New Fujifilm X-Trans IV FXW App Patron Early-Access Film Simulation Recipe: Expired Velvia

Red Blossom – Farmington, UT – Fujifilm X-E4 – “Expired Velvia”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have already been publicly published on this Blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This new “Expired Velvia” Fuji X Weekly App Patron Early-Access Film Simulation Recipe came about after a Fuji X Weekly reader shared with me some photographs that he had captured on long-expired Velvia 50 color reversal film. He didn’t have the lab adjust the development time for the expired film, so they were all underexposed; however, they turned out really interesting, with an aesthetic that leaned more towards Superia than Velvia. I think this recipe does a great job of mimicking that look. If you are searching for a Film Simulation Recipe that’s a little different, this is one to try! It’s definitely not for everyone, but some of you will love it. It’s compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras.

If you are a Fuji X Weekly App Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Expired Velvia” Film Simulation Recipe on my Fujifilm X-E4:

Light Post – Hot Springs, AR – Fujifilm X-E4
Hotel Door – Flagstaff, AZ – Fujifilm X-E4
Restaurant – Flagstaff, AZ – Fujifilm X-E4
Webs We Weave – Hot Springs, AR – Fujifilm X-E4
Outdoor Chair Cushion – Hot Springs, AR – Fujifilm X-E4
Jo Playing with Roly Polies – Hot Springs, AR – Fujifilm X-E4
A Boy & His Fishing Pole – Hot Springs, AR – Fujifilm X-E4
Covered Boat Dock – Hot Springs, AR – Fujifilm X-E4
Lake Houses – Hot Springs, AR – Fujifilm X-E4
‘Bout to Blossom – Farmington, UT – Fujifilm X-E4
Wet Rose – Ridgedale, MO – Fujifilm X-E4
Triangles – Hot Springs, AR – Fujifilm X-E4
Fenced Sun – Amarillo, TX – Fujifilm X-E4
A Whale of a Sunset – Branson, MO – Fujifilm X-E4

Fujifilm X-E4 (X-Trans IV) Film Simulation Recipe: Pushed CineStill 800T

Snow on the Stormy Mountain – Farmington, UT – Fujifilm X-E4 – “Pushed CineStill 800T”

This “Pushed CineStill 800T” Film Simulation Recipe came about after I stumbled across an amazing picture that was captured on CineStill 800T film during daytime with an overcast sky. It turned out that the film was push-processed, but I never learned by how many stops (I’m guessing one-stop). After some extensive Googling, I was able to find several more examples of push-processed CineStill 800T film shot in overcast daytime light. I then set out to mimic that aesthetic on my Fujifilm camera.

Interestingly enough, even though this recipe is intended for daytime photography, it does quite well at night, too; however, I do believe it more faithfully mimics the film in cloudy daytime conditions. It does produce nice results in daylight or night, so feel free to use it anytime. Film can look different depending on how it is shot, developed, or scanned (among many other things). This recipe doesn’t replicate pushed CineStill 800T film under all circumstances, but in certain conditions it’s a good facsimile. I really like how this one looks, and I think some of you will really appreciate it, too!

Book & Minolta – Farmington, UT – Fujifilm X-E4 – “Pushed CineStill 800T”

Because this “Pushed CineStill 800T” recipe uses the Eterna Bleach Bypass film simulation, it is only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. It’s possible that this recipe is also compatible with the GFX100S and GFX 50S II, but I’ve never tested it to be certain. This was a Fuji X Weekly App Patron Early-Access Recipe, so App Patrons have had access to it since October, but now it’s available to everyone! A new Early-Access Recipe replaced it find—it in the Fuji X Weekly App!

Eterna Bleach Bypass
Dynamic Range: DR400
Highlight: -0.5
Shadow: -1.5
Color: +3
Noise Reduction: -4
Sharpness: 0
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 7700K, -9 Red & +5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Pushed CineStill 800T” Film Simulation Recipe on my Fujifilm X-E4:

Happy Birthday Wish – Farmington, UT – Fujifilm X-E4
Ready To Go Nowhere – Farmington, UT – Fujifilm X-E4
Pipe Door – Farmington, UT – Fujifilm X-E4
Night Urban Path – Farmington, UT – Fujifilm X-E4
Empty Parking Garage – Salt Lake City, UT – Fujifilm X-E4
Empty Harmons Fuel Stop – Farmington, UT – Fujifilm X-E4
Night Hydrant – Farmington, UT – Fujifilm X-E4
Wet White Blooms – Farmington, UT – Fujifilm X-E4
Little Wild Berries – Farmington, UT – Fujifilm X-E4
Clouds Building Over Green Ridge – Farmington, UT – Fujifilm X-E4
Pumpkins In A Patch – Farmington, UT – Fujifilm X-E4
Bee Boxes – Farmington, UT – Fujifilm X-E4
Hidden Townhomes – Farmington, UT – Fujifilm X-E4
Winter Dusting – Farmington, UT – Fujifilm X-E4

Find this Film Simulation Recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-E4 Film Simulation Recipe: Fujicolor Natura 1600

Tree Blossom Sky – Farmington, UT – Fujifilm X-E4 – “Fujicolor Natura 1600”

Fujifilm produced Fujicolor Natura 1600, a high-ISO color negative film, from 2003 through 2017. It was only sold in Japan, but it became renown worldwide as word got out about this wonderful film. A lot of speculation has surrounded it. Is it simply renamed Fujicolor Superia 1600? Many people think so. Is it slightly modified Superia 1600 for Japanese skin-tones? Some people think so. Is it slightly modified Superia 1600 made specifically for the Fujifilm Natura camera? Perhaps so. I haven’t found any definitive evidence to conclude if Natura 1600 is unmodified Supera 1600 or a slightly modified variant of it—if it isn’t identical, it’s very similar.

I have a Fujicolor Superia 1600 Film Simulation Recipe already, and it’s a recipe that I personally quite like. I had no desire to remake it, but (you know) one film can have many different aesthetics, depending on a whole host of factors, including (but not limited to) how it was shot, developed, and scanned. With that in mind, I looked at Fujicolor Natura 1600 examples that I found online, and from scratch (not using the Superia 1600 recipe as a starting point) I made a whole new recipe to mimic Natura 1600—not surprisingly, the settings ended up being similar to the Superia 1600 recipe. Alternatively, this could be called Fujicolor Superia 1600 v2.

Clown Truck & Geo – Farmington, UT – Fujifilm X-E4 – “Fujicolor Natura 1600”

A fun thing that I did for some of these pictures is set the ISO to 1600—I think the results are especially good at that particular ISO; however, it’s more practical to use a larger range of ISOs. So set the ISO to 1600 if you’d like, or set it to Auto (up to ISO 6400) if you’d prefer—I tried both, and found either to be acceptable. This particular recipe is only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. If you have an X100V or X-Pro3 and want to use this recipe, I suggest setting Highlight to -1 and Shadow to +2. The results will be similar, but not identical.

Classic Negative
Dynamic Range: DR400
Highlight: -1.5
Shadow: +1.5
Color: -2
Noise Reduction: -4
Sharpness: -2
Clarity: -4
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 5500K, -1 Red & -2 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs using this “Fujicolor Natura 1600” Film Simulation Recipe on a Fujifilm X-E4:

Carpet & Curtain – Flagstaff, AZ – Fujifilm X-E4
Crown Railroad Cafe – Flagstaff, AZ – Fujifilm X-E4
Dinner Conversations – Flagstaff, AZ – Fujifilm X-E4
Daily Specials – Flagstaff, AZ – Fujifilm X-E4
Dynalift – Farmington, UT – Fujifilm X-E4
Ice Cream – Farmington, UT – Fujifilm X-E4
Concrete Blossoms – Farmington, UT – Fujifilm X-E4
Tulips for Sale – Farmington, UT – Fujifilm X-E4
Hazy Blossom – Farmington, UT – Fujifilm X-E4
Evening Sun Through Leaves – Farmington, UT – Fujifilm X-E4
Flower Cluster – Farmington, UT – Fujifilm X-E4
Easter Egg Hunt – Farmington, UT – Fujifilm X-E4
Pine Tree & Rocks – Bryce Canyon NP, UT – Fujifilm X-E4
Two Bridges – Bryce Canyon NP, UT – Fujifilm X-E4

Fujicolor Natura 1600 recipe compared to the Fujicolor Superia 1600 recipe:

“Fujicolor Natura 1600”
“Fujicolor Superia 1600”

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Pro1 (+ X-E1) FXW App Patron Early-Access Film Simulation Recipe: Color Analog

109 – Farmington, UT – Fujifilm X-Pro1 – “Color Analog”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly App Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have already been publicly published on this blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

For this Film Simulation Recipe I didn’t attempt to model any specific film; instead, I wanted a low-saturation, low-to-mid contrast recipe that would remind me of color negative film. I wanted it to be warm, but not overly warm. After several tries, I landed on some settings that I liked. While I didn’t have any film in mind when I created this recipe, it is vaguely reminiscent of Kodak Portra 160 NC, which was a “neutral color” (low-saturation) version of Portra film that was around from 1998 to 2010, when it was discontinued. It’s not an exact match to that film, but is simply by chance in the neighborhood of it. As Lefty Gomez famously said, “I’d rather be lucky than good.”

Sunset Branch – Bountiful, UT – Fujifilm X-Pro1 – “Color Analog”

I think this recipe is a good “everyday” daylight option. If I were to suggest C1-C7 Custom Presets for the X-Pro1, this is one that I would include. I would also consider Color Negative Film, either Kodachrome I or Kodachrome II, Vivid Color, Superia Xtra 400, and Monochrome. I know that’s only six (not seven), but you wouldn’t have to remember to change the White Balance Shift when switching presets because each of these calls for a different White Balance type. I suppose I’ll have to create a recipe to fill that seventh spot (actually, I’m already working on it…), but in the meantime you could pick one other recipe—you’ll just have to remember to switch the shift when changing presets—or leave the seventh spot empty.

This new Patron Early-Access recipe is compatible the Fujifilm X-Pro1 and X-E1 cameras. Those with X-Trans II and Bayer cameras can also use it, although the results will be just a little different. If you are a Fuji X Weekly App Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Color Analog” Film Simulation Recipe on my Fujifilm X-Pro1:

Daffodil Garden – Farmington, UT – Fujifilm X-Pro1
Daylight Pines – Bountiful, UT – Fujifilm X-Pro1
Pear Blossom Sky – Farmington, UT – Fujifilm X-Pro1
Creek Rocks – Bountiful, UT – Fujifilm X-Pro1
Newly Bloomed – Bountiful, UT – Fujifilm X-Pro1
White Fruit Tree Blossoms – Bountiful, UT – Fujifilm X-Pro1
Round & Red – Bountiful, UT – Fujifilm X-Pro1
Aperture Artifact Apparition – Bountiful, UT – Fujifilm X-Pro1
Sunlight Through Tree Branches – Bountiful, UT – Fujifilm X-Pro1
Suspended Sun – Bountiful, UT – Fujifilm X-Pro1
Reflection Structure – Farmington, UT – Fujifilm X-Pro1
Train 16 – Farmington, UT – Fujifilm X-Pro1

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Trans I (X-E1 + X-Pro1) Film Simulation Recipe: Ektachrome

Diesel – Park City, UT – Fujifilm X-Pro1 – “Ektachrome”

Ektachrome is a line of color transparency film introduced by Kodak in the 1940’s. I did some research, and counted 40 different emulsions over the years that carried the Ektachrome name! Generally speaking, Ektachrome was less warm than Kodachrome (although it depends on which Ektachrome you’re referring to), and also less archival. While Kodachrome was discontinued in 2009, Ektachrome can still be purchased today. I’m not certain which (of the 40) Ektachrome films this recipe most closely resembles. It has more of a general Ektachrome feel rather than being an exact copy of a specific emulsion.

This was a Patron Early-Access recipe, but has been replaced by another, so it is now available to everyone! If you are a Fuji X Weekly App Patron, be sure to look for the recipe that replaced this one. This “Ektachrome” recipe is compatible with the Fujifilm X-E1 and X-Pro1 cameras. Unfortunately, even though the X-M1 is X-Trans I, this recipe is not compatible with that camera. I really like how this one looks, and I think some of you will really appreciate it, too!

Two Cans – Weber Canyon, UT – Fujifilm X-Pro1

Pro Neg. Std
Dynamic Range: DR400
Highlight: +1 (Medium-Hard)
Shadow: +2 (Hard)
Color: -1 (Medium-Low)
Sharpness: +2 (Hard)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, -1 Red & +3 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Ektachrome” film simulation recipe on my Fujifilm X-Pro1:

House Flag – Farmington, UT – Fujifilm X-Pro1
Dead Wood – Farmington Bay, UT – Fujifilm X-Pro1
Cattails – Farmington Bay, UT – Fujifilm X-Pro1
Succulent Shelf – Farmington, UT – Fujifilm X-Pro1 – “Ektachrome”
Boy On Couch Watching TV – Farmington, UT – Fujifilm X-Pro1
Drinking Fountain – Weber Canyon, UT – Fujifilm X-Pro1
Two Trees – Farmington, UT – Fujifilm X-Pro1
Berries in a Tree – Farmington, UT – Fujifilm X-Pro1
Blackberry Bush – Farmington, UT – Fujifilm X-Pro1
Francis Peak Summer – Farmington, UT – Fujifilm X-Pro1

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Trans III (+ X-T3 & X-T30) FXW App Patron Early-Access Film Simulation Recipe: Fujicolor Pro

Last Light on Brush – Antelope Island SP, UT – Fujifilm X-H1 – “Fujicolor Pro”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly App Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have already been publicly published on this blog and the App, so now everyone can use them. Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This “Fujicolor Pro” recipe is intended to produce a nice analog-like color-negative-film aesthetic with a classic Fujicolor palette. Those with cameras older than the X-Pro3 don’t have access to the Classic Negative film simulation, and there’s no substitute to mimic Classic Negative, so I wanted to create a next-best-thing recipe. While I didn’t attempt to mimic any specific film, I had Fujicolor Pro 160NS in my mind as I made this. There are already recipes for that film (here and here), and this recipe isn’t “better” than those two, but more of an alternative version that you might really like. I also had pulled-process Fujicolor Pro 400H on my mind (there’s also already a recipe for that); again I didn’t necessarily try to mimic that film and process specifically, but had the intention of producing a general Fujicolor Pro “memory color” (similar to what I did with my Nostalgic Color recipe). This “Fujicolor Pro” recipe is a good all-around option that works well in a variety of daylight situations.

Parking Garage – Salt Lake City, UT – Fujifilm X-H1 – “Fujicolor Pro”

This “Fujicolor Pro” Patron Early-Access Recipe is compatible with Fujifilm X-Trans III and X-T3 & X-T30 cameras. For those with newer X-Trans IV cameras, set Color Chrome FX Blue to Off, Clarity to 0, and I’d suggest Grain size Small.

If you are a Fuji X Weekly App Patron, it’s available to you right now on the App!

Example photographs, all camera-made JPEGs captured using this “Fujicolor Pro” Film Simulation Recipe on my Fujifilm X-H1:

Stairs Up – Salt Lake City, UT – Fujifilm X-H1
Main St. Market – Salt Lake City, UT – Fujifilm X-H1
Yellow Among Green – Salt Lake City, UT – Fujifilm X-H1
Frary Peak Sage – Antelope Island SP, UT – Fujifilm X-H1
Great Salt Lake Rocks – Antelope Island SP, UT – Fujifilm X-H1
Lake Between the Rocks – Antelope Island SP, UT – Fujifilm X-H1
Salt Lake From Antelope Island – Antelope Island SP, UT – Fujifilm X-H1
Island Brush – Antelope Island SP, UT – Fujifilm X-H1
Jetty – Antelope Island SP, UT – Fujifilm X-H1
Sunset Over Salt Lake – Antelope Island SP, UT – Fujifilm X-H1

Find this Film Simulation Recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X-Trans III + X-T3 & X-T30 Film Simulation Recipe: Kodacolor VR

Inside City Creek – Salt Lake City, UT – Fujifilm X-T30 – “Kodacolor VR”

This Film Simulation Recipe was an experiment. I started out with my Fujicolor 100 Industrial recipe, but instead of using a cool White Balance with a warm White Balance Shift, I did the opposite: I used a warm White Balance with a cool shift. After many adjustments to various settings, this ended up not resembling the Fujicolor 100 Industrial recipe much at all, but it does have a great vintage print-film aesthetic that I really like.

I wasn’t sure at first which film this recipe most closely resembled (since it wasn’t intended to mimic any specific film), although it seemed to have some similarities to Kodacolor VR. I already have a Kodacolor recipe (plus a variant of it), which does a great job at mimicking Kodacolor VR; this recipe and that one look somewhat similar, but definitely different. Then I ran across some pictures that looked very similar to the ones you see in this article, and it turned out that they were shot on Kodacolor VR film that had expired. So I think this recipe, while it does resemble Kodacolor VR, as well as ColorPlus 200 (which is a direct descendant of that film), it most closely looks like Kodacolor VR that’s been stored a little past its expiration date. Of course, one film can have many different looks, depending on how it was shot, developed, scanned and/or printed, and (in this case) stored, so this recipe serves as a nice alternative to my original Kodacolor recipe.

Leaning Tower – Salt Lake City, UT – Fujifilm X-T30 – “Kodacolor VR”

This “Kodacolor VR” recipe was originally a Patron Early-Access Recipe, but is now available to everyone! If you are a Fuji X Weekly App Patron, there is a new Early-Access Recipe that replaced this one, so be sure to look for that. This recipe is compatible with Fujifilm X-Trans III and X-T3 and X-T30 cameras. For those with newer X-Trans IV cameras, set Color Chrome FX Blue to Off, Clarity to 0 (or perhaps -2), and I’d suggest Grain size Large, but use Small if you prefer.

Classic Chrome
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Color: +2
Sharpness: -1
Noise Reduction: -4
Grain: Weak
Color Chrome Effect: Off
White Balance: 10000K, -7 Red & +8 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this “Kodacolor VR” film simulation recipe on my Fujifilm X-T30:

Summer Reeds – Farmington, UT – Fujifilm X-T30
Corner Through Leaves – Salt Lake City, UT – Fujifilm X-T30
Stones & Glass Ceiling – Salt Lake City, UT – Fujifilm X-T30
Glass – Salt Lake City, UT – Fujifilm X-T30
Building a Building – Salt Lake City, UT – Fujifilm X-T30
Small Spaces Between – Salt Lake City, UT – Fujifilm X-T30
Twilight Telephone Poles – Salt Lake City, UT – Fujifilm X-T30
Stoneground – Salt Lake City, UT – Fujifilm X-T30
Goes for Gold – Salt Lake City, UT – Fujifilm X-T30
Night Parking – Salt Lake City, UT – Fujifilm X-T30
Doki Doki – Salt Lake City, UT – Fujifilm X-T30
Escalators – Salt Lake City, UT – Fujifilm X-T30
Downtown Buildings – Salt Lake City, UT – Fujifilm X-T30
Coming Train – Salt Lake City, UT – Fujifilm X-T30
Trax – Salt Lake City, UT – Fujifilm X-T30
Waiting on the Platform – Salt Lake City, UT – Fujifilm X-T30
Glass & Sky – Salt Lake City, UT – Fujifilm X-T30
Tall Downtown Buildings – Salt Lake City, UT – Fujifilm X-T30

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

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Thoughts on Apps & App Development

Since I have three apps now—Fuji X Weekly, Ricoh Recipes, and RitchieCam—I’ve been asked by several people for advice on app development. I’ve also been meaning to discuss some of the things I’ve learned, because it’s interesting, and maybe it’s useful information to a few of you. I’ve hesitated to write this as it might seem like a boring topic—perhaps even controversial or offensive at times—and unrelated to Fujifilm, but I truly hope that by the end there’ll be something for you. I write from real-world experience, but I’ve also researched this fairly extensively over the last year-and-a-half (including reading several books on the topics), so I’m not making this stuff up.

I have received a lot of criticism over the pricing structure of my apps. There are three options: free, freemium (the app is free, but there’s a fee for some features), and premium (not free). Within freemium and premium are three options: one-time fee (to unlock everything), à la carte fees (pay individually for this or that), and subscriptions (reoccurring monthly or annually).

One-time fees used to be the most common, but are much less so now. Why? Apps used to be popular for a season, then the next trend would make them irrelevant, so the life cycle of apps was typically pretty short, usually two years or less. Nowadays apps have a much longer lifespan—often a decade or even indefinitely—so the one-time fee model makes no sense. You wouldn’t buy a vacuum cleaner and expect it to be up-kept and improved upon by the manufacturer for years to come—not without additional fees, anyway—but people expect that from apps and software. Apps that use this model are abandoned as soon as new customers become less frequent. There are numerous apps in the Google Play Store and Apple App Store right now that succumbed to this fate. In my research I came across countless apps that hadn’t been updated in years, where the most recent review was two years old, and it was begging the developer to update the out-of-date app. This model is good for short-term projects, but is not good if you want an app to be around for years and years to come, because as soon as the financial motivation dries up, the app is neglected and abandoned.

The apps that use à la carte fees are often gaming and dating apps. You pay to unlock something, such as a level redo, puzzle hint, or something like that. This can be affective, but you have to be careful because if not done tastefully it can come across as scammy. People don’t like paying “hidden” fees around every corner.

So that leaves us with the subscription model, which is a win-win, and allows the app to continuously improve into something greater over time. This is best-case for the developer because it ensures continuous resources, and best-case for the customer because it ensures the app will improve regularly over time and not be left abandoned. More and more apps are going this route, and it is now the most common model. It’s all rainbows and roses except for one thing: many people don’t like subscriptions in general, and some people passionately oppose it with all their heart, as if it were some great evil.

Premium apps are good if you can get the word out. It can be tough to gain traction, because most people don’t want to pay for things, so they won’t buy it. That’s why freemium is often preferred. Here’s the thing, though: 95% of people will use the app for free, and only 5% will subscribe—it’s actually more like 8% on Apple and 2% on Android (yes, this is true!). Apple users are much more likely to spend money on apps than Android, but either way we’re still talking about small percentages. That also means that 95% of people will pass on premium apps. With freemium, for 95 people who are using it for free, they’ll tell others, which will lead to 20 new users, and one of those will subscribe. That’s why a lot of developers choose freemium over premium—it’s a little easier to gain the traction you need to be successful.

Now let’s talk about free apps, or even the “free” aspect of most freemium apps. There are two sayings: there’s no such thing as a free lunch, and if you aren’t the customer than you are the product. Both are true. In addition to all of the time I put into creating, maintaining, and improving apps, there’s a real cost that I pay out of pocket. In fact, each time one of my apps is opened on your phone, I am charged an extraordinarily small fee, which does add up. Just because you are not paying, doesn’t mean someone else isn’t paying on your behalf. That lunch might be free to you, but it isn’t free.

If you aren’t willing to be the customer, app developers turn you into the product. They sell you ads or—much worse—sell your data. Ads are annoying, but a lot of people are willing to put up with them in exchange for something being free. For app developers, unless you have millions of users, ad revenue doesn’t add up into anything more than pocket change. The real money is in data harvesting. Companies want to serve personalized ads that are highly affective, and they need to know everything about you in order to do this. It’s a multi-billion dollar industry because it works, and, because of this, you unknowingly spend much more than the cost of an app subscription. That’s the cost of being the product.

Here’s the creepy part. If I were to harvest data with, say, the RitchieCam app, I could know so much about you. If I have access to your GPS, I could know where you live, and, comparing that with Zillow, I could know more-or-less how affluent you are. I could track where you work, and, referencing Google maps, could know what industry you are in. I could know where you shop. I could know where you eat out at. I could know where your kids go to school. Since I have access to your camera and library, I could deduce the size of your family, your family’s genders, who your friends are, if you have pets, I could read the text on your screenshots. I could do all of this and so much more. Rest assured that I do not collect or sell any data whatsoever, which isn’t particularly common, because I’m leaving money on the table. Most free and freemium apps are indeed collecting and selling your data, because there’s no free lunch, so they’ve turned you into the product for profit.

What I have said might sound farfetched, but it isn’t. In fact, what I pointed out was really just the tip of the iceberg. You have apps on your phone right now—apps that you regularly use and trust—that go well beyond what I described in the previous paragraph. Have you ever talked about something out-loud and five minutes later see an ad for it? Ads are highly personalized and targeted because your apps know so much about you, and companies pay big bucks for that knowledge, because it means even bigger bucks—your bucks—become their profits.

Again, I want to make it clear that none of my apps collect or sell data. It’s to my own detriment that I do this, but I do it for you because you deserve it, and it’s the right thing to do, even if it is rare. On my apps, you are never, ever the product. I “pay for your lunch” for you if you are using the apps for free, and I happily do that.

You might be surprised to hear this, but I am told frequently that I do not give enough away for free. I am told that I am selfish and greedy because I have the audacity to charge “so much” for things. I am told that my approach is wrong. I am sorry if you feel that way, but I deserve something for my work, right? Trust me, I’m not rolling in the dough or becoming wealthy from this. I have enough to put food on the table, a roof over my head, and take trips sometimes (adventures are often more worthwhile investments than gear), but I couldn’t go out and purchase a GFX system right now. This is to say that the perception of my compensation is often exaggerated and misunderstood—I’m doing alright, but if I were indeed greedy and selfish I could be doing better. The accusations are hurtful because they’re untrue.

There’s a lot that can be debated on what exact paths are the best paths. I chose the freemium model after much research and advice from others with experience within the industry. Some might disagree with that decision. I chose not to turn those using the apps for free into products. Some would say that’s leaving money on the table, and everyone else is doing it anyway. I chose the subscription prices for a reason—I’ve received a lot of criticism from that, and many “Monday morning quarterbacks” tell me that I got it all wrong, although the books I’ve read and those I’ve spoken with within the industry tell me that I am where I should be (I “got it right” thanks to all the research that wen’t into the decisions to begin with, but there’s always different paths and varying philosophies). As Abraham Lincoln stated, “You can please some of the people some of the time, all of the people some of the time, some of the people all of the time, but you can never please all of the people all of the time.” In other words, nothing that I do will make everyone happy, but I hope that many people find my apps to be helpful and worthwhile tools. I hope that most of those who subscribe find it to be worth their money, and that they don’t feel ripped off or swindled—that they’re good values for what they deliver. Not all will feel that way, though, and that’s just the way it is.

For those wanting to create an app, you have to know that, no matter how much research you do, and no matter how much of your heart, soul, blood, sweat, and tears you pour into it, there are some who won’t like it and some who will criticize your decisions. Mean and hurtful things will be said about you. You can’t make everyone happy, and you have to know that and accept that, but if you do what you believe is right—especially if you’ve done extensive research—you’re going to make some people happy just for the fact that you did it. The tricky part is figuring out how to maximize happiness and minimize the dissatisfaction, while also being fair to yourself, because you deserve satisfaction and compensation for your time, money, and hard work that you poured into it. It’s definitely a difficult and precarious balancing act that has to be regularly analyzed and addressed, and perhaps adjusted if needed.

I know this lengthy article has nothing to do with the regular content of this website, but I hope it is helpful for a few of you, and that most of you got something out of it (even if it is simply awareness of what your apps are doing behind the scenes). I didn’t write this as any sort of complaint or “woe is me” statement, because I don’t mean it that way whatsoever. I am quite happy with what I’m doing, and I know that it is helpful to many of you—it is even having an impact on the photography continuum, something I never imagined would happen! I’m really honored and blessed to be a part of this. I’m extraordinarily flattered and humbled if I’ve impacted your photography in some small way. It really is my pleasure to do all that I do for the Fujifilm community. With all of that said, I think it is important to be authentic, which means being vulnerable, and sharing this information is one way to do that. Perhaps somehow this was a meaningful article for some of you, and maybe it was worth your time today to read, even if it wasn’t about Fujifilm cameras.

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Fujifilm X-Trans IV Film Simulation Recipe: Ilford HP5 Plus 400

Haystack Driftwood – Cannon Beach, OR – Fujifilm X100V – “Ilford HP5 Plus 400”

This new film simulation recipe comes from Anders Lindborg (Instagram). Anders is the one who created the Kodak Tri-X 400 recipeIlford Pan F Plus 50 recipe, Kodak Gold v2seven Fujicolor Pro 160NS recipesseven Fujicolor Pro 400H recipes, and made an important D-Range Priority discovery. So I know that you’ll love this one, too! He was kind enough to share it with me and allow me to share it with all of you—thank you, Anders!

Anders sent me a lengthy note on his process to create this recipe, and I want to share with you a short snippet just so you get an idea of the effort put into this. “I checked the spectrum sensitivity chart and looked for any significant bumps in the wavelengths,” he wrote. “For the largest bump, I checked what color it represents to try to match it as close as possible with the white balance shift. This recreated the bump in the recipe to make the simulation a bit extra sensitive to that specific color.” This was point four of seven in his process, and shows the kind of effort that can go into creating Film Simulation Recipes.

Specifically about this recipe, Anders noted, “Middle gray is the game here. Soft highlights and things disappearing into deep dark shadows, but never as black as Tri-X. Great for all day shooting in just about any weather. Looks totally awesome on winter shots!” I can add that it looks great on both sunny days and rainy days, too. I think it does especially well in moderate and high contrast situations.

Footbridge & Falls – Multnomah Falls, OR – Fujifilm X100V – “Ilford HP5 Plus 400”

Ilford began the Hypersensitive Panchromatic (HP) series in 1931. HP5 Plus 400 is the latest version, released in 1989, and still available today. This is a classic black-and-white film stock that has stood the test of time, and Anders did a great job mimicking it on Fujifilm cameras. This recipe is intended for use on the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras; however, for the X-T3 and X-T30, as well as X-Trans III cameras, simply ignore Grain size, and this recipe is compatible with those cameras, so anyone with an X-Trans III or IV camera can use this.

A side note: this recipe is different than my old Ilford HP5 Plus and Ilford HP5 Push Process recipes, which I still quite like, and are both excellent in low and mid contrast situations. Try those or Anders’ version—or all three if you are feeling adventurous!

Monochrome
Dynamic Range: DR400
Highlight: -1
Shadow: +1
Noise Reduction: -4
Sharpness: -2
Clarity: 0
Grain Effect: Strong, Large 
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: Daylight, +1 Red & -8 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -2/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Ilford HP5 Plus 400” Film Simulation Recipe on my Fujifilm X100V:

Horsetail Falls From Bridge – Columbia River Gorge, OR – Fujifilm X100V
Horsetail Falls – Columbia River Gorge, OR – Fujifilm X100V
Upper Falls – Multnomah Falls, OR – Fujifilm X100V
36 CFR 261.53(e) – Multnomah Falls, OR – Fujifilm X100V
Use Caution For Slipping Bandits – Multnomah Falls, OR – Fujifilm X100V
No Cars – Astoria, OR – Fujifilm X100V
Two Elk in a Yard – Warrenton, OR – Fujifilm X100V
Spiral Stairs – Fort Stevens SP, OR – Fujifilm X100V
Old Fireplace – Fort Stevens SP, OR – Fujifilm X100V
Stairs in the Forest – Fort Stevens SP, OR – Fujifilm X100V
Astoria & Columbia River – Astoria, OR – Fujifilm X100V
Two Ships in the Columbia River – Astoria, OR – Fujifilm X100V
Tetons, As Seen By Oneskies – Grand Teton NP, WY – Fujifilm X100V
South Jetty – Fort Stevens SP, OR – Fujifilm X100V
Pointing To The Pacific – Cannon Beach, OR – Fujifilm X100V
Haystack Sticks – Cannon Beach, OR – Fujifilm X100V

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Fujifilm X-Pro3 (X-Trans IV) Film Simulation Recipe: Agfa Ultra 100

Mutual Conversation – Salt Lake City, UT – Fujifilm X-Pro3 – “Agfa Ultra 100”

Agfa Ultra 100 was a short lived film—introduced in 2003 and discontinued in 2005, although it was still available for a few years after—and was Agfa’s most vibrant color negative film. I’ve been attempting to mimic this film for a little while now (ever since I published the AgfaChrome RS 100 recipe last summer), but I couldn’t get it right. This Agfa Ultra 100 recipe actually has some similarities to the AgfaChrome RS 100 recipe, and (for this particular attempt) I used that recipe as the starting point. I never used this film, so I relied on online references and a couple pictures I found in an old magazine article as samples.

I’m actually not fully satisfied with this recipe. I think sometimes it’s pretty spot-on, and I think other times it is significantly off. Of course, one film can have several different aesthetics depending on how it was shot, developed, scanned and/or printed, and viewed, so perhaps that accounts for some of it. I think an argument can be made that Color should be +3 or even +4, but I also feel that sometimes that’s too much and +2 is just right. I think green is the least correct color, and if you do have a lot of green in the shot, you might consider increasing Color to +3 or +4 for a more accurate facsimile, although you might find reds and blues are rendered too strong if you do that.

Urban Sunstar – Salt Lake City, UT – Fujifilm X-Pro3 – “Agfa Ultra 100”

Because this recipe uses Classic Negative, Clarity, and Color Chrome FX Blue, this Agfa Ultra 100 film simulation recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras.

Classic Negative
Dynamic Range: DR400
Highlight: +2
Shadow: -2
Color: +2
Noise Reduction: -4
Sharpness: -1
Clarity: -3
Grain Effect: Weak, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Daylight, -2 Red & +3 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs captured using this “Agfa Ultra 100” film simulation recipe on a Fujifilm X-Pro3:

Red – Salt Lake City, UT – Fujifilm X-Pro3
Blu – Salt Lake City, UT – Fujifilm X-Pro3
Orange – Salt Lake City, UT – Fujifilm X-Pro3
Walker Reflected – Salt Lake City, UT – Fujifilm X-Pro3
Common Signs – Salt Lake City, UT – Fujifilm X-Pro3
Pitched In Street Sign – Salt Lake City, UT – Fujifilm X-Pro3
Elevator – Salt Lake City, UT – Fujifilm X-Pro3
Street Crossing – Salt Lake City, UT – Fujifilm X-Pro3
Sidewalk Seat Shadow – Salt Lake City, UT – Fujifilm X-Pro3
Blue Boxes – Salt Lake City, UT – Fujifilm X-Pro3
Urban Congo – Salt Lake City, UT – Fujifilm X-Pro3
Sidewalk Closed In 150 Feet or Less – Salt Lake City, UT – Fujifilm X-Pro3

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-Pro3 Amazon B&H
Fujifilm X100V Amazon B&H
Fujifilm X-T4 Amazon B&H
Fujifilm X-S10 Amazon B&H
Fujifilm X-E4 Amazon B&H
Fujifilm X-T30 II Amazon B&H

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

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Fujifilm X-Pro3 (X-Trans IV) Film Simulation Recipe: Vintage Color v2

February Reaching – Farmington, UT – Fujifilm X-Pro3 – “Vintage Color v2”

This “Vintage Color v2” recipe is a modification of the original Vintage Color Film Simulation Recipe. In the comments, Thomas Schumacher suggested using Classic Negative instead of Eterna. Sometimes when you try a different film simulation than what the recipe calls for, you discover interesting results. Well, I gave it a try and loved the results; however, I made a couple more modifications. Because Classic Negative has a lot more contrast built into it than Eterna, I chose DR400 (instead of DR200) to help prevent clipped highlights. Classic Negative also has more saturation than Eterna, so I set Color to -1 (instead of +1). I also changed Clarity to -3 (instead of -2) just to soften it a tad. The results produced by this “Vintage Color v2” recipe can be absolutely fantastic!

This recipe has almost two different looks, depending on the exposure. You can reduce exposure a little—go almost low-key—and get a wonderfully moody feel. You can also increase exposure a little—go almost high-key—and achieve something somewhat similar to overexposed Fujicolor Pro 400H. You can get beautiful pictures either way. Or split the difference and still get excellent results.

Pillars – Salt Lake City, UT – Fujifilm X-Pro3 – “Vintage Color v2”

This “Vintage Color v2” recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. As a reminder, Clarity causes the camera to pause for a moment after each shot. I use the pause to slow myself down, but if you need to be quick, and if you shoot RAW+JPEG, you can always set Clarity to 0, and add it later by reprocessing the RAW file in-camera.

Classic Negative
Dynamic Range: DR400
Highlight: +2
Shadow: +3
Color: -1
Noise Reduction: -4
Sharpness: -2
Clarity: -3
Grain Effect: Strong, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 7350K, -1 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +1 (typically)

Example photographs captured using this “Vintage Color v2” film simulation recipe on a Fujifilm X-Pro3:

High Rise & Moon – Salt Lake City, UT – Fujifilm X-Pro3
KeyBank – Salt Lake City, UT – Fujifilm X-Pro3
Bronze Building – Salt Lake City, UT – Fujifilm X-Pro3
Bank Above Macy’s – Salt Lake City, UT – Fujifilm X-Pro3
Boy With Nerf Gun – Farmington, UT – Fujifilm X-Pro3
Fake Succulent on Table – Farmington, UT – Fujifilm X-Pro3
House At Last Light – Farmington, UT – Fujifilm X-Pro3
Winter Bloom Remnants – Farmington, UT – Fujifilm X-Pro3
Frozen Pond near Sunset – Farmington, UT – Fujifilm X-Pro3
Grass & Frozen Waterway – Farmington, UT – Fujifilm X-Pro3
Wild Gold – Farmington, UT – Fujifilm X-Pro3
Backlit Marsh Reed – Farmington, UT – Fujifilm X-Pro3

Find this Film Simulation Recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

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Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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New Fujifilm X-Trans IV Patron Early-Access Film Simulation Recipe: Fujichrome Provia 100F

Berry Behind the Baseball Diamond – Farmington, UT – Fujifilm X100V – “Fujichrome Provia 100F”

The Fuji X Weekly app is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, all of the original Early-Access Recipes have been publicly published on this blog and the App, so everyone can now use them. Patrons help support Fuji X Weekly and, really, without them there would be no App, so I want to give a special “thank you” to all of the Patrons!

This new recipe is called “Fujichrome Provia 100F” after the film that it is intended to mimic. Fujifilm introduced Provia 100 in 1994, and replaced it with the much improved Provia 100F in 2001. I’ve only shot a couple of rolls of Provia 100F. I remember that it had a cool color cast (especially when compared to Kodak films), it had a fair amount of contrast, moderate saturation, and tended to render blues strongly. This recipe has been in the works for awhile, with a lot of failed attempts. I think it does pretty well at reproducing the aesthetic of the film, but there are definitely a few compromises—more of the “memory color” that Fujifilm talks about, than perhaps a 100% accurate rendition. Still, I believe that it turned out pretty well overall.

Actual Fujicolor Provia 100F 35mm film. Chicago, 2005.

If you are a Fuji X Weekly Patron, it’s available to you right now on the App!

Example photographs captured using this “Fujichrome Provia 100F” film simulation recipe on my Fujifilm X100V:

Wasatch Front – Farmington, UT – Fujifilm X100V
Blue Sky Reeds – Farmington, UT – Fujifilm X100V
Branch Berries – Farmington, UT – Fujifilm X100V
Baseball Sky – Farmington, UT – Fujifilm X100V
Windsock – Farmington, UT – Fujifilm X100V
Field 3 – Farmington, UT – Fujifilm X100V
Skateboard & Runner – Farmington, UT – Fujifilm X100V
Creek Under Branches – Farmington, UT – Fujifilm X100V
Trail Through the Trees – Farmington, UT – Fujifilm X100V
Fence Along Path – Farmington, UT – Fujifilm X100V
Josh at the Court – Farmington, UT – Fujifilm X100V

Fuji X Weekly App Sighting in MKBHD Video!

Can you spot the Fuji X Weekly App?

While watching an MKBHD video on YouTube, I spotted the Fuji X Weekly App on someone’s phone. It’s like I saw Sasquatch in the forest!

Marques Brownlee, the popular YouTuber who runs the MKBHD channel, published a video two weeks ago: My Everyday Tech: 2022. Brownlee’s team has a behind-the-scenes channel called “The Studio” that’s also quite popular, and they published a companion video: Our Everyday Tech: 2022. In that video, Vinh Dang (who is Brownlee’s Art Director), shares the gear he uses, which includes a Fujifilm X-T3. While discussing his phone, you can see the Fuji X Weekly App prominently displayed, right below the iPhone Camera app, and above the YouTube app. Whoa.

It would be an amazing shock if MKBHD ever mentioned the Fuji X Weekly App and Film Simulation Recipes on their channels. That likely will never happen. But I’m stoked that the App was hiding in plain sight in their video for about four seconds—if you skip to the 6:09 mark you can see it, too. Maybe, like those Bigfoot photos, it’s a little fuzzy, but I swear I saw it between the trees, covered in hair and taking long strides, before disappearing into the dense forest.

Also, almost two months ago I did an interview with FRONT Photography that they recently published, which you can check out here!

Fujifilm X-Trans IV Film Simulation Recipe: Kodak Gold v2

Grass and Frozen Pond – Farmington, UT – Fujifilm X100V – “Kodak Gold v2”

This new film simulation recipe comes from Anders Lindborg (Instagram). Anders is the one who created the Kodak Tri-X 400 recipe, Ilford Pan F Plus 50 recipeseven Fujicolor Pro 160NS recipes, seven Fujicolor Pro 400H recipes, and made an important D-Range Priority discovery. So I know that you’ll love this one, too! He was kind enough to share it with me and allow me to share it with all of you—thank you, Anders!

Anders began by looking at some old prints he has, which were captured on Kodak Gold 200 film. He noticed that these prints looked a little different than my Kodak Gold 200 recipe, but one film can have many different looks depending on how it was shot, developed, printed and/or scanned, or even which generation of the emulsion you’re viewing. This recipe mimics the aesthetic of his prints, but he noticed that it also matches many examples of Gold 200 that he found online.

Kids in a Tree – Farmington, UT – Fujifilm X100V – “Kodak Gold v2”

This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. To make this recipe work on the X-T3 and X-T30, Anders suggests using Grain Strong, White Balance 5900K (with the same shift), and ignoring Clarity—I suggest that you consider using a weak diffusion filter, such as 1/8 Black Pro Mist or 5% CineBloom, in leu of Clarity. In addition, for X-Trans III, ignore Color Chrome Effect. The results will be slightly different, but nearly the same. Anders suggests trying this recipe with a 3200K white balance for night photography.

Classic Chrome
Dynamic Range: DR200
Highlight: 0
Shadow: -1
Color: -1
Noise Reduction: -4
Sharpness: -1
Clarity: -2
Grain Effect: Strong, Large
Color Chrome Effect: Weak
Color Chrome Effect Blue: Off
White Balance: 5800K, +2 Red & +4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this new Kodak Gold v2 film simulation recipe on my Fujifilm X100V:

Moon Behind Pine – Farmington, UT – Fujifilm X100V
Moon Behind Cattails – Farmington, UT – Fujifilm X100V
Safe Zone – Farmington, UT – Fujifilm X100V
Makeshift Gate – Farmington, UT – Fujifilm X100V
Wood Post – Farmington, UT – Fujifilm X100V
Trail to Visitors Center – Farmington, UT – Fujifilm X100V
Green Leaves in January – Farmington UT – Fujifilm X100V
Hanging Red Berries in Winter – Farmington, UT – Fujifilm X100V
Berries and Barren Branches – Farmington, UT – Fujifilm X100V
Brown Reeds – Farmington, UT – Fujifilm X100V
Jo in a Tree – Farmington, UT – Fujifilm X100V
Jo Under The Tennis Net – Farmington, UT – Fujifilm X100V
Back Alley – Farmington, UT – Fujifilm X100V

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Fujifilm X-H1 Film Simulation Recipe: Kodak GT 800-5

Rural Creek – Farmington, UT – Fujifilm H-H1 – “Kodak GT 800-5”

My Kodak Max 800 film simulation recipe was modeled after some film I found that had “Kodak GT 800-3” imprinted on the negatives. After some research I found out that it was Kodak Max Zoom 800 (specifically, the third iteration of this film). Kodak Max Zoom 800 was replaced by Kodak Max Versatility Plus 800 in 2006, and those negatives had “Kodak GT 800-4” imprinted on them. Well, I found some more prints plus the negatives, and this film has “Kodak GT 800-5” imprinted on them. I searched and searched, but I didn’t find any information on this film. My suspicion is that Kodak updated the Kodak Max Versatility Plus 800 film in some way, yet kept the name the same, but that’s just a guess—it could be an entirely different emulsion sold under a different name. In other words, I’m pretty sure “Kodak GT 800-5” is a descendant of Kodak Max 800, but I wasn’t able to find any specific information on it.

The 4″ x 6″ prints I found were captured in 2008 while on a day-trip to Sedona, Arizona, and were developed at Walgreens. I’m pretty sure the film was shot using a disposable camera, although I don’t remember why (I remember the trip, but I don’t remember anything specific about the pictures). The prints have a strong warm (red/orange) color cast, are somewhat desaturated, and have dark shadows. I’m not sure if this is due to the film itself, or the development and printing by Walgreens, or because they’re degrading with time, or a combination of all three—perhaps something else entirely, like sitting too long in a hot car (always a possibility in Arizona). Whatever the reason, I thought the aesthetic was interesting, so I recreated it on my Fujifilm X-H1.

A Poor quality scan of a print from actual Kodak GT 800-5 film.

A goal of mine for 2022 is to buy a better scanner. I had a “better” one (by better, I simply mean better than what I currently have, because it was mediocre, or really “good enough”), but it stopped working about 10 months ago. This current scanner, which is part of a printer/scanner combination, is particularly bad for some reason. I say all of this because the scan above doesn’t do the print justice, but I wanted to include it anyway to give you an idea where the inspiration for this recipe came from.

This Kodak GT 800-5 film simulation recipe is compatible with all X-Trans III cameras, which include the Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1. You can also use it on the X-T3 and X-T30 by setting Color Chrome Effect to Off. Because of the particularly warm color cast, this isn’t a recipe that’s for everyone or every situation, but in certain situations this will produce interesting results, and some of you will definitely like it.

Passenger Train Platform – Farmington, UT – Fujifilm X-H1 – “Kodak GT 800-5”

PRO Neg. Std
Dynamic Range: DR400
Highlight: 0
Shadow: +3
Color: -3
Sharpness: -2
Noise Reduction: -4
Grain: Strong
White Balance: 7100K, +7 Red & -5 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured using this “Kodak GT 800-5” film simulation recipe on my Fujifilm X-H1:

Storm Over Mountains at Sunset – Farmington, UT – Fujifilm X-H1
Winter Mountain – Farmington, UT – Fujifilm X-H1
Snow Covered Blackberry Vines by a Creek – Farmington, UT – Fujifilm X-H1
Winter Berries – Farmington, UT – Fujifilm X-H1
Blossom Remnants 1 – Farmington, UT – Fujifilm X-H1
Blossom Remnants 2 – Farmington, UT – Fujifilm X-H1
Milkweed in January – Farmington, UT – Fujifilm X-H1
Small Spillway – Farmington, UT – Fujifilm X-H1
Rural Road Near Creek – Farmington, UT – Fujifilm X-H1
Path in the Marsh – Farmington, UT – Fujifilm X-H1
Cattails & Frozen Pond – Farmington, UT – Fujifilm X-H1
Frozen Waterway – Farmington, UT – Fujifilm X-H1
Citations Will Be Issued – Farmington, UT – Fujifilm X-H1

Find this film simulation recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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New FXW App Patron Early-Access Film Simulation Recipe: Analog Gold

Wood Shack – Farmington, UT – Fujifilm X-E4 – “Analog Gold”

The Fuji X Weekly App is free, yet becoming a Fuji X Weekly Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new film simulation recipes. These Early-Access Recipes will eventually become available free to everyone in time, including this new one. In fact, many Early-Access Recipes have been publicly published on this blog and the App, so now everyone can use them! Patrons help support Fuji X Weekly and, really, without them there would be no App. So I want to give a special “thank you” to all of the Patrons!

This new Patron Early-Access recipe is called Analog Gold because it has a vintage film-like aesthetic with a golden color cast. It produces a warm, somewhat-muted look, and does well in both sunny and overcast conditions. While it’s not modeled after any specific film or process, it does convey an analog quality that’s easy to appreciate. I know that some of you will love this one!

This “Analog Gold” Patron Early-Access Recipe is compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. If you are a Fuji X Weekly Patron, it’s available to you right now on the Fuji X Weekly App! If you don’t have the App, download it for free today.

Example photographs, all camera-made JPEGs captured using this “Analog Gold” film simulation recipe on my Fujifilm X-E4:

Kaysville Pond in January – Kaysville, UT – Fujifilm X-E4
Weather Radar – Farmington, UT – Fujifilm X-E4
Dry Leaves & Red Berries – Kaysville, UT – Fujifilm X-E4
Rusty Fence Post – Farmington, UT – Fujifilm X-E4
Flowing Creek in Grass – Kaysville, UT – Fujifilm X-E4
Frozen Pond – Kaysville, UT – Fujifilm X-E4
Grass & Frozen Pond Water – Kaysville, UT – Fujifilm X-E4
Grass in the Ice – Kaysville, UT – Fujifilm X-E4
Dry Shrub – Kaysville, UT – Fujifilm X-E4
Helicopters Waiting to Fly – Kaysville, UT – Fujifilm X-E4
Statue & Sky – Kaysville, UT – Fujifilm X-E4

Fujifilm X-E4 Film Simulation Recipe: Old Kodak

No Trespassing – Farmington, UT – Fujifilm X-E4 – “Old Kodak”

I was inspired to create this film simulation recipe after viewing some old pictures captured on various Kodak films. These pictures reminded me of the Vintage Kodachrome and Kodachrome 1 film simulation recipes, but they weren’t exactly the same. I thought if I tweaked those recipes I could get closer to mimicking the aesthetic of the old Kodak pictures that I was looking at (which is why I call this recipe Old Kodak). If you like the Vintage Kodachrome and Kodachrome 1 recipes, you’ll really appreciate this one, too!

Old Kodak was a Patron Early-Access recipe on the Fuji X Weekly App, and App Patrons have had access to it for nine months; however, it’s been replaced by a different Early-Access recipe, so now it’s available to everyone! The best App experience is reserved for Patrons, and early-access to some new film simulation recipes is one of the Patron benefits. If you are a Patron, be sure to look for the new Early-Access recipe that replaced this one.

Wet Radio Flyer – Farmington, UT – Fujifilm X-E4 – “Old Kodak”

Because this recipe uses 0.5 adjustments to Highlight and Shadow, plus the Auto White Priority white balance, it’s only compatible with the Fujifilm X-T4, X-S10, X-E4, and X-T30 II cameras. If you have an X-Pro3 or X100V, if you set Highlight to +3, Shadow to -1, and white balance to Auto, it will be similar but not exactly the same (don’t be afraid to try it anyway). While the “typical exposure compensation” is between -1/3 and +1/3, in situations with strong highlights you might have to go -2/3 or even -1 on occasion to prevent the highlights from clipping.

Classic Chrome
Dynamic Range: DR400
Highlight: +3.5
Shadow: -0.5
Color: +3
Noise Reduction: -4
Sharpening: -2
Clarity: -2
Grain Effect: Strong, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: Auto White Priority, +1 Red & -6 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Old Kodak” film simulation recipe on my Fujifilm X-E4:

Salt Lake Marsh Evening – Farmington, UT – Fujifilm X-E4
Big Sky Over Marsh – Farmington, UT – Fujifilm X-E4
Rural Red Barn – Farmington, UT – Fujifilm X-E4
Holland Deere – Farmington, UT – Fujifilm X-E4

Open Gate – Farmington, UT – Fujifilm X-E4
Old Wheel – Farmington, UT – Fujifilm X-E4
Rusty Bolts In A Fence – Farmington, UT – Fujifilm X-E4
Suburban Storm – Farmington, UT – Fujifilm X-E4
The Joy of Writing – Farmington, UT – Fujifilm X-E4
Gumby on a Table – Farmington, UT – Fujifilm X-E4
Blue Pallets – Kaysville, UT – Fujifilm X-E4
Kaysville Pond – Kaysville, UT – Fujifilm X-E4
Sunset Light on Winter Mountain – Farmington, UT – Fujifilm X-E4

Find this film simulation recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

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Fujifilm X-H1 (X-Trans III + X-T3 & X-T30) Film Simulation Recipe: Analog Monochrome

Old Tractor 15 – Farmington, UT – Fujifilm X-H1 – “Analog Monochrome”

This film simulation recipe began as an attempt to fulfill a need. You see, there are many Fujifilm cameras (like the X-H1) that are not capable of saving the White Balance Shift within Custom Presets, but there’s a solution: if each Custom Preset uses a different White Balance type, the camera will remember one White Balance Shift per type, and you won’t have to remember to adjust the shift when switching presets. This makes the camera experience more enjoyable.

The problem is that most film simulation recipes use the Auto, Daylight, or Kelvin White Balance types, and you have seven Custom Preset slots. The remaining White Balance types have a limited number of choices. Prior to this recipe, Incandescent had only one option: Eterna Bleach Bypass. Now, if you are using this solution, you can choose either this Analog Monochrome recipe or the Eterna Bleach Bypass recipe—one color and one B&W—for one of your C1-C7 slots.

Doll – Bountiful, UT – Fujifilm X-H1 – “Analog Monochrome”

I didn’t model this Analog Monochrome recipe after any specific film. Instead, I simply set out to create some settings that look good. This recipe has nice contrast with deep blacks, and whites that are bright yet don’t easily clip. I set Grain to Weak for a clean look, but feel free to try Strong for a grittier look. I feel that it has a very nice classic B&W film aesthetic that some of you will really appreciate.

Acros+G
Dynamic Range: DR400
Highlight: +1
Shadow: +3
Noise Reduction: -4
Sharpening: -1
Grain Effect: Weak

White Balance: Incandescent, -8 Red & -8 Blue
ISO: Auto up to ISO 12800
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Analog Monochrome” film simulation recipe on my Fujifilm X-H1:

Minolta SRT303b – Farmington, UT – Fujifilm X-H1
Car Console – Farmington, UT – Fujifilm X-H1
Jon Smiling for the Camera – Farmington, UT – Fujifilm X-H1
Joy Laughing at a Funny Message – Farmington, UT – Fujifilm X-H1
Horse Close Up – Farmington, UT – Fujifilm X-H1
You Shall Not Pass – Layton, UT – Fujifilm X-H1
Jesus Loves You! – Farmington, UT – Fujifilm X-H1
Friendly Neighborhood Snowman – Farmington, UT – Fujifilm X-H1
Winter Walking Path – Farmington, UT – Fujifilm X-H1
Farmington Creek in Winter – Farmington, UT – Fujifilm X-H1
Three Ducks in the Creek – Farmington, UT – Fujifilm X-H1
Snow and Creek – Farmington, UT – Fujifilm X-H1
Winter Tree – Farmington, UT – Fujifilm X-H1
Stump In Snow – Farmington, UT – Fujifilm X-H1
Wild Grass in Snow – Farmington, UT – Fujifilm X-H1
Melting Snow In The Tall Grass – Farmington, UT – Fujifilm X-H1

Find this film simulation recipe and over 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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Fujifilm X100V Film Simulation Recipe: Ilford Pan F Plus 50

Santa’s Bed – Salt Lake City, UT – Fujifilm X100V – “Ilford Pan F Plus 50”

Anders Lindborg (Instagram) sent me a black-and-white film simulation recipe to try, which he modeled after Ilford Pan F Plus 50 film. Anders, you might recall, created the Kodak Tri-X 400 recipe, teamed with Thomas Schwab to create the Kodak T-Max 400 recipe, made seven Fujicolor Pro 160NS recipes, created seven Fujicolor Pro 400H recipes, and made an important D-Range Priority discovery. His contributions to the Fujifilm community are significant! The Kodak Tri-X 400 recipe is a favorite of mine that I use frequently, so I’m personally very grateful to Anders for his hard work on this recipe and all the others.

And hard work it was! Anders sent me a lengthy note on his process to create this recipe, and I want to share with you a short snippet just so you get an idea of the effort put into this. “I checked the spectrum sensitivity chart and looked for any significant bumps in the wavelengths,” he wrote. “For the largest bump, I checked what color it represents to try to match it as close as possible with the white balance shift. This recreated the bump in the recipe to make the simulation a bit extra sensitive to that specific color.” This was point four of seven in his process, and shows the kind of effort that can go into creating film simulation recipes.

Ilford Pan F 50 Plus is a low-ISO, contrasty, sharp, detailed, fine-grain, black-and-white negative film. It has the punchiness of a mid-ISO film, but is very clean, and can be printed large and still appear crisp and fine-detailed. Of course, how a film is exposed, developed, scanned and/or printed will affect the exact aesthetic. Ilford Pan F 50 Plus is one of the best black-and-white films you can buy today, and this recipe is a pretty darn good facsimile of it.

Sugar House Traffic District – Salt Lake City, UT – Fujifilm X100V – “Ilford Pan F Plus 50”

“This one needs some care,” Anders wrote of this recipe, “and really soft light is recommended for portraits, but the reward is wonderful! If you’re looking for drama, this is it. Great in studio where lighting can be controlled, but can sometimes also work nicely for certain kinds of street photography. High contrast with a really classic black and white look, emphasis on the black.”

I modified Anders recipe a little. His version calls for Shadows to be +2 and Clarity set to 0, but he says that +2 Shadow can sometimes be too strong, and that +1 is not always strong enough, but +1.5 (for those cameras that are capable) is probably just right. I wanted to use this recipe on my Fujifilm X100V, which isn’t capable of .5 Shadow adjustments, so I set Shadow to +1 and Clarity to +2 (to increase the contrast, similar to what +1.5 Shadow might be)… alternatively, Shadow +2 and Clarity -2 is an option, too, but I didn’t like it quite as much. Because of Clarity, I decreased Sharpening to 0 from +1 (what the original recipe calls for). Instead of -3, I set Noise Reduction to -4, which is my preference. If you want to use Anders full recipe, set Shadow to +2 (or +1.5 if your camera is capable), Clarity to 0, Sharpness to +1, and Noise Reduction to -3. Otherwise, you’ll find my slightly modified version below. This recipe is compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4 and X-T30 II cameras.

Monochrome
Dynamic Range: DR100
Highlight: 0
Shadow: +1
Noise Reduction: -4
Sharpening: 0
Clarity: +2
Grain Effect: Weak, Large 
Color Chrome Effect: Off
Color Chrome Effect Blue: Off
White Balance: Daylight, +1 Red & -6 Blue
ISO: Auto, up to ISO 6400 (for best results, try to limit the ISO to 1600 and lower when able)
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Ilford Pan F Plus 50” film simulation recipe on my Fujifilm X100V:

Item Number – Bountiful, UT – Fujifilm X100V
Snow on Seat – Salt Lake City, UT – Fujifilm X100V
Wheelchair Shopping – Farmington, UT – Fujifilm X100V
Face Masks For Everyone – Farmington, UT – Fujifilm X100V
Can, Baskets & Baby Seats – Bountiful, UT – Fujifilm X100V
Watching Her Brothers Catch Carp – Salt Lake City, UT – Fujifilm X100V
Boots – Salt Lake City, UT – Fujifilm X100V
Salty Pavement – Salt Lake City, UT – Fujifilm X100V
Street Puddle – Salt Lake City, UT – Fujifilm X100V
To Cross – Salt Lake City, UT – Fujifilm X100V
Open – Salt Lake City, UT – Fujifilm X100V
Central Book Exchange – Salt Lake City, UT – Fujifilm X100V
Parley’s Creek in Winter – Salt Lake City, UT – Fujifilm X100V

Find this film simulation recipes and over 200 more on the Fuji X Weekly — Film Recipes App!

Fujifilm X-Trans IV Film Simulation Recipe: Fujicolor NPH

Winter Evergreens – Weber Canyon, UT – Fujifilm X100V – “Fujicolor NPH”

This film simulation recipe is called “Fujicolor NPH” because it is inspired by that film. Actually, I was attempting a Fujicolor Pro 400H recipe. I had a couple already: Fujicolor Pro 400H for X-Trans III and Fujicolor Pro 400H Overexposed for X-Trans IV. This was originally an Early-Access recipe on the Fuji X Weekly App, and App Patrons have had access to it for nearly a year; however, it’s been replaced by a different Early-Access recipe, so now it’s available to everyone! Since the time that I originally published this, I’ve made a new Fujicolor Pro 400H recipe that I’m quite happy with. This recipe is similar to Pro 400H film, but it’s actually closer to Fujicolor NPH 400, which was the predecessor to Pro 400H. Those two emulsions were similar, with only small differences, but in my opinion this recipe is closer to NPH 400, so that’s why I named it after that film.

Because this film simulation recipe requires Clarity and Color Chrome FX Blue, it’s compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. I believe those who own a newer GFX camera, such as the GFX 100S and GFX 50S II, can use it, too, although results will be slightly different. If you don’t want to use Clarity because it slows down the camera, you could alternatively use a diffusion filter (such as 1/8 Black Pro Mist or 5% CineBloom) instead.

Cold Wetlands – Farmington, UT – Fujifilm X-E4 – “Fujicolor NPH”

Provia
Dynamic Range: DR100
Highlight: -1
Shadow: 0
Color: 0
Noise Reduction: -4
Sharpening: 0
Clarity: -3
Grain Effect: Weak, Large
Color Chrome Effect: Strong
Color Chrome Effect Blue: Strong
White Balance: 5250K, -3 Red & -4 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this Fujicolor NPH film simulation recipe on my Fujifilm X-E4 & Fujifilm X100V cameras:

Weber River in Winter – Weber Canyon, UT – Fujifilm X100V
Honey Salmon – Salt Lake City, UT – Fujifilm X100V
Cold Tires – Farmington, UT – Fujifilm X-E4
Sprinkler – Farmington, UT – Fujifilm X-E4
Post – Farmington, UT – Fujifilm X-E4
Frozen Pond – Farmington, UT – Fujifilm X-E4
760 Sign – Farmington, UT – Fujifilm X100V
Blue Sky Reeds – Farmington, UT – Fujifilm X-E4
Old Pepsi Machine – Farmington, UT – Fujifilm X-E4
Stepping Into the Night Circle – Sunset, UT – Fujifilm X100V

Find this film simulation recipe and 200 more on the Fuji X Weekly — Film Recipes App!

Help Fuji X Weekly

Nobody pays me to write the content found on fujixweekly.com. There’s a real cost to operating and maintaining this site, not to mention all the time that I pour into it. If you appreciated this article, please consider making a one-time gift contribution. Thank you!

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