best? If put head-to-head, which one will come out on top? Let’s find out!

First, I want to point out that I have Film Simulation Recipes for the Fujifilm X-E4 and Recipes for the Ricoh GR III. I have a Film Simulation Recipes App for Fujifilm, and I have a Film Simulation Recipes App for Ricoh. While there are significantly more Recipes for the Fujifilm X-E4, there are still quite a few for the Ricoh GR III; both camera are capable of producing analog-like results out-of-camera. With that said, let’s look at some pros and cons to each camera.

The biggest pro for the Ricoh GR—and let’s be honest, this is the reason to own it—is its super compact size—the smallest APS-C camera, in fact. The GR III easily fits into my pants pockets or nearly anywhere. It’s perfect for travel or for just carrying around. The inconspicuous design lends itself well for street photography. The GR III has IBIS, albeit a mediocre one that’s not particular necessary with an 18mm lens (but, still, it has it). Snap focus is a pretty useful feature. Ricoh just gave it a new Image Control Effect (their version of a Film Simulation) with a Kaizen firmware update, something Fujifilm hasn’t done in a long time. Perhaps the second biggest pro to the Ricoh GR III is that you can actually buy one without too much difficulty.

The biggest con for the Ricoh GR is that it has a fixed lens. That could be good or bad, depending on your perspective, but for certain it lacks versatility—the GR III is a one-trick pony, but of course it does that one trick very well. Another big con is that it lacks a viewfinder; because the LCD doesn’t move, the camera can be hard to use in harsh light conditions. I don’t like that it has a PASM dial, as I much prefer the manual tactile controls found on most Fujifilm cameras. While the camera-made JPEGs do look good, I prefer those from the Fujifilm X-E4, as I think Fujifilm’s JPEGs are a little better than Ricoh’s. Finally, the GR III is now over four years old, and it’s perhaps beginning to feel slightly dated.

For the Fujifilm X-E4, the biggest pro is Fujifilm’s renown JPEG output and the large number of Film Simulation Recipes available for it. For straight-out-of-camera photography, it’s very hard to beat this camera! The X-E4 has an electronic viewfinder, as well as a tilting LCD. You can attach any number of different lenses to it; the Fujinon 27mm f/2.8 is my favorite. The Fujinon 18mm f/2 is a full stop brighter than the f/2.8 lens on the Ricoh GR III, which can occasionally be a big deal, but most of the time isn’t. The X-E4 has the traditional camera controls that Fujifilm cameras are known for. Fujifilm released the X-E4 two years after Ricoh released the GR III, and to a small extent you can tell.

The biggest con for the Fujifilm X-E4 is that it’s difficult to find, and, if you do, it might be at an inflated price. Due to parts shortages, Fujifilm couldn’t keep up with demand, and then they (inexplicably) discontinued the camera. Good luck finding one. While the X-E4 is small and pocketable if your pockets are large enough, it’s significantly bigger than the Ricoh GR III. It doesn’t have IBIS, although with the 18mm lens it’s not really necessary. The Fujifilm X-E4 paired with the Fujinon 18mm f/2 has an MSRP of $1,450, while the Ricoh GR III has an MSRP of only $900.

Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Tri-X 400 Recipe
Ricoh GR III + Monochrome Film Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Ricoh GR III + Classic Emulsion Recipe

Comparing the Ricoh GR III to the Fujifilm X-E4 with the Fujinon 18mm f/2 lens isn’t really fair. They’re two different tools for two different purposes. But there are enough similarities and crossover that they do make some sense to test side-by-side. I like the Fujifilm X-E4 better—much better, in fact—than the Ricoh GR III, but that doesn’t mean it’s the best camera. Best is subjective, and it kind of depends on your goals and how you’ll use the cameras.

The Ricoh GR III is significantly cheaper and you can buy it right now without too much trouble. The Ricoh GR III is easier to carry around and is more inconspicuous. The Fujifilm X-E4 offers a more fun shooting experience and is much more versatile. I prefer the pictures from the X-E4, but those from the Ricoh GR III are still very good. Ultimately the winner is the one that makes the most sense to you. I own both cameras, and I use the Fujifilm X-E4 probably ten or maybe fifteen times more often than the Ricoh GR III, so it is my winner; however, you might prefer the GR III for various reasons, so it could be your winner. Even though I use the X-E4 much more often, there are times that the GR III is more practical to have with me, so I’m glad that I own it.

Below are some pictures that I recently captured with a Ricoh GR III and a Fujifilm X-E4 with a Fujinon 18mm f/2 lens.

Ricoh GR III

Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Royal Supra Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Classic Emulsion Recipe
Ricoh GR III + Monochrome Film Recipe
Ricoh GR III + Monochrome Film Recipe

Fujifilm X-E4 + Fujinon 18mm f/2

Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Fujicolor Superia 800 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Portra 400 v2 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Tri-X 400 Recipe
Fujifilm X-E4 + Fujinon 18mm f/2 + Kodak Tri-X 400 Recipe

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III:  Amazon  B&H  Moment
Fujifilm X-E4 in black:  Amazon   B&H  Moment
Fujifilm X-E4 in silver:  Amazon   B&H  Moment
Fujinon 18mm f/2:  Amazon   B&H   Moment

New Ricoh GR III & GR IIIx Recipes!!

Captured with a Ricoh GR III using the new “Classic Emulsion” Recipe.

I just published a new set of Ricoh GR III & GR IIIx RecipesThe Film Collection!

For those of you who (in addition to your Fujifilm X cameras) own a Ricoh GR III and/or GR IIIx, you now have five new Ricoh Recipes to choose from, and if you are a Ricoh Recipes App Patron, you have an additional Recipe available to you on the App. Be sure to check it out! If you haven’t updated the firmware of your GR III or GR IIIx recently, be sure to do so right away to get the new Negative Film Picture Control Effect.

Classic Emulsion

Positive Emulsion

Kodak Print

Film Look

Vintage Film

Nostalgic Print

See also: Ritchie’s Ricoh Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III  Amazon  B&H  Moment
Ricoh GR IIIx  Amazon  B&H  Moment

Fujifilm Take Notice: Ricoh Just Did What You Won’t

Captured with the new “Negative Film” Picture Control Effect on my Ricoh GR III.

Fujifilm, pay close attention: Ricoh just did with their GR III and GR IIIx what you won’t do with your X-series cameras.

Fujifilm has stated that they’re moving away from Kaizen and to expect less of it going forward, but some other camera makers—including Ricoh—are embracing it. In fact, Ricoh just added a new Picture Control Effect, which is their Film Simulations equivalent, to their GR III and IIIx cameras. This new Effect is called Negative Film, and it looks pretty good so far to me. It’s not really like anything on Fujifilm exactly—perhaps it could be described as somewhat similar to a cross between Classic Negative and PRO Neg. Std—but it does produce an aesthetic that’s easy to appreciate.

I want to point out that the GR III was released almost at the same exact time as the Fujifilm X-T30. Since the release of the X-T30, Fujifilm has introduced three new Film Simulations—Classic Negative, Eterna Bleach Bypass, and Nostalgic Neg.—plus some other JPEG options like Color Chrome FX Blue, Clarity, and Grain size. None of it has trickled down to the X-T30 (or X-T3). Even the X-Pro3 and X100V—premium models, supposedly—weren’t given the Kaizen love that they (really, Fujifilm’s customers) deserve. Yet little ol’ Ricoh not only created a new Effect for apparently no reason other than the fun of it, and they gave it to the almost four-year-old GR III just because they wanted to make their customers happy.

Captured with the new “Negative Film” Picture Control Effect on my Ricoh GR III.

I have a ton of advice that I’d give to Fujifilm if they were ever interested in hearing my opinions. I mean, I have a pretty good pulse on a big chunk of their customer base, and I’ve done more than most to bring them new customers, whether directly or indirectly, so you’d think they would be interested in hearing what I have to say. The very first suggestion that I would have for them is to do more Kaizen and not less. I get that it costs time and money, but fostering a happy long-term repeat customer base is priceless, and well worth whatever it takes to do that. A lot of photographers go from brand-to-brand-to-brand, or they begrudgingly put up with a brand for a long time because they don’t want to endure the cost and headache of switching, and there is a surprisingly large amount of disloyalty among customers. Yes, there are the outspoken fanboys—I am one for Fujifilm—but while their voices are loud, their numbers are surprisingly small. So if a brand can actually make more of their customers loyal, which they do by showing them that they matter and are appreciated, it can have a significant long-term impact. Of course, if your customers don’t think you care about them, they’ll be more quick to leave when another brand offers something new and exciting, or if they think that another brand cares more about their customers than the one they’re currently using.

Ricoh just made sure that their customers know that they care. Fujifilm, make sure that your customers know you care!

Below are some examples of photos captured using the new Negative Film Picture Control Effect on my Ricoh GR III.

See also: Ritchie’s Ricoh Recipes

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III  Amazon  B&H  Moment
Ricoh GR IIIx  Amazon  B&H  Moment

Fujifilm X70 vs Fujifilm XF10 vs Ricoh GR …in 2022

Fujifilm X70

This post is by popular demand! Ever since I started sharing pictures captured with my new-to-me Fujifilm X70, I’ve been bombarded with requests to compare the camera with the XF10 and the Ricoh GR models. And I fully understand why: there aren’t very many truly pocketable APS-C fixed-lens cameras, yet these are perfect for travel, street, and to just carry everywhere and use literally every day. There’s definitely a draw to them, and I can’t fathom why they’re not even more popular. Every photographer should want one of these, or something like them, but they often stay in a state of obscurity. I find it odd, but that’s the way it is.

We’ll start this off with a comparison of the two Fujifilm models: X70 and XF10. What’s similar and what’s different? Which one is better? Of the two, which should you buy?

At first glance you might think they’re the same camera, because they look very similar, and have nearly identical dimensions. The XF10 is lighter than the X70 because it has more plastic in its construction, and it feels like a cheaper camera (which it is). The lens is optically the same, but the X70 has an aperture ring while the XF10 doesn’t. The X70 also has a tilting rear screen, something not found on the XF10. And then there’s the dial: PASM vs Shutter Knob—regular readers of this blog know already that I don’t prefer PASM (putting it mildly), but maybe you do. The XF10 doesn’t have a hot shoe, or C1-C7 Custom Presets. The X70 has a 16-megapixel X-Trans II sensor, while the XF10 has a 24-megapixel Bayer sensor—I think, as far as image quality goes, they’re pretty similar, and I wouldn’t call one output “better” than the other. The XF10 is newer, released more than two-and-a-half years after the X70.

Fujifilm XF10

There are some things, such as Snapshot, that I like about the XF10, but there are some things, such as a generally sluggish performance, that I don’t. Between the two, it’s clear that the X70, despite being an older model released in 2016, is the more premium option, and it is the camera that I prefer of the two. The X70 is a keeper if you’ve got one; the XF10 is dispensable. With that said, the X70 can be hard to find (those who own them rarely sell them) and are often expensive. The XF10 is much easier to find, but finding a bargain on one can still be a challenge. If you are on a tight budget or don’t have much patience (and don’t mind the limitations of this model), the XF10 is a very good runner-up, but if you want the better option of these two, the X70 is the one to go with. Both models have been long discontinued, so don’t expect to find one brand-new, and if you somehow do, know that it will come with a premium price tag; otherwise, you’ll have to be satisfied with something that isn’t new but is new to you.

How does the X70 (and XF10) compare to the Ricoh GR cameras? I’m most known for my Fujifilm Film Simulation Recipes, but lesser known are my Ricoh GR Recipes; I know a thing or two about both brands. I own a GR and a GR III. The GR II is essentially the same camera as the GR (just minor improvements), so everything that I say about the GR in this discussion will apply to the GR II. The GR IIIx has a different focal-length lens, but is otherwise very similar to the GR III, so what I say about the GR III applies also to the GR IIIx. I hope this makes sense and helps to simplify things a little.

The Ricoh GR models are not as pretty as the Fujifilm models, but what they lack in beauty they make up for in compactness. While the X70 and XF10 are small, the GR cameras are really small, which makes them even easier to carry with you everywhere. The GR III is just a little smaller than the GR I & II. Functionality and feature wise, all of the GR models are more similar to the XF10 than the X70. The rear screens are fixed. There’s a PASM dial. There’s no aperture ring around the lens. The GR cameras aren’t laggy like the XF10, though, plus there’s a hot shoe.

Ricoh GR

Image quality on the GR cameras are similarly good compared to the Fujifilm models. My opinion is that the GR, which was released in 2013 and features a 16-megapixel camera, has the “worst” technical image quality of all of these cameras, but there’s some sort of pixie dust that gives it a special quality—I’m not exactly sure what it is, but there’s an unexpected appealing quality to the images (this applies also to the GR II, released in 2015). The GR III, which has a 24-megapixel sensor and was released in 2019, has superior technical image quality over the GR, but lacks a little of that pixie dust. Is technical image quality more important, or that hard-to-define special quality? Your answer will reveal which GR camera to consider. I personally like the GR III a little more than the GR.

What’s better, though: Fujifilm or Ricoh? That’s a really tough decision. I do like Fujifilm’s JPEGs a little more than Ricoh’s, but they’re both very good; the “color science” and approach to JPEG output is different, so you might prefer one over the other (I personally prefer Fujifilm’s, no surprise, but everyone is different). Between the XF10 and any of the GR models, I would go with Ricoh, but Ricoh isn’t the hands-down winner—the XF10 is nearly as good, but the GR cameras are slightly better, in my opinion. Between the X70 and Ricoh, I give the X70 the edge, because the design and shooting experience is superior. Even though the GR models are noticeably smaller and fit just a little easier into my pockets, I’d choose to take the X70 with me instead, as it’s more fun to shoot with. The GR III is the only model that you can still buy brand-new, so if you don’t want to purchase a used camera, it’s your only option.

The best case scenario is if you can own multiple cameras, because each have their advantages and disadvantages. There are times when each of the models discussed in this article could be the best choice. If you own a Fujifilm camera and a GR camera, that allows you to choose which one you think will work best for you in the situations you anticipate encountering. However, if it can only be one, I recommend the Fujifilm X70 (even though I’ve only owned it for a short time), followed very closely by the GR III, then followed very closely by the GR or GR II (get the GR II if the price is the same), then followed very closely by the XF10. Some might disagree with that ranking, but that’s my opinion. I do hope this article is helpful for those trying to decide which one to get.

None of these cameras are perfect by any means, but they are all perfect for shoving into a pocket and carrying with you everywhere. Can’t afford any of them? Don’t worry, just use your phone—if you have an iPhone, be sure to try my RitchieCam camera app! This can serve a similar purpose, and since you already have your phone on you, it’s not necessary to also carry a camera. While I have a phone with RitchieCam in my pocket, I’ll often have a Fujifilm X70 or Ricoh GR III in a pocket, too.

Fujifilm X70

Monochrome Red” recipe
Kodak Color Negative” recipe
Kodak Color Negative” recipe

Fujifilm XF10

Velvia” recipe
Classic Chrome” recipe
Monochrome” Recipe

Ricoh GR

Monochrome Negative” recipe
Negative Film” recipe
Color Chrome” recipe

Ricoh GR III

Americana Color” recipe
Vibrant Analog” recipe
Analog Film” recipe

RitchieCam

Instant Color 3” filter
Faded Film” filter
MetroColor” filter

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III Amazon B&H
Ricoh GR IIIx Amazon B&H

Download the Fuji X Weekly App for free today! Apple Android
Download the Ricoh Recipes App for free today! Apple Android
Download the RitchieCam App for iPhone for free today! Apple

New Recipes for Ricoh GR!

Captured with the new Vibrant Teal recipe for Ricoh GR III

Ricoh GR owners rejoice! I just published a new Recipe Collection, called The California Negative Collection, for the Ricoh GR III and Ricoh GR IIIx cameras! Find it at Ritchie’s Ricoh Recipes, and on the Ricoh Recipes App!

Also, the Ricoh Recipes App received an update, which fixed some bugs and added the ability to search for recipes by name. If you have the App, be sure to update it manually if your phone didn’t do so automatically.

Have a Ricoh GR camera? Download the Ricoh Recipes App today!

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Ricoh GR III — AmazonB&H
Ricoh GR IIIx — AmazonB&H