SOOC Live Season 3 Kicks Off February 9!!

We’re two weeks away from kicking off SOOC Live Season 3! Join myself and Nathalie Boucry as we talk about Film Simulation Recipes, Fujifilm cameras, photography, and so much more. There will be quite a few changes to the show, which we’ll discuss in the initial episode, so you’ll want to tune in. We’ll be broadcasting live on February 9th at 9 AM Pacific Time, Noon Eastern Time, and we hope that you will join us. Mark your calendars now!

One big change is that SOOC Live has its own YouTube channel. All of the “old” episodes will be added there, but it is a work-in-progress and will take some time, so please excuse the construction. You’ll want to take a moment right now to subscribe to the SOOC Live channel, that way you’ll get notified of new broadcasts. Also, the Season 3 Kickoff episode has already been scheduled, so be sure to set the reminder. You know, hit the bell and smash the button and all that fun stuff.

If you haven’t uploaded your photos, don’t forget to do so soon (click here)! Which pictures should you share? Submit up to three of your favorite images captured with the Mystery Chrome Film Simulation Recipe (which was created live during the last episode of Season 2) and/or festive photographs captured over the holiday season with any Film Simulation Recipe. Be sure to include your name and the recipe used in the file name. All the pictures submitted will be included in a slide show, and some will be shown during the show. Everyone who submits a photo will be entered into a drawing for a chance to win a 12-month Patron subscription to the Fuji X Weekly App. Please submit your pictures by February 7th.

If you haven’t visited the SOOC Live website, you’ll want to do so and bookmark it. It’s also a work-in-progress, and you’ll see a few changes and updates over the coming weeks and months.

There are some big things in store for SOOC Live Season 3! Come along for the ride and see where this journey takes us.

The SOOC Revolution

Fence & Desert – Buckeye, AZ – Fujifilm X-T5 & Fujinon 35mm f/2 – “Vintage Bronze” Recipe

“The effect of one-step processing on both amateur and professional creative photography has been revolutionary.”

—Ansel Adams, Polaroid Land Camera

I woke up this morning unsure what to write about. It just so happened that I had a handful of exposures I captured yesterday evening still sitting on the SD Card in my Fujifilm X-T5. Using Fujifilm’s Cam Remote App, I transferred the pictures from the camera to my iPhone, cropped and straightened a few of them, and uploaded the images to cloud storage. It took maybe 10 minutes tops start-to-finish, and I don’t even think it was that long. One-step photography, which removes the second-step (the editing step), is truly revolutionary, just as Ansel Adams stated. Of course he was talking about instant film—something he was a big fan of—and we’re talking about straight-out-of-camera JPEGs, something that I’m a big fan of. Now I know what to write about today!

First Sign of Spring – Buckeye, AZ – Fujifilm X-T5 & Fujinon 35mm f/2 – “Vintage Bronze” Recipe

Why is shooting straight-out-of-camera (SOOC) JPEGs revolutionary?

First, it allows for a faster, more streamlined workflow. When you use Fujifilm cameras and Film Simulation Recipes, the camera does all the post-processing work for you. You don’t have to spend hours and hours sitting in front of a computer fiddling with images. This can save you an extensive amount of time and effort, which can significantly increase your productivity, plus make photography more enjoyable. It’s not only a faster workflow, but an easier workflow. Achieving a desired aesthetic is as simple as programming the correct recipe into your camera.

Yellow Wildflowers – Buckeye, AZ – Fujifilm X-T5 & Fujinon 35mm f/2 – “Vintage Bronze” Recipe

Next, SOOC JPEGs allow you to be more consistent. Because the camera is applying the recipes, the photographer doesn’t have to worry about inconsistencies in their editing process. This makes achieving cohesive results for a photo series or project much easier.

Also, JPEGs are more efficient than RAW in terms of storage space. You don’t need to buy a larger SD Card or external hard drive or pay for more cloud storage nearly as quickly. Upload and download times are faster. You have a ready-to-share photo the moment that it’s captured—you don’t have to wait for a program to process it first.

Jon at the Fishin’ Pond – Buckeye, AZ – Fujifilm X-T5 & Fujinon 35mm f/2 – “Vintage Bronze” Recipe

Finally, SOOC JPEGs might be considered more authentic. Film Simulation Recipes often replicate the look and feel of classic film stocks and processes, and seem less digital-like in their rendering. There is a growing sentiment among photography consumers (not photographers, but those who view pictures) that “Photoshop” is bad, and picture manipulation equals people manipulation; however, unedited images don’t carry that stigma, and can come across as more authentic.

All of this and more are why there is a revolution in photography right now. More and more photographers—from first-camera beginners to experienced pros with recognizable names—are using Film Simulation Recipes and shooting SOOC JPEGs. It’s a growing trend, and I believe it will become much bigger in the coming years. I’m truly honored to be a part of it, and I’m glad that you’ve come along for the ride.

Budding & Blooming – Buckeye, AZ – Fujifilm X-T5 & Fujinon 35mm f/2 – “Vintage Bronze” Recipe

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Fujifilm X-T5 in black:  Amazon  B&H  Moment
Fujifilm X-T5 in silver:  Amazon  B&H  Moment
Fujinon 35mm in black:  Amazon  B&H  Moment
Fujinon 35mm in silver:  Amazon  B&H  Moment

Find this Film Simulation Recipe and over 250 more on the Fuji X Weekly — Film Recipes App!

3 (More) Nikon Z Film Simulation Recipes

When the Nikon Zfc was announced in 2021, I preordered it, and waited a long time for it to come. When it finally arrived, I pulled the Zfc out of the box and began to use it, and I was quickly disappointed. I said that it was most similar to the Fujifilm X-T200, yet significantly bigger, heavier, and more expensive. Still, I put the camera through its paces, and even created 11 Nikon Z Film Simulation Recipes using the Zfc. Then the camera went back into its box, and I strongly considered selling it.

After months and months of none-use, and after moving to a different state, I decided to give the Zfc one more try, but with a significant modification: I ditched the lousy Nikkor 28mm lens in favor of the TTArtisan 35mm f/1.4. Why? Because the TTArtisan lens has an aperture ring, and the Nikkor doesn’t. The TTArtisan lens is better optically than the Nikkor, too—I’m much happier with this setup.

Right now I’m working on my full-review of the TTArtisan 35mm f/1.4 lens, and that means using it. Initially on my Zfc I was using the recipes that I had already created, but then I decided to make a few new ones—I guess I couldn’t help myself. If you add these three to the 11 others, I now have 14 Film Simulation Recipes for Nikon Z cameras!

Obviously, I made these JPEG recipes on the Zfc, so it will render differently on the full-frame models, but I’m not sure exactly how differently, as I’ve never used a full-frame Z camera. The reports have been positive, though, so I assume that they work well, including on the more expensive bodies—I just have no first-hand experience.

For those who might not know what “Film Simulation Recipes” are, they’re JPEG camera settings that allow you to achieve various looks (mostly analog-inspired) straight-out-of-camera, no editing needed. It can save you a lot of time by simplifying your workflow, and it can make the process of creating photographs more enjoyable.

Vintage Teal

Nikon Zfc — Vintage Teal

Vintage mood with a deep-teal cast.

Picture Control: Sepia
Effect Level: 40
Quick Sharp: 0.00
Sharpening: +1.00
Mid-Range Sharpening: +2.00
Clarity: -2.00
Contrast: +1.00
Filter Effects: Red

Toning: 7.00
Active D-Lighting: High
High ISO NR: Low
White Balance: Cloudy
WB Adjust: A1.0 G4.0
ISO: up to 3200

Nikon Zfc — Vintage Teal
Nikon Zfc — Vintage Teal
Nikon Zfc — Vintage Teal
Nikon Zfc — Vintage Teal

Redscale

Nikon Zfc — “Redscale”

Similar to Kodak Gold with the film spooled backwards (redscale).

Picture Control: Red
Effect Level: 50
Quick Sharp: 0.00
Sharpening: -1.00
Mid-Range Sharpening: 0.00
Clarity: -1.00
Contrast: +2.00
Filter Effects: Green

Toning: 6.00
Active D-Lighting: Normal
High ISO NR: Low
White Balance: Day White Fluorescent
WB Adjust: B2.0 G4.0
ISO: up to 3200

Nikon Zfc — “Redscale”
Nikon Zfc — “Redscale”
Nikon Zfc — “Redscale”
Nikon Zfc — “Redscale”

Bright Negative

Nikon Zfc — “Bright Negative”

Reminiscent of brightly exposed color negative film.

Picture Control: Melancholic
Effect Level: 100
Quick Sharp: 0.00
Sharpening: 0.00
Mid-Range Sharpening: +1.00
Clarity: -1.00
Contrast: +3.00
Saturation: +3.00
Active D-Lighting: High
High ISO NR: Low
White Balance: Daylight Fluorescent
WB Adjust: A6.0 G6.0
ISO: up to 3200

Nikon Zfc — “Bright Negative”
Nikon Zfc — “Bright Negative”
Nikon Zfc — “Bright Negative”
Nikon Zfc — “Bright Negative”

This post contains affiliate links, and if you make a purchase using my links I’ll be compensated a small amount for it.

Nikon Zfc — Amazon — B&H
TTArtisans 35mm f/1.4 — Amazon — B&H

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I Love Getting Analog Looks SOOC

Captured with a Fujifilm X100V using the Fujicolor Pro 400H recipe.

I love getting an analog aesthetic right out of camera! Fujifilm X cameras offer many great tools to get film-like results straight-out-of-camera without the need to edit. By adjusting the JPEG parameters, you can create various looks that I call film simulation recipes—I have published nearly 200 of them! These settings save you time, simplify the photographic process, and make capturing pictures even more enjoyable.

“By making it possible for the photographer to observe his work and his subject simultaneously,” wrote Edwin H. Land, co-founder of Polaroid, “and by removing most of the manipulative barriers between the photographer and the photograph, it is hoped that many of the satisfactions of working in the early arts can be brought to a new group of photographers.”

Ansel Adams called it One-Step Photography, and added, “The effect of one-step processing on both amateur and professional creative photography has been revolutionary. As with all art forms, we must accept the limitations of the medium as well as revel in the advantages.”

Land and Adams were specifically talking about Polaroid pictures, but I think it applies similarly to Fujifilm X cameras and film simulation recipes. The “manipulative barriers between the photographer and the photograph” have been removed! Now you just have to decide which recipe you want to use, like picking which film to load, and start creating, without worrying about how you’re going to later manipulate the pictures, because the straight-out-of-camera pictures are pretty darn good, and don’t require manipulation. Sure, edit if you want—there’s nothing wrong with that—but you don’t have to if you don’t want to, and there’s nothing wrong with that, either. Ansel Adams called it “revolutionary” and said to “revel in the advantages.” There’s freedom in this.

All of the pictures in this article are unedited (except for perhaps some minor cropping) straight-out-of-camera JPEGs that I recently captured using a Fujifilm X camera and a film simulation recipe.

Captured with a Fujifilm X100V using the Kodak Tri-X 400 recipe.
Captured with a Fujifilm X100V using the AgfaColor RS 100 recipe.
Captured with a Fujifilm X-E4 using the Kodacolor VR recipe.
Captured using a Fujifilm X-E4 with the Fujicolor Superia 1600 recipe.