Provia film simulation | FUJI X WEEKLY

Provia Summer — Fujifilm X-Trans IV & X-Trans V FXW App Patron Early-Access Recipe

*Evening Palm Fronds* – Buckeye, AZ – Fujifilm X-E4 – Provia Summer

This Provia Summer Film Simulation Recipe kicks off a new series. Each Recipe in this series will use a different film simulation, beginning with Provia and ending with Sepia. None of them will be modeled after any specific emulsions, but more simply will be aesthetics that I like, that I want to create photographs with. Even though they won’t be mimicking specific films, I do intend for them to have an analog vibe. My goal is to publish a new Recipe in this series every three or four weeks. Lastly, they will each begin as an App Patron Early-Access Recipe.

I never wanted the Early-Access Recipes to be unavailable to non-subscribers for so long. Some have been 18 months or longer, most over a year. My initial idea was that they would be Patron-only for about six months or so, and then be made available to everyone; however, I’ve only reached that goal a few times. This series of Recipes will hopefully clear out the backlog, and the Recipes that some of you have long been waiting for will be available soon.

*Golden CVS* – Buckeye, AZ – Fujifilm X-S20 – Provia Summer – Photo by Jonathan Roesch

Provia Summer is in a similar neighborhood as Bright Summer, Bright Kodak, Eterna Summer, Summer of ’59, 1970’s Summer, and I’m sure a few others. Obviously it’s not exactly like any of them, as it has its own unique aesthetic. This Recipe is warm and colorful, producing images that have a summer-like feel. It’s not the most ideal option for artificial light indoors or nighttime photography, but in the right situations it can be alright for that; for best results, use on a sunny day.

This is an App Patron Early-Access Recipe. If you are a Fuji X Weekly App Patron, you have access to it right now. If not, no worries, as it will eventually be made available to everyone, once it is replaced by a new Early-Access Recipe. With the exception of the X-T3 and X-T30, it is compatible with all fourth and fifth-generation X-Trans cameras, which (as of this writing) are the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, X-T30 II, X-H2s, X-H2, X-T5, X-S20, X100VI, X-T50, and X-M5. It can also be used on the newer GFX models, and I’ve included a few examples of that at that bottom.

Example photographs, all camera-made JPEGs using this Provia Summer Film Simulation Recipe on a Fujifilm X-E4 and X-S20:

*Vibrant Bougainvillea* – Buckeye, AZ – Fujifilm X-E4

*Dying Frond* – Buckeye, AZ – Fujifilm X-E4

*Sunlit Window* – Buckeye, AZ – Fujifilm X-E4

*Golden Arch* – Buckeye, AZ – Fujifilm X-E4

*Bright Bougainvillea* – Buckeye, AZ – Fujifilm X-E4

*Palm Grove* – Buckeye, AZ – Fujifilm X-E4

*Tower Window* – Buckeye, AZ – Fujifilm X-S20 – Photo by Jonathan Roesch

*Duel Window View* – Buckeye, AZ – Fujifilm X-E4

*Welcome to Wellness* – Buckeye, AZ – Fujifilm X-E4

*Water Drops* – Buckeye, AZ – Fujifilm X-S20 – Photo by Jonathan Roesch

*Faux Beauty* – Buckeye, AZ – Fujifilm X-E4

*Dusk Steeple* – Litchfield Park, AZ – Fujifilm X-E4

*Electric Open* – Buckeye, AZ – Fujifilm X-S20 – Photo by Jonathan Roesch

*Red Tree Trunk* – Buckeye, AZ – Fujifilm X-E4

*Yellow Fountain* – Buckeye, AZ – Fujifilm X-S20 – Photo by Jonathan Roesch

Example photographs, all camera-made JPEGs using this Provia Summer Film Simulation Recipe on a Fujifilm GFX100S II:

*Bougainvillea Trestle* – Buckeye, AZ – Fujifilm GFX100S II

*Broken Palm Bark* – Buckeye, AZ – Fujifilm GFX100S II

*Jonathan in the Desert* – Buckeye, AZ – Fujifilm GFX100S II

Find this Film Simulation Recipe and over 350 more in the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Colour Your Story — New Series by X-Photographer Nathalie Boucry

Posted on November 18, 2024 by Ritchie Roesch

If you’re new to Fujifilm—or not new to Fujifilm but fairly new to Film Simulation Recipes, or just curious about your camera—and you’d like to take a deeper dive into the various Film Simulations, Fujifilm X-Photographer Nathalie Boucry has an excellent series on her blog called Colour Your Story that you need to check out and follow.

The way that this series works is that each Film Simulation gets two parts: an introduction and a deeper dive. The introduction article explains what that particular Film Simulation is and what it is good for. The sample pictures are with that film sim set with the default factory settings. The followup article, entitled Let’s take [it] to Another Level (or a similar sentiment), discusses some Recipes that use that film sim as the base. So far, Nathalie has two Film Simulations in the series complete: Provia and Velvia.

*Provia — Fujifilm X-T50 — Standard Film Recipe*

*Velvia — Fujifilm X-T5 — Velvia Film Recipe*

Colour Your Story, Ep 1: PROVIA — Start Your Journey with The All-Rounder
Let’s take PROVIA to Another Level
Colour Your Story, Ep 2: The Bold One is Velvia
Let’s take Velvia further

Definitely take a moment out of your day and read up on those four posts. The series is worth following—get on her mailing list (at the bottom of each article) so that you don’t miss out on the future installments. I’m looking forward to all of the rest—there are 20 film sims, so Nathalie undoubtably has her work cut out! A series like this takes a ton of effort to put together, so, if you appreciate it, be sure to leave her a comment on her page letting her know.

PROvia — Fujifilm X70 (X-Trans II) Film Simulation Recipe

Posted on August 7, 2024 by Ritchie Roesch

*O.K. Corral* – Tombstone, AZ – Fujifilm X70 – PROvia Recipe

Omar Gonzalez posted a hilarious YouTube video called Do You Suffer from Fujifilm Sim Depression?, a parody of pharmaceutical commercials, except that it’s about Fujifilm film simulations and not prescription drugs. It’s incredibly well done and funny! I don’t want to spoil it if you haven’t watched it, but the conclusion is that Omar likes the Provia film simulation. So watch the video if you haven’t yet seen it, and if you are suffering from “Fujifilm Sim Depression” let me offer you this cure: the PROvia Film Simulation Recipe. Perhaps someday Omar will see it and try it; if so, I hope he likes it!

Provia is one of the film simulations that I personally like least… it’s well above Sepia, but towards the bottom of the list nonetheless. Ouch. As it turns out, I was never meant to like it, yet it is the “Standard” film simulation on all Fujifilm cameras. This PROvia Recipe is my take on a “better” Provia, and is intended to not only look good, but also be versatile so that it could be one’s go-to Film Simulation Recipe (that’s why “PRO” is capitalized in the name). It is compatible with all X-Trans II cameras; those with X-Trans I and Bayer models can use it, too, but it will render slightly different (try it anyway).

*Car Care* – Tucson, AZ – Fujifilm X70 – PROvia Recipe

This PROvia Film Simulation Recipe was a Fuji X Weekly App Patron Early-Access Recipe, but now it’s available to everyone. If you are an App Patron, you’ve had access to it for awhile. For those who are not, now you can use it, too. Perhaps it will even cure your Fujifilm Sim Depression….

Provia/STD
Dynamic Range: DR400
Highlight: -2 (Soft)
Shadow: +1 (Medium-Hard)
Color: +1 (Medium-High)
Sharpness: 0 (Standard)
Noise Reduction: -2 (Low)
White Balance: Auto, -1 Red & 0 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this PROvia Film Simulation Recipe on my Fujifilm X70:

*Sabino Creek* – Summerhaven, AZ – Fujifilm X70

*Saguaro Behind Palms* – Tucson, AZ – Fujifilm X70

*Palm Branches* – Tucson, AZ – Fujifilm X70

*Green Ocotillo* – Tucson, AZ – Fujifilm X70

*Gunfight Site* – Tombstone, AZ – Fujifilm X70

*Reach for the Sky* – Tombstone, AZ – Fujifilm X70

*Bird Cage Theatre* – Tombstone, AZ – Fujifilm X70

*One Way Alley* – Bisbee, AZ – Fujifilm X70

*Cloudy Saguaro* – Tucson, AZ – Fujifilm X70

*Prickly Pear Pads* – Tucson, AZ – Fujifilm X70

*Sunlight Through the Forest* – Summerhaven, AZ – Fujifilm X70

*Snowy Hillside* – Summerhaven, AZ – Fujifilm X70

*Rainy Desert at Dusk* – Tucson, AZ – Fujifilm X70

*Indoor Fireworks* – Tucson, AZ – Fujifilm X70

*Used Bookmans* – Tucson, AZ – Fujifilm X70

Find this Film Simulation Recipe and over 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Provia Slide — Fujifilm X-Pro2 (X-Trans III) Film Simulation Recipe

Posted on April 15, 2024 by Ritchie Roesch

*Nature of Architecture* – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Film Simulation Recipe doesn’t necessarily do a great job of replicating real Fujichrome Provia 100F or 400X color transparency film. I did find some examples that weren’t far off at all, but I believe it was more in how they were scanned and edited than anything else. One film can have many different looks based on a whole host of factors, and there is a by-chance resemblance to some Provia 100F pictures, but this Recipe is not a good facsimile for most Provia transparencies. I wasn’t attempting to replicate Provia film, so the similarities that do exist are merely a happy accident. I do believe it has an analog-like slide film aesthetic, even if it’s only a moderately good match for Provia 100F.

More simply, I was going for a Recipe that’s vibrant, based on the Provia film simulation, and uses the Fluorescent 3 White Balance. I chose Provia because I’d like to have more Recipes that are based on the Provia film simulation. I decided on the Fluorescent 3 White Balance because X-Trans III cameras cannot save a White Balance Shift within the C1-C7 Custom Presets, but they will remember one WB Shift per WB type; if each C1-C7 Recipe has a different WB type, then you don’t have to remember to adjust the WB Shift when changing to a different C1-C7 preset. Since there is only one Recipe that uses Fluorescent 3 for X-Trans III (and two for the X-T3/X-T30), I thought it would be good to have another option.

*Rainbow Bougainvillea* – Buckeye, AZ – Fujifilm X-Pro2 – Provia Slide

This Provia Slide Recipe is compatible with all X-Trans III cameras: Fujifilm X-Pro2, X100F, X-E3, X-T2, X-T20, and X-H1, as well as the Fujifilm X-T3 and X-T30 (simply set Color Chrome Effect to Off). I’m sure it can also be used on the GFX 50R and GFX 50S, although it will likely render slightly different.

Film Simulation: Provia/STD
Dynamic Range: DR200
Grain Effect: Weak
White Balance: Fluorescent 3, -1 Red & -8 Blue
Highlight: -1
Shadow: +1
Color: +3
Sharpness: -1
Noise Reduction: -4
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Provia Slide Film Simulation Recipe on a Fujifilm X-Pro2:

*Patio Pot* – Buckeye, AZ – Fujifilm X-Pro2

*Dying Plant* – Buckeye, AZ – Fujifilm X-Pro2

*Spring Wildflowers & Dead Wood* – Buckeye, AZ – Fujifilm X-Pro2

*Suburban Bougainvillea Blossoms* – Buckeye, AZ – Fujifilm X-Pro2

*Closed Sidewalk* – Buckeye, AZ – Fujifilm X-Pro2

*Green Leaves & Rose Blossom* – Buckeye, AZ – Fujifilm X-Pro2

*Backlit Tree Leaves Abstract* – Buckeye, AZ – Fujifilm X-Pro2

*Bright Green Leaves* – Buckeye, AZ – Fujifilm X-Pro2

*Potted Green* – Buckeye, AZ – Fujifilm X-Pro2

*Peace & Happiness* – Goodyear, AZ – Fujifilm X-Pro2

*Water Fountain Rainbow* – Buckeye, AZ – Fujifilm X-pro2

*Vines in the Arches* – Buckeye, AZ – Fujifilm X-Pro2

*Dusk Pharmacy* – Buckeye, AZ – Fujifilm X-Pro2

Find this Film Simulation Recipe and nearly 350 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

Reminiscent Print — Fujifilm X-M1 (X-Trans I) Film Simulation Recipe

Posted on April 3, 2024 by Ritchie Roesch

*Bougainvillea Day* – Buckeye, AZ – Fujifilm X-M1 – “Reminiscent Print”

This Film Simulation Recipe came about as an experiment after reading that film photographers weren’t meant to like the Provia film simulation because they’d find it to be too hard. So, I thought, maybe that’s true, and perhaps I can make it less hard, and more like something that film photographers might find to be “just right” (as Fujifilm put it). It took some trial-and-error, but I do believe that I have succeeded! This is a much, much better “standard” setting than default Provia, and, if you have a background in film photography, you’ll appreciate this recipe.

I find this new recipe to be reminiscent of cheap color negative film shot in point-‘n’-shoot cameras and printed at a one-hour lab, probably on Fujicolor Crystal Archive paper. It’s not intended to resemble that, but to me it does. I’m reminded of the 4″ x 6″ prints from 20+ years ago that are sitting in a box in the closet, or are carefully arranged in a photo album at my parent’s house. That’s why I call it Reminiscent Print.

*Classic Car Denim* – Goodyear, AZ – Fujifilm X-M1 – “Reminiscent Print”

This Reminiscent Print Film Simulation Recipe is compatible the Fujifilm X-Pro1, X-E1, and X-M1 cameras. Those with X-Trans II and Bayer cameras can also use it, although the results will be just a little different. This was a Fuji X Weekly App Patron Early Access Recipe, but now it’s available to everyone.

Provia
Dynamic Range: DR400
Highlight: -2 (Low)
Shadow: -2 (Low)
Color: +1 (Medium-High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Auto, -4 Red & -1 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: -1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this Reminiscent Print Film Simulation Recipe on my Fujifilm X-M1:

*Pier Post* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Light & Water* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Fine Morning for Fishing* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Line in the Lake* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Pier Reflections* – Litchfield Park, AZ – Fujifilm X-M1 – Photo by Jonathan Roesch

*Better Days Behind* – Litchfield Park, AZ – Fujifilm X-M1

*Church Bells* – Litchfield Park, AZ – Fujifilm X-M1

*Unlit Canopy* – Buckeye, AZ – Fujifilm X-M1

*Red Bougainvillea Blossoms* – Buckeye, AZ – Fujifilm X-M1

*Backyard Bougainvillea* – Buckeye, AZ – Fujifilm X-M1

*Autumn Orange* – Litchfield Park, AZ – Fujifilm X-M1

*Oranges* – Litchfield Park, AZ – Fujifilm X-M1

*Bucket Blossom* – Buckeye, AZ – Fujifilm X-M1

*Pink Rose Bud* – Buckeye, AZ – Fujifilm X-M1

*Peace & Minecraft* – Buckeye, AZ – Fujifilm X-M1

*Ball Toss* – Buckeye, AZ – Fujifilm X-M1

*All the World’s a Stage* – Buckeye, AZ – Fujifilm X-M1

*Steps* – Litchfield Park, AZ – Fujifilm X-M1

*Outside Tables* – Buckeye, AZ – Fujifilm X-M1

*Made With Passion* – Buckeye, AZ – Fujifilm X-M1

*Duster Headlamp* – Goodyear, AZ – Fujifilm X-M1

*Radial G/T* – Goodyear, AZ – Fujifilm X-M1

*Rear Duster* – Goodyear, AZ – Fujifilm X-M1

Find this Film Simulation Recipe and over 300 more on the Fuji X Weekly — Film Recipes App!

My 5 Favorite Film Simulation Recipes that use Provia

Posted on March 5, 2024 by Ritchie Roesch

*Barn in the Field* – Prefumo Canyon, CA – Fujifilm X-E4 – Provia 400 Recipe

Velvia — Astia — Classic Chrome — PRO Neg. Hi — PRO Neg. Std — Classic Negative — Nostalgic Neg. — Eterna — Eterna Bleach Bypass — Acros

There are 20 different film simulations on the new Fujifilm X100VI. Since there are likely many newcomers to Fujifilm who aren’t all that familiar with the various film sims and Film Simulation Recipes, I thought it would be worthwhile to discuss each one in more detail, and offer my personal favorite Recipes for each. I don’t (yet) have access to the new Reala Ace film simulation, so that one will be excluded from this (for now, anyway). Also, I’ll combine the four Acros film sims into one article, and the four Monochrome film sims (and probably Sepia, too) into another.

The Provia film simulation (a.k.a. Provia/Std) is named after the Provia line of slide films by Fujifilm; however, it was not intended to closely mimic the emulsion. The Astia film simulation is actually a little closer approximation of Provia film, but it is not an especially close match, either. When Fujifilm designed the Provia film simulation, they intended to make a color profile that “looks beautiful” to those who come from a digital-photography background, and in doing so they discovered that those who have a film-photography background don’t tend to like it as much (I learned photography on film, so you can probably tell already which way I lean). In other words, if you want a close replication of Provia slide film, default Provia/Std will leave you disappointed.

*Follow the Bird to Salt Lake* – Salt Lake City, UT – Fujifilm X-H1 – Cross Process Recipe

While the Provia film simulation can indeed “look beautiful” (as Fujifilm put it), it’s not my personal favorite. I would describe it as being true-to-life with just a hint of contrastiness and vibrancy. It’s kind of a middle-of-the-road option that can be used for anything; a Jack of all trades, but a master of none. I don’t find it to be especially analog-like, if you are hoping for a film look. That doesn’t mean it should be avoided, because it is possible to get good results from Provia—it can even be used to replicate some emulsions and analog processes—it’s just not my personal first choice. Or second choice. Or third. You get the idea. Still, there are some pretty good Film Simulation Recipes that use Provia as the base, and I definitely do enjoy using this film simulation from time-to-time.

The five Film Simulation Recipes below are my favorites that use Provia as the base. Everyone has different tastes, so you might like other ones more. I count 26 Recipes in the Fuji X Weekly App that use Provia, so there are many to choose from. But, if you are unsure which Provia Recipe to try, let me suggest picking one from my list below.

#1:

Fujichrome Sensia 100

Intended the Fujifilm X-T3 and X-T30, plus X-Trans III cameras; set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0 for use on newer X-Trans IV models and X-Trans V. Great for sunny daylight and especially sunset photography.

#2:

Provia 400

This Recipe is for the GFX 50R and GFX 50S. It’s compatible with the X-T3 and X-T30, but will render slightly different; for newer X-Trans IV and X-Trans V, set Grain size to Small, Color Chrome FX Blue to Off, and Clarity to 0.

#3:

Cross Process

Mimics the look of slide film developed in C41 chemistry, this Recipe is for X-Trans III cameras. It’s a lot of fun when used occasionally.

#4:

Standard Provia

A better look than default Provia, compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

#5:

KodaNeg VC

A vibrant and warm Recipe with some similarities to a couple of Kodak emulsions. Compatible with X-Trans IV (except the X-T3/X-T30) and X-Trans V cameras.

Find these Film Simulation Recipes and many more on the Fuji X Weekly App!

Provia/STD — Fujifilm XF1 (EXR-CMOS) Film Simulation Recipe

Posted on August 17, 2023 by Ritchie Roesch

A Film Simulation Recipe for the Fujifilm XF1, X100, X10 & X-S1 cameras.

*Tower Above the Trees* – Buckeye, AZ – Fujifilm XF1 – Provia/STD Recipe

This Film Simulation Recipe was simply an attempt to improve the factory default Provia film sim, with the goal of creating a more analog-like rendering. On the XF1, Provia doesn’t look half bad out-of-the-box, but I thought with some adjustments, I could make it better. I think it turned out pretty well—I’m quite happy with the results I’m getting from this Recipe.

The Fujifilm EXR-CMOS sensor generation quality reminds me of analog half-frame, which are cameras that only expose half of a 35mm frame, allowing you to get twice as many pictures on one roll of film, but at the expense of image quality. For smaller prints it’s no big deal, but if you want to enlarge bigger than 8″x10″, the difference is noticeable, particularly the larger you print. For internet viewing and prints up to 8″x10″, the image quality from the Fujifilm XF1 is great, but I wouldn’t want to print large or crop deeply, because it would begin to fall apart. With that said, I do like the rendering from this camera—it’s a bit different from the other sensor generations.

*Lamps & Neon* – Buckeye, AZ – Fujifilm XF1 – Provia/STD Recipe

This “Provia/STD” Film Simulation Recipe is compatible with the Fujifilm XF1, X100, X10, and X-S1 cameras. You can use it on X-Trans I, X-Trans II, and Bayer models, too, but it will look slightly different (feel free to try, though)—at the bottom of this article is one picture captured on my Fujifilm X70, which is an X-Trans II model, using this Recipe.

Provia/STD
Dynamic Range: DR-Auto
Highlight: -1 (Medium-Soft)
Shadow: -1 (Medium-Soft)
Color: +1 (Medium-High)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 5600K, -3 Red (R/CY) & -1 Blue (B/Ye)
ISO: Auto, up to ISO 1600
Exposure Compensation: 0 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this Provia/STD Film Simulation Recipe on a Fujifilm XF1:

*Potted Palm* – Buckeye, AZ – Fujifilm XF1

*Five-Story Tower* – Buckeye, AZ – Fujifilm XF1

*Block Wall Vines* – Buckeye, AZ – Fujifilm XF1

*Singular Bulb* – Buckeye, AZ – Fujifilm XF1

*Yellow Trumpet Blossoms* – Buckeye, AZ – Fujifilm XF1

*Bunch of Blossomed Bougainvillea* – Buckeye, AZ – Fujifilm XF1

*Roof Design* – Buckeye, AZ – Fujifilm XF1

*Street Lofts* – Buckeye, AZ – Fujifilm XF1

*Multicolored Water in Mason Jars* – Buckeye, AZ – Fujifilm XF1

*Moose Antlers* – Buckeye, AZ – Fujifilm XF1

*Fuji X Weekly* – Buckeye, AZ – Fujifilm XF1

Comparison

*Captured using this Provia/STD Recipe on a Fujifilm X70*

Find this Film Simulation Recipe and nearly 300 more on the Fuji X Weekly App! Consider becoming a Patron subscriber to unlock the best App experience and to support Fuji X Weekly.

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New Fujifilm X-Trans II FXW App Patron Early-Access Film Simulation Recipe: PROvia

Posted on March 20, 2023 by Ritchie Roesch

Omar Gonzalez posted a hilarious YouTube video called Do You Suffer from Fujifilm Sim Depression?, which is a parody of pharmaceutical commercials, except that it’s about Fujifilm film simulations and not prescription drugs. It’s incredibly well done and funny! I don’t want to spoil it if you haven’t watched it, but the conclusion is that Omar likes the Provia film simulation. So watch the video if you haven’t yet seen it, and if you are suffering from “Fujifilm Sim Depression” let me offer you are this cure: the PROvia Film Simulation Recipe. Perhaps Omar someday will see it and try it; if so, I hope he likes it!

Provia is one of the film simulations that I personally like least… well above Sepia, but towards the bottom of the list nonetheless. Ouch. As it turns out, I was never meant to like it, yet it is the “Standard” film simulation on all Fujifilm cameras. This PROvia Recipe is my take on a “better” Provia, and is intended to not only look good, but also be versatile so that it could be one’s go-to Film Simulation Recipe (that’s why “PRO” is capitalized in the name). It is compatible with all X-Trans II cameras; those with X-Trans I and Bayer models can use it, too, but it will render slightly different on those models (try it anyway!).

This PROvia Film Simulation Recipe is a Fuji X Weekly App Patron Early-Access recipe, which means if you are an App Patron, you have access to it right now. The Fuji X Weekly App is free, yet becoming a Patron unlocks the best App experience! One benefit of being a Patron is you get early access to some new Film Simulation Recipes, such as this one. These Patron Early-Access Recipes will eventually become available free to everyone in time, including this new one. Patrons help support Fuji X Weekly and, really, without them there would be no App, so I want to give a special “thank you” to all of the Patrons!

If you are a Fuji X Weekly App Patron, I invite you to give the PROvia Film Simulation Recipe a try today! Don’t have the Fuji X Weekly App? Download it for free today! Consider becoming a Patron subscriber to unlock the best App experience, to gain Early-Access to this Recipe, and to support Fuji X Weekly.

Example photographs, all camera-made JPEGs using this PROvia Film Simulation Recipe on my Fujifilm X70:

I Was Never Meant to Like the Provia Film Simulation + Other Fun Film Sim Facts

Posted on December 6, 2022 by Ritchie Roesch

*Oak Autumn* – Pine, AZ – Fujifilm X-E4 – Provia film sim – “KodaNeg VC” recipe

I’ve never really cared for Fujifilm’s Provia film simulation. I mean, it’s alright, but I like most of the other options better, and I wondered why they made it the “standard” film simulation. It doesn’t much resemble real Provia film—why even call it Provia?—yet it is front-and-center on all Fujifilm models.

I Recently stumbled across a fascinating article that helped me better understand why I don’t like Provia, and why the other film sims look the way they do. Exibartstreet.com translated and summarized an interview of two Fujifilm managers who discussed at length the different film simulations found on Fujifilm cameras (the original interview articles can be found here and here, and is two years old). I now have a little better understanding of Fujifilm’s philosophy behind the creation of their profiles.

*Truck Stop Cross Process* – Bowie, TX – Fujifilm X100F – Provia film sim – “Cross Process” recipe

Specifically to Provia, I discovered that I was never supposed to like it. It wasn’t designed for me. “When it comes to Provia,” one of the Fujifilm managers stated, “photographers that started with film find it hard, but photographers that only shoot digitally find it just right.” Well, I started with film; I don’t know if I’d describe it as “hard” but it is far from “just right” for me personally. “Provia aims at the greatest common denominator that makes you feel ‘beautiful’ at a glance.” In other words, they weren’t trying to mimic any emulsions, but create a profile that looks nice to those who have only ever shot with digital cameras. “In my personal opinion, I would like to change the name ‘film simulation,'” the Fujifilm manager said. “Film simulation is not film imitation.”

Diving into the interview, we discover that Velvia was, in fact, modeled after the film of the same name, but digital sensor and processor limitations have made it difficult to reproduce the film’s aesthetic; however, beginning with X-Trans III, Fujifilm has been able to get closer. Enabling Color Chrome Effect allows you to achieve the appropriate color depth.

*Wind from the West* – Hammond, OR – Fujifilm X-E4 – Astia film sim – “CineStill 50D” recipe

The Astia film simulation looks so much different than real Astia film. “We often receive comments that ‘reproducibility is different from Astia of silver salt,'” the manager explained. “The reason for this is that ‘the image quality design is not aimed at silver salt Astia.’ You may wonder what it means to bear the name of Astia even though it is different, but it is not completely unrelated. In fact, both film and digital are aiming at the same place. In other words, the film simulation ‘Astia’ was developed to bring it closer to the ‘ideal Astia’ that the development team aimed for when developing the silver salt film Astia.” Put more simply, the film simulation is the aesthetic that Fujifilm would have produced with the film if they could have.

Classic Chrome was modeled after an unmentioned slide film… they can’t say Kodak.

*Pilot* – Cordes Lakes, AZ – Fujifilm X-T5 – Classic Chrome film sim – “Kodachrome 64” recipe

PRO Neg. Std and PRO Neg. Hi were not modeled after any specific emulsions, but are for faithful color reproduction. “The main difference is the tone curve. PRO Neg. Hi is adjusted to tighten the shadows and tighten the highlights. On the other hand, the color design is the same.”

The Eterna film simulation was modeled after Eterna motion picture film. Regarding Eterna Bleach Bypass, “This setting is equivalent to ‘half of the silver remaining’ on film….”

*Coastal Blooms* – San Simeon, CA – Fujifilm X-E4 – Classic Negative film sim – “Pacific Blues” recipe

“Classic Negative is a very special kind of film simulation, designed so that the appearance of colors changes depending on the brightness. Therefore, I make adjustments so that dark tones are cyan, and bright tones are magenta. Classic Negative… was originally ‘Superia.'” It’s clear that this film simulation was carefully crafted to closely mimic Superia film. “To tell you the truth, I feel that Classic Negative was a little too bold.” I think Fujifilm should consider going “too bold” more often!

There’s a heck-of-a-lot more said in the interview that’s quite fascinating. I think Fujifilm doesn’t want its users to interpret “film simulation” as “film imitation” because not all of their film sims are intended to mimic film. Some are, and some are not. But, even the ones that are not, the digital side teamed up with the film side to assist in designing all of the film simulations—including Provia/Std—and I think their careful attention to detail and vast film experience translates into profiles that can be made to resemble film, even if the film sim was never intended to. Still, the film simulations that are, in fact, modeled after film are my favorites.

Fujifilm X70 (X-Trans II) Film Simulation Recipe: Fujichrome Slide

Posted on September 9, 2022 by Ritchie Roesch

*Dying Garden Rose* – Buckeye, AZ – Fujifilm X70 – “Fujichrome Slide”

Sometimes you can get interesting results when you change the film simulation that a Film Simulation Recipe calls for. In this case, the recipe was Monochrome Red, which calls for Monochrome+R, and the film simulation that I used instead was Provia. I actually don’t like the Provia film simulation as much as most of the others, I think because it doesn’t much resemble Provia film; however, I do like how this recipe renders images, so perhaps I’ve been a little too critical of the “standard” film simulation.

This recipe doesn’t match Fujichrome Provia 100F film, but it is much closer to the film than just using default Provia. If you are looking for an X-Trans II recipe that’s in the neighborhood of Fujichrome Provia 100F, and don’t mind that it’s not exactly right, this one’s for you! It has a good deal of contrast (but not too much), and has vibrant colors (but not too vibrant)—definitely a (non-Velvia) Fujifilm color reversal film vibe. If you like this recipe, you should also consider trying Provia Negative.

*Fisherboy* – Litchfield Park, AZ – Fujifilm X70 – “Fujichrome Slide”

This “Fujichrome Slide” Film Simulation Recipe is compatible with all X-Trans II cameras. Those with X-Trans I or Bayer models can use it, too; however, it will render slightly differently—I tried it on my X-Pro1 and the results were good; similar but not identical to my X70.

Provia/Std
Dynamic Range: DR400
Highlight: -1 (Medium-Soft)
Shadow: +2 (Hard)
Color: +2 (High)
Sharpness: +1 (Medium-Hard)
Noise Reduction: -2 (Low)
White Balance: Fluorescent 1, -4 Red & +7 Blue
ISO: Auto up to ISO 3200
Exposure Compensation: +1/3 to +1 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X70 using this “Fujichrome Slide” Film Simulation Recipe:

*Beyond Orange* – Goodyear, AZ – Fujifilm X70

*Three Beams & Palm* – Litchfield Park, AZ – Fujifilm X70

*Palm Bush* – Goodyear, AZ – Fujifilm X70

*Shriveling Bloom* – Buckeye, AZ – Fujifilm X70

*Trumpet Vine* – Buckeye, AZ – Fujifilm X70

*A Yellow Trumpet Blossom* – Buckeye, AZ – Fujifilm X70

*Moth Wall* – Buckeye, AZ – Fujifilm X70

*Rose Palm Evening* – Litchfield Park, AZ – Fujifilm X70

*Fisher Jon* – Litchfield Park, AZ – Fujifilm X70

*Tree & Home Reflection* – Litchfield Park, AZ – Fujifilm X70

*Little Boat in the Little Lake* – Litchfield Park, AZ – Fujifilm X70

*Suburban Lake Reflection* – Litchfield Park, AZ – Fujifilm X70

Find this Film Simulation Recipe and nearly 250 more on the Fuji X Weekly — Film Recipes App!

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Standard Provia vs Provia/Standard

Posted on February 19, 2022 by Ritchie Roesch

*Clearing Clouds Over Winter Ridge* – Farmington, UT – Fujifilm X-Pro3 – “Standard Provia”

A couple days ago I published a new Film Simulation Recipe: Standard Provia. This recipe is the first in a new series, in which I attempt to customize each film simulation to optimize the aesthetic that Fujifilm intended—in other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. Provia is Fujifilm’s standard film simulation (that’s why they call it “Provia/Standard” and even abbreviate it “STD”), but it’s one of my least favorite. Sometimes, because I don’t get excited over it, I force myself to use Provia, hoping that it will improve my feelings about it.

The Provia film simulation doesn’t look like Provia film. In fact, it’s probably closer to Astia film, although it’s definitely not an exact match for that, either. There’s something that is “not right” about it to me, but I think it’s just my personal tastes. There are a lot of people who love the Provia film simulation and use it all of the time.

After I published my Standard Provia Film Simulation Recipe, I received feedback from several of you that I should have included a comparison with default Provia/Standard. So here it is! The Provia/Standard images have all of the parameters set to 0 or Off except for Noise Reduction, which is -4. Dynamic Range is DR200 and White Balance is Auto 0R & 0B. It’s basically factory Provia. These were all captured on a Fujifilm X-Pro3. Let’s take a look:

*Move the bar left to reveal the default Provia/Standard image, and move it right to reveal the “Standard Provia” recipe image.*

The most notable difference you might notice is that my recipe has less red, with a cooler/greener color cast that is more like typical of Fujicolor film. My recipe also has more contrast and saturation, and, in my opinion, looks better, as I find the default settings to be too flat. If you are looking for a “standard” recipe that utilizes Provia, I believe that my Standard Provia recipe is a good option.

What do you think? Do you like the default Provia/Standard settings better, or do you prefer my “Standard Provia” recipe? Let me know in the comments!

Fujifilm X-Pro3 (X-Trans IV) Film Simulation Recipe: Standard Provia

Posted on February 17, 2022 by Ritchie Roesch

This Film Simulation Recipe is the first in what will be a series, which will encompass several Fujifilm generations (not just X-Trans IV). I’m not exactly sure how many recipes will be in this series, but the intention is at least one for each film simulation offered by Fujifilm. This first recipe is compatible with X-Trans IV because Fujifilm sent me an X-Pro3 to try, and I have to return it soon, so I’m using it as much as practical so that I can write a review. The intention of this series is to customize each film simulation to optimization the aesthetic that Fujifilm intended. In other words, make a nice-looking recipe that is similar to yet better than the stock look of a film simulation. This first recipe, which I’ve titled simply Standard Provia, is my optimization of the Provia film simulation.

The Provia film simulation is not a facsimile of Provia slide film. I think Fujifilm just wanted to use the brandname for their “standard” colors, but there’s quite a divergence between the film simulation and the film. This recipe isn’t intended to mimic the film, but simply produce good results with the Provia film simulation (without modifying the overall aesthetic too much). The Provia film simulation is one of my least utilized, but I do believe this recipe makes good use of it.

*Backlit Ivy* – Farmington, UT – Fujifilm X-Pro3 “Standard Provia”

Because this recipe uses Clarity and Color Chrome FX Blue, it is only compatible with the Fujifilm X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II cameras. If you have an X-T3 or X-T30, you could replace Clarity with a diffusion filter and ignore Color Chrome FX Blue and Grain size, and get similar results that will be just a little different.

Provia
Dynamic Range: DR400
Highlight: +2
Shadow: +1
Color: +2
Noise Reduction: -4
Sharpening: 0
Clarity: -3
Grain Effect: Weak, Small
Color Chrome Effect: Strong
Color Chrome Effect Blue: Weak
White Balance: Daylight, -3 Red & 0 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs using this “Standard Provia” film simulation recipe on a Fujifilm X-Pro3:

*Orange Traffic Barrier* – Salt Lake City, UT – Fujifilm X-Pro3

*Vape On Main* – Salt Lake City, UT – Fujifilm X-Pro3

*Small Table Decor* – Farmington, UT – Fujifilm X-Pro3

*Abandoned Ice Chest* – Farmington, UT – Fujifilm X-Pro3

*End Post* – Farmington, UT – Fujifilm X-Pro3

*Hanging Around* – Farmington, UT – Fujifilm X-Pro3

*Blackberry Leaf in February* – Farmington, UT – Fujifilm X-Pro3

*Crossing With Falling Snow* – Farmington, UT – Fujifilm X-Pro3

*Cautious Dirt* – Farmington, UT – Fujifilm X-Pro3

*Winter Storm over Wasatch* – Farmington, UT – Fujifilm X-Pro3

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Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Winter Slide

Posted on December 13, 2021 by Ritchie Roesch

*Winter Neighborhood at Sunset* – Farmington, UT – Fujifilm X-T1 – “Winter Slide”

This recipe began with a weather forecast. It had been unusually dry and warm here in Utah, but cold temperatures and plenty of snow was on the way. At this time of year I get asked regularly which film simulation recipes are best for snow—there are plenty that will work well, but not many that are specifically made for it. A camera like the Fujifilm X-T1, which is weather-sealed, is great for these type of conditions, so I thought, with the forecasted wintry weather, I’d create a good-for-snow recipe for X-Trans II cameras that I could use on my X-T1. When the snow finally came, I’d be ready!

The initial inspiration for this recipe was Agfa Precisa CT 100 color slide film, which I read was one of the best film options for winter situations. I wasn’t having good luck recreating the aesthetic of it, but, in the process, I made some settings that I thought might be good for snow. So I failed at mimicking Agfa Precisa CT 100, but I succeeded at what I set out to do, which was a film simulation recipe that works well in snow. Interestingly, when I created the recipe, it wasn’t yet snowy, so I wasn’t completely sure how it would do. Luckily, it did every bit as well as I had hoped it would.

*Two Cold Horses* – Farmington, UT – Fujifilm X-T1 – “Winter Slide”

The trick to snow photography is to overexpose (based on what the meter says) because the camera sees a lot of white and wants to make it grey. So if you follow the meter, you’ll get a lot of dark pictures. By increasing the exposure compensation, you’ll get brighter pictures—I found myself often using +1 exposure compensation. If you are using this recipe when it’s not wintry white, you won’t have to increase the exposure compensation quite as much, and +1/3 to +2/3 will likely be better. This film simulation recipe is compatible with all X-Trans II cameras.

Provia/STD
Dynamic Range: DR200
Highlight: 0 (Standard)
Shadow: +2 (Hard)
Color: -2 (Low)
Sharpness: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: 5000K, -1 Red & -3 Blue
ISO: Auto up to ISO 3200
Exposure Compensation: +1/3 to +1 1/3 (typically)

Example photographs, all camera-made JPEGs captured on my Fujifilm X-T1 using this “Winter Slide” film simulation recipe:

*Ice Cold Red* – Farmington, UT – Fujifilm X-T1

*Winter Red Berries* – Farmington, UT – Fujifilm X-T1

*Snow on Branch* – Farmington, UT – Fujifilm X-T1

*Snow on Tree Trunk* – Farmington, UT – Fujifilm X-T1

*Winter Tree* – Farmington, UT – Fujifilm X-T1

*Winter Bush with Red Berries* – Farmington, UT – Fujifilm X-T1

*Snow on a Bush* – Farmington, UT – Fujifilm X-T1

*Winter Girl* – Farmington, UT – Fujifilm X-T1

*White House in Snow* – Farmington, UT – Fujifilm X-T1

*Lamp with Bow* – Farmington, UT – Fujifilm X-T1

*Winter Blue Home* – Farmington, UT – Fujifilm X-T1

*One Light in a Tree* – Farmington, UT – Fujifilm X-T1

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Fujifilm X-Trans I Film Simulation Recipe: Color Negative Film

Posted on August 2, 2021 by Ritchie Roesch

*Pink Roses* – Farmington, UT – Fujifilm X-Pro1 – “Color Negative Film”

This Fujifilm X-Trans I film simulation recipe was the first that I created after getting my nine-year-old X-Pro1 camera in the mail. It wasn’t intended to mimic the look of any particular film. I was trying to create a good-looking recipe with a white balance shift inspired by my Fujicolor 100 Industrial recipe. It has a wonderful print film aesthetic, perhaps Kodak-like, that looks especially nice in sunny conditions. I call this recipe “Color Negative Film” because of that generic color negative film quality.

If you are a Patron on the Fuji X Weekly App, you’ve had early access to this recipe since May. A different recipe has replaced it, so if you are a Patron, look for that new early-access recipe in the app! For those who are not Patrons, this recipe is now available to you. If you have a Fujifilm X-Pro1, X-E1, or X-M1, this recipe is compatible with your camera.

*Diesel Cash Price* – Park City, UT – Fujifilm X-Pro1 – “Color Negative Film”

If you have a Fujifilm Bayer camera, I invite you to try this recipe on your camera, although results will be a little different. Technically, X-Trans II cameras can use it, too, although it definitely won’t look the same—maybe you’ll like it, maybe you won’t. If you have an X-Trans I camera, this is a must-try recipe that many of you are sure to love!

Provia
Dynamic Range: DR400
Highlight: +2 (High)
Shadow: +2 (High)
Color: -2 (Low)
Sharpness: -1 (Medium-Low)
Noise Reduction: -2 (Low)
White Balance: 3000K, +8 Red & -9 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: 0 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Color Negative Film” recipe:

*Rising Up* – Farmington, UT – Fujifilm X-Pro1

*Red Leaves of Summer* – Layton, UT – Fujifilm X-Pro1

*Backlit White Blossom* – Farmington, UT – Fujifilm X-Pro1

*Yellow Bench* – Layton, UT – Fujifilm X-Pro1

*Tiny Fruit* – Farmington, UT – Fujifilm X-Pro1

*Blackberry Forest* – Farmington, UT – Fujifilm X-Pro1

*Building Mountain Storm* – Farmington, UT – Fujifilm X-Pro1

*Dead Stump* – Farmington Bay, UT – Fujifilm X-Pro1

*Log Bridge* – Salt Lake City, UT – Fujifilm X-Pro1

*Cone Closed* – Weber Canyon, UT – Fujifilm X-Pro1

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Fujifilm X-Trans II Film Simulation Recipe: Kodak Platinum 200

Posted on June 7, 2021 by Ritchie Roesch

*Bicycle 88* – West Valley City, UT – Fujifilm X-T1 – “Kodak Platinum 200”

Fuji X Weekly reader Corey Steib (Instagram here and here) shared with me an X-Trans II recipe that he created called Kodak Platinum 200. Corey named it this because it reminds him of vibrant Kodak film captured with a Panaflex Platinum motion picture camera, and because the best results are found at or near ISO 200. This recipe is nothing like the Eterna film simulation, but it does have a slight cinematic feel to it nonetheless thanks to the Shadow setting. It looks really nice, with vibrant colors and soft shadows, and is a great all-purpose recipe. Thank you, Corey, for creating this and allowing me to share it!

I have the ISO in my camera set to Auto, with the upper limit set to ISO 3200. I’m happy with the results from my X-T1 all the way to ISO 3200, but the intention of this recipe is to keep the ISO lower when you can. In bright light, depending on the contrast in the scene, because of the DR-Auto setting, the camera might select ISO 200 or ISO 400, and the idea is to use this recipe at those ISOs when practical. As the available light decreases, it’s perfectly fine to increase the ISO, and I feel good going as high as ISO 3200 when necessary.

*Touch of Red* – Salt Lake City, UT – Fujifilm X-T1 – “Kodak Platinum 200”

This film simulation recipe is compatible with all Fujifilm X-Trans II cameras. You can use it on X-Trans I and Bayer sensor cameras, too, but the results will be a little different (feel free to try, though).

Provia
Dynamic Range: DR-Auto
Highlight: +1 (Medium-High)
Shadow: -2 (Low)
Color: +2 (High)
Sharpness: +1 (Medium-High)
Noise Reduction: -2 (Low)
White Balance: Daylight/Fine, 0 Red & 0 Blue
ISO: Auto up to ISO 3200 (but… the lower the better)
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs captured with my Fujifilm X-T1 using this “Kodak Platinum 200” film simulation recipe:

*Snack* – Salt Lake City, UT – Fujifilm X-T1

*Yellow Rope* – West Valley City, UT – Fujifilm X-T1

*Unicorn Jo* – West Valley City, UT – Fujifilm X-T1

*Curved Trunk* – Salt Lake City, UT – Fujifilm X-T1

*Log Bridge & 3 Trees* – Salt Lake City, UT – Fujifilm X-T1

*Bridge & Stump* – Salt Lake City, UT – Fujifilm X-T1

*Pine Needles* – Salt Lake City, UT – Fujifilm X-T1

*Tree Canopy* – Salt Lake City, UT – Fujifilm X-T1

*Plastic Plants* – Farmington, UT – Fujifilm X-T1

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Fujifilm X-Trans I (X-Pro1, X-E1 & X-M1) Film Simulation Recipe: Provia

Posted on May 31, 2021 by Ritchie Roesch

*Cradle Tree Branch* – Farmington, UT – Fujifilm X-M1 – “Provia”

This film simulation recipe reminds me of a filter that I used frequently on a photo editing app on my old Nokia Lumia 1020 phone (sorry, I don’t remember the app name, it’s been many years). It produces a nice vintage feel, with perhaps a cross-processed aesthetic. I especially like how it renders green and blue. Because it uses the Provia film simulation, I’ve named this recipe simply “Provia” even though it doesn’t look all that much like real Provia film. Cameras that are older than the Fujifilm X-Pro3 can’t save White Balance Shifts with each Custom Preset, so it’s helpful to have recipes that use different White Balance options. That’s how this recipe began, and why it uses the Incandescent White Balance option.

This “Provia” film simulation recipe has been a Patron early-access recipe on the Fuji X Weekly app since January, but now it’s available to everyone! There’s a new Patron early-access recipe for X-Trans I cameras on the app that replaced this one. This recipe is compatible with the Fujifilm X-Pro1, X-E1 or X-M1 camera. If you have a Bayer or X-Trans II camera, this recipe will still work, although it won’t look the same; however, I invite you to try it anyway.

*Green Tree & Blue Sky* – Salt Lake City, UT – Fujifilm X-Pro1 – “Provia”

Provia
Dynamic Range: DR200
Highlight: -2 (Low)
Shadow: -1 (Medium-Low)
Color: +1 (Medium-High)
Sharpness: 0 (Normal)
Noise Reduction: -2 (Low)
White Balance: Incandescent, +6 Red & -9 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs captured using this “Provia” film simulation recipe:

*Sun over Country Horses* – Farmington, UT – Fujifilm X-M1

*Target* – Farmington, UT – Fujifilm X-M1

*Bricks in the Wall* – Farmington, UT – Fujifilm X-M1 – Photo by Joy Roesch

Strollin’ Jo – Farmington, UT – Fujifilm X-M1

*Green Canopy* – Farmington, UT – Fujifilm X-Pro1

*Bunch of Little Blooms* – Farmington, UT – Fujifilm X-Pro1

*White Bloom in a Green Bush* – Farmington, UT – Fujifilm X-Pro1

*Park Path* – Salt Lake City, UT – Fujifilm X-Pro1

*Looking up Through The Trees* – Salt Lake City, UT – Fujifilm X-Pro1

Find this film simulation recipe on the Fuji X Weekly — Film Recipes App!

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Fujifilm GFX-50S Film Simulation Recipe: Provia 400

Posted on February 27, 2021 by Ritchie Roesch

*Big Sky Over Yellow House* – Farmington, UT – Fujifilm GFX-50S – “Provia 400”

This film simulation recipe was a failed attempt to create a certain look, but I liked the results anyway. It reminds me of Fujichrome Provia 400, but it isn’t intended to mimic that film, it just looks a little similar by chance. As Lefty Gomez said, “I’d rather be lucky than good.” This Provia 400 recipe was indeed a lucky discovery.

Provia 400 is a color reversal (slide) film that actually dates back to 1980. It was originally called Fujichrome 400 Professional D, and had a couple emulsion updates before Fujifilm renamed it Fujichrome Provia 400 in 1994, Fujichrome Provia 400F in 2000, and Provia 400X in 2006. With each emulsion change the aesthetic of the film evolved slightly, which isn’t uncommon. This recipe might be closest to the 400X version. Fujifilm discontinued ISO 400 Provia in 2013.

*Tiny Niagara* – Farmington, UT – Fujifilm GFX-50S – “Provia 400”

This film simulation recipe is intended for GFX-50S and GFX-50R cameras. I assume that it will also work on the GFX100 and GFX100S, but I’m not certain of that. Additionally, it is compatible with X-Trans IV; I tried it on my Fujifilm X-T30 and it looked pretty close, only ever-so-slightly different. On newer X-Trans IV cameras, which have some different JPEG options, consider setting Grain size to Small, Color Chrome FX Blue to Weak, and Clarity to -2.

Provia/STD
Dynamic Range: DR400
Highlight: +1
Shadow: +2
Color: +4
Color Chrome Effect: Strong
Sharpening: -2
Noise Reduction: -4
Grain Effect: Strong
White Balance: Fluorescent 2, -2 Red & -2 Blue
ISO: Auto up to ISO 6400
Exposure Compensation: +1/3 to +2/3 (typically)

Sample photographs, all camera-made JPEGs, captured with a Fujifilm GFX-50S using this Provia 400 recipe:

*Reeds & Birds* – Farmington, UT – Fujifilm GFX-50S

*Three Wood Poles* – Farmington, UT – Fujifilm GFX-50S

*Cattails & Reeds* – Farmington, UT – Fujifilm GFX-50S

*Fallen Down* – Farmington, UT – Fujifilm GFX-50S

*Boat Ramps Are Built* – Farmington, UT – Fujifilm GFX-50S

*Muddy Shore* – Farmington, UT – Fujifilm GFX-50S

*Bridge Over Shallow Water* – Farmington, UT – Fujifilm GFX-50S

*Closed Red Door* – Farmington, UT – Fujifilm GFX-50S

*Red Can Topper* – Weber Canyon, UT – Fujifilm GFX-50S

*Tree & Cold River* – Weber Canyon, UT – Fujifilm GFX-50S

*Hastings Cutoff* – Weber Canyon, UT – Fujifilm GFX-50S

*Reflection on the Cold Wet Road* – Weber Canyon, UT – Fujifilm GFX-50S

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New X-Trans I Patron Early-Access Film Simulation Recipe on App!

Posted on January 20, 2021 by Ritchie Roesch

There’s a new Fuji X Weekly Patron early-access film simulation recipe available now on the Fuji X Weekly app! If you are a Patron, you can use it today! This new recipe is for X-Trans I cameras (X-E1, X-Pro1 and X-M1), and it replaces the Classic Analog recipe, which was a Patron early-access recipe, but is now available to everyone. Yea!

Below are a few examples of this new recipe, which is simply called Provia, captured with a Fujifilm X-M1. Bricks in the Wall (below) was captured by my daughter, Joy, who I let use the camera.

Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Classic Analog

Posted on January 20, 2021 by Ritchie Roesch

*Sticks & Dry Leaves* – Farmington, UT – Fujifilm X-M1 – “Classic Analog”

I wanted to create a Portra recipe for X-Trans I cameras, such as the Fujifilm X-M1. All of my Portra recipes are based on the Classic Chrome film simulation, but X-Trans I cameras don’t have Classic Chrome. I did create a recipe for mimicking Kodachrome without Classic Chrome, but that’s intended for X-Trans II cameras, and, while the results are similar, it doesn’t look exactly the same on X-Trans I. This recipe was my attempt at Portra without Classic Chrome, but it’s not quite Portra enough for me to name it Portra. It’s close but no cigar, but it does look nice nonetheless, and I like how it renders pictures on my X-M1.

This was a Patron early-access recipe on the Fuji X Weekly app. Fuji X Weekly Patrons have had the opportunity to use it since December 1st, but now it’s available to everyone! There’s a new Patron early-access recipe for X-Trans I on the app in its place. If you have the app, go check it out!

*E.T.* – Farmington, UT – Fujifilm X-M1 – “Classic Analog”

This recipe also marks the first one that includes a photograph captured by my 11-year-old son, Jonathan. I let him use my X-M1, and I liked one of the pictures he made, which you’ll find further down this article, entitled Frozen Pond Scum. The Fujifilm X-M1 can be found for cheap, and would make a great “first real camera” for a kid. Maybe I’ll give him mine at some point in the future.

Provia/STD
Dynamic Range: DR400
Highlight: -2
Shadow: -1
Color: -2
Sharpness: 0
Noise Reduction: -2
White Balance: Daylight/Fine, +1 Red & -6 Blue
ISO: Auto, up to ISO 3200
Exposure Compensation: +1/3 to +2/3 (typically)

Example photographs, all camera-made JPEGs made using this Classic Analog film simulation recipe on a Fujifilm X-M1:

*Thin Ice* – Farmington, UT – Fujifilm X-M1

*Falling Water* – Farmington, UT – Fujifilm X-M1

*Autumn Overcast* – Farmington, UT – Fujifilm X-M1

*Night at the Lake* – Farmington, UT – Fujifilm X-M1

*Frozen Drain* – Farmington, UT – Fujifilm X-M1

*Frozen Pond Scum* – Farmington, UT – Fujifilm X-M1 – Photo by Jonathan Roesch

*Irrigation Cover* – Farmington, UT – Fujifilm X-M1

*Quadruple U’s* – Farmington, UT – Fujifilm X-M1

*Improbable* – Farmington, UT – Fujifilm X-M1

*Evening Euonymus* – Farmington, UT – Fujifilm X-M1

*Blue Sky Reeds* – Farmington, UT – Fujifilm X-M1

*Yellow, Lamp* – Farmington, UT – Fujifilm X-M1

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Fujifilm X-T200 (Bayer) Film Simulation Recipe: Analog Cool

Posted on September 22, 2020 by Ritchie Roesch

*Squash Leaves* – Sunset, UT – Fujifilm X-T200 – “Analog Cool”

This new film simulation recipe, which is for Fujifilm cameras with a Bayer sensor, isn’t meant to mimic any specific film. I wanted to create something with a cool color cast, perhaps similar to Tungsten film. Kind of the opposite of my Golden Negative recipe. I call it Analog Cool.

I can’t tell you how many requests I’ve had for recipes compatible with Fujifilm Bayer cameras, such as the X-T200, X-T100, X-A7, X-A5 and XF10, but it’s been a lot! I don’t have very many recipes for these cameras, partly because you cannot save custom presets like you can on X-Trans models. You more-or-less have to use one recipe for a period of time, and only switch occasionally. This recipe will work on X-Trans I & II cameras, but it won’t look exactly the same.

*Leaves & Thistle* – Fruit Heights, UT – Fujifilm X-T200 – “Analog Cool”

This “Analog Cool” film simulation recipe works well in warm light, because it balances with that lighting condition. I didn’t test it under artificial light or for night photography, but I imagine it would be good for those situations. In cool light conditions, it will produce a pronounced blue cast that is similar to using Tungsten film in daylight, which is something you can try for creative effect or avoid if you don’t like it. Overall this is a pretty good recipe that produces interesting results under the right conditions, and I think some of you are going to really appreciate it.

Provia
Dynamic Range: DR400
Highlight: +1
Shadow: -1
Color: +2
Noise Reduction: -2
Sharpening: 0
White Balance: 4200K, -2 Red & -5 Blue
ISO: Auto, up to ISO 6400
Exposure Compensation: -1/3 to +1/3 (typically)

Example photographs, all camera-made JPEGs using this “Analog Cool” film simulation recipe on a Fujifilm X-T200: